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Magazines Database Part 1
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Issue | Date | Volume | Magazine | Title | Author | Pages | Topic |
---|---|---|---|---|---|---|---|
12 | Summer 2002 | Lola | Letters | 7 | |||
12 | Summer 2002 | Lola | Perfect heist | Sarah Elton | 11 | ||
12 | Summer 2002 | Lola | Wayne unplugged | Clint Roenisch | 18 | ||
12 | Summer 2002 | Lola | Smoke drink lecture | Scott Anderson | 26 | ||
12 | Summer 2002 | Lola | Christie's and the kid | Jeremy Mercer | 29 | ||
12 | Summer 2002 | Lola | A real piece of Brad's Pitts | Sanjay Mohanta | 30 | ||
12 | Summer 2002 | Lola | What is that? | Jon Sasaki | 42 | ||
12 | Summer 2002 | Lola | The big thaw | Douglas Bell | 44 | ||
12 | Summer 2002 | Lola | Ford plant SuperBuild | 47 | |||
12 | Summer 2002 | Lola | Just horsin' around | Craig Taylor | 52 | ||
12 | Summer 2002 | Lola | Media effects | Jocelyn Murtell | 55 | ||
12 | Summer 2002 | Lola | Ask Lola's Lawyer | Adam Bobker | 22 | All-Time Favourites... | |
12 | Summer 2002 | Lola | Jason Dunda's Top Ten | Jason Dunda | 23 | All-Time Favourites... | |
12 | Summer 2002 | Lola | A Short History of Artists' Pseudonyms | Dave Dyment | 25 | All-Time Favourites... | |
12 | Summer 2002 | Lola | What's wrong with you? #4 | R. M. Vaughan | 43 | All-Time Favourites... | |
12 | Summer 2002 | Lola | Official Contact 2002 Horoscopes for Shutterbugs | Guido Bruidoclarke | 54 | All-Time Favourites... | |
12 | Summer 2002 | Lola | Gossip | Shinan Govani | 33 | Columns | |
12 | Summer 2002 | Lola | Music | Yashin Blake | 35 | Columns | |
12 | Summer 2002 | Lola | Sex | Sally Trash | 37 | Columns | |
12 | Summer 2002 | Lola | Sports | Steve Brearton | 39 | Columns | |
12 | Summer 2002 | Lola | Screen | Bambi Acconci, dj Blazay | 41 | Columns | |
12 | Summer 2002 | Lola | Previews | 56-61 | |||
12 | Summer 2002 | Lola | Shotguns | 62-91 | |||
12 | Summer 2002 | Lola | Small Text | Sandy Plotnikoff | 62-92 | ||
13 | Fall 2002 | Lola | Letters | 2 | |||
13 | Fall 2002 | Lola | Kenneth Montague's Wedge | Si Si Penaloza | 8 | ||
13 | Fall 2002 | Lola | The New Zoo | Sarah Elton | 12 | ||
13 | Fall 2002 | Lola | Toilets of Yesteryear | Howard Akler | 15 | ||
13 | Fall 2002 | Lola | The Big Picture Feature | 37 | |||
13 | Fall 2002 | Lola | A Short History of Blowjobs in Art | Dave Dyment | 21 | ||
13 | Fall 2002 | Lola | What is That? | Jon Sasaki | 22 | ||
13 | Fall 2002 | Lola | What's Wrong With You? #5 | R. M. Vaughan | 23 | ||
13 | Fall 2002 | Lola | Jason Dunda's Top Ten | Jason Dunda | 25 | ||
13 | Fall 2002 | Lola | Guido Bruidoclarke's Lolascopes | Guido Bruidoclarke | 95 | ||
13 | Fall 2002 | Lola | Gossip | Shinan Govani | 29 | ||
13 | Fall 2002 | Lola | Music | Yashin Blake | 31 | ||
13 | Fall 2002 | Lola | Sports | Steve Brearton | 33 | ||
13 | Fall 2002 | Lola | Shotguns | 66-94 | |||
9 | Summer 2001 | Lola | Letters | 6 | |||
9 | Summer 2001 | Lola | Jumbo the Elephant: A Chronology | Andrew Weir | 11 | ||
9 | Summer 2001 | Lola | An Evening With The Longe Ninja | 17 | |||
9 | Summer 2001 | Lola | David Liss: Art Guy Of The North | Clint Roenisch | 19 | ||
9 | Summer 2001 | Lola | Floria Sigismondi's Hybrid Humans | Scott Anderson | 22 | ||
9 | Summer 2001 | Lola | A Short History On Nothing In Art | David Dyment | 25 | ||
9 | Summer 2001 | Lola | Share And Share Alike | Ben Smith Lea | 27 | ||
9 | Summer 2001 | Lola | Splash Screen, Cat Scans And Blah-Blah-Blah | Sally McKay | 29 | ||
9 | Summer 2001 | Lola | King Gus and The Unknown Soldier | Wilson Lee | 35 | ||
9 | Summer 2001 | Lola | The Lola Guide to contact 2001 | Sophie Hackett | 48 | ||
9 | Summer 2001 | Lola | What's Wrong With You... John McLachlin? | R. M. Vaughan | 57 | ||
9 | Summer 2001 | Lola | This Time It's Personal | Reid Diamond | 58 | ||
9 | Summer 2001 | Lola | The Floating Princess (With Jetison) | Reid Diamond | 59 | ||
9 | Summer 2001 | Lola | Yashin Blake on Music: My First Classic Plus... Music column BONUS! Yashin's Ten Jazz Gems | Yashin Blake | 38 | Columns | |
9 | Summer 2001 | Lola | Sex: Stuff This! | Sally Trash | 41 | Columns | |
9 | Summer 2001 | Lola | Temp Work: Shocked and Contrained | Bambi Acconci, Trixie von Lukacs | 43 | Columns | |
9 | Summer 2001 | Lola | Si Si P's Party Report: I've been to alotta them... | 45 | Columns | ||
9 | Summer 2001 | Lola | Jason Dunda's Top Ten Contemporary Art Cliches You Can't Do Anymore | Jason Dunda | 21 | All-Time Favourites... | |
9 | Summer 2001 | Lola | Ask Lola's Lawyer | Adam Bobker | 47 | All-Time Favourites... | |
9 | Summer 2001 | Lola | Lola's Fashion Feature by fashion enemies Jay and Derek | 65 | All-Time Favourites... | ||
9 | Summer 2001 | Lola | The New York Minute | Jill Henderson | 91 | All-Time Favourites... | |
9 | Summer 2001 | Lola | John Paul Bergel... And The Green Grass Grows All Around | Andrew Wright | 60 | Reviews | |
9 | Summer 2001 | Lola | Emese Hajagos on Katja Jacobs's Memorymap | Emese Hajagos | 61 | Reviews | |
9 | Summer 2001 | Lola | Craig Taylor Stucks To Be You | Craig Taylor | 62 | Reviews | |
9 | Summer 2001 | Lola | David Seymour on New Designers Fashionista Speak Out | David Seymour | 64 | Reviews | |
9 | Summer 2001 | Lola | Shotguns | 66 | Reviews | ||
10 | Fall 2001 | Lola | Letters | 7 | |||
10 | Fall 2001 | Lola | Face Value | Malcolm Rogge | 8 | ||
10 | Fall 2001 | Lola | Monk-y Business | Gerald Hannon | 11 | ||
10 | Fall 2001 | Lola | Urban Hunter | Jon Sasaki | 18 | ||
10 | Fall 2001 | Lola | What's Wrong With You... Deirdre Hanna? | R. M. Vaughan | 23 | ||
10 | Fall 2001 | Lola | Art & Science | E. Von Bark | 28 | ||
10 | Fall 2001 | Lola | HIM | Scott Anderson | 31 | ||
10 | Fall 2001 | Lola | Chandra, Is That You | Catherine Osborne | 35 | ||
10 | Fall 2001 | Lola | Martin Heath's CineCycle | John Porter | 36 | ||
10 | Fall 2001 | Lola | Beauties: 1-5 | Ian Carr-Harris | 39 | ||
10 | Fall 2001 | Lola | Lola's Open Books | 48 | |||
10 | Fall 2001 | Lola | Fall Preview | Tory Healy, Sally McKay, Catherine Osborne | 50 | ||
10 | Fall 2001 | Lola | Sports: Sports Crime | Steve Brearton | 41 | Columns | |
10 | Fall 2001 | Lola | Music: Believe In The Good Life | Yashin Blake | 42 | Columns | |
10 | Fall 2001 | Lola | Sex: Are You Getting More Sex Than You Think? | Sally Trash | 45 | Columns | |
10 | Fall 2001 | Lola | Temp Work: Spring Time in SF | Bambi Acconci, Trixie von Lukacs | 47 | Columns | |
10 | Fall 2001 | Lola | Jason Dunda's Top Ten | Jason Dunda | 25 | All-Time Favourites... | |
10 | Fall 2001 | Lola | Ask Lola's Lawyer | Adam Bobker | 27 | All-Time Favourites... | |
10 | Fall 2001 | Lola | Lola Fashion | Scott Anderson | 63 | All-Time Favourites... | |
10 | Fall 2001 | Lola | New York Minute | Jill Henderson | 91 | All-Time Favourites... | |
10 | Fall 2001 | Lola | Spencer Tunick | Max MacDonald | 56 | Reviews | |
10 | Fall 2001 | Lola | Lili Fischer | Craig Taylor | 58 | Reviews | |
10 | Fall 2001 | Lola | Sissy Boys and Foulmouthed Women | Dyna McLeod | 60 | Reviews | |
10 | Fall 2001 | Lola | Ryanbarrett and Mitch Robertson | Dave Dyment | 61 | Reviews | |
10 | Fall 2001 | Lola | New Remote | Carmen Victor | 62 | Reviews | |
10 | Fall 2001 | Lola | Shotguns | 68 | Reviews | ||
11 | Winter 2001/02 | Lola | Letters | 7 | |||
11 | Winter 2001/02 | Lola | What Now? Thought on War | Sally McKay, Catherine Osborne, Siobhan Roberts | 10 | ||
11 | Winter 2001/02 | Lola | Tourist of Death | Rick, Alan, Derek, Ben | 30 | ||
11 | Winter 2001/02 | Lola | A Short History of Piss in Art | Dave Dyment | 32 | ||
11 | Winter 2001/02 | Lola | Shopping Is Good | Rachel Yeager | 33 | ||
11 | Winter 2001/02 | Lola | The Sprawling Ugly Disaster That Is Nanaimo | Craig Taylor | 34 | ||
11 | Winter 2001/02 | Lola | Colin Campbell and El Mocambo | 35 | |||
11 | Winter 2001/02 | Lola | Groundfall Gourmet | Jon Sasaki | 40 | ||
11 | Winter 2001/02 | Lola | A Garden Theory of Culture | Andrew Kauffman | 41 | ||
11 | Winter 2001/02 | Lola | Follow the Art Cash: A Forensic Accounting Love Story | Clint Roenisch | 48 | ||
11 | Winter 2001/02 | Lola | Jason Dunda's Top Ten | Jason Dunda | 36 | All-Time Favourites... | |
11 | Winter 2001/02 | Lola | Ask Lola's Lawyer | Adam Bobker | 37 | All-Time Favourites... | |
11 | Winter 2001/02 | Lola | What's Wrong With You? #3 | R. M. Vaughan | 39 | All-Time Favourites... | |
11 | Winter 2001/02 | Lola | Sports: Bless Thee O'Hockey Puck | Steve Brearton | 43 | Columns | |
11 | Winter 2001/02 | Lola | Music: It's in the Lift Not the Lyrics | Yashin Blake | 44 | Columns | |
11 | Winter 2001/02 | Lola | Temp Work: Just When Does the Movie End? | Bambi Acconci, Trixie von Lukacs | 47 | Columns | |
11 | Winter 2001/02 | Lola | Mandy Williams | Sally Trash | 53 | Reviews | |
11 | Winter 2001/02 | Lola | Hideki Itoh | Nick Gamble | 55 | Reviews | |
11 | Winter 2001/02 | Lola | Human Faux Pas | Ivan Jurakic | 56 | Reviews | |
11 | Winter 2001/02 | Lola | Om Festival | Andrew Hull | 57 | Reviews | |
11 | Winter 2001/02 | Lola | Shotguns | 62 | |||
11 | Winter 2001/02 | Lola | Horoscopes for the Holidays | Guido Bruidoclarke | 89 | ||
11 | Winter 2001/02 | Lola | Lola's Xmas Craftime Idea | Sally McKay | 96 | ||
6 | Summer 2000 | Lola | Lola's Mail | 6 | |||
6 | Summer 2000 | Lola | Two Pages of Stuff | 10 | |||
6 | Summer 2000 | Lola | Dorothy and Anita: "There Ain't Half Been Some Clever Bastards" | Ihor Holubizky | 15 | ||
6 | Summer 2000 | Lola | Alien Other: Out of body experiences with Stelarc | Steve Brearton | 21 | ||
6 | Summer 2000 | Lola | Norman White's Sea (Pond) Monster | Del Minter | 22 | ||
6 | Summer 2000 | Lola | Mindoru | Lisa Deanne Smith | 23 | ||
6 | Summer 2000 | Lola | www.involuntary.org | Sally McKay | 24 | ||
6 | Summer 2000 | Lola | Istvan Kantor: Intercourse | Catherine Osborne | 26 | ||
6 | Summer 2000 | Lola | Dreaming of Electric Sheep | Joe McKay | 28 | ||
6 | Summer 2000 | Lola | Jason Dunda's Top Ten Sneakers | 29 | |||
6 | Summer 2000 | Lola | 9 to 5 Isn't Dead. It's Art | Anya Wassenberg | 32 | ||
6 | Summer 2000 | Lola | Trader (Lucky Charms) | Reid Diamond | 33 | ||
6 | Summer 2000 | Lola | RevPunky Technologies: Ray Guns that Actually Work! | Stephen Ibbott | 34 | ||
6 | Summer 2000 | Lola | Ask Lola's Lawyer | Adam Bobker | 36 | ||
6 | Summer 2000 | Lola | The Art Firm's Men in Suits | Alison Bain | 37 | ||
6 | Summer 2000 | Lola | Matthew Evans | Jenifer Papararo | 38 | Columns | |
6 | Summer 2000 | Lola | Tokyo's Good Clean Art | 39 | Columns | ||
6 | Summer 2000 | Lola | What the Guh? | Yashin Blake | 40 | Columns | |
6 | Summer 2000 | Lola | The Lion King Dimension | Evan Brooker | 41 | Columns | |
6 | Summer 2000 | Lola | Temp Work | Bambi Acconci, Trixie von Lukacs | 42 | Columns | |
6 | Summer 2000 | Lola | Loving Jerry Springer | Sally Trash | 43 | Columns | |
6 | Summer 2000 | Lola | The Pick-up | Wilson Lee | 45 | ||
6 | Summer 2000 | Lola | A Short List of Artists who use Currency in their Work | Catherine Osborne | 46 | ||
6 | Summer 2000 | Lola | Gary Michael Dault | Sophie Hackett | 48 | Contact 2000 | |
6 | Summer 2000 | Lola | Lola's Guid to Contact 2000 | 50 | Contact 2000 | ||
6 | Summer 2000 | Lola | Previews to Contact 2000 | Sophie Hackett | 52 | Contact 2000 | |
6 | Summer 2000 | Lola | Fish Factory | Christine Walde | 56 | ||
6 | Summer 2000 | Lola | Clint Griffin and Luis Jacob | Natalie Shahinian | 58 | Reviews | |
6 | Summer 2000 | Lola | Jean-Baptiste Simeon Chardin | Andrea Picard | 60 | Reviews | |
6 | Summer 2000 | Lola | Michael Balser and Ed Sinclair | Andrew J. Paterson | 62 | Reviews | |
6 | Summer 2000 | Lola | Mona's Smiley Smile and Napoleon Brousseau | Reid Diamond | 63 | Reviews | |
6 | Summer 2000 | Lola | Mary-Anne Wensley | Ann MacDonald | 66 | Reviews | |
6 | Summer 2000 | Lola | Paola Poletto | Emily Poh-Weary | 67 | Reviews | |
6 | Summer 2000 | Lola | Vera Hepp | Sean McLauchlan | 68 | Reviews | |
6 | Summer 2000 | Lola | Notorious: Alfred Hitchcock and Contemporary Art | Ihor Holubizky | 69 | Reviews | |
6 | Summer 2000 | Lola | Still Life | Mia Nielson | 70 | Reviews | |
6 | Summer 2000 | Lola | Rachelle Viader Knowles | Ross Bowden | 71 | Reviews | |
6 | Summer 2000 | Lola | 91. Shotgun Reviews | 72 | |||
6 | Summer 2000 | Lola | The New York Minute | Jill Henderson | 93 | ||
6 | Summer 2000 | Lola | Lola's Classifieds | ||||
7 | Fall 2000 | Lola | Lola's Mailbox | 6 | |||
7 | Fall 2000 | Lola | Susan Kealey | Andrew James Paterson | 11 | ||
7 | Fall 2000 | Lola | "I'm pro-condo, but anti-loft" | Kenneth Hayes | 13 | ||
7 | Fall 2000 | Lola | Affordability, Adaptability, Volume, Natural Light | Adrian Blackwell | 19 | ||
7 | Fall 2000 | Lola | Ask Lola's Lawyer | Adam Bobker | 23 | ||
7 | Fall 2000 | Lola | Back in Five Minutes: Here Comes Success with AA Bronson | Jenifer Papararo | 24 | ||
7 | Fall 2000 | Lola | Moose Hunting! | Jim Munroe | 27 | ||
7 | Fall 2000 | Lola | Artifact, Identity, Anonymity | Egon Von Bark | 28 | ||
7 | Fall 2000 | Lola | Milada Kovacova | Rebecca Diederichs | 30 | ||
7 | Fall 2000 | Lola | Cowboy Ken on the Open Range | Ken Fraser | 34 | ||
7 | Fall 2000 | Lola | Back to School with Jason Dunda's Top Ten | 35 | |||
7 | Fall 2000 | Lola | Joseph Arthur: Portrait of a Rockstar as Digital Artist | Sylvie Hill | 37 | ||
7 | Fall 2000 | Lola | A Second Home | Elaine Munro | 40 | ||
7 | Fall 2000 | Lola | Flop | Catherine Osborne | 41 | ||
7 | Fall 2000 | Lola | Nice is nice...when you're with the Ladies' Afternoon Art Society | Janis Demkiw | 42 | ||
7 | Fall 2000 | Lola | Millionaire Hearsay | Ben Smith Lea | 43 | ||
7 | Fall 2000 | Lola | Change the world...it can be a blast | Angela Bischoff, Tooker Gomberg | 56 | ||
7 | Fall 2000 | Lola | Art in Moviews | Karen Eull | 58 | ||
7 | Fall 2000 | Lola | Shari Hatt's Love Life | Jenifer Papararo | 44 | Columns | |
7 | Fall 2000 | Lola | Do Re Mi Fa So | Yashin Blake | 45 | Columns | |
7 | Fall 2000 | Lola | Instant Gratification: Vaseline night at the El Mocambo | 46 | Columns | ||
7 | Fall 2000 | Lola | Temp Work: Baaaaaad | Bambi Acconci, Trixie von Lukacs | 47 | Columns | |
7 | Fall 2000 | Lola | "I want satisfaction now!" | Sally Trash | 48 | Columns | |
7 | Fall 2000 | Lola | Sandy Plotnikoff and Robin Styba | Reid Diamond | 61 | Reviews | |
7 | Fall 2000 | Lola | Andrew Reyes | Brent Roe | 62 | Reviews | |
7 | Fall 2000 | Lola | Donigan Cumming | Wilson Lee | 63 | Reviews | |
7 | Fall 2000 | Lola | Zone 6B | Sherri Telenko | 65 | Reviews | |
7 | Fall 2000 | Lola | Max Streicher | Sherri Irvin | 66 | Reviews | |
7 | Fall 2000 | Lola | I've got to stop talking to myself | Chris Chambers | 67 | Reviews | |
7 | Fall 2000 | Lola | Paula Braswell | Mark Hakala | 69 | Reviews | |
7 | Fall 2000 | Lola | Knockout | Ann MacDonald | 70 | Reviews | |
7 | Fall 2000 | Lola | 90. Shotgun Reviews | 72 | Reviews | ||
7 | Fall 2000 | Lola | "Chilling" New York Minute | Jill Henderson | 91 | Reviews | |
4 | Summer 1999 | Lola | Lola's Mail Bag | 7 | |||
4 | Summer 1999 | Lola | How to get LESS out of Art: The Brothers Markle | Ihor Holubizky | 10 | ||
4 | Summer 1999 | Lola | Hello | Rebecca Diederichs | 16 | ||
4 | Summer 1999 | Lola | In Studio: Bud Fujikawa | Jenifer Papararo | 20 | ||
4 | Summer 1999 | Lola | Lesbian Helpers | Melissa Levin | 21 | ||
4 | Summer 1999 | Lola | Hippety Hoppity | Andrew Hunter | 22 | ||
4 | Summer 1999 | Lola | Letter to Prime Minister Jean Chretien | Chris Lloyd | 25 | ||
4 | Summer 1999 | Lola | Lola you Slut! | Sally Trash | 26 | ||
4 | Summer 1999 | Lola | Wallet Boy! | Catherine Osborne | 29 | ||
4 | Summer 1999 | Lola | Jason Dunda's Top Ten Websites | 29 | |||
4 | Summer 1999 | Lola | Ironic Distance Resistance | Nick Gamble | 30 | ||
4 | Summer 1999 | Lola | Couch Potato | Wilson Lee | 32 | ||
4 | Summer 1999 | Lola | Lecture #2: Sorry Mum | Jake Chapman, Dinos Chapman | 34 | ||
4 | Summer 1999 | Lola | Elisa Rathje | Jen Weih | 40 | ||
4 | Summer 1999 | Lola | Douglas Walker | Gretchen Sankey | 41 | ||
4 | Summer 1999 | Lola | Arts and Crafts | Catherine Osborne | 42 | ||
4 | Summer 1999 | Lola | Mandy Barber | Andrew Wright | 45 | ||
4 | Summer 1999 | Lola | Alan Belcher | Andy Fabo | 46 | ||
4 | Summer 1999 | Lola | Burke Paterson | Jessica Wyman | 48 | ||
4 | Summer 1999 | Lola | Art and Life, Life and Art | Sandra Gregson | 50 | ||
4 | Summer 1999 | Lola | Simone Jones and Victoria Scott | Tegan Smith | 51 | ||
4 | Summer 1999 | Lola | Miroslaw Balka, Doris Salcedo and Rachel Whiteread | Ruth Kerkham | 52 | ||
4 | Summer 1999 | Lola | Mary Catherine Newcomb | Gordon Hatt | 53 | ||
4 | Summer 1999 | Lola | Part I and 2 of Performing Generations | Jessica Wyman | 54 | ||
4 | Summer 1999 | Lola | David Pellettier | Nigel Lezama | 56 | ||
4 | Summer 1999 | Lola | Trans | Doug Mitchell | 57 | ||
4 | Summer 1999 | Lola | Joseph Cornell and Marcel Duchamp | Greg Humeniuk | 58 | ||
4 | Summer 1999 | Lola | Sophie Ristelhueber | Cornelius Hessters | 60 | ||
4 | Summer 1999 | Lola | Not Finished | Graham Gillmore | 64 | ||
4 | Summer 1999 | Lola | 87 Shotgun Reviews | 64 | |||
2 | Summer 1998 | Lola | Lola's Mail Page | 4 | |||
2 | Summer 1998 | Lola | The Last Thing we want is a City Filled with Zombie Customer Service Reps... | Lola's Secret Agent | 10 | ||
2 | Summer 1998 | Lola | Do it Yourself | Luis Jacob | 12 | ||
2 | Summer 1998 | Lola | Money Trouble | Sally McKay | 15 | ||
2 | Summer 1998 | Lola | The Praise of Laziness | Mladen Stilinovic, Michelle Teran | 16 | ||
2 | Summer 1998 | Lola | Posers: Alex Bag, Karma Clarke-Davis, and Eliza Griffiths | Ingrid Chu | 18 | ||
2 | Summer 1998 | Lola | "...but sometimes illusion ain't no revolution...," | Gregory Klages | 21 | ||
2 | Summer 1998 | Lola | No Strings Attached: An Interview with Valerie Steele | Ingrid Chu | 22 | ||
2 | Summer 1998 | Lola | Interview with Jennifer Rudder | FASTWURMS | 24 | ||
2 | Summer 1998 | Lola | Truckin' after a Technoshaman: Whatever happened to the Deadheads? | Lesley Wood | 28 | ||
2 | Summer 1998 | Lola | We Paint | Helen Stathopulous | 29 | ||
2 | Summer 1998 | Lola | Glamour Insecure | Peter Greyson | 30 | ||
2 | Summer 1998 | Lola | House/Housing | George Higton | 34 | ||
2 | Summer 1998 | Lola | Happy Birthday Yoko! | Kyo Maclear | 37 | ||
2 | Summer 1998 | Lola | Famous Artstars: An Addendum | Andrea Fitzpatrick | 38 | ||
2 | Summer 1998 | Lola | Way Into Control: A Strange Affinity in the Work of Marla Hlady and Eric Glavin | Carl Skelton | 40 | ||
2 | Summer 1998 | Lola | Refuse to Lose | Eric Glavin | 42 | ||
2 | Summer 1998 | Lola | Interview with David Rokeby | Gregory Klages | 44 | ||
2 | Summer 1998 | Lola | Baudrillard: Shooting in the Sandbox | Corinna Ghaznavi, Felix Stalder | 46 | ||
2 | Summer 1998 | Lola | The Peaceable Kingdomes | Jeanne Randolph | 48 | ||
2 | Summer 1998 | Lola | Carlo Cesta: Flourish, Inc. | Bernie Miller | 52 | ||
2 | Summer 1998 | Lola | Fast Forward: The Vibrant Art Scene of the Republic of Korea | Wilson Lee | 54 | ||
2 | Summer 1998 | Lola | Rocco Turino: Night Snap | John Massier | 56 | ||
2 | Summer 1998 | Lola | Tarot Jigs (& bird chance): Jack Niven | Jamelie Hassan | 57 | ||
2 | Summer 1998 | Lola | Images | Eileen Sommerman | 58 | ||
2 | Summer 1998 | Lola | Dead Letters | Kamal Al-Solaylee | 59 | ||
2 | Summer 1998 | Lola | More About Her Than Him... | Reid Diamond | 60 | ||
2 | Summer 1998 | Lola | Super Models | Matthew Bissonnette | 61 | ||
2 | Summer 1998 | Lola | [ENG]land | Jennifer Rudder | 62 | ||
2 | Summer 1998 | Lola | Some Notes on Barbara Bloom, With Respect to Painting | Ryan Whyte | 63 | ||
2 | Summer 1998 | Lola | De la seduction a la resistance (The Seduction of Resistance) | Natalie Olanick | 64 | ||
2 | Summer 1998 | Lola | Weegee's World: Life, Death and the Human Drama | Rachel Lipton | 65 | ||
2 | Summer 1998 | Lola | Social Secrets | Andrea Fitzpatrick | 66 | ||
2 | Summer 1998 | Lola | The Warhol Look/ Glamour Style Fashion | Laura Petican | 67 | ||
2 | Summer 1998 | Lola | 89. Shotgun Reviews | 72 | |||
3 | Winter 1998 | Lola | Lola's Mail Page | 4 | |||
3 | Winter 1998 | Lola | Versions II | Ihor Holubizky | 16 | ||
3 | Winter 1998 | Lola | Disjunctures: The Conversational Community | Corinna Ghaznavi | 20 | ||
3 | Winter 1998 | Lola | The Demonstrative Art of Street Reclamation | Alan Antliff | 23 | ||
3 | Winter 1998 | Lola | Lola's Guest Gossip Columns | Pepe le Peew, La Comtess de la Distress | 25 | ||
3 | Winter 1998 | Lola | Sophie Hackett Talks With Kelly McCray | 26 | |||
3 | Winter 1998 | Lola | Products, Place, Phenomenon: Lain Baxter | Catherine Osborne | 28 | ||
3 | Winter 1998 | Lola | On Situating Art in the Public Realm | Paul Raff | 30 | ||
3 | Winter 1998 | Lola | 2014. An odd essay | Michael Balser | 32 | ||
3 | Winter 1998 | Lola | This May Very Well Be the Best Article You've Ever Read | Eric Glavin | 38 | ||
3 | Winter 1998 | Lola | Lecture #1: Greil Marcus on the 1996 Florence Biennale | 40 | |||
3 | Winter 1998 | Lola | Czech Account | Gwen MacGregor, Lewis Nicholson, Penny Stewart | 44 | ||
3 | Winter 1998 | Lola | Zoning for Sex: Public Girls Getting the Job Done | Sally Trash | 46 | ||
3 | Winter 1998 | Lola | 澳门六合彩开奖预测 Swing | Reid Diamond | 52 | ||
3 | Winter 1998 | Lola | Analysis of a gallery guestbook | Lola's Secret Agent | 52 | ||
3 | Winter 1998 | Lola | Travel Diary | Dianne Pearce | 54 | ||
3 | Winter 1998 | Lola | Salon Degenrate | Wilson Lee | 55 | ||
3 | Winter 1998 | Lola | Made to Measure | Jennifer Papararo | 56 | ||
3 | Winter 1998 | Lola | Patient/Prisoner | Corinna Ghaznavi | 57 | ||
3 | Winter 1998 | Lola | Red of Tooth and Caw | FASTWURMS | 58 | ||
3 | Winter 1998 | Lola | Between a Rock and a Hard Place | Delwyn Higgens | 59 | ||
3 | Winter 1998 | Lola | CounterPoses: Re-imagining Tableaux Vivants | Jack Stanley | 60 | ||
3 | Winter 1998 | Lola | Jesus Christ Superstar: Where You Are Christ | Leslie Ashton | 62 | ||
3 | Winter 1998 | Lola | Blue in Green | Gordon Hatt | 64 | ||
3 | Winter 1998 | Lola | Patricia Seaman
fucks
with Text |
Reid Diamond | 65 | ||
3 | Winter 1998 | Lola | The Inhalants | Karma Clarke-Davis | 66 | ||
3 | Winter 1998 | Lola | Pop Off | Stuart Reid | 67 | ||
3 | Winter 1998 | Lola | Lois Andison | Heidi Bergstrom | 68 | ||
3 | Winter 1998 | Lola | Realities | Vera Hepp | 69 | ||
3 | Winter 1998 | Lola | Panic Bodies, A Blueprint for Love and Death in the 21st Century | Tamara Faith Berger | 70 | ||
3 | Winter 1998 | Lola | Flowers, Showers & Curtain Calls | Andrew Wright | 71 | ||
3 | Winter 1998 | Lola | Foodculture | Jack Butler | 72 | ||
3 | Winter 1998 | Lola | Early Unsettler Woman of Etobicoke: Kerri Sakamoto | Ben Kim | 74 | ||
3 | Winter 1998 | Lola | Manifesto #3 | Malcolm Brown | 76 | ||
3 | Winter 1998 | Lola | 88. Shotgun Reviews | 78 | |||
1 | 1997 | Lola | Common Cougar Complaints | Sally McKay | 4 | ||
1 | 1997 | Lola | Heartfelt Landfill | Andy Patton | 8 | ||
1 | 1997 | Lola | Versions | Ihor Holubizky | 10 | ||
1 | 1997 | Lola | PO-PO: It's After the End of the World | Andrew Paterson | 14 | ||
1 | 1997 | Lola | HAL | Saint Reverend Jen | 15 | ||
1 | 1997 | Lola | Show's Over Folks, Move Along: The Institutionalization of Art and the Secret Life of the Undergound | Philip Monk | 16 | ||
1 | 1997 | Lola | Shape-Shifter | Istvan Kantor | 19 | ||
1 | 1997 | Lola | Sake | Luis Jacob | 20 | ||
1 | 1997 | Lola | We Heard That Radical New Thinking Has To Start Somewhere | Marina Polosa | 21 | ||
1 | 1997 | Lola | The Object/Abject of criticism | Cornelius Heesters | 22 | ||
1 | 1997 | Lola | Hopeless Misrepresentation: An Interview with FASTWURMS | Janice Gurney | 24 | ||
1 | 1997 | Lola | Space Matters | Sally McKay | 27 | ||
1 | 1997 | Lola | The LOMO Project: Toronto is Neighbourhood | 28 | |||
1 | 1997 | Lola | FAT THIN FLAT | Reid Diamond | 30 | ||
1 | 1997 | Lola | Why Two Bingos Don't Make A Bus | Jennifer McMackon | 31 | ||
1 | 1997 | Lola | A Thought | Andy Patton | 33 | ||
1 | 1997 | Lola | Beyond These Walls | Sally McKay | 34 | ||
1 | 1997 | Lola | Feeling the Time | John Massier | 36 | ||
1 | 1997 | Lola | Pretty Women | Ingrid Chu | 38 | ||
1 | 1997 | Lola | "You English..." | Jessica Wyman | 40 | ||
1 | 1997 | Lola | Imperial | Taras Polataiko | 42 | ||
1 | 1997 | Lola | 7A*11D | Luis Jacob | 43 | ||
1 | 1997 | Lola | Lame TV Pilots | Ihor Holubizky | 44 | ||
1 | 1997 | Lola | Big Wheel: new work from the collective that cares | John Massier | 45 | ||
1 | 1997 | Lola | Buttered Side Up | Catherine Osborne | 46 | ||
1 | 1997 | Lola | A Summer of Dementia | John Massier | 48 | ||
1 | 1997 | Lola | The Murals of Central Tech and Harbord Collegiate | Lesley Wood | 50 | ||
1 | 1997 | Lola | City Boy | Catherine Osborne | 51 | ||
1 | 1997 | Lola | Prosperity Returns: The Big Dumb Question | John Massier | 52 | ||
1 | 1997 | Lola | Affirmations All the Same | Gordon Lebredt | 54 | ||
1 | 1997 | Lola | Claire Trevor, je t'aime | R. M. Vaughan | 56 | ||
1 | 1997 | Lola | 77 SHOTGUNS | 58 | |||
1 | 1997 | Lola | Who the
fuck
is Lola? |
85 | |||
1 | 1997 | Lola | The Fine Art of Surviving As An Artist | Av Isaacs | 86 | ||
Fall 2000 | 26 | MIX | A portfolio of recent and upcoming artwork | Kika Thorne | 5 | Artist-Run Centre | |
Fall 2000 | 26 | MIX | Silicon Alley North: Liberty Street Village in 2005 | Catherine Osborne | 26 | ||
Fall 2000 | 26 | MIX | Site Report: New Brighton Park, East Vancouver from the Office for Soft Architecture | 29 | Column | ||
Fall 2000 | 26 | MIX | Conversion Stories: A Silo/ A Boarding House/ A Foundry | Dayna McLeod | 30 | ||
Fall 2000 | 26 | MIX | Steven Topping | Vince Tinguely | 36 | Interview | |
Fall 2000 | 26 | MIX | Like A Hurrican | Reid Diamond | 36 | Column | |
Fall 2000 | 26 | MIX | Deal of the Decade: Grunt Gallery, a Beer and a Real Estate Agent | Glenn Alteen | 42 | Essay | |
Fall 2000 | 26 | MIX | Locations | Leannej | 43 | Subfeature | |
Fall 2000 | 26 | MIX | Winsom: Draw it Black Artists' Collective | Dalton Higgins | 44 | Interview | |
Fall 2000 | 26 | MIX | Mouvement Instable/ Unstable Motion | Natalie Dussault | 46 | Review | |
Fall 2000 | 26 | MIX | Seydou Keita: Mid-Century Modern | Ruth Kerkham | 51 | Subfeature | |
Fall 2000 | 26 | MIX | The national directory of artist-run centres | 52 | MIXList | ||
Winter 1999/20 | 25 | MIX | The portfolio of recent and upcoming artwork | 9 | Artist-Run Centre | ||
Winter 1999/20 | 25 | MIX | Muse Me: When Art Came to Life | P. Afua Marcus | 25 | ||
Winter 1999/20 | 25 | MIX | Outlets: New Media Mix | Kathleen Pirrie Adams | 26 | ||
Winter 1999/20 | 25 | MIX | Bug Free | Kandis Weiner | 32 | ArtSpeak | |
Winter 1999/20 | 25 | MIX | Picture This. "Napoleon Anthony Bonaparte, the editorial cartoonist for the Montreal Mirror, receives a healthy dose of angry letters to the editor and threatening telephone messages. Consistently." | Dalton Higgins | 38 | Performance | |
Winter 1999/20 | 25 | MIX | Sound Poetry in the Post-Literate Age? | John Sobol | 41 | ReMIX | |
Winter 1999/20 | 25 | MIX | On the Beaten Track: Tourism, Art, and Place | Lizz Mendez Berry | 44 | Introducing... | |
Winter 1999/20 | 25 | MIX | Toronto's new wave of arts space: Bus, 1080 Bus, Zsa Zsa, The Art Firm, Anoush Gallery and Sis Boom Bah | Ingrid Chu | 48 | Film | |
Winter 1999/20 | 25 | MIX | The "F" Word | Tagny Duff | 52 | Off the Wall: Artist Forum | |
Winter 1999/20 | 25 | MIX | Many Bridges to Cross | Lorna Boschman | 57 | Off the Wall: Artist Forum | |
Winter 1999/20 | 25 | MIX | Trunk | Valerie LeBlanc | 64 | MIXList | |
Winter 1999/20 | 25 | MIX | The national directory of artist-run centres | ||||
Spring 1998 | 23 | MIX | A national directory of artist-run centres | 9 | |||
Spring 1998 | 23 | MIX | A portfolio of recent and upcoming artwork | 17 | |||
Spring 1998 | 23 | MIX | Beneath the Pavilions [5]: Bachelor Machine (Autoironic) | Lisa Robertson | 33 | Column | |
Spring 1998 | 23 | MIX | Wired Absence Performance as spectacle at SAW Gallery's Strut Your Stuff II. | J. Latham | 38 | MIXCELLS | |
Spring 1998 | 23 | MIX | The Ganbari Girls, Girls just wanna have fun at the NAJC in Toronto | David Fujino, Bryce Kanbara | 46 | ||
Spring 1998 | 23 | MIX | Legal Fictions Marwan Hassan Ruminates on Mason Jars, Jack Chambers, and the Code of Hammurabi | 40 | |||
Spring 1998 | 23 | MIX | How to Be a Player | 48 | Dispositions | ||
Spring 1998 | 23 | MIX | J. J. Lee's disintegrated anatomies cut to the heart of body politics | 57 | Artist Pages | ||
Spring 1998 | 23 | MIX | Lord, we have Lost Everything | Peter Hudson | 64 | Editor's Letter | |
Summer 1998 | 24 | MIX | The national directory of artist-run centres | 9 | |||
Summer 1998 | 24 | MIX | A portfolio of recent and upcoming artwork | 17 | |||
Summer 1998 | 24 | MIX | Beneath the Pavilions [6]: Visitations: City of Ziggurats When Vancouver's Kootenay School of Writing faced death | Lisa Robertson | 33 | Column | |
Summer 1998 | 24 | MIX | Found Objects What does it mean to be a provincial? | 40 | |||
Summer 1998 | 24 | MIX | Khutoot | Farooq S. Burney | 44 | Artist Pages | |
Summer 1998 | 24 | MIX | Patiner sur l'oeil | Sylvain Campeau | 46 | Commentaire | |
Summer 1998 | 24 | MIX | Native Son Lawrence Paul Yuxweluptun talks to Reid Shier on art, colonialism, and the history of the West | 48 | Interview | ||
Summer 1998 | 24 | MIX | Histories We Have Been Taught to Forget: Contemporary Montreal and the 1968 Congress of Black Writers | Dave Austin | 56 | ||
Summer 1998 | 24 | MIX | Reading East to West | Alice Ming Wai Jim | 36 | MIXCELLS | |
Summer 1998 | 24 | MIX | In Memoriam: Tim Guest | Andy Patton | 38 | MIXCELLS | |
Summer 1998 | 24 | MIX | Sistah Style Motion gets open on Women on Wax | 61 | MIXCELLS | ||
Summer 1998 | 24 | MIX | The CARO Crunch | 62 | MIXCELLS | ||
Summer 1998 | 24 | MIX | The Money is Out There | Jennifer Rudder | 63 | Editor's Letter | |
Fall 1998 | 24 | MIX | The national directory of artist-run centres | 9 | MIXList | ||
Fall 1998 | 24 | MIX | A portfolio of recent and upcoming artwork | 17 | Artist-Run Centre | ||
Fall 1998 | 24 | MIX | Beneath the Pavilions [7]: Pure Surface: A Mississauga Story | Lisa Robertson | 33 | Column | |
Fall 1998 | 24 | MIX | Ubiquitous as Grass: The Lawn and Suburb in the American Century | 35 | |||
Fall 1998 | 24 | MIX | Hell and Hopes of Paradise | Ramona Ramlochand | 40 | Artist's Text | |
Fall 1998 | 24 | MIX | A Day in the Life of the Carnivalesque: The Corporeal Aesthetics of CounterPoses | Valerie Lamontagne | 44 | ||
Fall 1998 | 24 | MIX | Suburbia | Allen Forbes | 48 | Dispositions | |
Fall 1998 | 24 | MIX | Suburban Fetish | Sandy Nicholson | 58 | Excerpt | |
Fall 1998 | 24 | MIX | Paradis Perdu | Pierre Beaudoin | 60 | ||
Fall 1998 | 24 | MIX | Declaration of Independence | Peter Hudson | 64 | Editor's Letter | |
Winter 1998 | 24 | MIX | The national directory of artist-run centres | 54 | MIXList | ||
Winter 1998 | 24 | MIX | A portfolio of recent and upcoming artwork | 9 | Artist-Run Centre | ||
Winter 1998 | 24 | MIX | Beneath the Pavilions [8]: Board Story | Lisa Robertson | 25 | Column | |
Winter 1998 | 24 | MIX | Marshall Arts: Teresa Marshall | Charlotte Townsend-Gault | 31 | ||
Winter 1998 | 24 | MIX | Tryptic | Reid Diamond | 43 | Artist's P | |
Winter 1998 | 24 | MIX | Tomboy on the Bridge: Recent Videos | Kathleen Pirrie Adams | 38 | ||
Winter 1998 | 24 | MIX | Zapping the Communities | Andrew J. Paterson | 54 | ||
Winter 1998 | 24 | MIX | Come Again: Rodney Graham's Vexation Island | Peter Hudson | 28 | Review | |
Winter 1998 | 24 | MIX | Still Dancing on John Wayne's Head | Norman (Otis) Richmond | 50 | ||
Winter 1998 | 24 | MIX | Edmonton's Fall | Blair Brennan | 47 | MIXCELLS | |
Winter 1998 | 24 | MIX | Paysage Reinvente -- Perce | Tristan Ville | 52 | MIXCELLS | |
Summer 1997 | 23 | MIX | A national directory of artist-run centres | 13 | |||
Summer 1997 | 23 | MIX | A portfolio of recent and upcoming artwork | 19 | |||
Summer 1997 | 23 | MIX | Sentimental Necrophilia An Interview with Coco Fusco | Cameron Bailey | 35 | Interview | |
Summer 1997 | 23 | MIX | Beneath the Pavilions [2]: Good Grooming | Lisa Robertson | 39 | Column | |
Summer 1997 | 23 | MIX | Scoping Boys | Kelly O'Brien | 42 | Extracts | |
Summer 1997 | 23 | MIX | Loaded Joy | John Massier | 48 | ||
Summer 1997 | 23 | MIX | Munch's The Scream: Dread and Happiness Not to Be Used as Flotation Devices | Mark Kingwell | 53 | ||
Summer 1997 | 23 | MIX | S(us)taining memories | Devora Neumark | 56 | Artist's Text | |
Summer 1997 | 23 | MIX | Comme dans la vie | Francois Dion, Karen Wong | 60 | Dialogue | |
Summer 1997 | 23 | MIX | Space Grab: The Future of Public Art | Kelly McCray | 62 | MIXCELLS | |
Summer 1997 | 23 | MIX | Happiness Is a Warm and Loaded Gun | 64 | Editor's Letter | ||
Fall 1997 | 23 | MIX | A national directory of artist-run centres | 13 | |||
Fall 1997 | 23 | MIX | A portfolio of recent and upcoming artwork | 23 | |||
Fall 1997 | 23 | MIX | Beneath the Pavilions [3]: Modern 澳门六合彩开奖预测 | Lisa Robertson | 39 | Column | |
Fall 1997 | 23 | MIX | Dissenting Culture: artists defy the new conservatism | 42 | Dispositions | ||
Fall 1997 | 23 | MIX | All That Glitters | Justin Wonnacott | 50 | ||
Fall 1997 | 23 | MIX | Apples and Oranges | Michael Fernandes | 55 | Artist's Text | |
Fall 1997 | 23 | MIX | Gros Grand Gars | Jennifer Rudder | 59 | ||
Fall 1997 | 23 | MIX | Without Fashion, With Hope | 64 | Editor's Letter | ||
Winter 1997/98 | 23 | MIX | A national directory of artist-run centres | 11 | |||
Winter 1997/98 | 23 | MIX | A portfolio of recent and upcoming artwork | 19 | |||
Winter 1997/98 | 23 | MIX | Beneath the Pavilions [4]: Dryrot | Lisa Robertson | 35 | Column | |
Winter 1997/98 | 23 | MIX | This is not a Benetton Ad: The theory of community art | Robin Pacific | 38 | ||
Winter 1997/98 | 23 | MIX | (The Mapmaker's Apprentice) | Brian Mitolo, Shelagh Young | 44 | MIXCELLS | |
Winter 1997/98 | 23 | MIX | Les mots et les images des choses | Syvain Campeau | 60 | MIXCELLS | |
Winter 1997/98 | 23 | MIX | Aborescences | Colette Lelievre | 62 | MIXCELLS | |
Winter 1997/98 | 23 | MIX | Surreal, Post-Indian, Subterranean Blues | Lori Blondeau, Bradlee LaRocque | 46 | Interview | |
Winter 1997/98 | 23 | MIX | How to Help Animals Escape from Degraded Habitats | Bill Burns | 54 | Artist's Text | |
Spring 1996 | MIX | A national directory of artist-run centres | 11 | MIXList | |||
Spring 1996 | MIX | A portfolio of recent and upcoming artwork | 17 | Artist-Run Centre | |||
Spring 1996 | MIX | Mark Splatter Spray Graffiti Interventions Across he Country | Susan Kealey, Shawna Dempsey, Jeff Derksen, Louise Gauthier, Gitanjali, Gabrielle Kemp, Gerald Leblanc, Jona Pelovska, Jil p. Weaving | 39 | Dispositions | ||
Spring 1996 | MIX | From a Standpoint of Exile | Minhquang Nguyen | 50 | Artist's Text | ||
Spring 1996 | MIX | Burning Down the House | Kevin D*Souza | 34 | MIXCELLS | ||
Spring 1996 | MIX | Celebrating The Local | Margaret Rodgers | 48 | MIXCELLS | ||
Spring 1996 | MIX | Post-Chickadee Museum Under Fire | Rob O'Flanagan | 54 | MIXCELLS | ||
Spring 1996 | MIX | Talk Indian To Me (3) | Ahasiw Maskegon-Iskwew | 36 | Column | ||
Summer 1996 | MIX | A national directory of artist-run centres | 9 | ||||
Summer 1996 | MIX | A portfolio of recent and upcoming artwork | 15 | ||||
Summer 1996 | MIX | Rumblings from the Belly of the Monster: Excerpts from an E-Dialogue | Monster Central | 48 | Cyborgeous | ||
Summer 1996 | MIX | The Rake's Progress of Pixels: Why Web Art is Sleazy | Elizabeth O'Grady | 40 | Cyborgeous | ||
Summer 1996 | MIX | Early Risers: Artists and New Media | Scott Mitchell | 46 | Cyborgeous | ||
Summer 1996 | MIX | Approaching Zero | Stephen Andrews | 55 | Artist's Text | ||
Summer 1996 | MIX | Talk Indian To Me (4) Speaking Spider Language | Ahasiw Maskegon-Iskwew | 62 | Column | ||
Summer 1996 | MIX | Ambiguities on the Main | John Latour | 37 | MIXCELLS | ||
Summer 1996 | MIX | Confiscation d'oeuvres de Joanne Tremblay | Bastien Gilbert | 38 | MIXCELLS | ||
Summer 1996 | MIX | Belonging Between Displines | Daniela Relja | 60 | MIXCELLS | ||
Summer 1996 | MIX | Intro · Art and the Neo-Conservative Agenda | Lynn Beavis | 31 | Artist-Run Insert | ||
Summer 1996 | MIX | Phunked Up | David Nandi Odhiambo & Terence Anthony | 33 | Artist-Run Insert | ||
Fall 1996 | 22 | MIX | A national directory of artist-run centres | 9 | |||
Fall 1996 | 22 | MIX | A portfolio of recent and upcoming artwork | 15 | |||
Fall 1996 | 22 | MIX | Falling Out Of Art School From Student Life to Independent Practice __ Where are the Survival Nets? | Michael Barker, Simone Moir, Jessica Carpenter, Damon Crain, Larissa Fan, Emmanual Galland, Debby Keeper, Terry O'Reilly, Martin Pitre, Christina Zeidler | 48 | Dispositions | |
Fall 1996 | 22 | MIX | Deborah Waddington's David Tsubouchi and the 40 Stomachs of Parkdale | John Scott | 44 | Extracts | |
Fall 1996 | 22 | MIX | The End of R+D | Susan Dobson | 29 | MIXCELLS | |
Fall 1996 | 22 | MIX | Heaven Help Us | Jennifer Rudder | 60 | MIXCELLS | |
Fall 1996 | 22 | MIX | Found Footage, Hidden Meanings On Queer Subtext, Yiddish Films & Subcultural Recycling | Eve Sicular | 32 | ||
Fall 1996 | 22 | MIX | [T(here)] | Melinda Mollineaux | 38 | Artist's Text | |
Winter 1996/97 | 22 | MIX | A national directory of artist-run centres | 11 | |||
Winter 1996/97 | 22 | MIX | A portfolio of recent and upcoming artwork | 17 | |||
Winter 1996/97 | 22 | MIX | Euro-Festival Watch | Nina Czeglady | 33 | MIXCELLS | |
Winter 1996/97 | 22 | MIX | The Search for Better Questions | Lianne Payne | 40 | MIXCELLS | |
Winter 1996/97 | 22 | MIX | Body of Evidence | Kyle Shaw | 57 | MIXCELLS | |
Winter 1996/97 | 22 | MIX | On Temples, Trials and Taste | Cliff Eyland | 61 | MIXCELLS | |
Winter 1996/97 | 22 | MIX | The Moral Imagination: Some Background | Scott Mitchell | 62 | MIXCELLS | |
Winter 1996/97 | 22 | MIX | "Harder and Harder: Archeology & Censorship" | Tom Waugh | 35 | Extracts | |
Winter 1996/97 | 22 | MIX | Disappearing Histories of the Black Pacific: Contemporary Black Art In Vancouver | Peter Hudson | 48 | ||
Winter 1996/97 | 22 | MIX | An Interview with Kathy Acker | Kika Thorne | 42 | Interview | |
Winter 1996/97 | 22 | MIX | Talk Indian To Me (5) Walking in Beauty | Ahasiw Maskegon-Iskwew | 58 | Column | |
Fall 1995 | MIX | A national directory of artist-run centres | 11 | MIXList | |||
Fall 1995 | MIX | A portfolio of recent and upcoming artwork | 17 | Artist-Run Centre | |||
Fall 1995 | MIX | Undressing "Victim Art" | Buseje Bailey, Cameron Bailey, Lorna Boschman, Richard Fung, Jane Ash Poitras, Jeanne Randolph | 41 | Dispositions | ||
Fall 1995 | MIX | LES DOIGTS ONT LES ONGLES DURS | Richard Martel | 51 | Extrait | ||
Fall 1995 | MIX | Talk Indian To Me | Ashasiw Maskegon-Iskwew | 52 | Column | ||
Winter 1995/96 | MIX | A National directory of artist-run centres | 11 | MIXList | |||
Winter 1995/96 | MIX | A portfolio of recent and upcoming artwork | 17 | Artist-Run Centre | |||
Winter 1995/96 | MIX | On Either Side of an Elephant | Jose M. Springer | 41 | |||
Winter 1995/96 | MIX | This Is Not The Piece | Margaret Christakos | 33 | |||
Winter 1995/96 | MIX | From OAAG's "Censorship and the Arts" panel Looking At Ice Cubes | Barbara Fischer | 37 | Extracts | ||
Winter 1995/96 | MIX | From The Stockholm(e) Syndrome | Bryan James | 49 | |||
Winter 1995/96 | MIX | Talk Indian To Me (2) | Ahasiw Maskegon-Iskwew | 38 | Column | ||
Winter 1995/96 | MIX | A Woman Is a Moving Site | Barbara Godard | 54 | Review | ||
February 2000 | 17 | Muse | To Be Or Not To Be Independent Curators | Janet Brooke, Andrea Hauenschild, Peter White | 16 | ||
February 2000 | 17 | Muse | Museum Retail: Strategy Brings Success In New Brunswick | Wendy McNulty | 24 | ||
February 2000 | 17 | Muse | Pekuakamiulnuatsh | Doris Paul, Louise Simeon, Jean Trudel | 36 | ||
February 2000 | 17 | Muse | How Museums Build Communities | Gail Dexter Lord | 40 | ||
February 2000 | 17 | Muse | The Holetown Community Museum Project | Caroline Lanthier | 48 | ||
February 2000 | 17 | Muse | Whither Cultural Policy? | John G. McAvity | 4 | ||
February 2000 | 17 | Muse | Return of the "R" word | Sonja Tanner-Kaplash | 7 | ||
February 2000 | 17 | Muse | Le Mois de la Photo a Montreal 1999 | Robert Graham | 12 | ||
February 2000 | 17 | Muse | The Prince Edward Island Potato Museum | Alden Weeks | 56 | ||
February 2000 | 17 | Muse | Garden of the Gulf Museum | Barbara Maccormac | 57 | ||
February 2000 | 17 | Muse | Orwell Corner Historic Village | Wendell Boyle | 58 | ||
February 2000 | 17 | Muse | Luke Rombout | Renee Huard | 62 | ||
February 2000 | 17 | Muse | An Eye in the Sky | Teresa Wilcox | 64 | ||
February 2000 | 17 | Muse | Managing Museum Intellectual Property | Rina Elster Pantalony | 66 | ||
February 2000 | 17 | Muse | Reaffirmation, Redirection and Inspiration | Gail Rydman | 68 | ||
1999 | 17 | Muse | Perspective | John G. McAvity, Michel Perron | 3 | ||
1999 | 17 | Muse | Enjoy Lecture | Catherine C. Cole, Johanne Gaudet | 4 | ||
1999 | 17 | Muse | Collecting: A Challenge for the 21st Century | Laurier Lacroix | 11 | ||
1999 | 17 | Muse | Animal Collections - Yesterday, Today And Tomorrow | Greg Tarry | 16 | ||
1999 | 17 | Muse | Growth Capital for Museums: Donors | France Gascon | 26 | ||
1999 | 17 | Muse | There's No Place Like Home: A Caribou Skin Lodge Returns to the North-West Territories | Johanne Bird, Barbara Cameron | 31 | ||
1999 | 17 | Muse | Talking to Gord - A True Story | Andrew Hunter | 40 | ||
1999 | 17 | Muse | Deaccessioning: A Practical and Ethical Issue | Richard Dube | 53 | ||
May 1998 | 16 | Muse | Investigators of The Last Frontier From White Bears to One-Room Schoolhouses | Brenk Cooke | 22 | ||
May 1998 | 16 | Muse | Refusal, Or The Freedom To Choose | Jean Pierre Desaulniers | 36 | ||
May 1998 | 16 | Muse | Canada's Fight Against Illicit Traffic In Cultural Property | Kathryn Zedde | 42 | ||
May 1998 | 16 | Muse | A Cultural Policy for the 21st Century | John G. McAvity | 7 | ||
May 1998 | 16 | Muse | Charitable Gaming: Godsend or Curse? | Adriana Albi Davies | 10 | ||
May 1998 | 16 | Muse | Baroque to Neo-Classical Sculpture in Quebec | Laurent Benoist | 16 | ||
May 1998 | 16 | Muse | Textiles in "Fibrespace" | Monica MacDonald | 18 | ||
May 1998 | 16 | Muse | Yukon Beringia Interpretive Centre | Jeff Hunston | 54 | ||
May 1998 | 16 | Muse | The MacBride Museum | Clifford O. Evans | 58 | ||
May 1998 | 16 | Muse | Monty Reid | Doug Leonard | 63 | ||
May 1998 | 16 | Muse | Benchmarking Cultural Retailing in Canada | Leslie Burtch | 64 | ||
May 1998 | 16 | Muse | Museums and Trade-marks | Wendy McPeake | 66 | ||
May 1998 | 16 | Muse | The Virtues of Virtual Exhibitions | Roger H. Boulet | 68 | ||
March 1996 | 13 | Muse | Introduction | Johanne Landry | 16 | ||
March 1996 | 13 | Muse | Conversations At the Crossroads | Tomislav Sola, Johanne Landra | 17 | ||
March 1996 | 13 | Muse | Sharing Our Values | Francois Tremblay | 28 | ||
March 1996 | 13 | Muse | New Traditions: Towards A New Museum Ethnography | Robert Sullivan | 31 | ||
March 1996 | 13 | Muse | The Choices Facing Mexico's History Museums | Lourdes Herrasti Macia | 43 | ||
March 1996 | 13 | Muse | Knowledge and Exhibitions | Brigitte Schroeder-Gudehus | 50 | ||
March 1996 | 13 | Muse | Let's Praise Our Donors, Not Denigrate Them | John G. McAvity | 3 | ||
March 1996 | 13 | Muse | History Museums and the Media | Garth Wilson | 7 | ||
March 1996 | 13 | Muse | Design Exchange | Adele Freedman | 12 | ||
March 1996 | 13 | Muse | The Manitoba Children's Museum | Nancy A. Newman, Katherine Washchyshyn | 53 | ||
March 1996 | 13 | Muse | Concerns About The Information Highway | Stephen E. Weil | 57 | ||
March 1996 | 13 | Muse | A Stellar Fundraising Opportunity | Bert Valentin | 61 | ||
March 1996 | 13 | Muse | Governance: New Models Needed | Brenda Berck | 63 | ||
June 1996 | 14 | Muse | Mediat-Muse: A Museum Collaboration | Josee Grandmont | 21 | ||
June 1996 | 14 | Muse | The Lavalin Collection In Abitibi-Temiscamingue | Stephane Chagnon | 25 | ||
June 1996 | 14 | Muse | The Living Artifact | Christina Delguste | 26 | ||
June 1996 | 14 | Muse | Perceiving And Persuading The Media | Elizabeth Kidd | 38 | ||
June 1996 | 14 | Muse | Public Service And Strategic Marketing As Audience Development | Kate Davis | 46 | ||
June 1996 | 14 | Muse | A Revolution In Non-Profit Organizations? | John G. McAvity | 4 | ||
June 1996 | 14 | Muse | Serving the Self-Employed | Theresa Rowat | 7 | ||
June 1996 | 14 | Muse | I Here You Singing | Martin Thivierge | 14 | ||
June 1996 | 14 | Muse | The Gulf of Georgia Cannery National Historic Site | Will Peacock | 54 | ||
June 1996 | 14 | Muse | The Morris and Helen Belkin Art Gallery | Scott Watson | 58 | ||
June 1996 | 14 | Muse | Craigdarroch Castle | Kristine Webster | 62 | ||
June 1996 | 14 | Muse | Adding Value: A Good Story | Sandra Winter | 66 | ||
Winter 1995 | 12 | Muse | Human Resource Planning at the Manitoba Museum of Man and Nature | Cindi Steffan | 24 | ||
Winter 1995 | 12 | Muse | If the Shoe Fits: HR Planning for Small Museums | Gayl Hipperson | 32 | ||
Winter 1995 | 12 | Muse | The Organizational Learning Cycle | Nancy M. Dixon | 38 | ||
Winter 1995 | 12 | Muse | The Training Needs of Quebec Museums | Denis Samson | 51 | ||
Winter 1995 | 12 | Muse | 1994 Awards for Outstanding Achievement | 54 | |||
Winter 1995 | 12 | Muse | What the HR Strategy Is All About | Dianna Thompson | 8 | ||
Winter 1995 | 12 | Muse | At the End of an Age | David Goa | 10 | ||
Winter 1995 | 12 | Muse | The Conservation of Early Quebec Sculpture | Jean Trudel, Barbara Tyler | 20 | ||
Spring 1995 | 13 | Muse | The Gambia National Museum and Heritage Protection | Rose Kuzina | 20 | ||
Spring 1995 | 13 | Muse | Deconstructing and Reconstructing University Art Galleries | Ann Davis | 32 | ||
Spring 1995 | 13 | Muse | Training for Today's Museums | Janine Andrews, Anne Hayward | 40 | ||
Spring 1995 | 13 | Muse | Guns, Museums and Accreditation | John G. McAvity | 2 | ||
Spring 1995 | 13 | Muse | < |
Jean Trudel | 6 | ||
Spring 1995 | 13 | Muse | Le Charlevoix de Palardy | Philippe Dube | 14 | ||
Spring 1995 | 13 | Muse | From Baba's Hope Chest: Macedonian Treasures in Canada | Susan Pointe | 16 | ||
Summer 1995 | 13 | Muse | Collaborations With Artists: A Wake-Up Call for Sleeping Giants | Annette Hurtig | 16 | ||
Summer 1995 | 13 | Muse | Indiana Jones And The Exhibit Development Process | Victoria Dickenson | 28 | ||
Summer 1995 | 13 | Muse | In-House Or Out: The Pros and Cons of Using Contract Workers | Ian Thom, Osa Brown | 40 | ||
Summer 1995 | 13 | Muse | Building Bridges From Both Side | Sonja Tanner-Kaplash | 46 | ||
Summer 1995 | 13 | Muse | Only A Penny A Day? | John G. McAvity | 4 | ||
Summer 1995 | 13 | Muse | Museums: Designated Drivers on the Information Highway? | Lon Dubinsky, Doug Leonard | 8 | ||
Summer 1995 | 13 | Muse | Growing Up and Away, Youth in 澳门六合彩开奖预测 Canada | John Dolphin | 12 | ||
Fall 1995 | 13 | Muse | Collaboration And The Collector: A Qualitative Approach | Carol E. Mayer | 17 | ||
Fall 1995 | 13 | Muse | The Malaise of MAP | Kathryn Young | 28 | ||
Fall 1995 | 13 | Muse | Kanien' Kehaka Raotitionkwa Cultural Center: A Work In Progress | Michael Lundholm | 36 | ||
Fall 1995 | 13 | Muse | Museum Libraries: An Endangered Species? | Michelle Gauthier | 50 | ||
Fall 1995 | 13 | Muse | Norway: A Country That Supports Its Museums | Dianna Thompson | 2 | ||
Fall 1995 | 13 | Muse | Who Assesses the Peers? | Allan Clarke | 6 | ||
Fall 1995 | 13 | Muse | E.J. Hughes: The Vast And Beautiful Interior | Carolyn MacHardy | 10 | ||
Fall 1995 | 13 | Muse | Film Productions At the Nova Scotia Museum | Robert W. Frame | 58 | ||
Fall 1995 | 13 | Muse | CMC Stakes Out Cyberspace Site | Stephen Alsford | 60 | ||
Fall 1995 | 13 | Muse | Sexual Harassment | Darcy Edgar | 62 | ||
Winter 1994 | 11 | Muse | Reorganization--What? Why? How? The Ontario Science Centre Example | Emlyn Koster | 5 | ||
Winter 1994 | 11 | Muse | Beyond Strategic Planning The Glenbow Example | Robert R. Janes | 12 | ||
Winter 1994 | 11 | Muse | Looking for Women in the Museum: Has Women'sStudies Really "Come a Long Way"? | Kerridwen Harvey | 24 | ||
Winter 1994 | 11 | Muse | What Is Public Service? | Kate Davis | 32 | ||
Winter 1994 | 11 | Muse | The Great Rothko Debate | Robert Enright, Len M. Findlay | 41 | ||
Winter 1994 | 11 | Muse | Children and War, 1914-1993 | Philippe Dube | 57 | ||
Winter 1994 | 11 | Muse | Old Nova Scotian Quilts | Mary Sparling | 61 | ||
Winter 1994 | 11 | Muse | Book Reviews | John C. Carter | 63 | ||
Spring 1994 | 12 | Muse | The New Feds | Kathryn Young | 23 | ||
Spring 1994 | 12 | Muse | Preserving Culture in the Solomon Islands | Catherine C. Cole | 30 | ||
Spring 1994 | 12 | Muse | Visitor Studies: Committed to Change | Ridgeley Williams, Rosalyn Rubenstein | 41 | ||
Spring 1994 | 12 | Muse | Taking Responsibility for our Success | John G. McAvity | 6 | ||
Spring 1994 | 12 | Muse | Going boldly into the 21st Century | Roland Arpin | 12 | ||
Spring 1994 | 12 | Muse | The Earthly Paradise | John E. Vollmer | 18 | ||
Summer 1994 | 12 | Muse | Cartographies: A Case Study | Robert Epp | 24 | ||
Summer 1994 | 12 | Muse | Keeping Animals in Zoos and Museums | Jacques Prescott | 36 | ||
Summer 1994 | 12 | Muse | Developing Tourism at the Secwepemc Native Heritage Park | Linda Jules | 40 | ||
Summer 1994 | 12 | Muse | A Visit to Museums in Germany | Sandra Morton Weizman | 46 | ||
Summer 1994 | 12 | Muse | Covering Liability Chill | John G. McAvity | 5 | ||
Summer 1994 | 12 | Muse | A Banana Grows in Toronto | Duncan Ferguson Cameron | 10 | ||
Summer 1994 | 12 | Muse | Cartographies: 14 artists from Latin America | Adriano Pedrosa | 16 | ||
Summer 1994 | 12 | Muse | Winnipeg 1919: A City in Crisis | Steve Prystupa | 20 | ||
Fall 1994 | 12 | Muse | The Conceptual Integrity of Conservation in Museums | Miriam Clavir | 30 | ||
Fall 1994 | 12 | Muse | What Makes a Special Event Special? | Geoff Rider | 40 | ||
Fall 1994 | 12 | Muse | New Rules for Museum Funding | Bruce D. Bolton | 48 | ||
Fall 1994 | 12 | Muse | Raising Awareness and Funds | John G. McAvity | 8 | ||
Fall 1994 | 12 | Muse | A Bit of the Old Indigenous... | Sonja Tanner-Kaplash | 12 | ||
Fall 1994 | 12 | Muse | Arctic Wildlife: The Art of the Inuit | Geri Jacques | 18 | ||
Fall 1994 | 12 | Muse | Hale toi une bunche: An Expression of Acadia | Ann Gorman Condon | 22 | ||
Winter 1993 | 10 | Muse | Why are we publishing: permanent record or vanity press? | Ian Thom, Osa Brown | 18 | ||
Winter 1993 | 10 | Muse | Stamping out artspeak | Alberto Manguel, Robert Enright | 27 | ||
Winter 1993 | 10 | Muse | Plan or Perish: an integrated approach to Museum and Gallery publishing | Ann Cowan | 39 | ||
Winter 1993 | 10 | Muse | Marketing and distributing museum publications | Wendy McPeake, Susan Toy, Marie Fraser | 48 | ||
Winter 1993 | 10 | Muse | Design that work: packaging the product | Robert MacDonald | 62 | ||
Winter 1993 | 10 | Muse | Editorial | Donna Livingstone | 2 | ||
Winter 1993 | 10 | Muse | Glenbow Museum Profile | 8 | |||
Winter 1993 | 10 | Muse | The Value of Museum Archives in the "Information Age" | Shelley McKellar | 12 | ||
Winter 1993 | 10 | Muse | Painting in Quebec 1820-1850 | Francois-Marc Gagnon | 66 | ||
Winter 1993 | 10 | Muse | INDIGENA: Perspectives of Indigenous Peoples on Five hundred Years | Robert Powell | 66 | ||
Winter 1993 | 10 | Muse | Book Reviews | Wendy McPeake | 74 | ||
Spring 1993 | 11 | Muse | Returning Home with News | Cheryl Foggo | 10 | ||
Spring 1993 | 11 | Muse | First Nations and Museums--A Native Perspective | Les Goforth | 14 | ||
Spring 1993 | 11 | Muse | Sacred Space and Public Pleasure | Francis Landy | 22 | ||
Spring 1993 | 11 | Muse | The ESL Student and the Glenbow Museum | Eva Newman | 28 | ||
Spring 1993 | 11 | Muse | The Museum as Transmitter of Understanding | Bishop Lazar Puhalo | 33 | ||
Spring 1993 | 11 | Muse | Musing on the Museum Experience | Geoffrey Simmins | 38 | ||
Spring 1993 | 11 | Muse | (IM)PERMANET (RE)COLLECTION | Jin-me Yoon | 47 | ||
Spring 1993 | 11 | Muse | Editorial | Kate Davis | 2 | ||
Spring 1993 | 11 | Muse | Book Reviews | Duncan Cameron, Ronnie Tessler | 54 | ||
Summer 1993 | 11 | Muse | Marketing or Survival... by Any Other Name... | Gerard Lewis, Linda Morris | 10 | ||
Summer 1993 | 11 | Muse | Marketing on Museums | Robert F. Kelly | 18 | ||
Summer 1993 | 11 | Muse | Museums and Strategic Marketing--Research Findings | Carole Duhaime, Francois Colbert | 33 | ||
Summer 1993 | 11 | Muse | Tomorrow's Museum Audiences--Key Challenges to Audience Development | John Linton | 36 | ||
Summer 1993 | 11 | Muse | Editorial | Elizabeth Addison | 2 | ||
Summer 1993 | 11 | Muse | The Poster War: Allied Propaganda Art of the First World War | Merril Distad | 43 | ||
Fall 1993 | 11 | Muse | Tomorrow's Museums-For Whom? With Whom | Brenda Berck | 8 | ||
Fall 1993 | 11 | Muse | Interpretation? No, Communication | Julian Spalding | 10 | ||
Fall 1993 | 11 | Muse | From Temple to Battlefield: Conflicting Ideologies in the Museum | Lynette Harper | 20 | ||
Fall 1993 | 11 | Muse | Object (to) Sancity: The Politics of the Object | Gerald McMaster | 24 | ||
Fall 1993 | 11 | Muse | To Be Endangered or Empowered-That is the Question! | Doug Leonard | 28 | ||
Fall 1993 | 11 | Muse | The Curator's New Clothes | Drew Ann Wake, James M. Bradburne | 36 | ||
Fall 1993 | 11 | Muse | The American Indian and the Problem of History | Kahente-Horn-Miller | 44 | ||
Fall 1993 | 11 | Muse | The Broken Pipe: Non-Native Museums and Native Culture | Bernadette Lynch | 51 | ||
Fall 1993 | 11 | Muse | Tomorrow's Museums-For Whom? With Whom? | Ann Davis | 59 | ||
Fall 1993 | 11 | Muse | Book Reviews | Berengere de Guernon | 63 | ||
Winter 1992 | 9 | Muse | Small Museums and Municipal Funding | Paul C. Thistle | 24 | ||
Winter 1992 | 9 | Muse | The Importance of Archiving | Roger Nickerson | 32 | ||
Winter 1992 | 9 | Muse | A Volunteer Program -- the Hutchison Example | Martin Rainbow | 36 | ||
Winter 1992 | 9 | Muse | In the Shadow of the Giants | Diana Dutton | 42 | ||
Winter 1992 | 9 | Muse | Montreal: Museums a la carte (Collaboration: a choice menu) | Anne Marie Collins | 48 | ||
Winter 1992 | 9 | Muse | Cultural Pluralism in Three Ontario Community Museums | Laurence Grant, Mary Smith, Pat Zimmer | 54 | ||
Winter 1992 | 9 | Muse | Escaping the Bounds -- Putting Community Back Into Museums | John C. Carter | 61 | ||
Winter 1992 | 9 | Muse | Enlightene Voyages -- Malaspina and Galiano on the Northwest Coast | Douglas Cole | 66 | ||
Winter 1992 | 9 | Muse | The '60s -- Gateway to the '90s | Sandra Lucs | 66 | ||
Winter 1992 | 9 | Muse | Fossils and How They Form | Bruce Hopkins | 66 | ||
Spring 1992 | 10 | Muse | Breaking New Ground: Measuring Museums' Merits | Peter Ames | 15 | ||
Spring 1992 | 10 | Muse | The museum from cold to hot | Lise Bissonnette | 26 | ||
Spring 1992 | 10 | Muse | Museums and the Politically Correct--Censorship and Funding | James Fitzpatrick | 30 | ||
Spring 1992 | 10 | Muse | Experimental Literacy project at the Montreal Museum of Fine Arts | Anne Gauthier | 45 | ||
Spring 1992 | 10 | Muse | Excellence in Arts Management: In Search of Characteristics Common to Well-Run Arts Organizations | Kersti Krug | 48 | ||
Spring 1992 | 10 | Muse | Multiculturalism in Museums -- A Coat of Many Colours: A Case Study | Sandra Morton Weizman | 54 | ||
Spring 1992 | 10 | Muse | HOPE: Seeing the World Through New Eyes | June Creelman, Linda Champoux-Ares | 60 | ||
Spring 1992 | 10 | Muse | Spirit of Ukraine | David Goa | 66 | ||
Spring 1992 | 10 | Muse | ALBUM: A Century of Ukrainian Life in Canada | Sandra Morton Weizman | 66 | ||
Summer/Fall 1992 | 10 | Muse | Editorial: The State of the Canadian Museum Community | Jean Trudel, Barbara Tyler | 2 | ||
Summer/Fall 1992 | 10 | Muse | Getting Out of Our Skin: Museums and a New Identity | Duncan Ferguson Cameron | 7 | ||
Summer/Fall 1992 | 10 | Muse | Working Together to Create a Strong Community | John G. McAvity | 17 | ||
Summer/Fall 1992 | 10 | Muse | Museum-Making in Canada (to 1972) | J. Lynne Teather | 21 | ||
Summer/Fall 1992 | 10 | Muse | Twenty Years of National Museum Policy in Canada | Leo Dorais | 48 | ||
Summer/Fall 1992 | 10 | Muse | A History of the National Museums | Victoria Dickenson | 56 | ||
Summer/Fall 1992 | 10 | Muse | The State of the Museum Profession in Canada | Dianna Thompson | 73 | ||
Summer/Fall 1992 | 10 | Muse | The Task Force on Museums and First People | Tom Hill, Trudy Nicks | 81 | ||
Summer/Fall 1992 | 10 | Muse | Map of Canada | 89 | |||
Summer/Fall 1992 | 10 | Muse | Galleries and Museums in Newfoundland and Labrador | Patricia Grattan | 90 | ||
Summer/Fall 1992 | 10 | Muse | Prince Edward Island Museums Since 1983 | Edward MacDonald | 94 | ||
Summer/Fall 1992 | 10 | Muse | Nova Scotia--A Brief Overview | Candace Stevenson | 101 | ||
Summer/Fall 1992 | 10 | Muse | Museum Trends in New Brunswick | Darrel Butler | 107 | ||
Summer/Fall 1992 | 10 | Muse | Museums in Quebec: Twenty Years of expansion--Twenty years of hardship? | Laurier Lacroix | 116 | ||
Summer/Fall 1992 | 10 | Muse | Ontario Museums in the 1990s | Greg Baeker, Margaret May, Mary Tivy | 120 | ||
Summer/Fall 1992 | 10 | Muse | Museum Development in Canada's Prairie Provinces: Manitoba, Saskatchewan and Alberta | Adriana Albi Davies | 129 | ||
Summer/Fall 1992 | 10 | Muse | Museums, Galleries and Related Institutions in British Columbia | Carol E. Mayer | 145 | ||
Summer/Fall 1992 | 10 | Muse | Northwest Territories Museology | Margaret Jean (M.J.) Patterson | 155 | ||
Summer/Fall 1992 | 10 | Muse | Yukon Museums: The Changing Context | Jeff Hunston | 165 | ||
Summer/Fall 1992 | 10 | Muse | Bibliography of Canadian Museological Publications Since 1985 | Laurence Grant | 174 | ||
Winter 1991 | 8 | Muse | Practising and Preaching Environmentalism | Nancy Hall | 14 | ||
Winter 1991 | 8 | Muse | Museums and Science Centres: Collaboration for our Environment | John Fowles | 21 | ||
Winter 1991 | 8 | Muse | Biological Recording -- An Environmentally Friendly Practice for Natural History Museums | Ingrid Ute Birker | 27 | ||
Winter 1991 | 8 | Muse | Environmental Programs of the Canadian Museum of Nature: Keeping the Bandwagon Tuned Up and on Track | Stephen Cumbaa | 38 | ||
Winter 1991 | 8 | Muse | At the Musee De La Civilisation: Environment in the Limelight | Claire Simard | 45 | ||
Winter 1991 | 8 | Muse | The Manitoba Museum of Man and Nature: A Museum with an Environmental Mission | Jack Dubois | 51 | ||
Winter 1991 | 8 | Muse | TRIPTYCH: Museum - Artist - Environment | Louise Dery | 61 | ||
Winter 1991 | 8 | Muse | Between Earth and Water | Jean-Marie Perron | 75 | ||
Winter 1991 | 8 | Muse | Save the Rainforest and Explore the Rainforest | Keith Winterhalder | 75 | ||
Winter 1991 | 8 | Muse | Sable Island: A Story of Survival | David Baron | 75 | ||
Spring 1991 | 9 | Muse | Museum Computerization: Making the Glass Slipper Fit | James R. Blackaby | 14 | ||
Spring 1991 | 9 | Muse | Planning for Interactive Exhibiton Galleries | James Bell | 24 | ||
Spring 1991 | 9 | Muse | Museums and Information Technology: the Literature | Kerridwen Harvey, Rosalyn Rubenstein, Elka Weinstein | 36 | ||
Spring 1991 | 9 | Muse | The Good, the Bad and the Unknown: Computers in Exhibits | Douglas Worts | 40 | ||
Spring 1991 | 9 | Muse | Converting Collections Management Systems: the Computer Challenge | Nicole Vallieres | 56 | ||
Spring 1991 | 9 | Muse | Where Do We Go From Here? | Merridy Bradley | 66 | ||
Spring 1991 | 9 | Muse | Automating the Small Museum Through Networking: Ontario's Trillium Project | Jim Leonard | 74 | ||
Spring 1991 | 9 | Muse | The Birth of a Network: A New Paradigm From the Prairies | Steve Neufeld, Freddie Rendek, Jan Morier | 84 | ||
Spring 1991 | 9 | Muse | A Coat of Many Colours | Edward Tompkins | 94 | ||
Spring 1991 | 9 | Muse | Lucius R. O'Brien: Visions of Victorian Canada | Lynda Jessup | 94 | ||
Summer/Fall 1991 | 9 | Muse | Curators on Changing Roles and Social Responsibility | Diana Nemiroff, Vicky Dickenson, Carol Mayer, Richard Dube, Lee-Ann Martin, Lawrence Grant, Mary Sparling | 18 | ||
Summer/Fall 1991 | 9 | Muse | The Contemporary Curator -- Endangered Species or Brave New Profession? | Carol Mayer | 34 | ||
Summer/Fall 1991 | 9 | Muse | Where Angels Fear to Tread | Katharine Lochnan | 44 | ||
Summer/Fall 1991 | 9 | Muse | Reproductions and Museums: A Question of Ethics? | Elise Dubuc | 50 | ||
Summer/Fall 1991 | 9 | Muse | Museum Research: Axiom or Oxymoron? | W. Bruce McGillivray | 62 | ||
Summer/Fall 1991 | 9 | Muse | The Search for a Professional Code of Ethics | Pierre Dessureault | 72 | ||
Summer/Fall 1991 | 9 | Muse | Changers: A Spiritual Renaissance | Carolyn Acoose | 86 | ||
Summer/Fall 1991 | 9 | Muse | Science World | Joe Nagel | 86 | ||
Winter 1990 | 7 | Muse | A Change of Nature | Christine Boyanoski | 20 | ||
Winter 1990 | 7 | Muse | Conversation: Museum Board Members on Trusteeship | John McAvity, Nancy Hall | 22 | ||
Winter 1990 | 7 | Muse | Treustee and Management: The Pitfalls Along the Road to Good Governance | Barbara A. Tyler | 38 | ||
Winter 1990 | 7 | Muse | Board and Committee Evolution | Marion A. Paquet | 49 | ||
Winter 1990 | 7 | Muse | Obligations and Responsiibility of Museum and Art Gallery Trustees | Aaron Milrad | 55 | ||
Winter 1990 | 7 | Muse | Board Development: The Role of Workshops | Brenda Berck | 66 | ||
Winter 1990 | 7 | Muse | How to Create, Feed and Care for Your Fundrasing Board | Susan Harrington | 70 | ||
Winter 1990 | 7 | Muse | Retrospective Fernand Leduc | Laurier Lacroix | 78 | ||
Winter 1990 | 7 | Muse | Danzig 1939 | Miriam Clavir | 78 | ||
Winter 1990 | 7 | Muse | Olindo Gratton | Michele Paradis | 78 | ||
Winter 1990 | 7 | Muse | Jack Chambers | Robert Stacey | 78 | ||
Spring 1990 | 8 | Muse | The Development of Museums In the NWT | Gillian Conliffe | 9 | ||
Spring 1990 | 8 | Muse | Museums In Yukon -- Co-Operative Independence | Joanne Meehan | 17 | ||
Spring 1990 | 8 | Muse | Museums/ Cultural Institutes of Canada's North -- A Cross-Section | 27 | |||
Spring 1990 | 8 | Muse | The Oblate Historical Collections and Museums in Northwestern Canada | James Tirrul-Jones, Gaston Montmigny O.M.I. | 43 | ||
Spring 1990 | 8 | Muse | Recent Developments in the Circumpolar Museum Community | Barbara J. Winter | 51 | ||
Spring 1990 | 8 | Muse | Northern Museums Soviet-Style: The Karelian State Museum | Olga Sokolova | 57 | ||
Spring 1990 | 8 | Muse | Northern Innovations: Humidity Control for Collection Storage In Dawson City, Yukon | Michael Gates | 65 | ||
Spring 1990 | 8 | Muse | Trapline Lifeline | Rick Riewe | 70 | ||
Spring 1990 | 8 | Muse | O Darkly Bright | James Wade | 70 | ||
Summer 1990 | 8 | Muse | Avant-Propos: Definitions of "Deaccession" and "Disposal" | Elaine Tolmatch | 11 | ||
Summer 1990 | 8 | Muse | Legacies and Heresies: Some Alternatives in Disposing of Museum Collections | David Barr | 14 | ||
Summer 1990 | 8 | Muse | A Case Study: The Deaccession and Disposal Controversy at the New Brunswick Museum (1985-1990) | Elaine Tolmatch | 20 | ||
Summer 1990 | 8 | Muse | Artifact Deaccessioning and Disposal at the Saskatchewan 澳门六合彩开奖预测 Development Museums 1984-1988 | Ruth Bitner, David Richeson | 35 | ||
Summer 1990 | 8 | Muse | They Hold the Traditions Tight: Ethnographic Material Culture and Museums in Relation to the Disposal Issue | Kenneth R. Lister | 42 | ||
Summer 1990 | 8 | Muse | Ottawa Collections Move North: Transfer of Artworks from Indian and Northern Affairs Collections to Avataq | Deborah Smith | 51 | ||
Summer 1990 | 8 | Muse | Selected Bibliography on Deaccessioning | Elaine Tolmatch | 57 | ||
Summer 1990 | 8 | Muse | Manitoba Children's Museum and Basin Head Fisheries Museum | 5 | |||
Summer 1990 | 8 | Muse | Lost Heritage Regained: Works of Art Repatriated with the Assistance of the Government of Canada's Cultural Property Program | Jean Blodgett | 73 | ||
Summer 1990 | 8 | Muse | Into the Heart of Africa | Laurence Grant | 73 | ||
Fall 1990 | 8 | Muse | Values in Conflict and Social Re-Definition | Duncan Cameron | 14 | ||
Fall 1990 | 8 | Muse | Cultural Apartheid | Jo-Ane Birnie Danzker | 20 | ||
Fall 1990 | 8 | Muse | Problems of Representation: Our Home But the Natives' Land | Gerald McMaster | 35 | ||
Fall 1990 | 8 | Muse | Silence the Teller, Silence the Tale: Evidence Gathering in Law and Museums | Darcy Edgar | 43 | ||
Fall 1990 | 8 | Muse | Museums: Cultural Institutions and Islands of Hope | R. Peter Heron | 49 | ||
Fall 1990 | 8 | Muse | In Collaboration | Persimmon Blackbridge | 57 | ||
Fall 1990 | 8 | Muse | The Ill-Assorted Lovers: Collecting and Exhibiting Institutions | W. McAllister Johnson | 61 | ||
Fall 1990 | 8 | Muse | The Management of Change: The Case of the Canadian Museum of Nature | Alan R. Emery | 76 | ||
Fall 1990 | 8 | Muse | The Whyte Museum of the Canadian Rockies and the Red Deer and District Museum | 6 | |||
Fall 1990 | 8 | Muse | The Flat Side of the Landscape: The Emma Lake Artists' Workshops | Michael Parke-Taylor | 84 | ||
Fall 1990 | 8 | Muse | Jeff Wall 1990 | Sylvie Gilbert | 84 | ||
January 1979 | Camera | Composit | 3 | ||||
January 1979 | Camera | Izis | 4 | ||||
January 1979 | Camera | Max Kozloff | 10 | ||||
January 1979 | Camera | Hans Namuth | 16 | ||||
January 1979 | Camera | Chotoku Tanaka | 22 | ||||
January 1979 | Camera | Friedrich Kappeler | 28 | ||||
January 1979 | Camera | Darkroom | Elaine Mayes | 33 | |||
January 1979 | Camera | Nathalie Desmet | 34 | ||||
February 1979 | Camera | The Camera Handbook of Antiquated Techniques Used by Contemporary Photographers | 3 | ||||
February 1979 | Camera | Introduction and Chronology | Robert Bretz | 4 | |||
February 1979 | Camera | Daguerreotype | Grant B. Romer | 4 | |||
February 1979 | Camera | Printing-Out Paper | Jeffrey A. Wolin | 10 | |||
February 1979 | Camera | The Albumen Print | James M. Reilly | 18 | |||
February 1979 | Camera | The Gum-Bichromate Photographic Process | Alida Fish Cronin | 26 | |||
February 1979 | Camera | Palladium Printing | Carlos Richardson | 32 | |||
February 1979 | Camera | Le Camp De Chalons | 39 | Apropos | |||
February 1979 | Camera | A Report | 39 | Apropos | |||
March 1979 | Camera | Berlin Diary | Allan Porter | 3 | |||
March 1979 | Camera | Spotlight on West Berlin | 4 | ||||
March 1979 | Camera | Michael Schmidt | 4 | ||||
March 1979 | Camera | Wilmar Koenig | 12 | ||||
March 1979 | Camera | Ulrich Gorlich | 20 | ||||
March 1979 | Camera | Jurgen Frisch | 28 | ||||
March 1979 | Camera | Darkroom | George Tice | 37 | |||
March 1979 | Camera | Apropos | 43 | ||||
April 1979 | Camera | Two-Dimensional Photography | 3 | ||||
April 1979 | Camera | Lewis Baltz | 4 | ||||
April 1979 | Camera | Christopher James | 12 | ||||
April 1979 | Camera | Ralph Gibson | 20 | ||||
April 1979 | Camera | Grant Mudford | 28 | ||||
April 1979 | Camera | Art Sinsabaugh's Landscapes | Gene Thornton | 36 | Apropos | ||
April 1979 | Camera | Technical Information | L. A. Mannheim | 37 | |||
May 1979 | Camera | Julia Margaret Cameron | 3 | ||||
May 1979 | Camera | Rediscovering Mrs. Cameron--and her first photograph | Colin Ford | 4 | |||
May 1979 | Camera | Julia Margaret Cameron References | 33 | ||||
May 1979 | Camera | Bibliography | 33 | ||||
May 1979 | Camera | Notes to the Plates | 34 | ||||
May 1979 | Camera | Venezia' 79-- LA Fotografia | 36 | Apropos | |||
May 1979 | Camera | Technical Informations | L. A. Mannheim | 38 | |||
June 1979 | Camera | People in Camera | 3 | ||||
June 1979 | Camera | People in Camera 1839-1914 | 3 | ||||
June 1979 | Camera | Notes to the Plates | 33 | ||||
June 1979 | Camera | People in Camera--Afterword | 34 | ||||
June 1979 | Camera | List of Photographs | 45 | ||||
June 1979 | Camera | The Photographers | 46 | ||||
June 1979 | Camera | Acknowledgements | 50 | ||||
July 1979 | Camera | The Associated Press | 3 | ||||
July 1979 | Camera | Pressphotography and an Agency | Allan Porter | 3 | |||
July 1979 | Camera | The Associated Press Behind the Scene | Hal Buell | 4 | |||
July 1979 | Camera | Associated Press Chronology | 16 | ||||
July 1979 | Camera | Associated Press | 16 | ||||
July 1979 | Camera | How Colour Pictures Are Transmitted | 26 | ||||
July 1979 | Camera | How Pictures Are Transmitted | 27 | ||||
July 1979 | Camera | How the Electronic Darkroom Works | 27 | ||||
July 1979 | Camera | The Associated Press: Laserphoto: How It Works. The Electronic Darkroom | 39 | ||||
July 1979 | Camera | Captions | 42 | ||||
July 1979 | Camera | Technical Informations | L. A. Mannheim | 45 | |||
August 1979 | Camera | Josef Koudelka - A Monograph | Allan Porter | 4 | |||
August 1979 | Camera | On the Cold Roads Of Time | Daniele Sallenave | 6 | |||
August 1979 | Camera | Chronological Biography | 40 | ||||
August 1979 | Camera | Technical Information | L. A. Mannheim | 43 | |||
September 1978 | Camera | Auto Portrait | Allan Porter | 3 | |||
September 1978 | Camera | Auto Portrait | Colin Ford | 4 | |||
September 1978 | Camera | Afterword | Eelco Wolf | 32 | |||
September 1978 | Camera | Photographers | 41 | ||||
September 1978 | Camera | Notes on Polavision | Dr. E. H. Land | 44 | Apropos | ||
September 1978 | Camera | The Animated Snapshot | L. Andrew Mannheim | 47 | Polavision | ||
October 1978 | Camera | From Whence It Came... Whither It Goes | Allan Porter | 3 | |||
October 1978 | Camera | Mexican Photography and Muralism | Raquel Tribol | 4 | |||
October 1978 | Camera | Jesus Sanchez Uribe | 4 | ||||
October 1978 | Camera | Pedro Meyer | 12 | ||||
October 1978 | Camera | Nacho Lopez | 20 | ||||
October 1978 | Camera | Lazaro Blanco | 28 | ||||
October 1978 | Camera | Mexico, May 1978 | Alicia D'Amico | 37 | |||
October 1978 | Camera | Hercules Florence | Boris Kossoy | 39 | |||
October 1978 | Camera | Dr. Hasselblad Is Dead | L. A. Mannheim | 43 | Apropos | ||
October 1978 | Camera | Technical Information | 45 | ||||
November 1978 | Camera | Choice | Allan Porter | 3 | |||
November 1978 | Camera | Gisele Freund | Fritz J. Oberli | 4 | |||
November 1978 | Camera | Martin Munkacsi | Maureen Oberli | 14 | |||
November 1978 | Camera | Paul Hoffman | Maureen Oberli | 24 | |||
November 1978 | Camera | Photokina 1978 | 34 | First Sight | |||
December 1978 | Camera | The Volumes From Lille | Allan Porter | 3 | |||
December 1978 | Camera | Louis-Desire Blanquart-Evrard 1802-1872 | Isabelle Jammes | 4 | |||
December 1978 | Camera | Biographical Notes | 32 | ||||
December 1978 | Camera | Captions | 43 | ||||
June 1977 | 32 | Camera | Lens Lines | Willard Clark | 2 | ||
June 1977 | 32 | Camera | Photpourri | 6 | |||
June 1977 | 32 | Camera | The Third Eye | Lief Ericksenn | 10 | ||
June 1977 | 32 | Camera | On Craft | Al Francekevich | 15 | ||
June 1977 | 32 | Camera | Speaking Out | Lou Stettner | 16 | ||
June 1977 | 32 | Camera | The 40th Frame | Jim Elder | 20 | ||
June 1977 | 32 | Camera | East | Michael Edelson | 25 | ||
June 1977 | 32 | Camera | Nikon FM, New Nikkor Lenses coming | 26 | Tech Topics | ||
June 1977 | 32 | Camera | Lines of Communication | Bryce Flynn | 29 | ||
June 1977 | 32 | Camera | Galleries where you can exhibit | Alice Williams | 33 | ||
June 1977 | 32 | Camera | Decisive moments | Antonio Mendoza | 36 | ||
June 1977 | 32 | Camera | Politicians Through the Lens | Denis J. Adelsberger | 42 | ||
June 1977 | 32 | Camera | Bali Hai | Steve Vidler | 45 | ||
June 1977 | 32 | Camera | We Tried It: Minolta XK Motor | Lief Ericksenn | 49 | Tech Topics | |
June 1977 | 32 | Camera | The Teaching Legacy of Minor White | Valerie Harms | 52 | ||
June 1977 | 32 | Camera | The Image Index | Chuck Simon | 54 | Tech Topics | |
June 1977 | 32 | Camera | Camera 35 Interview: Lucien Clergue | Casey Allen | 56 | ||
January 1995 | 94 | Artnews | Music boxes by artists | Deidre Stein Greben | 27 | Vasari Diary | |
January 1995 | 94 | Artnews | Elaine de Kooning drawing discovered on an Etch A Sketch | Barbara A. MacAdam | 27 | Vasari Diary | |
January 1995 | 94 | Artnews | Calling up Wahol's ghost | Hilarie M. Sheets | 28 | Vasari Diary | |
January 1995 | 94 | Artnews | Rethinking the office | Peter Slatin | 28 | Vasari Diary | |
January 1995 | 94 | Artnews | Charity photographs | 28 | Vasari Diary | ||
January 1995 | 94 | Artnews | New York: Twombly prices hold steady | Judd Tully | 31 | Art Market | |
January 1995 | 94 | Artnews | Chicago: Gerald S. Elliot auction fattens Museum of Contemporary Art's coffers | Lee Rosenbaum, Julie Holg | 31 | Art Market | |
January 1995 | 94 | Artnews | London: the case of the posthumously reworked Utrillo | Simon Hewitt | 32 | Art Market | |
January 1995 | 94 | Artnews | Cologne: report on the art fair | Ginger Henry-Kunzel | 32 | Art Market | |
January 1995 | 94 | Artnews | New York: Shake-up at Knoedler | Judd Tully | 35 | National News | |
January 1995 | 94 | Artnews | Hispanic Society update | Ann Landi | 36 | National News | |
January 1995 | 94 | Artnews | Chase gift to British Museum | Ann Landi | 36 | National News | |
January 1995 | 94 | Artnews | Houston: Menil Collection opens Twombly gallery | Ann Landi | 36 | National News | |
January 1995 | 94 | Artnews | Washington, D. C.: Gingrich to NEA--drop dead | Ann Landi | 38 | National News | |
January 1995 | 94 | Artnews | Kudos | 38 | National News | ||
January 1995 | 94 | Artnews | Obituary | 38 | National News | ||
January 1995 | 94 | Artnews | Tehran: Iran swaps a de Kooning | Kambiz Foroohar | 41 | International News | |
January 1995 | 94 | Artnews | Paris: The mysterious Mahoud Khalil | 41 | International News | ||
January 1995 | 94 | Artnews | Last chance for lost art | Penelope Rowlands | 42 | International News | |
January 1995 | 94 | Artnews | Foundering foundry sale | Penelope Rowlands | 42 | International News | |
January 1995 | 94 | Artnews | Milan: The Last Supper closes to the public | 42 | International News | ||
January 1995 | 94 | Artnews | Zurich: Picassos and Pascin stolen | Ferdinand Protzman | 44 | International News | |
January 1995 | 94 | Artnews | Rome: New museums and archeological digs | Judd Tully | 44 | International News | |
January 1995 | 94 | Artnews | Tokyo: Furor over bienial | Kay Itoi | 46 | International News | |
January 1995 | 94 | Artnews | Buenos Aires: Museum appointment stirs controversy | Christina Carlisle | 46 | International News | |
January 1995 | 94 | Artnews | Appreciation: Sir John Pope-Hennessy | Keith Christiansen | 48 | International News | |
January 1995 | 94 | Artnews | Kudos | 48 | International News | ||
January 1995 | 94 | Artnews | Obituary | 48 | International News | ||
January 1995 | 94 | Artnews | An underknown resource: The Montclair Art Museum | Tim Wall | 87 | Artful Traveler | |
January 1995 | 94 | Artnews | Doug Argue paints surprisingly large pictures of unusual subjects | Mary Abbe | 95 | On the Edge | |
January 1995 | 94 | Artnews | Interview with printmaking impresario Ken Tyler | Carol Kino | 115 | Prints | |
January 1995 | 94 | Artnews | Reviews of Picasso and Lichtenstein shows | Garrett Holg | 116 | Prints | |
January 1995 | 94 | Artnews | Claus Sluter's mourners | David Freedberg | 119 | Looking At Art | |
January 1995 | 94 | Artnews | Nonconformist collector Stephane Janssen | Sally Eauclaire | 124 | Living With Art | |
January 1995 | 94 | Artnews | MoMA: The job (almost) nobody wanted | David D'Arcy | 128 | ||
January 1995 | 94 | Artnews | Paik Unplugged | Paul Gardner | 134 | ||
January 1995 | 94 | Artnews | Amazing Graces | Mary Rose Beaumont | 138 | ||
January 1995 | 94 | Artnews | Ten artists to watch worldwide | 140 | |||
January 1995 | 94 | Artnews | Behemoth by the Bay | Kenneth Baker | 148 | ||
January 1995 | 94 | Artnews | Justice in Austria...Finally? | Sharon Waxman | 154 | ||
February 1995 | 94 | Artnews | Wayne Thiebaud illustrates Brillat-Savarin | Penelope Rowlands | 27 | Vasari Diary | |
February 1995 | 94 | Artnews | James Rosenquist remembers Barnett Newman | 27 | Vasari Diary | ||
February 1995 | 94 | Artnews | R. B. Kitaj and the taint of popularity | Georgina F. Keenan | 28 | Vasari Diary | |
February 1995 | 94 | Artnews | A pistol range at the Met? | 28 | Vasari Diary | ||
February 1995 | 94 | Artnews | Inside the United Nations | Peter Slatin | 28 | Vasari Diary | |
February 1995 | 94 | Artnews | Lisbon: Mystery man negotiates donation to city | Andrew Decker | 33 | Art Market | |
February 1995 | 94 | Artnews | New Haven: Yale wins Whistler | Terry Ingram | 33 | Art Market | |
February 1995 | 94 | Artnews | Paris: Auctioneers Ader Tajan break up | Simon Hewitt | 34 | Art Market | |
February 1995 | 94 | Artnews | New York: Playng the auction game on CD-ROM | Lee Rosenbaum | 34 | Art Market | |
February 1995 | 94 | Artnews | Washington, D. C.: paintings confiscated along with cocaine | Ann Landi | 39 | National News | |
February 1995 | 94 | Artnews | New York: Vaisman's Venice Biennale entry censored | Ann Landi | 39 | National News | |
February 1995 | 94 | Artnews | Toledo: big box office from Rubens show | Ann Landi | 39 | National News | |
February 1995 | 94 | Artnews | Boston: Rogers takes on the Museum of Fine Arts | Nancy Stapen | 40 | National News | |
February 1995 | 94 | Artnews | Cleveland: Cuts at the Contemporary | Jeff Hagan | 42 | National News | |
February 1995 | 94 | Artnews | San Francisco: Asian Art Museum on the move | Kenneth Baker | 42 | National News | |
February 1995 | 94 | Artnews | transitions | 42 | National News | ||
February 1995 | 94 | Artnews | kudos | 42 | National News | ||
February 1995 | 94 | Artnews | obituary | 42 | National News | ||
February 1995 | 94 | Artnews | Paris: Taking the Pompidou to the year 2000 | Penelope Rowlands | 49 | International News | |
February 1995 | 94 | Artnews | The Tapie scandals | Penelope Rowlands | 49 | International News | |
February 1995 | 94 | Artnews | The Louvre opens new galleries | Penelope Rowlands | 49 | International News | |
February 1995 | 94 | Artnews | Two arrested in Chagall scam | Penelope Rowlands | 50 | International News | |
February 1995 | 94 | Artnews | Montmartre under siege | Ann Landi | 50 | International News | |
February 1995 | 94 | Artnews | Amsterdam: van Gogh's "flowers" disovered in an attic | Ann Landi | 50 | International News | |
February 1995 | 94 | Artnews | Tokyo: Mapplethorpe catalogue seized by customs | Kay Itoi | 52 | International News | |
February 1995 | 94 | Artnews | Nagoya: a big loan from Boston | Kay Itoi | 52 | International News | |
February 1995 | 94 | Artnews | Aixen-Provence: Vasarely Foundation head arrested | Penelope Rowlands | 52 | International News | |
February 1995 | 94 | Artnews | London: a Turner for Gormley | Sarah Greenberg | 54 | International News | |
February 1995 | 94 | Artnews | transitions | 54 | International News | ||
February 1995 | 94 | Artnews | kudos | 54 | International News | ||
February 1995 | 94 | Artnews | obituary | 54 | International News | ||
February 1995 | 94 | Artnews | London artist Fiona Rae makes abstract paintings in a climate that favors conceptual art | Jeffrey Kastner | 59 | Studio | |
February 1995 | 94 | Artnews | Julie Trager makes ethereal sculptures from obsessive labor | Laurel Berger | 63 | On The Edge | |
February 1995 | 94 | Artnews | Cristiano Pintaldi transmits his image of the alien onto vast canvases | Jonathan Turner | 64 | On The Edge | |
February 1995 | 94 | Artnews | Reviews of : Joseph Cornell's Theater of the Mind by Mary Ann Caws | Jack Flam | 75 | Books | |
February 1995 | 94 | Artnews | Howard Hodgkin by Andrew Graham-Dixon | Siri Huntoon | 75 | Books | |
February 1995 | 94 | Artnews | Embodied Meanings by Arthur C. Danto | Jack Flam | 76 | Books | |
February 1995 | 94 | Artnews | Writings/Interview by Richard Serra | Jonathan Turner | 76 | Books | |
February 1995 | 94 | Artnews | Louise Bourgeois by Paul Gardner | Lynne Palazzi | 76 | Books | |
February 1995 | 94 | Artnews | Tom Patchett, cocreator of television's impudent alien Alf, now spends his time and money collecting Marcel Duchamp and Joseph Beuys | 82 | Living With Art | ||
February 1995 | 94 | Artnews | Photography today: Branching Out | 92 | |||
February 1995 | 94 | Artnews | Murky Image: The Question of Warhol's Photographs | Paul Alexander | 100 | ||
February 1995 | 94 | Artnews | Poetry in Heavy Metal | Gail Gregg | 104 | ||
February 1995 | 94 | Artnews | Spain: Taking the art out of politics | George Stolz | 108 | ||
February 1995 | 94 | Artnews | Still waiting | Andrew Decker | 112 | ||
February 1995 | 94 | Artnews | Kiss & Tell | Ann Landi | 116 | ||
March 1995 | 94 | Artnews | Roy Lichtenstein turns to nudes | Laurel Berger | 25 | Vasari Diary | |
March 1995 | 94 | Artnews | A new book reveals Frida Kahlo's recipes and memories | Guy Garcia | 25 | Vasari Diary | |
March 1995 | 94 | Artnews | A fish installation celebrates the opening of the Chunnel | Sarah Greenberg | 26 | Vasari Diary | |
March 1995 | 94 | Artnews | The Jewish artistic heritage in a book and a show | Barbara A. MacAdam | 26 | Vasari Diary | |
March 1995 | 94 | Artnews | New York: Homage to Albers | Judd Tully | 29 | Art Market | |
March 1995 | 94 | Artnews | Buenos Aires: A couple's patriotic passion | Cristina Carlisle | 29 | Art Market | |
March 1995 | 94 | Artnews | Paris/Dusseldorf: Museums purchase multi-million-dollar canvases | Simon Hewitt, Ginger Henry-Kunzel | 32 | Art Market | |
March 1995 | 94 | Artnews | Paris: Masterpiece rediscovered | Georgina Adam | 32 | Art Market | |
March 1995 | 94 | Artnews | London: Finds in an attic | Godfrey Barker | 32 | Art Market | |
March 1995 | 94 | Artnews | Philadelphia: Settlement in Barnes Foundation suit | Ann Landi | 35 | National News | |
March 1995 | 94 | Artnews | New York: A rare Cellini discovered at Sotheby's | Ann Landi | 35 | National News | |
March 1995 | 94 | Artnews | Borrowing" a Pollock to pay Christie's | Ann Landi | 36 | National News | |
March 1995 | 94 | Artnews | Washington, D. C.: A stolen landscape returns home | Ann Landi | 36 | National News | |
March 1995 | 94 | Artnews | San Francisco: Truckload of art discovered on farmland | Ann Landi | 36 | National News | |
March 1995 | 94 | Artnews | Palm Beach: Norton Museum of Art unveils plans for major renovation | Ann Landi | 36 | National News | |
March 1995 | 94 | Artnews | Kansas City: Wright's steeple realized | Alice Thorson | 38 | National News | |
March 1995 | 94 | Artnews | Transitions | 38 | National News | ||
March 1995 | 94 | Artnews | Kudos | 38 | National News | ||
March 1995 | 94 | Artnews | Obituaries | 38 | National News | ||
March 1995 | 94 | Artnews | Lisbon: Rock art threatened by dam | Spencer P. M. Harrington | 43 | International News | |
March 1995 | 94 | Artnews | Paris: Cave art find eclipsed Lascaux | Ann Landi | 43 | International News | |
March 1995 | 94 | Artnews | Prominent dealer jailed | Penelope Rowlands | 44 | International News | |
March 1995 | 94 | Artnews | London: Titian stolen from estate | Kambiz Foroohar | 44 | International News | |
March 1995 | 94 | Artnews | Architects announced for Tate annex | Ann Landi | 44 | International News | |
March 1995 | 94 | Artnews | Christie's ordered to make good on Schiele forgery | Ann Landi | 46 | International News | |
March 1995 | 94 | Artnews | Rome: "Homeless" modern art on view | Laura Tansini | 46 | International News | |
March 1995 | 94 | Artnews | Barcelona: New head for modern art museum | Jeffrey Swartz | 46 | International News | |
March 1995 | 94 | Artnews | St. Petersburg: Will Degas's Place de la Concorde go back to its rightful owners? | Sylvia Hochfield | 48 | International News | |
March 1995 | 94 | Artnews | Update on Brancusi's studio | Penelope Rowlands | 53 | Modern Masters | |
March 1995 | 94 | Artnews | Report on Paris's Derain retrospective | Penelope Rowlands | 54 | Modern Masters | |
March 1995 | 94 | Artnews | William Rubin on Les Demoiselles d'Avignon | Eric Gibson | 56 | Modern Masters | |
March 1995 | 94 | Artnews | Curator Klaus Kertess brings a metaphoric cast of mind to the 1995 Whitney Biennial | Jamie James | 63 | Spotlight | |
March 1995 | 94 | Artnews | Amy Sillman paints portraits of the mind at work | Hovey Brock | 69 | On the Edge | |
March 1995 | 94 | Artnews | Curator Riva Castleman looks back on three decades at MoMA | Deidre Stein Greben | 75 | Prints | |
March 1995 | 94 | Artnews | A Pop show | Carol Kino | 78 | Prints | |
March 1995 | 94 | Artnews | New editions from young publishers | Barbara A. MacAdam | 78 | Prints | |
March 1995 | 94 | Artnews | Reviews of: Death and Disaster by Paul Alexander | Ann Landi | 87 | Books | |
March 1995 | 94 | Artnews | Isamu Noguchi: Essays and Conversations by Diane Apostolos-Cappadona and Bruce Altshuler | Nancy Grove | 87 | Books | |
March 1995 | 94 | Artnews | The Sculpture of Clement Meadmore by Eric Gibson | Cynthia Nadelman | 88 | Books | |
March 1995 | 94 | Artnews | Maurice Prendergast by Richard J. Wattenmaker | Karen Wilkin | 88 | Books | |
March 1995 | 94 | Artnews | Eakins's and Seurat's bathers compared | Arthur C. Danto | 95 | Looking At Art | |
March 1995 | 94 | Artnews | People Think of Me as a Chameleon... It's True | Diana Ketcham | 98 | Looking At Art | |
March 1995 | 94 | Artnews | Fame and Folly | Carter Wiseman | 102 | Looking At Art | |
March 1995 | 94 | Artnews | Los Angeles: Innovations and Optimism | Suzanne Muchnic | 104 | California '95 | |
March 1995 | 94 | Artnews | Hollywood Collects | Peter Clothier | 106 | California '95 | |
March 1995 | 94 | Artnews | Jill D'Agnenica: Army of Angels | Suzanne Muchnic | 106 | California '95 | |
March 1995 | 94 | Artnews | San Francisco: A Smash Success | Kenneth Baker | 108 | California '95 | |
March 1995 | 94 | Artnews | Brad Brown: The Unfinished Line | Kenneth Baker | 110 | California '95 | |
March 1995 | 94 | Artnews | Painter, Poet, Soldier, Spy | Milton Esterow | 114 | ||
March 1995 | 94 | Artnews | The Biggest Spender | Geraldine Norman | 120 | ||
April 1995 | 94 | Artnews | Christo and his wife, Jeanne-Claude, wrap a private museum in Germany | David Galloway | 35 | Vasari Diary | |
April 1995 | 94 | Artnews | A mysterious Donatello restoration | Ken Shulman | 35 | Vasari Diary | |
April 1995 | 94 | Artnews | Art insights from Calvin and Hobbes | Ann Landi | 36 | Vasari Diary | |
April 1995 | 94 | Artnews | Galleries and even a cyberzine hit the Internet | Jonathan Goodman | 36 | Vasari Diary | |
April 1995 | 94 | Artnews | When SoHo was new | 36 | Vasari Diary | ||
April 1995 | 94 | Artnews | A celebration of Man Ray and Marcel Duchamp's giddy friendship | Hilarie M. Sheets | 38 | Vasari Diary | |
April 1995 | 94 | Artnews | Washington, D. C.: IRS proposes valuation procedures | Lee Rosenbaum | 43 | Art Market | |
April 1995 | 94 | Artnews | London: The latest on British collector Charles Saatchi | Georgina Adam | 43 | Art Market | |
April 1995 | 94 | Artnews | New York/Bremen: Blocking the black market | Andrew Decker, Mariana Schroeder | 46 | Art Market | |
April 1995 | 94 | Artnews | New York: Haring Estate arrages lucrative licensing deal | Barbara Pollack | 46 | Art Market | |
April 1995 | 94 | Artnews | Boston: Cuts at the Museum of Fina Arts | Ann Landi | 57 | National News | |
April 1995 | 94 | Artnews | Malibu: The Gettygets two Rembrandts | Ann Landi | 57 | National News | |
April 1995 | 94 | Artnews | San Jose: An Aztec deity for downtown | Kenneth Baker | 57 | National News | |
April 1995 | 94 | Artnews | Boca Raton: Fig leaf to the rescue | Ann Landi | 58 | National News | |
April 1995 | 94 | Artnews | Ipswich: A stolen Homer goes home | Ann Landi | 58 | National News | |
April 1995 | 94 | Artnews | Albert Elsen: An appreciation | William Rubin | 60 | National News | |
April 1995 | 94 | Artnews | Transitions | 63 | National News | ||
April 1995 | 94 | Artnews | Corrections | 63 | National News | ||
April 1995 | 94 | Artnews | Kobe: Art damaged in the great quake | Kay Itoi | 69 | International News | |
April 1995 | 94 | Artnews | Florence: "Reparations" celebration at the Uffizi | Ken Shulman | 69 | International News | |
April 1995 | 94 | Artnews | Rome: Futurism turns 50 | Ken Shulman | 70 | International News | |
April 1995 | 94 | Artnews | Museums get their independence | Elizabeth Helman Minchilli | 70 | International News | |
April 1995 | 94 | Artnews | Thailand: A conference to save Asia's treasures | Bill Dunlap, Linda Burgess | 72 | International News | |
April 1995 | 94 | Artnews | Paris: Cesar goes to Venice | Penelope Rowlands | 74 | International News | |
April 1995 | 94 | Artnews | Lax security at the Louvre | Penelope Rowlands | 74 | International News | |
April 1995 | 94 | Artnews | Kudos | 74 | International News | ||
April 1995 | 94 | Artnews | Obituary | 74 | International News | ||
April 1995 | 94 | Artnews | Twice Stolen | Sylvia Hochfield | 85 | Opinion | |
April 1995 | 94 | Artnews | Dutch Treat | M. Kirby Talley, Jr. | 91 | Artful Traveler | |
April 1995 | 94 | Artnews | Narrative Jewelry Ancient and New | Penny Proddow | 97 | Design | |
April 1995 | 94 | Artnews | A Vision of Parks and Gardens | Meir Ronnen | 101 | Conversation | |
April 1995 | 94 | Artnews | Reviews of: The Rape of Europa by Lynn H. Nicholas | Andrew Decker | 109 | Books | |
April 1995 | 94 | Artnews | Hofstadter | Andrew Decker | 109 | Books | |
April 1995 | 94 | Artnews | The Innocent Eye | Jonathan Fineberg | 118 | ||
April 1995 | 94 | Artnews | Korea '95 The call to globalization | James B. Lee | 126 | ||
April 1995 | 94 | Artnews | Winking, Blinking, and Wriggling | Milton Esterow | 130 | ||
April 1995 | 94 | Artnews | The Persistence of Mexico | Mary Schneider Enriquez | 132 | ||
April 1995 | 94 | Artnews | Mammon and the Muse | Michael Z. Wise | 138 | ||
May 1995 | 94 | Artnews | Artist Enzo Cucchi and architect Mario Botta collaborate on a Chapel | Elizabeth Helman Minchilli | 39 | Vasari Diary | |
May 1995 | 94 | Artnews | Bill Clinton sits for a portrait by R. B. Kitaj | Laurel Berger | 39 | Vasari Diary | |
May 1995 | 94 | Artnews | Rats invade a Felix Gonzalez-Torres installation | Barbara A. MacAdam | 40 | Vasari Diary | |
May 1995 | 94 | Artnews | Arnold Mesches obsessively paints his mother, but does she care? | Elizabeth Licata | 40 | Vasari Diary | |
May 1995 | 94 | Artnews | New York: Buying Bleckner | Judd Tully | 47 | Art Market | |
May 1995 | 94 | Artnews | Tokyo: Museum accused of paying inflated prices | Kay Itoi | 47 | Art Market | |
May 1995 | 94 | Artnews | Havana: German collector Peter Ludwig opens Cuban foundation | Anne Midgette | 48 | Art Market | |
May 1995 | 94 | Artnews | Sao Paulo: Marketplace heats up | Elizabeth Heilbron Brooke | 48 | Art Market | |
May 1995 | 94 | Artnews | Washington, D. C.: Olga Hirshhorn gives collection to the Corcoran | Ann Landi | 53 | National News | |
May 1995 | 94 | Artnews | Boston: Emil Nolde's Nazi sympathies revealed | Robin Cembalest | 53 | National News | |
May 1995 | 94 | Artnews | San Francisco: The de Young Museum to get new buildings | Kenneth Baker | 54 | National News | |
May 1995 | 94 | Artnews | New York: Hugo Boss backs the Guggenheim | Ann Landi | 54 | National News | |
May 1995 | 94 | Artnews | Los Angeles: Artists' ceramics for a good cause | Suzanne Muchnic | 54 | National News | |
May 1995 | 94 | Artnews | Obituary | 54 | National News | ||
May 1995 | 94 | Artnews | Transitions | 56 | National News | ||
May 1995 | 94 | Artnews | St. Petersburg: "Secret" depositories are put on view while questions of ownership persist | Sylvia Hochfield | 65 | International News | |
May 1995 | 94 | Artnews | Tokyo: Asian art gets its due | Kay Itoi | 68 | International News | |
May 1995 | 94 | Artnews | Lisbon: Delay proposed on dam to save Stone Age carvings | Ann Landi | 68 | International News | |
May 1995 | 94 | Artnews | Dublin: Art on the shipwrecked Lusitania | Sarah Greenberg | 68 | International News | |
May 1995 | 94 | Artnews | Auvers-sur-Oise: New book contests van Gogh's final days | Sarah Greenberg | 70 | International News | |
May 1995 | 94 | Artnews | Joao Pessoa: A novel project for restoring architecture | Bill Hinchberger | 70 | International News | |
May 1995 | 94 | Artnews | Berlin: Memorial to books burned by Nazis | Ann Landi | 70 | International News | |
May 1995 | 94 | Artnews | Montreal: The Art Bank folds | Ann Duncan | 72 | International News | |
May 1995 | 94 | Artnews | Valmondois: A museum for Daumier | Penelope Rowlands | 72 | International News | |
May 1995 | 94 | Artnews | Oslo: Thieves charged in Scream theft | Ann Landi | 72 | International News | |
May 1995 | 94 | Artnews | Rethinking John Singleton Copley | Alfred Corn | 80 | 19th-Century American Art | |
May 1995 | 94 | Artnews | Thomas Cole retrospective reviewed | Cynthia Nadelman | 82 | 19th-Century American Art | |
May 1995 | 94 | Artnews | Interview with William Innes Homer | Eric Brace | 84 | 19th-Century American Art | |
May 1995 | 94 | Artnews | A Burlap Bag, Plaster Shirts, and a String of Lights | Carol Damian | 87 | Living With Art | |
May 1995 | 94 | Artnews | From Tiffany to Tea Services | Gail Glickman Horwood | 101 | Glass | |
May 1995 | 94 | Artnews | The Magic of the Witching Hour | Lisbet Nilson | 109 | Studio | |
May 1995 | 94 | Artnews | Dot, Dot, Dot | Carol Diehl | 113 | On the Edge | |
May 1995 | 94 | Artnews | Playing with fire | Mark Dery | 114 | On the Edge | |
May 1995 | 94 | Artnews | "Invented in a Garbage Pail" | Eric Brace | 119 | Prints | |
May 1995 | 94 | Artnews | A Long-Smoldering Rage | Karen Wilkin | 120 | Prints | |
May 1995 | 94 | Artnews | Motto, Image, and Verse | Barbara A. MacAdam | 120 | Prints | |
May 1995 | 94 | Artnews | The landlord, the installation, the artists, and their lawyers | Ann Landi | 124 | ||
May 1995 | 94 | Artnews | "He was a god to me" | Paul Alexander | 128 | ||
May 1995 | 94 | Artnews | Going Hollywood | Jeffrey Hogrefe | 132 | ||
May 1995 | 94 | Artnews | Anatomy of an auction | Andrew Decker | 134 | ||
May 1995 | 94 | Artnews | Northern exposure | Jon-Ove Steihaug | 139 | ||
Summer 1995 | 94 | Artnews | Egon Schiele gets his portrait done onstage | Georgina F. Keenan | 33 | Vasari Diary | |
Summer 1995 | 94 | Artnews | A show in Florence about a poet-turned art dealer and the artists he supported | Ken Shulman | 34 | Vasari Diary | |
Summer 1995 | 94 | Artnews | Retrospective | 34 | Vasari Diary | ||
Summer 1995 | 94 | Artnews | Former Sotheby's cataloguer and former Episcopal minister C. Hugh Hildesley is back at Sotheby's, as a vice president | Deidre Stein Greben | 34 | Vasari Diary | |
Summer 1995 | 94 | Artnews | The Santa Fe Opera is performing the eccentric life of John Ruskin | Sally Eauclaire | 36 | Vasari Diary | |
Summer 1995 | 94 | Artnews | New York: Picasso's heirs show his art | Andrew Decker | 39 | Art Market | |
Summer 1995 | 94 | Artnews | London: Man Ray mania | Ann Horton | 40 | Art Market | |
Summer 1995 | 94 | Artnews | Bonn: Efforts are being made to stop the production of unlicensed museum souvenirs | John Dornberg | 40 | Art Market | |
Summer 1995 | 94 | Artnews | New York: Judge gives Warhol estate lawyers $7.2 million | Ann Landi | 49 | National News | |
Summer 1995 | 94 | Artnews | Baby boomers flock to museums | Ann Landi | 49 | National News | |
Summer 1995 | 94 | Artnews | Kansas City: Philanthropist reclaims art | Alice R. Thorson | 49 | National News | |
Summer 1995 | 94 | Artnews | Chicago: Bourgeois honors social worker | Ann Landi | 50 | National News | |
Summer 1995 | 94 | Artnews | Washington, D. C.: Site-specific sculpture disappears | Ann Landi | 50 | National News | |
Summer 1995 | 94 | Artnews | Cooperstown: The Thaws' new Indian wing | Ann Landi | 52 | National News | |
Summer 1995 | 94 | Artnews | Transitions | 54 | National News | ||
Summer 1995 | 94 | Artnews | Obituaries | 54 | National News | ||
Summer 1995 | 94 | Artnews | Paris: The French get a "very grand library" | Ann Landi | 61 | International News | |
Summer 1995 | 94 | Artnews | Delacroix murals restored | Penelope Rowlands | 61 | International News | |
Summer 1995 | 94 | Artnews | The Louvre strikes a deal with Apple Computer | Penelope Rowlands | 62 | International News | |
Summer 1995 | 94 | Artnews | Auvers-sur-Oise: Source of van Gogh's "sphinx drawings" discovered | Penelope Rowlands | 62 | International News | |
Summer 1995 | 94 | Artnews | Sanois: Utrillo museum to open | Penelope Rowlands | 62 | International News | |
Summer 1995 | 94 | Artnews | London: A face-lift for Sir John Soanes's museum | Sarah Greenberg | 62 | International News | |
Summer 1995 | 94 | Artnews | Athens: Takis takes to the open air | Susan Bautista | 64 | International News | |
Summer 1995 | 94 | Artnews | Dumfries/Canberra: Kings and Queens beheaded | Ann Landi | 64 | International News | |
Summer 1995 | 94 | Artnews | Geneva: Barbier-Mueller goes to Barcelona | Mary Krienke | 64 | International News | |
Summer 1995 | 94 | Artnews | Obituaries | 64 | International News | ||
Summer 1995 | 94 | Artnews | Kudos | 64 | International News | ||
Summer 1995 | 94 | Artnews | "The Mirage of an Art Acropolis" | Jonathan Turner | 69 | Artful Traveler | |
Summer 1995 | 94 | Artnews | Delacroix's Women of Algiers | Harry Rand | 75 | Looking | |
Summer 1995 | 94 | Artnews | Open to Everything | Penelope Rowlands | 81 | Spotlight | |
Summer 1995 | 94 | Artnews | "Recovered Innocence" | Gregory Volk | 87 | On The Edge | |
Summer 1995 | 94 | Artnews | Serpents, Catheters, and Chinese Porcelain | Elizabeth Heilbron Brooke | 88 | On the Edge | |
Summer 1995 | 94 | Artnews | Reviews of: Theory and Philosophy of Art by Meyer Schapiro | Jack Flam | 91 | Books | |
Summer 1995 | 94 | Artnews | Making Modernism by Michael C. FitzGerald | Andrew Decker | 91 | Books | |
Summer 1995 | 94 | Artnews | David Hockney by Peter Clothier | Lynne Palazzi | 91 | Books | |
Summer 1995 | 94 | Artnews | Le Desert de Retz by Diana Ketcham | Barbara A. MacAdam | 92 | Books | |
Summer 1995 | 94 | Artnews | Great Art Treasures of the Hermitage Museum, St. Petersburg | Sylvia Hochfield | 92 | Books | |
Summer 1995 | 94 | Artnews | From Villain to Hero: I. M. Pei's Louvre Odyssey | Timothy W. Ryback | 96 | ||
Summer 1995 | 94 | Artnews | Thoroughly Modern Monet | Eric Gibson | 104 | ||
Summer 1995 | 94 | Artnews | ARGENTINA Goodbye Stodginess, Hello Freedom | Cristina Carlisle | 108 | Latin America '95 | |
Summer 1995 | 94 | Artnews | THE CARIBBEAN Myth, Magic and the Mainstream | Eneid Routte-Gomez | 112 | Latin America '95 | |
Summer 1995 | 94 | Artnews | VENEZUELA Victor Hugo Irazabal: Into the Jungle | Michael P. Mezzatesta | 110 | Latin America '95 | |
Summer 1995 | 94 | Artnews | PERU Pop, Kitsch, and City Lights | Jorge Frisancho | 114 | Latin America '95 | |
Summer 1995 | 94 | Artnews | MEXICO Sergio Autrey: Patron Saint | Mary Schneider Enriquez | 111 | Latin America '95 | |
Summer 1995 | 94 | Artnews | CHILE Is Everybody Happy? | Nena Ossa | 115 | Latin America '95 | |
Summer 1995 | 94 | Artnews | COLOMBIA Beatriz Gonzalez: Taste & Taboo | Juliana Soto | 116 | Latin America '95 | |
Summer 1995 | 94 | Artnews | All It Takes Is Common Sense and a Staff of Two | Glenn Zorpette | 118 | ||
September 1995 | 94 | Artnews | George Segal does a plaster-job on Abba Eban | Robin Cembalest | 37 | Vasari Diary | |
September 1995 | 94 | Artnews | What it takes to wrap the German Reichstag | 37 | |||
September 1995 | 94 | Artnews | A Studio-in-a-School benefit challenges artists to use crayons | Bonnie Barrett Stretch | 38 | ||
September 1995 | 94 | Artnews | Philadelphia shows animate the world of Maurice Sendak | Georgina F. Keenan | 38 | ||
September 1995 | 94 | Artnews | New York: Warhols slashed 50 percent | Ann Landi | 43 | National News | |
September 1995 | 94 | Artnews | PaineWebber goes on tour | Ann Landi | 43 | ||
September 1995 | 94 | Artnews | Whitney Biennial canceled for Prague | Ann Landi | 43 | ||
September 1995 | 94 | Artnews | Los Angeles: A new president for LACMA | Suzanne Muchnic | 44 | ||
September 1995 | 94 | Artnews | Lannan Foundation realigns | Ann Landi | 44 | ||
September 1995 | 94 | Artnews | Latino Museum finds a home | Suzanne Muchnic | 44 | ||
September 1995 | 94 | Artnews | Kansas City: Kemper dispute ends | Alice Thorson | 46 | ||
September 1995 | 94 | Artnews | Grace Borgenicht retires after 44 years | Ann Landi | 46 | ||
September 1995 | 94 | Artnews | Kudos | 48 | |||
September 1995 | 94 | Artnews | Obituaries | 48 | |||
September 1995 | 94 | Artnews | A letter from the Windy City | Garett Holg | 53 | City Focus: Chicago | |
September 1995 | 94 | Artnews | St. Petersburg: Filonovs replaced by fakes | Konstantin Akinsha | 57 | International News | |
September 1995 | 94 | Artnews | Paris: American Center running out of gas | 57 | |||
September 1995 | 94 | Artnews | Venice: Guggenheim to open three branches | Ann Landi | 58 | ||
September 1995 | 94 | Artnews | Oberhofen: A gem of a collection on Lake Thun | Mary Krienke | 58 | ||
September 1995 | 94 | Artnews | Athens: New interpretation of Parthenon frieze | Ann Landi | 58 | ||
September 1995 | 94 | Artnews | Berlin: Helmut Newton charges copyright infringement | Konstantin Akinsha | 60 | ||
September 1995 | 94 | Artnews | Rome: Federico Zeri confesses | Ken Shulman | 60 | ||
September 1995 | 94 | Artnews | Brasilia: Curse lifted on Indian memorial | Bill Hinchberger | 62 | ||
September 1995 | 94 | Artnews | Kudos | 62 | |||
September 1995 | 94 | Artnews | Obituaries | 62 | |||
September 1995 | 94 | Artnews | Transitions | 62 | |||
September 1995 | 94 | Artnews | Spotlight | Mary Lynn Kotz | 77 | Spotlight | |
September 1995 | 94 | Artnews | A Renaissance woman gets her due | Rex Weil | 91 | Old Masters | |
September 1995 | 94 | Artnews | Memling lights up the Louvre | Harry Rand | 91 | Old Masters | |
September 1995 | 94 | Artnews | A landmark Vermeer show comes to the capital | Rex Weil | 92 | Old Masters | |
September 1995 | 94 | Artnews | A conversation with New York Public Library curator Robert Rainwater | Deidre Stein Greben | 101 | Prints | |
September 1995 | 94 | Artnews | In Tune with Jazz | Eric Gibson | 102 | Prints | |
September 1995 | 94 | Artnews | Picasso, Inc. Pain and Profit | Sharon Waxman, Andrew Decker | 110 | ||
September 1995 | 94 | Artnews | Austria: Ending the Legacy of Shame | Sharon Waxman | 122 | ||
September 1995 | 94 | Artnews | Anything Goes--As Long As It's Not Boring | Pepe Karmel | 126 | ||
September 1995 | 94 | Artnews | Hard to Love, Impossible to Forget | Sarah Greenberg | 130 | Great Britain '95 | |
September 1995 | 94 | Artnews | How Nicholas Serota Changed the Tate | Michael Glover | 133 | Great Britain '95 | |
September 1995 | 94 | Artnews | Ghosts of a Vanished World | Felicity Barringer | 134 | ||
Special Issue 1995 | Artnews | Rising Stars Under 40 | Anastasia Aukeman | 30 | |||
Special Issue 1995 | Artnews | The 50 Most Powerful People | Ann Landi | 52 | |||
Special Issue 1995 | Artnews | In the Art World | 74 | ||||
Special Issue 1995 | Artnews | Belgium | Jennifer Conlin | 76 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Canada | Ann Duncan | 82 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | France | Penelope Rowlands | 84 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Germany | David Galloway | 90 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Italy | Ken Shulman | 94 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Japan | Kay Itoi | 98 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Mexico Sergio Autrey: Patron Saint | 102 | The Top 25 Collectors In | |||
Special Issue 1995 | Artnews | The Netherlands | Marina De Vries | 106 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Spain: Taking the art out of politics | George Stolz | 112 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Switzerland | Mary Krienke | 114 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | United Kingdom | Colin Gleadell | 120 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | United States | Andrew Decker | 122 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | Venezuela | Russell Maddicks | 124 | The Top 25 Collectors In | ||
Special Issue 1995 | Artnews | The 1995 Venice Biennale | Jonathan Turner | 136 | |||
Special Issue 1995 | Artnews | Marvelous Sightings | David Galloway | 138 | |||
January 1994 | 93 | Artnews | Mastering the Masters | Ginger Danto | 25 | Vasari Diary | |
January 1994 | 93 | Artnews | Digging Art | Mary Haus | 25 | Vasari Diary | |
January 1994 | 93 | Artnews | Banana Peels and Sausages | Hilarie M. Sheets | 26 | Vasari Diary | |
January 1994 | 93 | Artnews | What to Use, What to Say | Barbara A. MacAdam | 26 | Vasari Diary | |
January 1994 | 93 | Artnews | Dutch Treat | Barbara A. MacAdam | 26 | Vasari Diary | |
January 1994 | 93 | Artnews | New York/Washington, D. C.: Who's the Judge? | Robin Cembalest | 33 | Nation | |
January 1994 | 93 | Artnews | Brooklyn: From Cleopatra to Contemporary | 34 | Nation | ||
January 1994 | 93 | Artnews | Washington, D. C.: Shestack Makes a Switch | 34 | Nation | ||
January 1994 | 93 | Artnews | Miami Beach: Trouble at the Bass | Elisa Turner | 34 | Nation | |
January 1994 | 93 | Artnews | Los Angeles: Out of the Kitchen | Suzanne Muchnic | 36 | Nation | |
January 1994 | 93 | Artnews | Opinion: Protests and Smokescreens | Milton Esterow | 38 | Nation | |
January 1994 | 93 | Artnews | Angkor: Thieves in the Temples | Sylvia Hochfield | 47 | International | |
January 1994 | 93 | Artnews | Paris: Riches in the Richelieu Wing | Ginger Danto | 47 | International | |
January 1994 | 93 | Artnews | Vienna: Leopold Makes a Deal | Ferdinand Protzman | 50 | International | |
January 1994 | 93 | Artnews | Prato: "The Spirits Ordered Me to" | Ken Shulman | 50 | International | |
January 1994 | 93 | Artnews | Madrid: Prado: Leaks and New Leader | George Stolz | 53 | International | |
January 1994 | 93 | Artnews | Jane Alexander: From Broadway to Beltway | Robin Cembalest | 71 | Spotlight | |
January 1994 | 93 | Artnews | Fabian Marcaccio: Private Eyes | Meyer Raphael Rubinstein | 89 | Studio | |
January 1994 | 93 | Artnews | Chuck Close: "It's Always Nice to Have Resistance" | Deidre Stein | 95 | Prints | |
January 1994 | 93 | Artnews | Annapolis: The Nabis: Vuillard and His Contemporaries | Curtia James | 96 | Prints | |
January 1994 | 93 | Artnews | Detroit: Once Upon a Matrix | Roger Green | 96 | Prints | |
January 1994 | 93 | Artnews | Eugene Stevens: The Gallery in Pepper Pike | Steven Litt | 99 | Living With Art | |
January 1994 | 93 | Artnews | Extravagant Braggadocio, Remarkable Candor | Jack Flam | 107 | Books | |
January 1994 | 93 | Artnews | Clearing Up the Mysteries | Yves-Alain Bois | 107 | Books | |
January 1994 | 93 | Artnews | A Jewish Family: From Brooklyn to L.A. | Richard B. Wodward | 107 | Books | |
January 1994 | 93 | Artnews | He Did It His Way | Hilarie M. Sheets | 108 | Books | |
January 1994 | 93 | Artnews | Spanking a Rogue Artist | Peter C. Sturman | 108 | Books | |
January 1994 | 93 | Artnews | Wiser and Better | Godfrey Barker | 121 | ||
January 1994 | 93 | Artnews | Inside the Auction House: High Spirits, High Hopes | Bonnie Barrett Stretch | 136 | ||
January 1994 | 93 | Artnews | Can the Guggenheim Pay the Price? | Andrew Decker | 142 | ||
January 1994 | 93 | Artnews | "At a Certain Point, You Bring the Gods Down on Your Head" | Brooks Adams | 150 | ||
March 1994 | 93 | Artnews | The Wild Child | Deidre Stein | 21 | Vasari Diary | |
March 1994 | 93 | Artnews | A Wilder Nefertete | Suzanne Muchnic | 21 | Vasari Diary | |
March 1994 | 93 | Artnews | Here's the Poop | Peter Slatin | 21 | Vasari Diary | |
March 1994 | 93 | Artnews | Object Lessons | Barbara A. MacAdam | 22 | Vasari Diary | |
March 1994 | 93 | Artnews | Burning Matters | George Stolz | 22 | Vasari Diary | |
March 1994 | 93 | Artnews | New York: A Pent-up Demand | Bonnie Barrett Stretch | 29 | Art Market | |
March 1994 | 93 | Artnews | Stretching and Growing | Doris Athineos | 30 | Art Market | |
March 1994 | 93 | Artnews | New York: Stalemate Over Salaries | Robin Cembalest | 35 | Nation | |
March 1994 | 93 | Artnews | Why Johnny Can't Go to the Frick | Robin Cembalest | 35 | Nation | |
March 1994 | 93 | Artnews | Attracting Large Canvases | Robin Cembalest | 36 | Nation | |
March 1994 | 93 | Artnews | The Ministry and the Met: You Done It | Robin Cembalest | 38 | Nation | |
March 1994 | 93 | Artnews | Working Fast | Robin Cembalest | 40 | Nation | |
March 1994 | 93 | Artnews | Washington, D. C.:NEA Grants: "Smaller or Fewer" | Robin Cembalest | 40 | Nation | |
March 1994 | 93 | Artnews | Cleveland: Advice and Dissent | Jeff Hagan | 40 | Nation | |
March 1994 | 93 | Artnews | London: No Moores for His Daughter | Jeffrey Kastner | 49 | International | |
March 1994 | 93 | Artnews | The Critic Has "Contempt and a Giggle" | Jeffrey Kastner | 50 | International | |
March 1994 | 93 | Artnews | Bucharest: All the King's Pictures? | Eleanor Kennelly, Victor Gaetan | 50 | International | |
March 1994 | 93 | Artnews | Munich: "Capital of the Movement" | Ginger Henry-Kunzel | 51 | International | |
March 1994 | 93 | Artnews | Paris: Pacquement Moves Up | Ginger Danto | 52 | International | |
March 1994 | 93 | Artnews | Bernar Venet: From Simple Geometry to the Crazy Line | 67 | Spotlight | ||
March 1994 | 93 | Artnews | George Goldner: Trading Places | Deidre Stein | 75 | Prints | |
March 1994 | 93 | Artnews | Montreal: Mary Cassatt | Ann Duncan | 76 | Prints | |
March 1994 | 93 | Artnews | New York: James Ensor | Alfred Corn | 76 | Prints | |
March 1994 | 93 | Artnews | Group Show | Jonathan Goodman | 76 | Prints | |
March 1994 | 93 | Artnews | Who Are he Women Old Masters? | Nancy Stapen | 87 | Old Masters | |
March 1994 | 93 | Artnews | Transcending Fashion | Jamie James | 102 | ||
March 1994 | 93 | Artnews | Let Us Now Appraise Andy Warhol | Paul Alexander | 108 | ||
March 1994 | 93 | Artnews | Is Art Good For You? | Paul Gardner | 118 | ||
March 1994 | 93 | Artnews | Blood, Spit, and Beauty | Michael Boodro | 124 | ||
April 1994 | 93 | Artnews | "Funny, Really Funny" | Mary Haus | 27 | Vasari Diary | |
April 1994 | 93 | Artnews | Virtual Places | Peter Slatin | 27 | ||
April 1994 | 93 | Artnews | An Artist at My Table | Ginger Danto | 27 | ||
April 1994 | 93 | Artnews | A Queen for Queens | Barbara A. MacAdam | 28 | ||
April 1994 | 93 | Artnews | The Self Enclosed | 28 | |||
April 1994 | 93 | Artnews | Collectors' Choices | Andrew Decker, Suzanne Muchnic | 33 | Art Market | |
April 1994 | 93 | Artnews | New York: Case Closed, but Questions Linger | Andrew Decker | 33 | ||
April 1994 | 93 | Artnews | London: The Grandee and Her Chubby Daughter | Godfrey Barker | 34 | ||
April 1994 | 93 | Artnews | Stockholm: A Warming Trend | John Peter Nilsson | 34 | ||
April 1994 | 93 | Artnews | New York: A Master "Empiricist" | Steven Henry Madoff | 41 | Nation | |
April 1994 | 93 | Artnews | Brooklyn: "No, My Boy, It's a Fete Champetre" | Sylvia Hochfield | 41 | ||
April 1994 | 93 | Artnews | Washington, D. C.: Sexist, Racist, or Otherwise Offensive | Robin Cembalest | 42 | ||
April 1994 | 93 | Artnews | O' is for O'Keeffe | Mary Lynn Kotz | 45 | ||
April 1994 | 93 | Artnews | Chicago: The City Wasn't Going to Burn | Robin Cembalest | 47 | ||
April 1994 | 93 | Artnews | New York: Confrontation on 155th Street | Robin Cembalest | 49 | ||
April 1994 | 93 | Artnews | Bremen: "Never Look a Gift Horse in the Mouth" | Ginger Henry-Kunzel, Andrew Decker, Ekaterina Dyogot | 51 | International | |
April 1994 | 93 | Artnews | Sarajevo: Taking the Place of Armies | Ken Shulman | 52 | ||
April 1994 | 93 | Artnews | Florence: Lives of the Frescoes | Elizabeth Helman Minchilli | 53 | ||
April 1994 | 93 | Artnews | Rediscovered Raphael--Maybe | Ken Shulman | 54 | ||
April 1994 | 93 | Artnews | Berlin: It's a Warp | Ferdinand Protzman | 54 | ||
April 1994 | 93 | Artnews | Kinshasha Holman Conwill: Against the Odds | Mary Haus | 71 | Spotlight | |
April 1994 | 93 | Artnews | Francisco Goya: The Spanish Royal Family, Warts and All | M. Kirby Talley, Jr. | 81 | Looking At Art | |
April 1994 | 93 | Artnews | Heather Hutchison: Gravity and Light | Deidre Stein | 101 | Studio | |
April 1994 | 93 | Artnews | How to Get Kids to Look at a Rembrandt | Bonnie Barrett Stretch | 109 | Books | |
April 1994 | 93 | Artnews | The Kahlo Cult | Judd Tully | 126 | Mexico | |
April 1994 | 93 | Artnews | Myths, Magic, Grunge, and Glamour | Mary Schneider Enriquez | 134 | Mexico | |
April 1994 | 93 | Artnews | Mexico's Top 25 Collectors | 139 | Mexico | ||
April 1994 | 93 | Artnews | "Call it a Mid-Life Crisis" | Paul Gardner | 140 | ||
April 1994 | 93 | Artnews | Out of the Ghetto? | Pepe Karmel | 144 | Photography | |
April 1994 | 93 | Artnews | Not Your Typical Socially Concerned Photographer | Charles Hagen | 150 | Photography | |
April 1994 | 93 | Artnews | The Loved Ones in the Castle | John Dornberg | 154 | ||
May 1994 | 93 | Artnews | Samurai Artist | Barbara A. MacAdam | 33 | Vasari Diary | |
May 1994 | 93 | Artnews | "One with the Earth" | Elisa Turner | 33 | Vasari Diary | |
May 1994 | 93 | Artnews | Portrait of a Lady | Viola Hopkins Winner | 34 | Vasari Diary | |
May 1994 | 93 | Artnews | The Good, the Bad, and Morley Safer | Robin Cembalest | 34 | Vasari Diary | |
May 1994 | 93 | Artnews | Sealed with a Kiss | Barbara A. MacAdam | 34 | Vasari Diary | |
May 1994 | 93 | Artnews | New York: "It's Tight Right Now" | Robin Cembalest | 41 | Nation News | |
May 1994 | 93 | Artnews | The New Museum Faces Suit | Robin Cembalest | 41 | Nation News | |
May 1994 | 93 | Artnews | The Met Springs a Leak | Jeff Barge | 42 | Nation News | |
May 1994 | 93 | Artnews | Pittsburgh: All About Andy | Harry Schwalb | 42 | Nation News | |
May 1994 | 93 | Artnews | Beverly Hills: Casting Doubt | Judd Tully, Georgina Adam | 42 | Nation News | |
May 1994 | 93 | Artnews | Dallas: How Now, Bronze Cows | Janet Kutner | 46 | Nation News | |
May 1994 | 93 | Artnews | Florence: Which Is the Real Raphael? | Ken Shulman | 57 | International News | |
May 1994 | 93 | Artnews | Going for Baroque | Elizabeth Helman Minchilli | 57 | International News | |
May 1994 | 93 | Artnews | Talking of Michelangelo | 57 | International News | ||
May 1994 | 93 | Artnews | Rome: Operation Juno | Ken Shulman | 57 | International News | |
May 1994 | 93 | Artnews | The Hague: The Sphinx of Delft | Jacob Voorthuis | 58 | International News | |
May 1994 | 93 | Artnews | Declaration of Independents | Jacob Voorthuis | 58 | International News | |
May 1994 | 93 | Artnews | Cologne: Ludwig's Lure | David Galloway | 58 | International News | |
May 1994 | 93 | Artnews | St. Petersburg: Learning About the Bottom Line | Sylvia Hochfield | 58 | International News | |
May 1994 | 93 | Artnews | Havana: "Kuba o.k." | Michael Z. Wise | 59 | International News | |
May 1994 | 93 | Artnews | New Frontiers | Elizabeth Banks Stainton | 61 | Art Market | |
May 1994 | 93 | Artnews | From Impressionism to Realism, Sympathies and Surprise | 67 | Portfolio | ||
May 1994 | 93 | Artnews | Linda Ferber: Rediscovering the Radical Ruskinians | Sylvia Hochfield | 69 | Spotlight | |
May 1994 | 93 | Artnews | The Multiple Multiplies | Deidre Stein | 85 | Prints | |
May 1994 | 93 | Artnews | "African Art=Life" | 95 | Looking At Art | ||
May 1994 | 93 | Artnews | Genius Taking Shape | Eugen Weber | 109 | Books | |
May 1994 | 93 | Artnews | Tracking an Age of Elegance | Alfred Mac Adam | 109 | Books | |
May 1994 | 93 | Artnews | The Humanity Under the Glossy Cover | Hilarie M. Sheets | 109 | Books | |
May 1994 | 93 | Artnews | Into the Sunshine | Hilarie M. Sheets | 110 | Books | |
May 1994 | 93 | Artnews | Culture and Context | Barbara A. MacAdam | 110 | Books | |
May 1994 | 93 | Artnews | Bliss, Food House, and Hello Artichoke | Suzanne Muchnic | 124 | ||
May 1994 | 93 | Artnews | Rising Spirits | Kenneth Baker | 128 | ||
May 1994 | 93 | Artnews | A Sense of Solidarity | Sharon Waxman | 130 | ||
May 1994 | 93 | Artnews | The Stripe King | Ginger Danto | 134 | ||
May 1994 | 93 | Artnews | The Pipes of Pan: Picasso's Aborted Love Song to Sara Murphy | William Rubin | 138 | ||
May 1994 | 93 | Artnews | The Incomparable De Koonng | William Feaver | 148 | ||
Summer 1994 | 93 | Artnews | Viva Gershwin! | Barbara A. MacAdam | 29 | Vasari Diary | |
Summer 1994 | 93 | Artnews | "A Dauber of Nasty Pictures" | Nancy Grimes | 29 | Vasari Diary | |
Summer 1994 | 93 | Artnews | Before Diego | Barbara A. MacAdam | 30 | Vasari Diary | |
Summer 1994 | 93 | Artnews | The Holocaust: Loud and Silent | Siri Huntoon | 30 | Vasari Diary | |
Summer 1994 | 93 | Artnews | A Poet's Dream | Ken Shulman | 30 | Vasari Diary | |
Summer 1994 | 93 | Artnews | New York: Not Frank Stella's Father | Jason Edward Kaufman | 37 | Art Market | |
Summer 1994 | 93 | Artnews | Toronto: From Tissot to Anatolian Idols | Sarah Jennings | 37 | Art Market | |
Summer 1994 | 93 | Artnews | London: The Case of the Missing Menzels | Godfrey Barker | 38 | Art Market | |
Summer 1994 | 93 | Artnews | Munich: All from Ahlers | Anne Midgette | 38 | Art Market | |
Summer 1994 | 93 | Artnews | New York: How Much Is Andy Worth? | Paul Alexander | 51 | Nation | |
Summer 1994 | 93 | Artnews | Goodbye to All That | Robin Cembalest | 52 | Nation | |
Summer 1994 | 93 | Artnews | North Tarrytown: The House the Rockefellers Built | Elaine B. Steiner | 52 | Nation | |
Summer 1994 | 93 | Artnews | Washington, D. C.: Signs of the Times? | Robin Cembalest | 56 | Nation | |
Summer 1994 | 93 | Artnews | Cancel to Council | Robin Cembalest | 56 | Nation | |
Summer 1994 | 93 | Artnews | Minneapolis: "Ritualistic Physical Mortification" | Robin Cembalest | 56 | Nation | |
Summer 1994 | 93 | Artnews | New York: Silurians, Headliner Awards for ARTnews | 56 | Nation | ||
Summer 1994 | 93 | Artnews | Los Angeles: A Long-Awaited Merger | Suzanne Muchnic | 59 | Nation | |
Summer 1994 | 93 | Artnews | Vatican City: Judging the Last Judgment | Ken Shulman | 67 | International | |
Summer 1994 | 93 | Artnews | Moscow: The Russians Renege | Sylvia Hochfield | 68 | International | |
Summer 1994 | 93 | Artnews | Santiago de Compostela: Temporary Contemporary | George Stolz | 69 | International | |
Summer 1994 | 93 | Artnews | Paris: American Revival | Sharon Waxman | 71 | International | |
Summer 1994 | 93 | Artnews | Ghent: Vote Hoet | Jacob Voorthuis | 71 | International | |
Summer 1994 | 93 | Artnews | Amsterdam: Van Gogh's Vanishing Women | Robin Cembalest | 71 | International | |
Summer 1994 | 93 | Artnews | Esbjerg, Denmark: Pigging Out | 72 | International | ||
Summer 1994 | 93 | Artnews | David Levy: The Institution Fixer | Mary Lynn Kotz | 87 | Spotlight | |
Summer 1994 | 93 | Artnews | Leon Kossoff: Epiphany on Commercial Road | William Feaver | 109 | Looking At Art | |
Summer 1994 | 93 | Artnews | Gerhard Lenz: "Innate Spiritualidy" | John Dornberg | 127 | Living With Art | |
Summer 1994 | 93 | Artnews | Donna Moylan: Time, Space, Sticks and Stones | Christine Harris | 139 | Studio | |
Summer 1994 | 93 | Artnews | ARGENTINA Emilio Torti: Rhapsody in Blue | Edward J. Sullivan | 144 | Latin America | |
Summer 1994 | 93 | Artnews | BRAZIL Rosangela Renno: Photo Opportunities | Bill Hinchberger | 145 | Latin America | |
Summer 1994 | 93 | Artnews | Gilberto Chateaubriand: The Price of Oranges | Bill Hinchberger | 146 | Latin America | |
Summer 1994 | 93 | Artnews | CHILE Francisca Sutil: In Living Color | Nena Ossa | 148 | Latin America | |
Summer 1994 | 93 | Artnews | COLOMBIA Miguel Angel Rojas: A Keyhole Confession | Juliana Soto | 149 | Latin America | |
Summer 1994 | 93 | Artnews | URUGUAY Angel Kalemberg: Unseating the Pantheon | Cristina Carlisle | 150 | Latin America | |
Summer 1994 | 93 | Artnews | VENEZUELA The Caprileses: In Love with Magic | Andrea Kowalski | 151 | Latin America | |
Summer 1994 | 93 | Artnews | Wifredo Lam: Dancing in the Dark | Susana Torruella Leval | 153 | Latin America | |
Summer 1994 | 93 | Artnews | Real and Unreal: The Strange Life of De Chirico's Art | Judd Tully | 154 | ||
Summer 1994 | 93 | Artnews | Mark Tansey: Seriously Funny | Nancy Stapen | 160 | ||
Summer 1994 | 93 | Artnews | Dynamic Duos | Glenn Zorpette | 164 | ||
Summer 1994 | 93 | Artnews | It's a Wonderful Life | Deborah Gimelson | 170 | ||
November 1994 | 93 | Artnews | Unflattering Statue removed in Winnipeg | Donald Macgillivray | 27 | Vasari Diary | |
November 1994 | 93 | Artnews | Astronaut Alan Bean as a painter | Valerie Gladstone | 27 | Vasari Diary | |
November 1994 | 93 | Artnews | Picasso's photographic self-portraits | Penelope Rowlands | 28 | Vasari Diary | |
November 1994 | 93 | Artnews | Della Quercia frenzy | Ann Landi | 28 | Vasari Diary | |
November 1994 | 93 | Artnews | Gilbert and George in China | 28 | Vasari Diary | ||
November 1994 | 93 | Artnews | PaceWildenstein in Asia | Meta Raine, Bonnie Barrett Stretch | 35 | Art Market | |
November 1994 | 93 | Artnews | The Goetz collection | Anne Midgette | 35 | Art Market | |
November 1994 | 93 | Artnews | The Boomerang Effect | Cristina Carlisle | 36 | Art Market | |
November 1994 | 93 | Artnews | Magritte's market | Andrew Decker | 36 | Art Market | |
November 1994 | 93 | Artnews | Ed Kienholz's Kienholzian funeral | Peter Clothier | 43 | Nation | |
November 1994 | 93 | Artnews | New-York Historical Society gets OK to deaccession | Eric Gibson | 44 | Nation | |
November 1994 | 93 | Artnews | Building boom in California | Peter Clothier, Leah Ollman | 44 | Nation | |
November 1994 | 93 | Artnews | Reginald Marsh mural restored | Ann Landi | 46 | Nation | |
November 1994 | 93 | Artnews | Baltimore Museum's new wing | Barbara A. MacAdam | 46 | Nation | |
November 1994 | 93 | Artnews | Czech art post-Communism | 48 | Nation | ||
November 1994 | 93 | Artnews | Britain's Heritage Fund begins | 55 | International | ||
November 1994 | 93 | Artnews | Turmoil at the Reina Sofia | 55 | International | ||
November 1994 | 93 | Artnews | New pan-European biennial | 55 | International | ||
November 1994 | 93 | Artnews | Repatriating art to Turkey | 56 | International | ||
November 1994 | 93 | Artnews | Diana D. Brooks: Leading Sotheby's quiet revolution | Gail Gregg | 65 | Spotlight | |
November 1994 | 93 | Artnews | Inez van Lamsweerde subverts the beauty myth | Jonathan Turner | 75 | On the Edge | |
November 1994 | 93 | Artnews | Todd Watts envisions a genetically altered human race | Anastasia Aukeman | 83 | Studio | |
November 1994 | 93 | Artnews | Rafael Moneo's empirical architecture | Laurel Berger | 87 | Design | |
November 1994 | 93 | Artnews | Leonard Baskin | Janet Wilson | 93 | Prints | |
November 1994 | 93 | Artnews | Jennifer Bartlett | 103 | Books | ||
November 1994 | 93 | Artnews | Jim Dine | 103 | Books | ||
November 1994 | 93 | Artnews | Monographs on Christian Boltanski | 103 | Books | ||
November 1994 | 93 | Artnews | A. R. Penck, Jasper Johns, and Bruce Helander | 104 | Books | ||
November 1994 | 93 | Artnews | Diamonstein on the art world | 104 | Books | ||
November 1994 | 93 | Artnews | When exhibition labels have a political ax to grind | Carol Lutfy | 121 | Perspective | |
November 1994 | 93 | Artnews | Japan '94 Young Crowd, Wide Horizons | Carol Lutfy | 124 | ||
November 1994 | 93 | Artnews | Bargain or Blunder? | Paul Jeromack | 130 | ||
November 1994 | 93 | Artnews | Germany '94 Back on Track | David Galloway | 136 | ||
November 1994 | 93 | Artnews | Yagona in Fiji and Breakfast in Derry | Carey Lovelace | 144 | ||
November 1994 | 93 | Artnews | Still Raging Rivers | Barbara A. MacAdam | 148 | ||
December 1994 | 93 | Artnews | A do-it-yourself museum | Ann Landi | 27 | Vasari Diary | |
December 1994 | 93 | Artnews | Sculpture raises eyebrows in Easton, Pennsylvania | Barbara A. MacAdam | 27 | Vasari Diary | |
December 1994 | 93 | Artnews | Chairman Mao as pop Kitsch | Eric Gibson | 28 | Vasari Diary | |
December 1994 | 93 | Artnews | Komar and Melamid's paintings by committee | Sylvia Hochfield | 28 | Vasari Diary | |
December 1994 | 93 | Artnews | The French honor Yoshii Gallery founder | Sumi Nakamichi | 35 | Art Market | |
December 1994 | 93 | Artnews | Ruckus over aboriginal art in Cologne | Terry Ingram, Ginger Henry-Kunzel | 35 | Art Market | |
December 1994 | 93 | Artnews | Turkey reclaims its artifacts | Spencer P. M. Harrington | 36 | Art Market | |
December 1994 | 93 | Artnews | Washington, D. C.: NEA cuts funds to arrtists | Ann Landi | 43 | National News | |
December 1994 | 93 | Artnews | Doubts about National Gallery Poussin | Ann Landi | 43 | National News | |
December 1994 | 93 | Artnews | Delay for the National African American Museum | Ann Landi | 44 | National News | |
December 1994 | 93 | Artnews | New York: Metropolitan Museum looking to raise $300 million | Ann Landi | 44 | National News | |
December 1994 | 93 | Artnews | Kansas City: Kemper Museum of Contemporary Art Opens | Alice Thorson | 44 | National News | |
December 1994 | 93 | Artnews | Philadelphia: Pennsylvania Academy of the Fine Arts reopens | Barbara A. MacAdam | 46 | National News | |
December 1994 | 93 | Artnews | Kudos | 46 | National News | ||
December 1994 | 93 | Artnews | Transitions | 48 | National News | ||
December 1994 | 93 | Artnews | Vienna: Arnulf Rainer;s studio vandalized | Ferdinand Protzman | 53 | International News | |
December 1994 | 93 | Artnews | Tokyo: Lichtenstein acquisitionprotested | Kay Itoi | 53 | International News | |
December 1994 | 93 | Artnews | Outdoor art complex opens | Kay Itoi | 54 | International News | |
December 1994 | 93 | Artnews | Lugano: New role for the Thyssen-Bornemisza Foundation | 54 | International News | ||
December 1994 | 93 | Artnews | Barcelona: Museum of Contemporary Art director quits | 54 | International News | ||
December 1994 | 93 | Artnews | Margit Rowell interview | Nancy Grimes | 63 | Modern Masters | |
December 1994 | 93 | Artnews | Reviews of books on Kandinsky and Brancusi | John E. Bowlt | 63 | Modern Masters | |
December 1994 | 93 | Artnews | Advance look at Mondrain retrospective | Eric Gibson | 67 | Modern Masters | |
December 1994 | 93 | Artnews | The Foundation Maeght at 30 | Penelope Rowlands | 68 | Modern Masters | |
December 1994 | 93 | Artnews | Vienna's well-kept secret: the Akademie der Bildenden Kunste | Christine Harris | 77 | Artful Traveler | |
December 1994 | 93 | Artnews | Sculptor David Slivka, still hooked on cutting and fitting | Jonathan Goodman | 83 | Studio | |
December 1994 | 93 | Artnews | Linda Stark puts a new twist on hard-edge abstraction | Peter Clothier | 89 | On the Edge | |
December 1994 | 93 | Artnews | Erik Nussbicker puts fly larvae (among other things) into his sculpture | Penelope Rowlands | 90 | On the Edge | |
December 1994 | 93 | Artnews | Toronto's Ydessa Hendeles, impresario of the avant-garde | Sarah Jennings | 97 | Spotlight | |
December 1994 | 93 | Artnews | Henry Scott Tuke: August Blue | M. Kirby Talley, Jr. | 103 | Lookinng At Art | |
December 1994 | 93 | Artnews | Venezuela '94 Lively, creative & flourishing | Milton Esterow | 108 | ||
December 1994 | 93 | Artnews | Colombia '94 From the Abstract to the personal | Chris Torchia | 112 | ||
December 1994 | 93 | Artnews | The Mega-dealers nobody knows | Andrew Decker | 116 | ||
December 1994 | 93 | Artnews | Light, Canvas, Action! When artists go to the movies! | Paul Gardner | 124 | ||
December 1994 | 93 | Artnews | In full bloom | Laura Colby | 130 | ||
January 1993 | 92 | Artnews | No More Pigs in the Flower Beds | Barbara A. MacAdam | 19 | Vasari Diary | |
January 1993 | 92 | Artnews | Exhibitionist or Voyeur? | Deidre Stein | 19 | Vasari Diary | |
January 1993 | 92 | Artnews | "Big Fingers" at the Paint-in | Mary Haus | 20 | Vasari Diary | |
January 1993 | 92 | Artnews | Zoo Story | Anya Sacharow | 20 | Vasari Diary | |
January 1993 | 92 | Artnews | Subway Spheres | 22 | Vasari Diary | ||
January 1993 | 92 | Artnews | Discovered at 91 | John Adam | 22 | Vasari Diary | |
January 1993 | 92 | Artnews | Japan's Big Spenders | Kay Itoi | 29 | Art Market | |
January 1993 | 92 | Artnews | George Tooker's Magic Numbers | Marie Louise Kane | 29 | Art Market | |
January 1993 | 92 | Artnews | Canada's Threat to Donations | Sarah Jennings | 30 | Art Market | |
January 1993 | 92 | Artnews | Still Buying | Andrew Decker | 30 | Art Market | |
January 1993 | 92 | Artnews | Los Angeles: The Mouse that Roared | Robin Cembalest | 35 | Nation | |
January 1993 | 92 | Artnews | Washington, D. C.: "What Will Happen to Their Collection?" | Robin Cembalest | 35 | Nation | |
January 1993 | 92 | Artnews | New York: The Psyche and the Pocketbook | Robin Cembalest | 37 | Nation | |
January 1993 | 92 | Artnews | New York/San Jose: The Whitney Shares Its Wealth | Robin Cembalest | 38 | Nation | |
January 1993 | 92 | Artnews | Madison, Wisconsin: Getting It Wright | Robin Cembalest | 38 | Nation | |
January 1993 | 92 | Artnews | New York: Leo and Jasper: Still on Target | Paul Gardner | 40 | Nation | |
January 1993 | 92 | Artnews | Sofia: A New Noah's Ark | Geneva J. Anderson | 45 | International | |
January 1993 | 92 | Artnews | Cairo: King Tut's Curse: Visitors | Sylvia Hochfield | 47 | International | |
January 1993 | 92 | Artnews | London: The Mystery of the "Weeping" Glass | Jeffrey Kastner | 47 | International | |
January 1993 | 92 | Artnews | Fontvielle, France: Unsafe at Any Speed | Leslie Weinberg | 50 | International | |
January 1993 | 92 | Artnews | Toshio Hara: Missionary to the Unconverted | Carol Lutfy | 73 | Spotlight | |
January 1993 | 92 | Artnews | Brigitte Kowanz: A Wall, a Bulb, a Mirror, and Light | Mary Haus | 81 | Studio | |
January 1993 | 92 | Artnews | The New Reality | 89 | |||
January 1993 | 92 | Artnews | The Getty's Guru | Suzanne Muchnic | 106 | ||
January 1993 | 92 | Artnews | Jusepe De Ribera: A Master Who Never Flinched | Keith Christiansen | 110 | ||
January 1993 | 92 | Artnews | Guillaume Bijl: The Conspicuous Consumer | Brigid Grauman | 116 | ||
January 1993 | 92 | Artnews | Clinton and the Arts: "He Never Stops Learning" | Robin Cembalest | 122 | ||
February 1993 | 92 | Artnews | Bartlett's Japanese Quotations | Barbara A. MacAdam | 23 | Vasari Diary | |
February 1993 | 92 | Artnews | Fat Cat Loses Whiskers | Georgina Adam | 23 | Vasari Diary | |
February 1993 | 92 | Artnews | Peale's Passion | Sylvia Hochfield | 26 | Vasari Diary | |
February 1993 | 92 | Artnews | High School Memories | Peter Slatin | 26 | Vasari Diary | |
February 1993 | 92 | Artnews | A Room on Earth | 28 | Vasari Diary | ||
February 1993 | 92 | Artnews | Papa's Cezanne | Barbara A. MacAdam | 28 | Vasari Diary | |
February 1993 | 92 | Artnews | "Fever", Fashion, and Foreign Affairs | Anya Sacharow | 28 | Vasari Diary | |
February 1993 | 92 | Artnews | Going Dutch | M. Kirby Talley, Jr., Bonnie Barrett Stretch | 35 | Art Market | |
February 1993 | 92 | Artnews | Taxing Questions | Georgina Adam | 35 | Art Market | |
February 1993 | 92 | Artnews | Taking on Freud | Bonnie Barrett Stretch | 36 | Art Market | |
February 1993 | 92 | Artnews | It's Not Art? | David Galloway, Bonnie Barrett Stretch | 36 | Art Market | |
February 1993 | 92 | Artnews | Washington, D. C.: Proper Use of Public Funds? | Robin Cembalest | 41 | Nation | |
February 1993 | 92 | Artnews | New York: Just Wild about Henri | Robin Cembalest | 41 | Nation | |
February 1993 | 92 | Artnews | Saint Louis: "Recovering the Holy" | Peter Selz | 42 | Nation | |
February 1993 | 92 | Artnews | Pittsburgh: From the Whitney to the Warhol | 42 | Nation | ||
February 1993 | 92 | Artnews | Dallas: Brettell Steps Down | 42 | Nation | ||
February 1993 | 92 | Artnews | Paris: Not a Taj Mahal | Robin Cembalest | 49 | International | |
February 1993 | 92 | Artnews | London: Prize and Prejudice | Jeffrey Kastner | 49 | International | |
February 1993 | 92 | Artnews | Dresden: Stella's "Deep-Dish Pie" | David Galloway | 50 | International | |
February 1993 | 92 | Artnews | Palma de Mallorca: The Year of Miro | Laurel Berger | 51 | International | |
February 1993 | 92 | Artnews | Glasgow: Chunnel Vision | Christopher Andreae | 51 | International | |
February 1993 | 92 | Artnews | Davos, Switzerland: Better Than the Post Office | Mary Krienke | 52 | International | |
February 1993 | 92 | Artnews | Beijing: Peaceful Performance | 52 | International | ||
February 1993 | 92 | Artnews | The Master Builder | Peter Slatin | 55 | Books | |
February 1993 | 92 | Artnews | Breaking Down the Body | Nancy Malloy | 55 | Books | |
February 1993 | 92 | Artnews | The Secret Lives of Buildings | Peter Lemos | 56 | Books | |
February 1993 | 92 | Artnews | Jean-Luc Godard: Picasso, Marx, and Coca-Cola | J. Hoberman | 57 | Film | |
February 1993 | 92 | Artnews | Dave and Reba Williams: Please Excuse our Peccadilloes | Michael Boodro | 61 | Prints | |
February 1993 | 92 | Artnews | Candida Alvarez: Myth, Memory, and Old Lace | Barbara A. MacAdam | 67 | Studio | |
February 1993 | 92 | Artnews | Fast Forward: Art Goes High Tech | Mark Dery | 74 | ||
February 1993 | 92 | Artnews | Anatomy of an Art School | Glenn Zorpette | 84 | ||
February 1993 | 92 | Artnews | Esteban Vicente: Child of the Century | Elizabeth Frank | 90 | ||
February 1993 | 92 | Artnews | Invitation to a Hanging | Paul Gardner | 96 | ||
February 1993 | 92 | Artnews | Barbara Bloom: "My Work is More Like a Movie Set" | Margot Mifflin | 102 | ||
April 1993 | 92 | Artnews | A Constant Reminder | Meir Ronnen | 23 | Vasari Diary | |
April 1993 | 92 | Artnews | Fried Greetings | Barbara A. MacAdam | 23 | Vasari Diary | |
April 1993 | 92 | Artnews | An "Unexplainable Mania" | Suzanne Muchnic | 24 | Vasari Diary | |
April 1993 | 92 | Artnews | 100 Percent and Then the Rest | Barbara A. MacAdam | 24 | Vasari Diary | |
April 1993 | 92 | Artnews | Washington, D. C.: A Permanent Tax Window | Richard W. Walker | 31 | Art Market | |
April 1993 | 92 | Artnews | Royalty Rejected | Richard W. Walker | 31 | Art Market | |
April 1993 | 92 | Artnews | New York: Bayer Fever | Bonnie Barrett Stretch | 32 | Art Market | |
April 1993 | 92 | Artnews | Basel: Beyeler's Gift | Christian von Faber-Castell | 32 | Art Market | |
April 1993 | 92 | Artnews | New York: Too Soon to Tell | Robin Cembalest | 37 | Nation | |
April 1993 | 92 | Artnews | More Modern at the Met | 39 | Nation | ||
April 1993 | 92 | Artnews | Greek Tragedy? | Robin Cembalest | 39 | Nation | |
April 1993 | 92 | Artnews | Washington, D. C.: A Powerful Testament | Benjamin Forgey | 40 | Nation | |
April 1993 | 92 | Artnews | Cambridge: Rothko Rerevealed | Robin Cembalest | 42 | Nation | |
April 1993 | 92 | Artnews | London: The Tate's New Plates | Robin Cembalest | 59 | International | |
April 1993 | 92 | Artnews | Lugano: Lighter and Brighter | Robin Cembalest | 59 | International | |
April 1993 | 92 | Artnews | Berlin: A New Twist | Robin Cembalest | 60 | International | |
April 1993 | 92 | Artnews | Rome: Don't Touch the Donatello (and Have a Pizza) | Ken Shulman | 61 | International | |
April 1993 | 92 | Artnews | Different Voices | Deidre Stein | 67 | Prints | |
April 1993 | 92 | Artnews | Helen Frankenthaler | Jean Lawlor Cohen | 68 | Prints | |
April 1993 | 92 | Artnews | Who is Jeff Koons and Why are People Saying Such Terrible Things About Him | David Littlejohn | 90 | ||
April 1993 | 92 | Artnews | Frontis | Steven Henry Madoff | 95 | The World's Great Museums | |
April 1993 | 92 | Artnews | NATIONAL GALLERY, LONDON The Cat with Electric Eyes | James Hall | 96 | The World's Great Museums | |
April 1993 | 92 | Artnews | LOUVRE, PARIS Mona and a Mall | Ginger Danto | 98 | The World's Great Museums | |
April 1993 | 92 | Artnews | ALTE PINAKOTHEK, MUNICH Rubenses by the Dozen | John Dornberg | 99 | The World's Great Museums | |
April 1993 | 92 | Artnews | KUNSTHISTORISCHES, VIENNA Hapsburg Knickknacks | Timothy Ryback | 101 | The World's Great Museums | |
April 1993 | 92 | Artnews | PRADO, MADRID A Gallery of Earthly Delights | Robin Cembalest | 103 | The World's Great Museums | |
April 1993 | 92 | Artnews | UFFIZI, FLORENCE Mammoth Madonnas in a Sea of Gold | Ken Shulman | 105 | The World's Great Museums | |
April 1993 | 92 | Artnews | NATIONAL MUSEUM, TOKYO Beauty and the Buddha | Sam Staggs | 106 | The World's Great Museums | |
April 1993 | 92 | Artnews | METROPOLITAN, NEW YORK "Why Buy a Monk When You Can Have a Cardinal" | Eleanor Heartney | 108 | The World's Great Museums | |
April 1993 | 92 | Artnews | Dale Chihuly: Venetians, Persians, and Niijima Floats | Margarett Moorman | 110 | ||
April 1993 | 92 | Artnews | Picasso: "You Can Never Write 'The End'" | Paul Gardner | 116 | ||
April 1993 | 92 | Artnews | Under a Russian Sofa: 101 Looted Treasures | Sylvia Hochfield | 120 | ||
May 1993 | 92 | Artnews | Russian Lessons | Amy Virshup | 27 | Vasari Diary | |
May 1993 | 92 | Artnews | Just About Wright | Barbara A. MacAdam | 27 | Vasari Diary | |
May 1993 | 92 | Artnews | Rockburne's Wavelength | 28 | Vasari Diary | ||
May 1993 | 92 | Artnews | The Mind and the Fingertips | Barbara A. MacAdam | 28 | Vasari Diary | |
May 1993 | 92 | Artnews | Crystal Clear | Ken Shulman | 28 | Vasari Diary | |
May 1993 | 92 | Artnews | Moscow: From Russia, with a License | Konstantin Akinsha | 37 | Art Market | |
May 1993 | 92 | Artnews | Kiev: Buy, but Don't Export | Konstantin Akinsha | 37 | Art Market | |
May 1993 | 92 | Artnews | London: Tissot's Belle Epoque | Georgina Adam, Godfrey Barker, Sarah Jennings | 37 | Art Market | |
May 1993 | 92 | Artnews | Saatchi Stirs British Blood | Georgina Adam | 38 | Art Market | |
May 1993 | 92 | Artnews | Los Angeles: Collecting Museums | Suzanne Muchnic | 38 | Art Market | |
May 1993 | 92 | Artnews | New York: Disappointed in Denver | Robin Cembalest | 41 | Nation | |
May 1993 | 92 | Artnews | Good for Kids | Robin Cembalest | 41 | Nation | |
May 1993 | 92 | Artnews | Alexandria, Virginia: "The Sky's the Limit" | Robin Cembalest | 42 | Nation | |
May 1993 | 92 | Artnews | Los Angeles: Beyond the Books | SUzanne Muchnic | 44 | Nation | |
May 1993 | 92 | Artnews | Santa Fe: A Man of Life and Beauty | Milton Esterow | 46 | Nation | |
May 1993 | 92 | Artnews | Kodiak: A Race Against Time | Robin Cembalest | 46 | Nation | |
May 1993 | 92 | Artnews | San Francisco: He Made Art More International | Kenneth Baker | 46 | Nation | |
May 1993 | 92 | Artnews | Florence: No More Doubts About Saint Thomas | Ken Shulman | 53 | International | |
May 1993 | 92 | Artnews | Bratislava: Clashing with the Czechs | Jacqueline Corbett | 53 | International | |
May 1993 | 92 | Artnews | London: Much Ado About Moore | Jeffrey Kastner | 55 | International | |
May 1993 | 92 | Artnews | Clandestine Casting Deal | Jeffrey Kastner | 56 | International | |
May 1993 | 92 | Artnews | Dublin: The Curator Did It | Aidan Dunne | 56 | International | |
May 1993 | 92 | Artnews | Art Spiegelman: The Maus That Roared | Avis Berman | 63 | Spotlight | |
May 1993 | 92 | Artnews | Youngstown: An American Knockout | Harry Schwalb | 77 | Artful Traveler | |
May 1993 | 92 | Artnews | The Berlingieris: A Nun, an Eskimo, and Elvis | Jonathan Turner | 83 | Living With Art | |
May 1993 | 92 | Artnews | Another Picasso Book? Yes, Absolutely | Pepe Karmel | 91 | Books | |
May 1993 | 92 | Artnews | Salesmen, Scholars, and Crooks | Bonnie Barrett Stretch | 92 | Books | |
May 1993 | 92 | Artnews | An Alluring Time That Never Was | Eleanor Heartney | 92 | Books | |
May 1993 | 92 | Artnews | The French Evolution | Sharon Waxman | 96 | ||
May 1993 | 92 | Artnews | Sophie the Spy | Ginger Danto | 100 | ||
May 1993 | 92 | Artnews | Power and Prestige: Mitterand's Vision of Paris | Ellen Posner | 104 | ||
May 1993 | 92 | Artnews | FRONTIS | Steven Henry Madoff | 109 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | UNITED STATES: Jin Soo Kim | Eleanor Heartney | 110 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | CANADA: Robin Collyer | Sarah Jennings | 111 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | GREAT BRITAIN: Callum Innes | William Feaver | 112 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | GERMANY: Hendrik Silbermann | David Galloway | 113 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | ITALY: Liliana Moro | Meyer Raphael Rubinstein | 114 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | SPAIN: Dario Basso | Laurel Berger | 115 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | MEXICO: Nestor Quinones | Mary Schneider Enriquez | 116 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | CHILE: Arturo Duclos | Nena Ossa | 117 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | UKRAINE: The Martinchiki | Konstantin Akinsha | 118 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | JAPAN: Rei Naito | Dana Friis-Hansen | 119 | Who Are The Artists To Watch? | |
May 1993 | 92 | Artnews | Art and Aids: Urgent Images | William Harris | 120 | ||
May 1993 | 92 | Artnews | Peter Nadin: Growing Up Again | Daniel Pinchbeck | 124 | ||
September 1993 | 92 | Artnews | The Emperor's Old Clothes | 25 | Vasari Diary | ||
September 1993 | 92 | Artnews | The Bloom of Health | Marcia Tanner | 25 | Vasari Diary | |
September 1993 | 92 | Artnews | A Trolley's-Eye-View | Leah Ollman | 25 | Vasari Diary | |
September 1993 | 92 | Artnews | Table Manners | Jonathan Turner | 26 | Vasari Diary | |
September 1993 | 92 | Artnews | Footloose and Low Tech | Barbara A. MacAdam | 26 | Vasari Diary | |
September 1993 | 92 | Artnews | The March of the Old Masters | Godfrey Barker | 35 | Art Market | |
September 1993 | 92 | Artnews | Stable, with a Few Abrasions | Judd Tully | 39 | Prints & Drawings | |
September 1993 | 92 | Artnews | Seymour Slive: Each Age Constructs a Different Rembrandt | 43 | Conversation | ||
September 1993 | 92 | Artnews | Washington, D. C.: Much Ado About "Doodoo" | Robin Cembalest | 57 | Nation | |
September 1993 | 92 | Artnews | Whistleblower Reinstated | 60 | Nation | ||
September 1993 | 92 | Artnews | New York: The Warhol Estate: $220 Million | Robin Cembalest | 60 | Nation | |
September 1993 | 92 | Artnews | East Hampton: Settlement in de Kooning Sculpture Case? | 60 | Nation | ||
September 1993 | 92 | Artnews | Doylestown, Pa.: "The Quieter Statements" | 60 | Nation | ||
September 1993 | 92 | Artnews | Pasadena: Steady and Stable | Suzanne Muchnic | 62 | Nation | |
September 1993 | 92 | Artnews | Los Angeles: Hidden Transactions | Daniel Gibson | 62 | Nation | |
September 1993 | 92 | Artnews | "A Sexy, Sensual, Swinging Knockout" | 62 | Nation | ||
September 1993 | 92 | Artnews | Florence: Miracle at the Uffizi | Ken Shulman | 69 | International | |
September 1993 | 92 | Artnews | Rome: Payoffs from the Palazzo? | Ken Shulman | 69 | International | |
September 1993 | 92 | Artnews | Venice: Where Ant Lovers Fear to Tread? | Jonathan Turner | 70 | International | |
September 1993 | 92 | Artnews | Madrid: Clash of the Titans | George Stolz | 70 | International | |
September 1993 | 92 | Artnews | Alborch's Agenda | George Stolz | 71 | International | |
September 1993 | 92 | Artnews | Paris: A Prize for "The Lure of Italy" | 72 | International | ||
September 1993 | 92 | Artnews | Tokyo/Nagoya: Israel's Hollywood Pictures | 72 | |||
September 1993 | 92 | Artnews | Jerusalem: Israel's Hollywood Pictures | 72 | International | ||
September 1993 | 92 | Artnews | Caravaggio: The Name of the Rosary | Arthur C. Danto | 107 | Looking At Art | |
September 1993 | 92 | Artnews | The Hague: The Other Dutch Masters | M. Kirby Talley, Jr. | 119 | Artful Traveler | |
September 1993 | 92 | Artnews | Inside Freud's Mind | William Feaver | 136 | ||
September 1993 | 92 | Artnews | The Revolution Continues: British Art Now | James Hall | 142 | ||
September 1993 | 92 | Artnews | Microchips and Zen Gardens | Paula Deitz | 148 | ||
September 1993 | 92 | Artnews | "Change the Board and Get Rid of the Director" | Robin Cembalest | 152 | ||
September 1993 | 92 | Artnews | How a Painting Inspired a Novella & Other Stories | Jean Nathan | 160 | ||
October 1993 | 92 | Artnews | Poolside Manners | Marcia Tanner | 33 | Vasari Diary | |
October 1993 | 92 | Artnews | Making Rainbows | Jonathan Turner | 33 | Vasari Diary | |
October 1993 | 92 | Artnews | On the Beach | Jonathan Turner | 33 | Vasari Diary | |
October 1993 | 92 | Artnews | "The Lust of the Eyes" | Barbara A. MacAdam | 34 | Vasari Diary | |
October 1993 | 92 | Artnews | Images of Relief | Barbara A. MacAdam | 34 | Vasari Diary | |
October 1993 | 92 | Artnews | San Diego: Take My Grant, Please | Robin Cembalest | 41 | Nation | |
October 1993 | 92 | Artnews | Los Angeles: Shapiro Steps Down | Robin Cembalest | 41 | Nation | |
October 1993 | 92 | Artnews | New York: Great Mutual Fondness | Robin Cembalest | 42 | Nation | |
October 1993 | 92 | Artnews | New Orleans: Classicism, Tropical Style | David Rive | 43 | Nation | |
October 1993 | 92 | Artnews | Washington, D. C.: End of the "Chilling Effect" | Judd Tully | 44 | Nation | |
October 1993 | 92 | Artnews | Berlin: Into a Black Hole" | John Dornberg | 67 | International | |
October 1993 | 92 | Artnews | Seoul: Have Biennial, Will Travel | Robin Cembalest | 68 | International | |
October 1993 | 92 | Artnews | Moscow: Whose Gold is It? | Sylvia Hochfield | 68 | International | |
October 1993 | 92 | Artnews | Hakone-Machi, Japan: A Garden of Prizewinners | 69 | International | ||
October 1993 | 92 | Artnews | Reiner Speck: "Between Accident and System" | Gerard A. Goodrow | 77 | Living With Art | |
October 1993 | 92 | Artnews | Dessau: Rebirth of the Bauhaus | John Dornberg | 87 | Artful Traveler | |
October 1993 | 92 | Artnews | Joan Rosenbaum: Torah Crowns and Electronic Menus | Margot Mifflin | 101 | Spotlight | |
October 1993 | 92 | Artnews | Light Mystics | Barbara A. MacAdam | 117 | Books | |
October 1993 | 92 | Artnews | An Exception to Every Rule | Avis Berman | 117 | Books | |
October 1993 | 92 | Artnews | Searching for a Center | George Melrod | 117 | Books | |
October 1993 | 92 | Artnews | Dear Abby | Avis Berman | 118 | Books | |
October 1993 | 92 | Artnews | Sinister Undercurrents | Sue Scott | 118 | Books | |
October 1993 | 92 | Artnews | Markus Lupertz: The Doubting Dandy | Ferdinand Protzman | 124 | ||
October 1993 | 92 | Artnews | The No-Trend Decade | David Galloway | 130 | ||
October 1993 | 92 | Artnews | "Things are Moving" | John Dornberg | 134 | ||
October 1993 | 92 | Artnews | Berlin: Knocking Down the Invisible Wall | June Carolyn Erlick | 137 | ||
October 1993 | 92 | Artnews | Miro's "Little Miracles" | Arthur C. Danto | 138 | ||
October 1993 | 92 | Artnews | What do Artists Dream? | Margot Mifflin | 144 | ||
October 1993 | 92 | Artnews | Getting Slapped into Next Sunday | Lanford Wilson | 150 | ||
October 1993 | 92 | Artnews | The Bombs on the Building Walls | Mary Haus | 154 | ||
November 1993 | 92 | Artnews | The Seven Virtues | Mary Abbe | 27 | Vasari Diary | |
November 1993 | 92 | Artnews | A Feminine Passion | Penny Proddow | 27 | Vasari Diary | |
November 1993 | 92 | Artnews | Tell It to the Judge | Harry Schwalb | 27 | Vasari Diary | |
November 1993 | 92 | Artnews | When Dali Threw Bathtubs | Barbara A. MacAdam | 28 | Vasari Diary | |
November 1993 | 92 | Artnews | Arsenic and Old Hates | Sylvia Hochfield | 28 | Vasari Diary | |
November 1993 | 92 | Artnews | New York: Old Abstraction Is New Again | Bonnie Barrett Stretch | 39 | Art Market | |
November 1993 | 92 | Artnews | Collectors' Choices | Andrew Decker | 40 | Art Market | |
November 1993 | 92 | Artnews | London: One Satisfied Customer | Godfrey Barker | 40 | Art Market | |
November 1993 | 92 | Artnews | St. Paul/San Jose: Sensitivity or Censorship? | Robin Cembalest | 49 | Nation | |
November 1993 | 92 | Artnews | New York: Émigré Artists: Rocky Landings | Carol Lutfy | 49 | Nation | |
November 1993 | 92 | Artnews | Dallas: "A Sense of Return" | 50 | Nation | ||
November 1993 | 92 | Artnews | Cologne/New York: The Malevich Legacy: Heirs vs. Museums | Sylvia Hochfield | 65 | International | |
November 1993 | 92 | Artnews | Dublin: The Eight-Guinea Caravaggio | Aidan Dunne | 70 | International | |
November 1993 | 92 | Artnews | Paris: New Head for Pompidou | Ginger Danto | 72 | International | |
November 1993 | 92 | Artnews | Athens: Pei's Greek Museum | 72 | International | ||
November 1993 | 92 | Artnews | Basel: Tinguely Fever | Mary Krienke | 72 | International | |
November 1993 | 92 | Artnews | Jack Mackie: The Comet that Changed His Life | Frances DeVuono | 89 | Studio | |
November 1993 | 92 | Artnews | Putting Cat Hairs on a Close Friend | Deidre Stein | 95 | Prints | |
November 1993 | 92 | Artnews | Victor Erice and Antonio Lopez Garcia: The Spirit of the Quince Tree | Laurel Berger | 101 | Film | |
November 1993 | 92 | Artnews | Fast Forward | 122 | |||
November 1993 | 92 | Artnews | Wham! Blam! Pow! Roy Lichtenstein! | Diane Waldman | 134 | ||
November 1993 | 92 | Artnews | The Ghost in the Installation | Robin Cembalest | 140 | ||
November 1993 | 92 | Artnews | "Anyone Who Doesn't Change His Mind Doesn't Have One" | Barbara A. MacAdam | 144 | ||
November 1993 | 92 | Artnews | Mike Kelley's Disturbing Memories | Kristine McKenna | 150 | ||
December 1993 | 92 | Artnews | The Brueghel Beneath the Skin | Barbara A. MacAdam | 25 | Vasari Diary | |
December 1993 | 92 | Artnews | "Do You Know How to Pony?" | Peter Slatin | 25 | Vasari Diary | |
December 1993 | 92 | Artnews | Lying Matters | Barbara A. MacAdam | 25 | Vasari Diary | |
December 1993 | 92 | Artnews | Scrooge Goes Minimal | Barbara A. MacAdam | 26 | Vasari Diary | |
December 1993 | 92 | Artnews | Mystery Theater | Barbara A. MacAdam | 26 | Vasari Diary | |
December 1993 | 92 | Artnews | New York: Wildenstein and Pace Join Forces | Andrew Decker | 31 | Art Market | |
December 1993 | 92 | Artnews | Settling the O'Keeffe Estate | Andrew Decker | 32 | Art Market | |
December 1993 | 92 | Artnews | Malibu: How the Getty Gets | Godfrey Barker | 34 | Art Market | |
December 1993 | 92 | Artnews | Washington, D. C.: Alexander the Great? | Robin Cembalest | 41 | Nation | |
December 1993 | 92 | Artnews | New York: "We Deserve a Public Apology" | 41 | Nation | ||
December 1993 | 92 | Artnews | Sculpture Suit Settled | 42 | Nation | ||
December 1993 | 92 | Artnews | Chicago: Experts Nix Dix, Other Pix in Stix | Frederic Woldt, Aidan Dunne | 44 | Nation | |
December 1993 | 92 | Artnews | San Juan: A Latin Landscape | Eneid Routte-Gomez | 44 | Nation | |
December 1993 | 92 | Artnews | Warsaw: A Russian Thaw? | Rick Richardson | 47 | International | |
December 1993 | 92 | Artnews | Istanbul: Lydian Hoard Restored | 47 | International | ||
December 1993 | 92 | Artnews | Dusseldorf: Up in Smoke | Ferdinand Protzman | 48 | International | |
December 1993 | 92 | Artnews | London: The Debate Over tate | Andrew Wilson | 48 | International | |
December 1993 | 92 | Artnews | Santander: "They All Dropped Their Brushes" | 49 | International | ||
December 1993 | 92 | Artnews | Amnon Barzel: Doing the Impossible | Ken Shulman | 53 | Spotlight | |
December 1993 | 92 | Artnews | Edgar Degas: The Darkness Within | Robert Harbison | 65 | Looking At Art | |
December 1993 | 92 | Artnews | Understanding the Evidence | 69 | Old Masters | ||
December 1993 | 92 | Artnews | Splendors of the Flemish Baroque | Nancy Stapen | 74 | Old Masters | |
December 1993 | 92 | Artnews | How the Dutch Looked at the Bible | Mike Ronnen | 74 | Old Masters | |
December 1993 | 92 | Artnews | The Weight of the Real World | Sylvia Hochfield | 76 | Old Masters | |
December 1993 | 92 | Artnews | Charging Ahead | Jonathan Turner | 92 | ||
December 1993 | 92 | Artnews | Painting with Fire | Jonathan Turner | 96 | ||
December 1993 | 92 | Artnews | Waiting for the Last Judgement | Ken Shulman | 100 | ||
December 1993 | 92 | Artnews | The Persistence of Philippe De Montebello | Robin Cembalest | 108 | ||
December 1993 | 92 | Artnews | Seven-Day Weeks, Long Nights, and Maybe a Car | 112 | |||
December 1993 | 92 | Artnews | Between Art and Atrocity | Timothy W. Ryback | 116 | ||
January 1992 | 91 | Artnews | Censoring the Floating World | Margarett Loke | 13 | Vasari Diary | |
January 1992 | 91 | Artnews | If the Head Fits, Wear It | Barbara A. MacAdam | 13 | Vasari Diary | |
January 1992 | 91 | Artnews | Postcards from the Edge | Barbara A. MacAdam | 16 | Vasari Diary | |
January 1992 | 91 | Artnews | A Child's Landscape | Jonathan Turner | 16 | Vasari Diary | |
January 1992 | 91 | Artnews | "An Age of Darkness"? | Paul Gardner | 16 | Vasari Diary | |
January 1992 | 91 | Artnews | Body Types | Jonathan Turner | 18 | Vasari Diary | |
January 1992 | 91 | Artnews | "Railrider's Throne" | 18 | Vasari Diary | ||
January 1992 | 91 | Artnews | Oakland: After the Fire | David Bonetti | 25 | Nation | |
January 1992 | 91 | Artnews | Waltham: "A Pernicious Practice"? | Robin Cembalest | 25 | Nation | |
January 1992 | 91 | Artnews | Washington, D. C.: A Bargain at Any Price | Richard B. Woodward | 26 | Nation | |
January 1992 | 91 | Artnews | New York: Unicorns and Old Lace | Robert L. Herbert | 28 | Nation | |
January 1992 | 91 | Artnews | Nagoya/Boston: Building a Pioneering Partnership | Robin Cembalest | 47 | International | |
January 1992 | 91 | Artnews | Florence: Did Florence Miss the Boat? | Ken Shulman | 47 | International | |
January 1992 | 91 | Artnews | Rome: Missing Madonnas | Jonathan Turner | 48 | International | |
January 1992 | 91 | Artnews | Croatia: "Destroying the Evidence" | Robin Cembalest | 55 | Environment | |
January 1992 | 91 | Artnews | The Getty Complex: Too Many Cooks | 61 | Design | ||
January 1992 | 91 | Artnews | Pino Casagrande: Everything But Brushstrokes | Jonathan Turner | 67 | Living With Art | |
January 1992 | 91 | Artnews | New Faces in the Crowd | Godfrey Barker | 75 | ||
January 1992 | 91 | Artnews | The ARTnews 200 | 79 | |||
January 1992 | 91 | Artnews | Go Figure: The Inexact Science of Appraisal | William Sherman | 92 | ||
January 1992 | 91 | Artnews | Picasso's Movable Feast | Jean Sutherland Boggs | 8 | ||
January 1992 | 91 | Artnews | Christo's Umbrella Fantasy | Peter Clothier | 104 | ||
January 1992 | 91 | Artnews | After the Coup: Art for Art's Sake? | Konstantin Akinsha | 108 | ||
February 1992 | 91 | Artnews | Stripe Day | Barbara A. MacAdam | 13 | Vasari Diary | |
February 1992 | 91 | Artnews | Is He or Isn't He? | Barbara A. MacAdam | 13 | Vasari Diary | |
February 1992 | 91 | Artnews | The Triangle Effect | Barbara A. MacAdam | 14 | Vasari Diary | |
February 1992 | 91 | Artnews | Inner Purification | Barbara A. MacAdam | 14 | Vasari Diary | |
February 1992 | 91 | Artnews | Monsters on the Blue Line | Peter Clothier | 15 | Vasari Diary | |
February 1992 | 91 | Artnews | Whatsa Matta? | Harry Schwalb | 15 | Vasari Diary | |
February 1992 | 91 | Artnews | Romare's Renaissance | Richard W. Walker | 21 | Art Market | |
February 1992 | 91 | Artnews | A Raphael Right Under His Nose | Godfrey Barker | 21 | Art Market | |
February 1992 | 91 | Artnews | A $69.3 Million Claim? | Georgina Adam | 22 | Art Market | |
February 1992 | 91 | Artnews | If It's '93, It Must Be Miro | Abigail Esman | 22 | Art Market | |
February 1992 | 91 | Artnews | Washington, D. C.: "Corn for Porn" | Robin Cembalest | 27 | Nation | |
February 1992 | 91 | Artnews | Raleigh, N. C.: Back to Immenstadt | Robin Cembalest | 28 | Nation | |
February 1992 | 91 | Artnews | Portland, Maine: Payson's Promised Gifts | Robin Cembalest | 28 | Nation | |
February 1992 | 91 | Artnews | Maine: Payson's Peripatetic Pictures | Richard B. Woodward | 29 | Nation | |
February 1992 | 91 | Artnews | Amsterdam: Red Alert | Jan Bart Klaster | 31 | International | |
February 1992 | 91 | Artnews | Seville: Carmen on a Motorcycle | Judy Cantor | 32 | International | |
February 1992 | 91 | Artnews | Kuwait: Assessing the Damage | 36 | International | ||
February 1992 | 91 | Artnews | Richard Koshalek: MoCA's Maverick | Peter Clothier | 39 | Spotlight | |
February 1992 | 91 | Artnews | Adam Elsheimer: The Kindness of Strangers | Michael Levey | 43 | Looking At Art | |
February 1992 | 91 | Artnews | Louis I. Kahn: The Man Who Didn't Like Windows | Peter Lemos | 55 | Design | |
February 1992 | 91 | Artnews | Cardiff: Gwen and Daisy's Picture Show | Avis Berman | 61 | Artful Traveler | |
February 1992 | 91 | Artnews | Peter the Great | Ferdinand Protzman | 74 | ||
February 1992 | 91 | Artnews | Stuart Davis: All that Jazz | Diane Kelder | 80 | ||
February 1992 | 91 | Artnews | Native American Art: Pride and Prejudice | Robin Cembalest | 86 | ||
February 1992 | 91 | Artnews | Do Titles Really Matter? | Paul Gardner | 92 | ||
February 1992 | 91 | Artnews | David Rabinowitch: Piercing the Circle | Barbara A. MacAdam | 98 | ||
February 1992 | 91 | Artnews | Chinese Art Today: No U-Turn | Joan Lebold Cohen | 104 | ||
February 1992 | 91 | Artnews | Ellen Phelan: Shapechanger | Margarett Moorman | 108 | ||
March 1992 | 91 | Artnews | Caravaggio's Final Days | Ken Shulman | 15 | Vasari Diary | |
March 1992 | 91 | Artnews | Grin and Bare It | John Adam | 15 | Vasari Diary | |
March 1992 | 91 | Artnews | Safety Net | Robin Cembalest | 18 | Vasari Diary | |
March 1992 | 91 | Artnews | "Because of Art I Sleep Badley" | Ginger Danto | 18 | Vasari Diary | |
March 1992 | 91 | Artnews | Speaking of the Unspeakable | Barbara A. MacAdam | 20 | Vasari Diary | |
March 1992 | 91 | Artnews | The KGB and the Madonna | 20 | Vasari Diary | ||
March 1992 | 91 | Artnews | Heavy Metal | 20 | Vasari Diary | ||
March 1992 | 91 | Artnews | The Diego Giacometti Scandal | Georgina Adam | 25 | Art Market | |
March 1992 | 91 | Artnews | Passports for Art? | Georgina Adam | 25 | Art Market | |
March 1992 | 91 | Artnews | Washington, D. C.: The "Populist Patrician" Departs | 29 | Nation | ||
March 1992 | 91 | Artnews | Public Sculpture: Race, Sex and Politics | Robin Cembalest | 30 | Nation | |
March 1992 | 91 | Artnews | New York: "Who Does It Shock? Why Does It Shock?" | Robin Cembalest | 32 | Nation | |
March 1992 | 91 | Artnews | Washington, D. C.: "We're Giving It to the Whole Country" | Robin Cembalest | 34 | Nation | |
March 1992 | 91 | Artnews | Carmel, Calif.: Integrity or Censorship? | Kenneth Baker | 35 | Nation | |
March 1992 | 91 | Artnews | Merion, Pa.: Bickering at the Barnes | Tom Csaszar | 36 | Nation | |
March 1992 | 91 | Artnews | Kiev: Whose Gold? | Konstantin Akinsha | 39 | International | |
March 1992 | 91 | Artnews | Tbilisi: Lost City | Konstantin Akinsha | 39 | International | |
March 1992 | 91 | Artnews | Berlin: Dionysus and Mussolini | Ferdinand Protzman | 40 | International | |
March 1992 | 91 | Artnews | Peter Galassi: Opening the Gates | Margarett Loke | 43 | Spotlight | |
March 1992 | 91 | Artnews | Robert Glenn Ketchum: Pictures Can Make a Difference | 65 | Environment | ||
March 1992 | 91 | Artnews | Arthur Tress: Teapots and Fishtanks | Glenn Zorpette | 77 | Studio | |
March 1992 | 91 | Artnews | Annie Leibovitz Reveals Herself | Charles Hagen | 90 | ||
March 1992 | 91 | Artnews | Photography: A New Era | Bonnie Barrett Stretch | 96 | ||
March 1992 | 91 | Artnews | "The French Guy in Goggles" and Other Favorite Photographs | Paul Gardner | 102 | ||
March 1992 | 91 | Artnews | Mimmo Paladino: 30 Horses, a Watch, and a White Mountain | Jonathan Turner | 108 | ||
March 1992 | 91 | Artnews | 15 Minutes Later: Warhol Now | Judd Tully | 114 | ||
May 1992 | 91 | Artnews | Sweet Charity | Michael Brandow | 19 | Vasari Diary | |
May 1992 | 91 | Artnews | Shoed Away | Sandra Yolles | 19 | Vasari Diary | |
May 1992 | 91 | Artnews | The Right to Remain Dirty | Barbara A. MacAdam | 20 | Vasari Diary | |
May 1992 | 91 | Artnews | Correggio's Double Vision | Patricia C. Jones | 20 | Vasari Diary | |
May 1992 | 91 | Artnews | Princely Perspectives | Charles Giuliano | 22 | Vasari Diary | |
May 1992 | 91 | Artnews | Beauty and the Database | Peter Lemos | 22 | Vasari Diary | |
May 1992 | 91 | Artnews | Lachaise: Casting a New Era | Richard W. Walker | 29 | Art Market | |
May 1992 | 91 | Artnews | Making It Easier to Be a Donor | Richard W. Walker | 29 | Art Market | |
May 1992 | 91 | Artnews | Mixed Signals from France | Simon Hewitt, Bonnie Barrett Stretch | 30 | Art Market | |
May 1992 | 91 | Artnews | Triumph in Taiwan | Kay Itoi | 30 | Art Market | |
May 1992 | 91 | Artnews | New York: The Case of the Purloined Puppy Photo | Robin Cembalest | 35 | Nation | |
May 1992 | 91 | Artnews | Washington, D. C.: Midges and Microcracks | Joanna Wissinger | 36 | Nation | |
May 1992 | 91 | Artnews | Malibu: Head Count | Robin Cembalest | 36 | Nation | |
May 1992 | 91 | Artnews | Baltimore: Like Selling the Orioles? | Richard W. Walker | 37 | Nation | |
May 1992 | 91 | Artnews | Boston: Art-Heist Hotline | Robin Cembalest | 38 | Nation | |
May 1992 | 91 | Artnews | The Bacchante That Got Left Behind | Greg Reibman | 40 | Nation | |
May 1992 | 91 | Artnews | New York: A Breach of Contract? | Sylvia Hochfield | 40 | Nation | |
May 1992 | 91 | Artnews | Tory, N.Y.: "Running Scared" | Robin Cembalest | 40 | Nation | |
May 1992 | 91 | Artnews | Houston: Ending the Exodus | Kevin Cunningham | 42 | Nation | |
May 1992 | 91 | Artnews | London: An Untapped, If Forbidden, Source | Andrew Decker | 47 | International | |
May 1992 | 91 | Artnews | Madrid: Salmon, Not Sienna | Judy Cantor | 48 | International | |
May 1992 | 91 | Artnews | Berlin: No Spy Search | Gerard A. Goodrow | 48 | International | |
May 1992 | 91 | Artnews | Vienna: Back to the Late Baroque? | Stella Rollig | 48 | International | |
May 1992 | 91 | Artnews | Paris: Not Quite Grande Enough | 50 | International | ||
May 1992 | 91 | Artnews | Montauban: Blemished Bisons | 50 | International | ||
May 1992 | 91 | Artnews | Moscow: Stalin's Gift Was a Gilded Cage | Konstantin Akinsha | 55 | Artful Traveler | |
May 1992 | 91 | Artnews | Jean-Christophe Ammann: "I'm Like Dracula" | Ferdinand Protzman | 61 | Spotlight | |
May 1992 | 91 | Artnews | Alan Rath: Digital World | Kenneth Baker | 69 | Studio | |
May 1992 | 91 | Artnews | Louis-Antoine Prat: An Ingres among the Kitchenware | Paula Deitz | 73 | Living With Art | |
May 1992 | 91 | Artnews | The Guggenheim's High-Stakes Gamble | Robin Cembalest | 84 | ||
May 1992 | 91 | Artnews | Chuck Close: "Making the Impossible Possible" | Paul Gardner | 94 | ||
May 1992 | 91 | Artnews | Russia: Whose Art Is It? | Konstantin Akinsha | 100 | ||
May 1992 | 91 | Artnews | Toulouse-Lautrec: Low Life and High Society | Richard Thomson | 106 | ||
May 1992 | 91 | Artnews | Hans Burkhardt: "My Soul Is In These Paintings" | Cathy Curtis | 112 | ||
May 1992 | 91 | Artnews | Knights of the Spirit | Gay Block, Malka Drucker | 114 | ||
Summer 1992 | 91 | Artnews | Inner Sanctum | Ginger Danto | 19 | Vasari Diary | |
Summer 1992 | 91 | Artnews | Piano's Boom | Cristina Del Sesto | 19 | Vasari Diary | |
Summer 1992 | 91 | Artnews | The Ghost of the Bard | 20 | Vasari Diary | ||
Summer 1992 | 91 | Artnews | Masterpiece Theater | Mary Haus | 20 | Vasari Diary | |
Summer 1992 | 91 | Artnews | Why Not Bukovnik? | Siri Huntoon | 22 | Vasari Diary | |
Summer 1992 | 91 | Artnews | Modern Again | Peter Lemos | 22 | Vasari Diary | |
Summer 1992 | 91 | Artnews | Cruising the Garden | 22 | Vasari Diary | ||
Summer 1992 | 91 | Artnews | Moscow: Rented Leopards | Konstantin Akinsha | 31 | Art Market | |
Summer 1992 | 91 | Artnews | Brockton, Mass.: The "Slippery Slope" | Robin Cembalest, Greg Reibman | 35 | Nation | |
Summer 1992 | 91 | Artnews | Washington, D. C.: Powell's Progress | Robin Cembalest | 36 | Nation | |
Summer 1992 | 91 | Artnews | Boston: The Pilfered Pectoral | Robin Cembalest | 38 | Nation | |
Summer 1992 | 91 | Artnews | New York: Did the NEA "Fast-Forward"? | Robin Cembalest | 40 | Nation | |
Summer 1992 | 91 | Artnews | Overseas Press Club Gives Award to ARTnews | 40 | Nation | ||
Summer 1992 | 91 | Artnews | Moscow: Repatriation Is a Long Way Off | Konstantin Akinsha | 45 | International | |
Summer 1992 | 91 | Artnews | Germany: Loans, Lawyers, and El Lissitzkys | Ginger Henry-Kunzel | 45 | International | |
Summer 1992 | 91 | Artnews | London: Francis Bacon: An Old Master of the Elusive | William Feaver | 48 | International | |
Summer 1992 | 91 | Artnews | Giverny: Park Here for Impressionism | Ginger Danto | 50 | International | |
Summer 1992 | 91 | Artnews | Vatican City: Leaving the Loincloths | Robin Cembalest, Ken Shulman | 52 | International | |
Summer 1992 | 91 | Artnews | Jean-Honore Fragonard: A Catalogue of Kisses | M. Kirby Talley, Jr. | 59 | Looking At Art | |
Summer 1992 | 91 | Artnews | Holly Lane: Frame and Fiction | Katherine Gregor | 63 | Studio | |
Summer 1992 | 91 | Artnews | "Russian Avant-Garde Stage Design": The Theater of Revolution | Kenneth Baker | 71 | Design | |
Summer 1992 | 91 | Artnews | Jacob and Ruth Kainen: The House of Expressionism | Heidi L. Berry | 75 | Living With Art | |
Summer 1992 | 91 | Artnews | Frontis | Steven Henry Madoff | 83 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Hawaii: Thriving In Unexpected Ways | Marcia Morse | 84 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Japan: The Arcade Decade | Carol Lutfy | 85 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | South Korea: "A High-Risk Tightrope Act" | Susan Hornik | 87 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | China: The Rules of the Game | Joan Lebold Cohen | 89 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Hong Kong: No Longer a Desert | Cherry Barnett | 90 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Taiwan: Tradition in Transition | Robert Christensen | 92 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | The Philippines: The Search for Identity | Teresa Albor | 94 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Thailand: Bodhisattvas and BMWs | John Hoskin | 95 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Indonesia: "Fantasy World In a Supermarket" | Sally Gelstone | 96 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Australia: The "Last of the Charm School" | Jonathan Turner | 97 | The Pacific Rim | |
Summer 1992 | 91 | Artnews | Jackie Winsor: Pieces of Life | Margot Mifflin | 100 | ||
Summer 1992 | 91 | Artnews | Future Shock at the Barnes | Andrew Decker | 106 | ||
Summer 1992 | 91 | Artnews | Alfred Sisley: Master of the Sky | Christopher Lloyd | 112 | ||
September 1992 | 91 | Artnews | Rocking and Striping | 13 | Vasari Diary | ||
September 1992 | 91 | Artnews | Blue Jars in the Suneshine | Suzanne Muchnic | 13 | Vasari Diary | |
September 1992 | 91 | Artnews | Other People's Stuff | Barbara A. MacAdam | 13 | Vasari Diary | |
September 1992 | 91 | Artnews | Shopping for Pop | Jonathan Turner | 14 | Vasari Diary | |
September 1992 | 91 | Artnews | Flour Power | Mary Abbe | 14 | ||
September 1992 | 91 | Artnews | All is Flux | Edward M. Gomez | 16 | Vasari Diary | |
September 1992 | 91 | Artnews | Chicago: Slipping Them a Mickey? | Judd Tully | 25 | Nation | |
September 1992 | 91 | Artnews | Merion, Pa.: Once is Enough | 25 | Nation | ||
September 1992 | 91 | Artnews | East Bridgewater, Mass.: Against a Stone Wall | Greg Reibman | 27 | Nation | |
September 1992 | 91 | Artnews | Waltham, Mass.: Stopping the Sanctions | Greg Reibman | 27 | Nation | |
September 1992 | 91 | Artnews | Moscow: War Loot: Drawings for Deutsche Marks? | Konstantin Akinsha | 35 | International | |
September 1992 | 91 | Artnews | Hambach: "My Argument Was Not with the German People" | Andrew Decker | 36 | International | |
September 1992 | 91 | Artnews | Paris: The Missing Matisse | Ginger Danto | 37 | International | |
September 1992 | 91 | Artnews | After the Fall | Ginger Danto | 37 | International | |
September 1992 | 91 | Artnews | Madrid: Operation Guernica | Laurel Berger | 38 | International | |
September 1992 | 91 | Artnews | Lynn Davis: A Life Changed by an Iceberg | Alexandra Anderson-Spivy | 41 | Studio | |
September 1992 | 91 | Artnews | John Henry Twachtman: A Soft Roaring | Alfred Corn | 45 | Looking At Art | |
September 1992 | 91 | Artnews | Entering the Software Century | Kirk Varnadoe | 57 | Perspective | |
September 1992 | 91 | Artnews | The We Decade | Robin Cembalest | 62 | ||
September 1992 | 91 | Artnews | The Curators: Making--and Riding--Waves | 72 | |||
September 1992 | 91 | Artnews | The Collectors: Passion and Perseverance | 78 | |||
September 1992 | 91 | Artnews | The Critics: "Clarity and Distance that Does not Exclude Love" | 84 | |||
September 1992 | 91 | Artnews | The Great Experts | Grace Glueck | 90 | ||
September 1992 | 91 | Artnews | Nif, Naf, Nuf and the Wizard of Oz | Konstantin Akinsha | 102 | ||
December 1992 | 91 | Artnews | Mind Over Matter | Jonathan Turner | 15 | Vasari Diary | |
December 1992 | 91 | Artnews | The Sound of Art | William Harris | 15 | Vasari Diary | |
December 1992 | 91 | Artnews | Ruins for a Ruin | Peter Slatin | 16 | Vasari Diary | |
December 1992 | 91 | Artnews | Courtroom Couturier | Meir Ronnen | 16 | Vasari Diary | |
December 1992 | 91 | Artnews | Hearts and Daggers | Carol Dickinson | 18 | Vasari Diary | |
December 1992 | 91 | Artnews | Global Visions | Margarett Loke | 18 | Vasari Diary | |
December 1992 | 91 | Artnews | Terra: The $11 Million Question | Susan Chandler, Deborah Nelson | 23 | Art Market | |
December 1992 | 91 | Artnews | Let Your Fingers Do the Walking | Georgina Adam | 23 | Art Market | |
December 1992 | 91 | Artnews | Diversifying | Godfrey Barker | 24 | Art Market | |
December 1992 | 91 | Artnews | Renting a Fischl | Sarah Jennings | 24 | Art Market | |
December 1992 | 91 | Artnews | New York: A Fiddler in the Guggenheim | Meir Ronnen | 27 | Nation | |
December 1992 | 91 | Artnews | Fighting Back | Robin Cembalest | 28 | Nation | |
December 1992 | 91 | Artnews | A Ross by Any Other Name | Robin Cembalest | 29 | Nation | |
December 1992 | 91 | Artnews | Minneapolis: This Is Not Just a Pipe | Robin Cembalest | 29 | Nation | |
December 1992 | 91 | Artnews | Miami: "The Special Agent Was Going to Faint" | Robin Cembalest | 29 | Nation | |
December 1992 | 91 | Artnews | Washington, D. C.: Court to Koons: No Comment | Robin Cembalest | 32 | Nation | |
December 1992 | 91 | Artnews | New York: ARTnews and Avon Sponsor Awards | 32 | Nation | ||
December 1992 | 91 | Artnews | Richard Pousette-Dart: "Is a Rose Signed?" | 32 | Nation | ||
December 1992 | 91 | Artnews | Moscow: Let the Museums Decide | Konstantin Akinsha | 35 | International | |
December 1992 | 91 | Artnews | Munich: Restitution or Compensation? | Ginger Henry-Kunzel | 35 | International | |
December 1992 | 91 | Artnews | Madrid: Thyssen's "Magic Space" | Robin Cembalest | 37 | International | |
December 1992 | 91 | Artnews | Toronto: Who Is Being Served? | Sarah Jennings | 37 | International | |
December 1992 | 91 | Artnews | Paris: Joan Mitchell: "To Define a Feeling" | 38 | International | ||
December 1992 | 91 | Artnews | Sam Francis: Splatters, Drips, and Bursts of Color | Nancy Malloy | 41 | Prints | |
December 1992 | 91 | Artnews | Richard Diebenkorn | Seonaidh Davenport | 41 | Prints | |
December 1992 | 91 | Artnews | Alfred Leslie | Gerrit Henry | 41 | Prints | |
December 1992 | 91 | Artnews | Friedhelm Mennekes: The "Rock Priest" | Gerard Goodrow | 43 | Spotlight | |
December 1992 | 91 | Artnews | Dublin: Reinventing the Museum | Israel Shenker | 47 | Artful Traveler | |
December 1992 | 91 | Artnews | Pablo Picasso: What Does a Delicious Détente Look Like? | Arthur C. Danto | 51 | Looking At Art | |
December 1992 | 91 | Artnews | Canadian Centre for Architecture: Tinker Toys and City Blocks | Sarah Jennings | 55 | Design | |
December 1992 | 91 | Artnews | Marco Tirelli: "Rites of Passage" | Jonathan Turner | 59 | Studio | |
December 1992 | 91 | Artnews | Frontis | Steven Henry Madoff | 71 | Inside Europe '92 | |
December 1992 | 91 | Artnews | GREAT BRITAIN the Year of the Shark | James Hall | 72 | Inside Europe '92 | |
December 1992 | 91 | Artnews | SPAIN After the Party, Anything Goes | Laurel Berger | 74 | Inside Europe '92 | |
December 1992 | 91 | Artnews | FRANCE A Spirit of Revival | Ginger Danto | 76 | Inside Europe '92 | |
December 1992 | 91 | Artnews | ITALY Screaming Whistles and Boiling Water | Jonathan Turner | 78 | Inside Europe '92 | |
December 1992 | 91 | Artnews | SWITZERLAND Megamachines and New Museums | Mary Krienke | 80 | Inside Europe '92 | |
December 1992 | 91 | Artnews | BELGIUM A New 17th Century | Eva Katz | 81 | Inside Europe '92 | |
December 1992 | 91 | Artnews | THE NETHERLANDS Changing Colors | Jonathan Turner | 82 | Inside Europe '92 | |
December 1992 | 91 | Artnews | AUSTRIA Who's Afraid of Yellow and Blue? | Deirdre Coffey | 84 | Inside Europe '92 | |
December 1992 | 91 | Artnews | SWEDEN The Adrenaline Decade | John Peter Nilsson | 85 | Inside Europe '92 | |
December 1992 | 91 | Artnews | Malevich: The Tangled Legacy | Konstantin Akinsha, Grigorii Kozlov | 86 | ||
December 1992 | 91 | Artnews | What Do Museum Visitors Want? | Glenn Zorpette | 94 | ||
December 1992 | 91 | Artnews | Ellsworth Kelly: "Everything Becomes Abstract" | Robin Cembalest | 98 | ||
February 1991 | 90 | Artnews | Teatime with Pink | Jonathan Turner | 13 | Vasari Diary | |
February 1991 | 90 | Artnews | But Did It Sell? | Matthew Rose | 13 | Vasari Diary | |
February 1991 | 90 | Artnews | Double Exposures | Barbara A. MacAdam | 16 | Vasari Diary | |
February 1991 | 90 | Artnews | Your Art's What You Eat | Charles Giuliano | 16 | Vasari Diary | |
February 1991 | 90 | Artnews | Gates of Remembrance | 18 | Vasari Diary | ||
February 1991 | 90 | Artnews | The Return of the Ram | Daniel Waterman | 18 | Vasari Diary | |
February 1991 | 90 | Artnews | The Mexican Women's Hour | Helen-Louise Seggerman | 27 | Art Market | |
February 1991 | 90 | Artnews | A Vote for Independence | Judy Cantor, Georgina Adam | 27 | Art Market | |
February 1991 | 90 | Artnews | Paik's Progress | Richard W. Walker | 28 | Art Market | |
February 1991 | 90 | Artnews | Running Interference | Georgina Adam, Simon Hewitt | 28 | Art Market | |
February 1991 | 90 | Artnews | Cincinnati: After the Acquittal | Robin Cembalest | 31 | Nation | |
February 1991 | 90 | Artnews | Washington, D. C.: Plants and Grants | Robin Cembalest | 31 | Nation | |
February 1991 | 90 | Artnews | New Rights for Artists | 35 | Nation | ||
February 1991 | 90 | Artnews | Los Angeles: Armand Hammer's "Evolving" Museum | Suzanne Muchnic | 36 | Nation | |
February 1991 | 90 | Artnews | Devil's Lake, N. D.: The Duckweed Factor | Jeffrey Kastner | 37 | Nation | |
February 1991 | 90 | Artnews | Barcelona: Homage to Jacqueline | GInger Danto | 53 | International | |
February 1991 | 90 | Artnews | The Unkindest Cut | Judy Cantor | 54 | International | |
February 1991 | 90 | Artnews | Athens: No Place Like Home | Robin Cembalest | 55 | International | |
February 1991 | 90 | Artnews | Paris: Provocation and Profitability | Edward M. Gomez | 56 | International | |
February 1991 | 90 | Artnews | Robert Storr: Switch-Hitter | Nicholas Jenkins | 63 | Spotlight | |
February 1991 | 90 | Artnews | Elliot Schwartz: Stranger than Fiction | Mary Haus | 69 | Studio | |
February 1991 | 90 | Artnews | Walter Richard Sickert: Miss Earhart's Arrival | William Feaver | 73 | Looking At Art | |
February 1991 | 90 | Artnews | Dresden: Princely Taste | John Dornberg | 77 | Artful Traveler | |
February 1991 | 90 | Artnews | Jacques and Marta Hachuel: Good Vibrations | Robin Cembalest | 81 | Living with Art | |
February 1991 | 90 | Artnews | An Outsider Looking In | Eleanor Heartney | 85 | Books | |
February 1991 | 90 | Artnews | Plates and Revolution | John E. Bowlt | 85 | Books | |
February 1991 | 90 | Artnews | A Down-to-Earth Modernist | Frances De Vuono | 86 | Books | |
February 1991 | 90 | Artnews | Beyond the Furry Teacup | Siri Huntoon | 86 | Books | |
February 1991 | 90 | Artnews | Euphoria Eclipsed | Steven Henry Madoff | 89 | ||
February 1991 | 90 | Artnews | Soviet Union: Reinventing an Art World | Sylvia Hochfield | 90 | ||
February 1991 | 90 | Artnews | Poland: Getting Closer to the Customer | Roger Boyes | 94 | ||
February 1991 | 90 | Artnews | Hungary: After the Soft Revolution | Ernest Beck | 96 | ||
February 1991 | 90 | Artnews | Czechoslovakia: Torn Velvet | Ondrej Hejma | 98 | ||
February 1991 | 90 | Artnews | Romania: The Standards of Change | Tom Mulligan | 100 | ||
February 1991 | 90 | Artnews | Richard Hamilton: Father of Pop | Andrew Graham-Dixon | 102 | ||
February 1991 | 90 | Artnews | Master of the Grand Manner | Mark Stevens | 108 | ||
February 1991 | 90 | Artnews | Second Opinions | Judith Shulevitz | 114 | ||
February 1991 | 90 | Artnews | John Torreano: Scarred Diamonds | Brooks Adams | 120 | ||
March 1991 | 90 | Artnews | A Sporting Esthetic | Eleanor Heartney | 13 | Vasari Diary | |
March 1991 | 90 | Artnews | "Post-Glitz" | Jonathan Turner | 13 | Vasari Diary | |
March 1991 | 90 | Artnews | Dressed to Chill | 14 | Vasari Diary | ||
March 1991 | 90 | Artnews | The Ultimate Taboo | Glenn Zorpette | 14 | Vasari Diary | |
March 1991 | 90 | Artnews | Mind and Mouth | Stacey Bernstein | 16 | Vasari Diary | |
March 1991 | 90 | Artnews | Fairy Tale Louvre | GInger Danto | 16 | Vasari Diary | |
March 1991 | 90 | Artnews | The Marcos Sale: Defying the Recession | William Sherman | 25 | Art Market | |
March 1991 | 90 | Artnews | Snapping Up Photos | Richard B. Woodward | 26 | Art Market | |
March 1991 | 90 | Artnews | A One-Year Compromise | Richard W. Walker | 26 | Art Market | |
March 1991 | 90 | Artnews | North Adams: Mass MoCA: Up in the Air | Charles Giuliano | 31 | Nation | |
March 1991 | 90 | Artnews | New York: An International Whitney? | Judd Tully | 31 | Nation | |
March 1991 | 90 | Artnews | Under the Garden | 34 | Nation | ||
March 1991 | 90 | Artnews | Madrid: Who Should Get Guernica? | Judy Cantor | 39 | International | |
March 1991 | 90 | Artnews | Paris: :God Heard Us" | GInger Danto | 40 | International | |
March 1991 | 90 | Artnews | Berlin/Paris: Cache in a Cupboard | Robin Cembalest | 40 | International | |
March 1991 | 90 | Artnews | Bucharest: Brancusi Brouhaha | Robin Cembalest | 42 | International | |
March 1991 | 90 | Artnews | London: The Incredible Shrinking Rembrandts | Andrew Graham-Dixon | 44 | International | |
March 1991 | 90 | Artnews | Joseph Wilder: "An Enormous Passion to Paint" | Glenn Zorpette | 63 | Spotlight | |
March 1991 | 90 | Artnews | Norman Lundin: Time, Place, and Light | Patricia Failing | 71 | Studio | |
March 1991 | 90 | Artnews | Johannes Vermeer: The Spell of Stillness | Michael Levey | 77 | Looking At Art | |
March 1991 | 90 | Artnews | Ruth and Marvin Sackner: Puns and Puzzles | Elisa Turner | 81 | Living With Art | |
March 1991 | 90 | Artnews | Unsung Patron | Carol Troyen | 87 | Books | |
March 1991 | 90 | Artnews | Chance Inspirations | Eleanor Heartney | 87 | Books | |
March 1991 | 90 | Artnews | A Guide to Bohemia | Nicholas Jenkins | 88 | Books | |
March 1991 | 90 | Artnews | Face Off | Richard B. Woodward | 88 | Books | |
March 1991 | 90 | Artnews | Around the World With the Artful Traveler | Steven Henry Madoff | 93 | ||
March 1991 | 90 | Artnews | London: Where the Wellingtons Live | Andrew Graham-Dixon | 94 | ||
March 1991 | 90 | Artnews | Paris: Monet's Manor | Ginger Danto | 96 | ||
March 1991 | 90 | Artnews | Wuppertal: From Marees to Picasso | David Galloway | 98 | ||
March 1991 | 90 | Artnews | Parma: Luigi's Louvre | William Weaver | 100 | ||
March 1991 | 90 | Artnews | Seville: Saints and Celebrations | Judy Cantor | 102 | ||
March 1991 | 90 | Artnews | Mexico City: Calla Lilies and Kahlos | Nicholas Jenkins | 104 | ||
March 1991 | 90 | Artnews | Tokyo: Eclecticism in the Arty Ward | Carol Lutfy | 106 | ||
March 1991 | 90 | Artnews | Canberra: Totems by an Artificial Lake | Jonathan Turner | 108 | ||
March 1991 | 90 | Artnews | Fabulous at Fifty | Mary Lynn Kotz | 110 | ||
March 1991 | 90 | Artnews | Sarah Charlesworth's Abracadabra | Susan Weiley | 116 | ||
March 1991 | 90 | Artnews | The Drug Cartel: Fences, Informers, and Stolen Art | William Sherman | 122 | ||
April 1991 | 90 | Artnews | It Ain't Over 'Til the Fat Lady Sings | 17 | Vasari Diary | ||
April 1991 | 90 | Artnews | Memory and Memorials | Matthew Rose | 17 | Vasari Diary | |
April 1991 | 90 | Artnews | Urban Classics | 20 | Vasari Diary | ||
April 1991 | 90 | Artnews | Cat Culture | 20 | Vasari Diary | ||
April 1991 | 90 | Artnews | What's a Museum Director Worth? | 20 | Vasari Diary | ||
April 1991 | 90 | Artnews | Speculation in the Renaissance | 22 | Vasari Diary | ||
April 1991 | 90 | Artnews | The Sculptor's Apprentices | Glenn Zorpette | 22 | Vasari Diary | |
April 1991 | 90 | Artnews | A Bargain for a Missing Link | Richard W. Walker | 35 | Art Market | |
April 1991 | 90 | Artnews | Bringing Down the Chandelier? | Judd Tully | 35 | Art Market | |
April 1991 | 90 | Artnews | Nay's Day | Ginger Henry-Kunzel | 36 | Art Market | |
April 1991 | 90 | Artnews | Los Angeles: Who Owns the Hammer Collection? | 39 | Nation | ||
April 1991 | 90 | Artnews | New York: A Billion-Dollar Bonanza for the Met | 39 | Nation | ||
April 1991 | 90 | Artnews | Washington, D. C.: The Battle of the War Memorial | 40 | Nation | ||
April 1991 | 90 | Artnews | New Haven: "Why Not Start with the Feet? | Charles Giuliano | 42 | Nation | |
April 1991 | 90 | Artnews | Tel Aviv and Jerusalem: As the First Sirens Sounded | 63 | International | ||
April 1991 | 90 | Artnews | New York: Protecting Africa's Heritage | Andrew Graham-Dixon | 63 | International | |
April 1991 | 90 | Artnews | Madrid: Mutiny in the Ministry | Robin Cembalest | 65 | International | |
April 1991 | 90 | Artnews | Frankfurt: Tussel Over the 12h Museum | Ferdinand Protzman | 66 | International | |
April 1991 | 90 | Artnews | Leo Castelli: "Who Knows When Another Epiphany Will Occur? | 73 | Conversation | ||
April 1991 | 90 | Artnews | David Ross: A "Natural Panache" | Nancy Stapen | 93 | Spotlight | |
April 1991 | 90 | Artnews | Canada: Jana Sterbak | Sarah Jennings | 99 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Great Britain: Fiona Rae | Andrew Graham-Dixon | 101 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | France: Bernadette Delrieu | Ginger Danto | 102 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Belgium: Marin Kasimir | Brigid Grauman | 103 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Germany: Michael Bielicky | David Galloway | 104 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | The Netherlands: Rob Birza | Marjolein Schaap | 105 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Sweden: Lars Andersson | John Peter Nilsson | 106 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Switzerland: Peter Kamm | Mary Krienke | 107 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Italy: Roberto Pietrosanti | Jonathan Turner | 108 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Spain: Mireia Sentis | Robin Cembalest | 109 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Soviet Union: Arsen Savadov and Georgii Senchenko | Konstantin Akinsha | 110 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Brazil: Fernando Lucchesi | Berta Sichel | 111 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Japan: Yukinori Yanagi | Carol Lutfy | 112 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Australia: Peter Atkins | Jonathan Turner | 113 | Who Are The Artists to Watch? | |
April 1991 | 90 | Artnews | Sandy Skoglund: Wild At Heart | Nan Richardson | 114 | ||
April 1991 | 90 | Artnews | Photography Now: Everything Goes | Charles Hagen | 120 | ||
April 1991 | 90 | Artnews | Photo Ops With the Masters | Abe Frajndlich | 125 | ||
April 1991 | 90 | Artnews | Spoils of War: The Soviet Union's Hidden Art Treasures | Konstantin Akinsha, Grigorii Kozlov | 130 | ||
May 1991 | 90 | Artnews | "Mozart Is Heavy Stuff" | 25 | Vasari Diary | ||
May 1991 | 90 | Artnews | Missing Link | 25 | Vasari Diary | ||
May 1991 | 90 | Artnews | A Matter of Feeling | 26 | Vasari Diary | ||
May 1991 | 90 | Artnews | Obsessed with Women | 26 | Vasari Diary | ||
May 1991 | 90 | Artnews | The Space Program | 28 | Vasari Diary | ||
May 1991 | 90 | Artnews | "A Bunch of Old Guys" | 28 | Vasari Diary | ||
May 1991 | 90 | Artnews | Classic Surreal | 28 | Vasari Diary | ||
May 1991 | 90 | Artnews | Spanish High | Judy Cantor | 37 | Art Market | |
May 1991 | 90 | Artnews | Pricing the Priceless | Bonnie Barrett Stretch | 37 | Art Market | |
May 1991 | 90 | Artnews | The Basquiat Battle | Richard W. Walker | 38 | Art Market | |
May 1991 | 90 | Artnews | New York: A Setback for Art Thieves | 43 | Nation | ||
May 1991 | 90 | Artnews | Portland, Maine: Payson's Promised Gifts | Edgar Allen Beem | 43 | Nation | |
May 1991 | 90 | Artnews | Boston: "Would One Statue Have Two Belly Buttons?" | 44 | Nation | ||
May 1991 | 90 | Artnews | Pasadena: "I Don't Want to Play Cards with Cezanne" | 46 | Nation | ||
May 1991 | 90 | Artnews | Paris: The Pompidou: Old Before Its Time? | Edward M. Gomez, Ginger Danto | 57 | International | |
May 1991 | 90 | Artnews | Paris/Belgrade: Family Feud | Dino Milinovic | 58 | International | |
May 1991 | 90 | Artnews | Florence: The Uffizi's New Back Door | Adrian Dannatt | 60 | International | |
May 1991 | 90 | Artnews | Kuwait City: A Plundered Patrimony | 60 | International | ||
May 1991 | 90 | Artnews | Enrico Baj: "Traveling with My Fantasy" | Meyer Raphael Rubinstein | 65 | Studio | |
May 1991 | 90 | Artnews | "Design 1935-1965: What Modern Was": Trailers, Curvy Blonds, and a Furry Mushroom | Diane di Costanzo | 73 | Design | |
May 1991 | 90 | Artnews | Earthquakes Are Overrated, But Watch Out for the Kids | Suzanne Muchnic | 79 | Ways & Means | |
May 1991 | 90 | Artnews | Roy Lichtenstein: "How Could You Be Much Luckier Than I Am?" | Milton Esterow | 85 | Conversation | |
May 1991 | 90 | Artnews | Florine Stettheimer: Saints, Esthetes, and Hustlers | Eleanor Heartney | 95 | Looking At Art | |
May 1991 | 90 | Artnews | The Man from Malaga | Nicholas Jenkins | 99 | Books | |
May 1991 | 90 | Artnews | The Good, the Bad, and the Ugly | Eleanor Heartney | 99 | Books | |
May 1991 | 90 | Artnews | An Enduring Grace | Barbara A. MacAdam | 100 | Books | |
May 1991 | 90 | Artnews | Grids, Maps and Ladyrinths | Ronald De Feo | 100 | Books | |
May 1991 | 90 | Artnews | Mel Kendrick's Calculated Risks | Michael Boodro | 104 | ||
May 1991 | 90 | Artnews | Sculpture: A New Golden Age? | Steven Henry Madoff | 110 | ||
May 1991 | 90 | Artnews | "Decadent," "Un-German," "Morally Offensive" | 122 | |||
May 1991 | 90 | Artnews | Family Ties | Jon Etra | 128 | ||
May 1991 | 90 | Artnews | A Soviet-German Exchange of War Treasures | Konstantin Akinsha | 134 | ||
Summer 1991 | 90 | Artnews | Sticks and Stones | Elisa Turner | 23 | Vasari Diary | |
Summer 1991 | 90 | Artnews | Glimpsing the Angel | Judd Tully | 23 | Vasari Diary | |
Summer 1991 | 90 | Artnews | Cleaning Castles | Barbara A. MacAdam | 26 | Vasari Diary | |
Summer 1991 | 90 | Artnews | A Wall of Differences | Barbara A. MacAdam | 26 | Vasari Diary | |
Summer 1991 | 90 | Artnews | Stalin Dreaming | Barbara A. MacAdam | 28 | Vasari Diary | |
Summer 1991 | 90 | Artnews | Who Was Who? | Paul H. Fry | 28 | Vasari Diary | |
Summer 1991 | 90 | Artnews | Gracious Giving | 28 | Vasari Diary | ||
Summer 1991 | 90 | Artnews | Hitting Bedrock? | Bonnie Barrett Stretch, Andrew Decker | 41 | Art Market | |
Summer 1991 | 90 | Artnews | Mixed Messages | Ann Berman | 41 | Art Market | |
Summer 1991 | 90 | Artnews | Cooling Off | Bonnie Barrett Stretch, Kay Itoi | 42 | Art Market | |
Summer 1991 | 90 | Artnews | Boston: The Purloined Pectoral | Charles Giuliano | 47 | Nation | |
Summer 1991 | 90 | Artnews | The Gardner Rebounds | Charles Giuliano | 47 | Nation | |
Summer 1991 | 90 | Artnews | Miami: Mixing Art and Politics | 48 | Nation | ||
Summer 1991 | 90 | Artnews | Fort Lauderdale: An Unusual Offer | Elisa Turner | 50 | Nation | |
Summer 1991 | 90 | Artnews | San Joes: They Melt Horses, Don't They? | Gary Kamiya | 50 | Nation | |
Summer 1991 | 90 | Artnews | Barcelona: Foundation without Frontiers | Judy Cantor | 59 | International | |
Summer 1991 | 90 | Artnews | Berlin: "A Lack of Sensitivity" | Robin Cembalest | 59 | International | |
Summer 1991 | 90 | Artnews | Sao Paulo/Venice: Bitterness and Bickering at the Biennials | Berta Sichel, Adrian Dannatt | 62 | International | |
Summer 1991 | 90 | Artnews | Amsterdam: The Van Goghs that Almost Got Away | Robin Cembalest | 64 | International | |
Summer 1991 | 90 | Artnews | Sir Bernard Feilden: Letting a Building Speak | Brandon Taylor | 69 | Spotlight | |
Summer 1991 | 90 | Artnews | Angels with Dirty Faces | Robin Cembalest | 75 | Working Habits | |
Summer 1991 | 90 | Artnews | Pavlovsk: The Pearl in the "Necklace of Jewels" | Suzanne Massie | 85 | Artful Traveler | |
Summer 1991 | 90 | Artnews | Piero della Francesca: An Instant of Stunned Triumph | Arthur C. Danto | 91 | Looking At Art | |
Summer 1991 | 90 | Artnews | The Ecological Art Explosion | Robin Cembalest | 96 | ||
Summer 1991 | 90 | Artnews | A Terrible Beauty | Vicki Goldberg | 106 | ||
Summer 1991 | 90 | Artnews | Mortal Monuments | Sylvia Hochfield | 114 | ||
Summer 1991 | 90 | Artnews | A Worldwide Treasure Hunt | Andrew Decker | 130 | ||
October 1991 | 90 | Artnews | Provoking the Authorities | Jonathan Turner | 21 | Vasari Diary | |
October 1991 | 90 | Artnews | Mind Appeal | Barbara A. MacAdam | 21 | Vasari Diary | |
October 1991 | 90 | Artnews | Mailing Michelangelo | Jonathan Turner | 22 | Vasari Diary | |
October 1991 | 90 | Artnews | Yea for YA/YA | Roger Green | 22 | Vasari Diary | |
October 1991 | 90 | Artnews | Pursuing Piggy | Barbara A. MacAdam | 22 | Vasari Diary | |
October 1991 | 90 | Artnews | In View of Freedom | Barbara A. MacAdam | 24 | Vasari Diary | |
October 1991 | 90 | Artnews | Traffic Jam | 24 | Vasari Diary | ||
October 1991 | 90 | Artnews | Tax Turmoil | Georgina Adam | 35 | Art Market | |
October 1991 | 90 | Artnews | Free Markets, High Profits | Ginger Henry-Kunzel | 35 | Art Market | |
October 1991 | 90 | Artnews | Malibu: Ancient Greek or Modern Roman? | Sylvia Hochfield | 41 | Nation | |
October 1991 | 90 | Artnews | Washington, D. C.: Everything But Tombstones | Joanna Wissinger | 42 | Nation | |
October 1991 | 90 | Artnews | Merion, Pa.: The Battle at the Barnes | Judd Tully | 44 | Nation | |
October 1991 | 90 | Artnews | Moscow: Baudrillard on the Barricades | Konstantin Akinsha | 49 | International | |
October 1991 | 90 | Artnews | Beuys: Voting Right Is Voting Left | Gerard A. Goodrow | 50 | International | |
October 1991 | 90 | Artnews | The Hague: The Return of a Rubens | M. Kirby Talley, Jr. | 52 | International | |
October 1991 | 90 | Artnews | Guy and Alec Wildenstein: "Buy Boldly, Sell Slowly" | Bonnie Barrett Stretch | 57 | Spotlight | |
October 1991 | 90 | Artnews | Jorge Tacla: In a Psychological Landscape | Dan Rubey | 63 | Studio | |
October 1991 | 90 | Artnews | Agnolo Bronzino: An Uncanny Clarity | Michael Levey | 69 | Looking At Art | |
October 1991 | 90 | Artnews | James Rosenquist: Vikings and Vodka | Valerie Gladstone | 73 | Conversation | |
October 1991 | 90 | Artnews | Malmo: Postmodern Power Station | Ingrid Sommar | 79 | Artful Traveler | |
October 1991 | 90 | Artnews | Latin American Art: Global Outreach | Paulo Herkenhoff, Geri Smith | 88 | ||
October 1991 | 90 | Artnews | Guillermo Kuitca: How to Map the Universe | Don Greenlees | 94 | Three From Latin America | |
October 1991 | 90 | Artnews | Gonzalo Diaz: Everybody Needs a Madonna | Don Greenlees | 96 | Three From Latin America | |
October 1991 | 90 | Artnews | Waltercio Caldas: The Mental Carpenter of Rio | Geri Smith | 98 | Three From Latin America | |
October 1991 | 90 | Artnews | The Market: Taking Off | Helen-Louise Seggerman | 100 | ||
October 1991 | 90 | Artnews | Goodbye, Columbus? | Robin Cembalest | 104 | ||
October 1991 | 90 | Artnews | Glorious Days in the Country | William Feaver | 110 | ||
October 1991 | 90 | Artnews | What Artists Like About the Art They Like When They Don't Know Why | Paul Gardner | 116 | ||
November 1991 | 90 | Artnews | Fake, Faker, Fakest | Jonathan Turner | 23 | Vasari Diary | |
November 1991 | 90 | Artnews | Saved by Chisel | Barbara A. MacAdam | 23 | Vasari Diary | |
November 1991 | 90 | Artnews | Artemisia's Hour | Jonathan Turner | 24 | Vasari Diary | |
November 1991 | 90 | Artnews | Pictures from Life | Barbara A. MacAdam | 24 | Vasari Diary | |
November 1991 | 90 | Artnews | Fields of Fire | Jonathan Turner | 26 | Vasari Diary | |
November 1991 | 90 | Artnews | From 2122 to the South Sea | 26 | Vasari Diary | ||
November 1991 | 90 | Artnews | The Tinguely Estate | Judd Tully | 35 | Art Market | |
November 1991 | 90 | Artnews | Make Way for Picard | Simon Hewitt, Georgina Adam | 35 | Art Market | |
November 1991 | 90 | Artnews | Condo Collapse Traps Paintings | Kay Itoi | 36 | Art Market | |
November 1991 | 90 | Artnews | "Creation Square" | Kay Itoi | 36 | Art Market | |
November 1991 | 90 | Artnews | St. Paul: Lettuce in a Landfill | Robin Cembalest | 43 | Nation | |
November 1991 | 90 | Artnews | Philadelphia: Exalting Eakins | Tom Csaszar | 43 | Nation | |
November 1991 | 90 | Artnews | Washington, D. C.: Dread and Chocolate | Robin Cembalest | 44 | Nation | |
November 1991 | 90 | Artnews | Milan: "Like Seeing Leonardo for the First Time" | Ken Shulman | 53 | International | |
November 1991 | 90 | Artnews | Florence: Damaging the David | Robin Cembalest | 54 | International | |
November 1991 | 90 | Artnews | Nocosia, Cyprus: A Mass for the Mosaics | 54 | International | ||
November 1991 | 90 | Artnews | Moscow: Who Owns the Hermitage? | Konstantin Akinsha | 56 | International | |
November 1991 | 90 | Artnews | Pecs: Where Cross and Crescent Clashed | Ernest Beck | 63 | Artful Traveler | |
November 1991 | 90 | Artnews | Kenneth Linsner: Value Judgements | Matthew Rose | 71 | Spotlight | |
November 1991 | 90 | Artnews | Nicolas Poussin: Living for the Moment | Alfred Corn | 75 | Looking At Art | |
November 1991 | 90 | Artnews | Tatsuo Miyajima: Dreaming by Numbers | Mary Haus | 79 | Studio | |
November 1991 | 90 | Artnews | Investigating Vicent | Avis Berman | 83 | Book Reviews | |
November 1991 | 90 | Artnews | Larry Crossing the Delaware | Ruth Bass | 84 | Book Reviews | |
November 1991 | 90 | Artnews | Pages of Lead | Mark Rudman | 84 | Book Reviews | |
November 1991 | 90 | Artnews | California Currents: Artists Choose Artists | Suzanne Muchnic, Gary Kamiya | 96 | ||
November 1991 | 90 | Artnews | Hollywood Collects | Cathy Curtis | 102 | ||
November 1991 | 90 | Artnews | Tony Berlant: Hammering Out Magic | Peter Clothier | 108 | ||
November 1991 | 90 | Artnews | Seurat: A Lifetime of Light | Robert L. Herbert | 114 | ||
November 1991 | 90 | Artnews | The Utrillo Question: For Love or Money? | Edward M. Gomez | 120 | ||
November 1991 | 90 | Artnews | Star Search | Glenn Zorpette | 126 | ||
January 1990 | 89 | Artnews | "Smokescreens" | Albert Elsen | 31 | Letters | |
January 1990 | 89 | Artnews | The Smell of Success | Ginger Danto | 35 | Vasari Diary | |
January 1990 | 89 | Artnews | No Holes Barred | Eleanor Heartney | 35 | Vasari Diary | |
January 1990 | 89 | Artnews | Left Bank or Left Out? | Barbara A. MacAdam | 35 | Vasari Diary | |
January 1990 | 89 | Artnews | Leonardo Rides Again | Christina del Sesto | 36 | Vasari Diary | |
January 1990 | 89 | Artnews | "He Never Fusses" | Milton Esterow | 37 | Vasari Diary | |
January 1990 | 89 | Artnews | Flemish Chemistry | Brigid Grauman | 38 | Vasari Diary | |
January 1990 | 89 | Artnews | Burnt Horizons | 38 | Vasari Diary | ||
January 1990 | 89 | Artnews | Healthy, Wealthy--and Wiser | Bonnie Barrett Stretch | 53 | Art Market | |
January 1990 | 89 | Artnews | Bo Who? | RIchard W. Walker | 54 | Art Market | |
January 1990 | 89 | Artnews | Full-Service Financing | Georgina Adam | 54 | Art Market | |
January 1990 | 89 | Artnews | Chicago: Problems at the Terra | Deborah Nelson, Susan Chandler | 59 | Nation | |
January 1990 | 89 | Artnews | Buffalo, N.Y.: Burchfield and Friends | Elizabeth Licata | 62 | Nation | |
January 1990 | 89 | Artnews | Moscow: The Pushkin-Ludwig? | Konstantin Akinsha | 83 | International | |
January 1990 | 89 | Artnews | Cannes: To Catch a Thief | Robin Cembalest | 85 | International | |
January 1990 | 89 | Artnews | Budapest: Hungary's New Sensibility | Ernest Beck | 86 | International | |
January 1990 | 89 | Artnews | John Walsh: Coups and Controversy | Lisbet Nilson | 95 | Spotlight | |
January 1990 | 89 | Artnews | Antoine Watteau: Harlequin and Columbine | Robert Harbison | 101 | Looking At Art | |
January 1990 | 89 | Artnews | Mario Merz Makes an Igloo (and a Crocodile) | ELeanor Heartney | 107 | Working Habits | |
January 1990 | 89 | Artnews | Milan Furniture Fair: Seductive Curves | Jonathan Turner | 115 | Design | |
January 1990 | 89 | Artnews | The Passionate Possessors | Richard W. Walker | 123 | ||
January 1990 | 89 | Artnews | The ARTnews 200 | 127 | |||
January 1990 | 89 | Artnews | Lines of Life | Colin Eisler | 140 | ||
January 1990 | 89 | Artnews | Caught in the Crossfire: Art And the Nea | Sylvia Hochfield | 146 | ||
January 1990 | 89 | Artnews | Wegman Unleashed | Brooks Adams | 150 | ||
February 1990 | 89 | Artnews | Crate Expectations | Jonathan Turner | 21 | Vasari Diary | |
February 1990 | 89 | Artnews | Big Bucks | Ginger Danto | 21 | Vasari Diary | |
February 1990 | 89 | Artnews | Heaven and Earth | Ginger Danto | 21 | Vasari Diary | |
February 1990 | 89 | Artnews | Here's the Beef | Robin Cembalest | 22 | Vasari Diary | |
February 1990 | 89 | Artnews | Metropolitan Nights | Stacey Bernstein | 22 | Vasari Diary | |
February 1990 | 89 | Artnews | From Candy to Conservation | Lise Holst | 24 | Vasari Diary | |
February 1990 | 89 | Artnews | Long Live King Barbar | 24 | Vasari Diary | ||
February 1990 | 89 | Artnews | Old Masters, New Horizons | Godfrey Barker, Georgina Adam | 33 | Art Market | |
February 1990 | 89 | Artnews | Triumph in Paris | Simon Hewitt | 33 | Art Market | |
February 1990 | 89 | Artnews | Italy Wins Its van Gogh-for Now | Jonathan Turner | 34 | Art Market | |
February 1990 | 89 | Artnews | Rediscovery of a Faun | Godfrey Barker | 34 | Art Market | |
February 1990 | 89 | Artnews | New York: Taking Care of Diana | Judd Tully | 39 | Nation | |
February 1990 | 89 | Artnews | Boston: "A Violent Hit" | 40 | Nation | ||
February 1990 | 89 | Artnews | San Francisco: Castile's Destination | Katherine Gregor | 43 | Nation | |
February 1990 | 89 | Artnews | East Berlin: Beginning Andew | Ferdinand Protzman | 67 | International | |
February 1990 | 89 | Artnews | Barcelona: Dali's Disputed Testament | Ana Basualdo | 68 | International | |
February 1990 | 89 | Artnews | Dublin: False Start? | Aidan Dunne | 69 | International | |
February 1990 | 89 | Artnews | Toronto: Damaged Goods | Charles Giuliano | 72 | International | |
February 1990 | 89 | Artnews | International Notes: Lima, Baghdad, Leningrad | 72 | International | ||
February 1990 | 89 | Artnews | Paul Mellon: Dreaming in Colors | Michael Welzenbach | 75 | Spotlight | |
February 1990 | 89 | Artnews | Giotto di Bondone: The Kiss of Judas | M. Kirby Tally, Jr. | 83 | Looking At Art | |
February 1990 | 89 | Artnews | Paul and Camille Oliver-Hoffmann: Stong as Corrugated Iron | Henry Hanson | 93 | Living With Art | |
February 1990 | 89 | Artnews | Life's Readymades | Lois E. Nesbitt | 101 | Book Reviews | |
February 1990 | 89 | Artnews | The Rise and Fall of the Avant-Garde | Yve-Alain Bois | 101 | Book Reviews | |
February 1990 | 89 | Artnews | An Erotics of Contemplation | Mark Rudman | 104 | Book Reviews | |
February 1990 | 89 | Artnews | The Lure of the Land | Ruth Bass | 104 | Book Reviews | |
February 1990 | 89 | Artnews | Eternity in the Southwest | Elizabeth Hayt-Atkins | 103 | Book Reviews | |
February 1990 | 89 | Artnews | All That Jazz | Charles Hagen | 112 | ||
February 1990 | 89 | Artnews | Pop and Circumstance | Richard B. Woodward | 118 | ||
February 1990 | 89 | Artnews | The Biggest, and the Best? | Alex Prud'homme | 124 | ||
February 1990 | 89 | Artnews | The Rubin Years | Sylvia Hochfield | 130 | ||
February 1990 | 89 | Artnews | How to Succeed (By Really Trying) | Paul Gardner | 134 | ||
February 1990 | 89 | Artnews | Lost Treasures | M. Kirby Tally, Jr. | 138 | ||
Spetember 1990 | 89 | Artnews | Is She or Isn't He? | Nicholas Jenkins | 17 | Vasari Diary | |
Spetember 1990 | 89 | Artnews | All in the Cards | 17 | Vasari Diary | ||
Spetember 1990 | 89 | Artnews | Dressed for Fun | Jonathan Turner | 18 | Vasari Diary | |
Spetember 1990 | 89 | Artnews | Ode to a Critic | Harry Schwalb | 18 | Vasari Diary | |
Spetember 1990 | 89 | Artnews | Picture Perfect | Leah Ollman | 18 | Vasari Diary | |
Spetember 1990 | 89 | Artnews | Blue Moon | Barbara A. MacAdam | 20 | Vasari Diary | |
Spetember 1990 | 89 | Artnews | Flair and Intuition | 20 | Vasari Diary | ||
Spetember 1990 | 89 | Artnews | The Children's Hour | 20 | Vasari Diary | ||
Spetember 1990 | 89 | Artnews | Back to Reality | Bonnie Barrett Stretch | 35 | Art Market | |
Spetember 1990 | 89 | Artnews | Mutual Assurances | Georgina Adam | 36 | Art Market | |
Spetember 1990 | 89 | Artnews | Armand Hammer: British Pictures, American Suits | Godfrey Barker, Richard W. Walker | 36 | Art Market | |
Spetember 1990 | 89 | Artnews | Breaking Up Is Wrong to Do? | Bonnie Barrett Stretch | 36 | Art Market | |
Spetember 1990 | 89 | Artnews | Washington, D. C.: The NEA: Hearings, Language, and Lost Confidence | Sylvia Hochfield | 45 | Nation | |
Spetember 1990 | 89 | Artnews | Saving the Swimming Hole | 45 | Nation | ||
Spetember 1990 | 89 | Artnews | Miami: The Bombing of the Cuban Museum | Karen Branch | 46 | Nation | |
Spetember 1990 | 89 | Artnews | Bremen, Quedlinburg, West Berlin: War Loot Reemerges | Robin Cembalest, Ginger Henry-Kunzel | 69 | International | |
Spetember 1990 | 89 | Artnews | Florence: A "Thick, Black Veil" Is Lifted | Guy Lesser | 70 | International | |
Spetember 1990 | 89 | Artnews | Nice: The Mayor and the Boycott | Ginger Danto | 70 | International | |
Spetember 1990 | 89 | Artnews | Dordogne: Giants in the Earth | Jonathan Turner | 81 | Artful Traveler | |
Spetember 1990 | 89 | Artnews | Andrew Goldsworthy: Fire and Ice | Christopher Andreae | 89 | Studio | |
Spetember 1990 | 89 | Artnews | Albert Bierstadt: Guerrilla Warfare | William Weaver | 95 | Looking At Art | |
Spetember 1990 | 89 | Artnews | Lucien and Yolande Clergue: Bullrings and Masterworks | Ginger Danto | 101 | Spotlight | |
Spetember 1990 | 89 | Artnews | Lost Heritage: The Destruction of African Art | Andrew Decker | 108 | ||
Spetember 1990 | 89 | Artnews | Art & Fashion: A Fine Romance | Michael Boodro | 120 | ||
Spetember 1990 | 89 | Artnews | Passion, Whimsy, and Picassos | 128 | |||
Spetember 1990 | 89 | Artnews | Irrepressible Vigor: Printmaking Expands | Nancy Princenthal | 134 | ||
Spetember 1990 | 89 | Artnews | Joan Nelson: Second Nature | Michael Boodro | 142 | ||
October 1990 | 89 | Artnews | The Bed Instead | Jonathan Turner | 33 | Vasari Diary | |
October 1990 | 89 | Artnews | The Outer Limits | Stacey Bernstein | 33 | Vasari Diary | |
October 1990 | 89 | Artnews | The Checkered Car | Edward M. Gomez | 34 | Vasari Diary | |
October 1990 | 89 | Artnews | The Fake and the Functional | Jonathan Turner | 34 | Vasari Diary | |
October 1990 | 89 | Artnews | A Mountain of Art | Barbara A. MacAdam | 34 | Vasari Diary | |
October 1990 | 89 | Artnews | Dutiful Boy | 36 | Vasari Diary | ||
October 1990 | 89 | Artnews | Recovering Columbus | 36 | Vasari Diary | ||
October 1990 | 89 | Artnews | Donations in Decline | Richard W. Walker | 49 | Art Market | |
October 1990 | 89 | Artnews | The Futures of Art | Kay Itoi | 49 | Art Market | |
October 1990 | 89 | Artnews | A Klimt for Japan | Kay Itoi | 49 | Art Market | |
October 1990 | 89 | Artnews | Washington, D. C.: Heavy Metal | Judd Tully | 73 | Nation | |
October 1990 | 89 | Artnews | San Francisco and Chicago: The Left and the Right Protest | Sylvia Hochfield, Robin Cembalest | 73 | Nation | |
October 1990 | 89 | Artnews | Chicago: Did a Thief Take the O'Keeffe? | 74 | Nation | ||
October 1990 | 89 | Artnews | New York: "My Little Matisse" | 76 | Nation | ||
October 1990 | 89 | Artnews | Haarlem: A Dispute Over Hallowed Hals | M. Kirby Tally, Jr. | 93 | International | |
October 1990 | 89 | Artnews | Vienna: An Austro-Hungarian Alliance | Ernest Beck | 93 | International | |
October 1990 | 89 | Artnews | Palermo: Statues vs. Statues | Jonathan Turner | 94 | International | |
October 1990 | 89 | Artnews | Honolulu: Island Treasure | Marcia Morse | 97 | Artful Traveler | |
October 1990 | 89 | Artnews | Sorting Out Sources | Barbara A. MacAdam | 105 | Ways & Means | |
October 1990 | 89 | Artnews | Henri Fantin-Latour: Tea and Tea-Noisette Roses | Cynthia Nadelman | 109 | Looking At Art | |
October 1990 | 89 | Artnews | Jorge and Marion Helft: International Relations | Edward Sgaw | 117 | Living With Art | |
October 1990 | 89 | Artnews | Robert Rauschenberg Builds a Painting | Mary Lynn Kotz | 123 | Working Habits | |
October 1990 | 89 | Artnews | The End of Solitude: Young Artists on the Rise | Edward Shaw | 138 | ||
October 1990 | 89 | Artnews | Truimph Amid Tumult | Robin Cembalest | 144 | ||
October 1990 | 89 | Artnews | The Splendors of Mexico | Carlos Monsivais | 150 | ||
October 1990 | 89 | Artnews | The Marcos Collection: Fortune and Folly | William Sherman | 154 | ||
October 1990 | 89 | Artnews | Kirk Varnedoe: High, Low, Hot and Cool | Nicholas Jenkins | 164 | ||
October 1990 | 89 | Artnews | Acts of Concealment | Eleanor Heartney | 168 | ||
November 1990 | 89 | Artnews | "No More Mugs!" | 25 | Vasari Diary | ||
November 1990 | 89 | Artnews | "Expressionism and Exile" | Ferdinand Protzman | 25 | Vasari Diary | |
November 1990 | 89 | Artnews | A Pig's-Eye View | Jonathan Turner | 26 | Vasari Diary | |
November 1990 | 89 | Artnews | Wall of Hope | Nancy Jones | 26 | Vasari Diary | |
November 1990 | 89 | Artnews | A Tale of a Tub | Linda Marx | 26 | Vasari Diary | |
November 1990 | 89 | Artnews | Dog Dreaming | 28 | Vasari Diary | ||
November 1990 | 89 | Artnews | "Joe, You Got To Do It" | Glenn Zorpette | 28 | Vasari Diary | |
November 1990 | 89 | Artnews | The De Kooning Market: "Tremendous Interest" | Judd Tully | 41 | Art Market | |
November 1990 | 89 | Artnews | The Spirit of Cooperation | Judd Tully | 41 | Art Market | |
November 1990 | 89 | Artnews | Los Angeles: Hammer's Victory | Suzanne Muchnic | 47 | Nation | |
November 1990 | 89 | Artnews | Washington, D. C.: "Hurdles and Hoops" for the NEA Bill | 47 | Nation | ||
November 1990 | 89 | Artnews | Lewiston, N.Y.: Bibles Not for Burning | Elizabeth Licata | 48 | Nation | |
November 1990 | 89 | Artnews | Jerusalem: Teddy's Museum is 25 Years Old | Meir Ronnen | 59 | International | |
November 1990 | 89 | Artnews | Rome: Saints in the Storerooms | Jonathan Turner | 61 | International | |
November 1990 | 89 | Artnews | Paris: A Museum for Maillol | GInger Danto | 62 | International | |
November 1990 | 89 | Artnews | Vaduz: The Prince's Paintings | John Dornberg | 69 | Artful Traveler | |
November 1990 | 89 | Artnews | Kathy Muehlemann: Starry Nights | Margaret Moorman | 81 | Studio | |
November 1990 | 89 | Artnews | F.A. Porsche: From Wheels to Watches | John Dornberg | 89 | Design | |
November 1990 | 89 | Artnews | Federico Zeri: "The Biggest Discoverer of All Times" | Brigid Grauman | 97 | Spotlight | |
November 1990 | 89 | Artnews | A Romantic Recluse | Paul H. Fry | 103 | Books | |
November 1990 | 89 | Artnews | Sunlit Mysteries | Ruth Bass | 103 | Books | |
November 1990 | 89 | Artnews | Trenchcoat Strategies | Richard B. Woodward | 103 | Books | |
November 1990 | 89 | Artnews | Dark Spirit, Bristling Wit | Avis Berman | 104 | Books | |
November 1990 | 89 | Artnews | Figure Studies | Lois E. Nesbitt | 104 | Books | |
November 1990 | 89 | Artnews | The Magic of Dusk | Milton Esterow | 104 | Books | |
November 1990 | 89 | Artnews | Supercontinent | Steven Henry Madoff | 123 | ||
November 1990 | 89 | Artnews | Great Britain Young Turks and Old Masters | Andrew Graham-Dixon | 124 | ||
November 1990 | 89 | Artnews | Spain "I Love Flamenco" | Robin Cembalest | 127 | ||
November 1990 | 89 | Artnews | France Capital Gains | Edward M. Gomez | 130 | ||
November 1990 | 89 | Artnews | Switzerland Orderly Anarchy | Mary Krienke | 133 | ||
November 1990 | 89 | Artnews | Belgium Ambiguity and Wit, Irony and Cynicism | Brigid Grauman | 134 | ||
November 1990 | 89 | Artnews | Italy "A Return to the Cool and Calculated" | Jonathan Turner | 136 | ||
November 1990 | 89 | Artnews | Austria Dreaming of a Danubian Renaissance | Ferdinand Protzman | 139 | ||
November 1990 | 89 | Artnews | Germany A Raw and Demanding Climate | Ferdinand Protzman | 141 | ||
November 1990 | 89 | Artnews | Sweden Out of the Provinces | John Peter Nilsson | 144 | ||
December 1990 | 89 | Artnews | Standing up to Sunshine | 21 | Vasari Diary | ||
December 1990 | 89 | Artnews | Before Tahiti | 21 | Vasari Diary | ||
December 1990 | 89 | Artnews | Return of the Medusa | Andrew Decker | 21 | Vasari Diary | |
December 1990 | 89 | Artnews | "Where my Heart Lives" | 22 | Vasari Diary | ||
December 1990 | 89 | Artnews | Another Mexico | Barbara A. MacAdam | 22 | Vasari Diary | |
December 1990 | 89 | Artnews | Top Swatch | Jonathan Turner | 24 | Vasari Diary | |
December 1990 | 89 | Artnews | Double Trouble | Stacey Bernstein | 24 | Vasari Diary | |
December 1990 | 89 | Artnews | Identity Crisis | Simon Hewitt | 37 | Art Market | |
December 1990 | 89 | Artnews | Royalties on Trial | Ginger Henry-Kunzel | 37 | Art Market | |
December 1990 | 89 | Artnews | "Leveraged Lifestyles" | Richard W. Walker | 38 | Art Market | |
December 1990 | 89 | Artnews | Creating a Dialogue | Judy Cantor | 38 | Art Market | |
December 1990 | 89 | Artnews | Credit Conscious | Judy Cantor | 38 | Art Market | |
December 1990 | 89 | Artnews | Corbu's Other Side | Richard W. Walker, Bonnie Barrett Stretch | 38 | Art Market | |
December 1990 | 89 | Artnews | Boston: The NEA's "Slippery Slope" | 57 | Nation | ||
December 1990 | 89 | Artnews | New York: "Diana Was Always There" | Paul Gardner | 57 | Nation | |
December 1990 | 89 | Artnews | Chicago: "Unchallenged Diety" | 59 | Nation | ||
December 1990 | 89 | Artnews | Washington, D. C.: Univeristy Won't Host Dinner Party | 61 | Nation | ||
December 1990 | 89 | Artnews | Kuwait: Pillaged and Plundered | Judith Shulevitz | 85 | International | |
December 1990 | 89 | Artnews | Naples: Under the Volcano | Jonathan Turner | 86 | International | |
December 1990 | 89 | Artnews | Madrid: The Drain in Spain | Judy Cantor | 88 | International | |
December 1990 | 89 | Artnews | "A Revolution within a Revolution" | Milton Esterow | 91 | Conversation | |
December 1990 | 89 | Artnews | Harry S. Parker III: Shaking Things Up | Katherine Gregor | 97 | Spotlight | |
December 1990 | 89 | Artnews | Henri Matisse: Bathers with a Turtle | Jack Flam | 101 | Looking At Art | |
December 1990 | 89 | Artnews | Tyrone Mitchell: The Mythic and the Minimal | Margaret Moorman | 105 | Studio | |
December 1990 | 89 | Artnews | Haarlem: Claudes and Clay Pipes | M. Kirby Tally, Jr. | 109 | Artful Traveler | |
December 1990 | 89 | Artnews | The Next Wave | Peter Clothier | 112 | ||
December 1990 | 89 | Artnews | The Last Bohemia | David Bonetti | 118 | ||
December 1990 | 89 | Artnews | Wrestling the Dragon | Suzanne Muchnic | 124 | ||
December 1990 | 89 | Artnews | For Love Not Money: L.A. Collects | Peter Clothier | 130 | ||
December 1990 | 89 | Artnews | The Obscenity Trial: How They Voted to Acquit | Robin Cembalest | 136 | ||
December 1990 | 89 | Artnews | Moscow: The Mafia Moves In | Konstantin Akinsha | 142 | ||
December 1990 | 89 | Artnews | On the Edge of the Abyss | Robert Rosenblum | 144 | ||
January 1989 | 88 | Artnews | A Universal Gesture | Sandra Yolles | 13 | Vasari Diary | |
January 1989 | 88 | Artnews | A Lunar Cube | Sam Staggs | 13 | Vasari Diary | |
January 1989 | 88 | Artnews | Doubting Genius | 13 | Vasari Diary | ||
January 1989 | 88 | Artnews | Medical Recovery | John Herzfeld | 14 | Vasari Diary | |
January 1989 | 88 | Artnews | What's in a Flag? | Brigid Grauman | 16 | Vasari Diary | |
January 1989 | 88 | Artnews | The Poetics of Friendship | 16 | Vasari Diary | ||
January 1989 | 88 | Artnews | Forging a Future | John Dornberg | 16 | Vasari Diary | |
January 1989 | 88 | Artnews | The $430-Million Week | Bonnie Barrett Stretch | 25 | Art Market | |
January 1989 | 88 | Artnews | Lake Worth: Walls without a Museum | Elisa Turner | 31 | Nation | |
January 1989 | 88 | Artnews | Boston: Starting Things | Charles Giuliano | 32 | Nation | |
January 1989 | 88 | Artnews | Washington, D. C.: The Art of Diplomacy | Jo Ann Lewis | 34 | Nation | |
January 1989 | 88 | Artnews | Springfield, Ill.: Doing Right by Wright | Edward M. Gomez | 36 | Nation | |
January 1989 | 88 | Artnews | Moscow: The Taste for Bacon | Brandon Taylor | 57 | International | |
January 1989 | 88 | Artnews | Paris: Post Impressionism | Brigid Grauman | 58 | International | |
January 1989 | 88 | Artnews | Madrid: A New Reign in Spain | Victoria Combalia | 58 | International | |
January 1989 | 88 | Artnews | Prato: The Warehouse Effect | Jonathan Turner | 63 | Artful Traveler | |
January 1989 | 88 | Artnews | Irina Antonova: Leaps and Boundaries | David Matlock | 69 | Spotlight | |
January 1989 | 88 | Artnews | Stuart Pivar: Flesh and Spirit | Mary Haus | 75 | Living with Art | |
January 1989 | 88 | Artnews | "New Urban Landscape": Gimme Shelter | Pilar Viladas | 81 | Design | |
January 1989 | 88 | Artnews | Models to Monkeys | Barbara A. MacAdam | 85 | Book Reviews | |
January 1989 | 88 | Artnews | Dreaming in Mexico | Marianne Manley | 85 | Book Reviews | |
January 1989 | 88 | Artnews | Goya and the Spirit of Revolution | Carlos Fuentes | 90 | ||
January 1989 | 88 | Artnews | The Price of Fame | Andrew Decker | 96 | ||
January 1989 | 88 | Artnews | True Grit | Peter Clothier | 102 | ||
January 1989 | 88 | Artnews | The Gorgeousness of Life | Arthur C. Danto | 108 | ||
January 1989 | 88 | Artnews | Radical Cheek | Michael Boodro | 114 | ||
January 1989 | 88 | Artnews | States of Grace | Margaret Moorman | 118 | ||
February 1989 | 88 | Artnews | Joint Ventures | Eleanor Heartney | 15 | Vasari Diary | |
February 1989 | 88 | Artnews | "Signature Piece" | Robin Cembalest | 15 | Vasari Diary | |
February 1989 | 88 | Artnews | Nose by Nefertiti | Kelli Pryor | 15 | Vasari Diary | |
February 1989 | 88 | Artnews | Unfit for Hanging | Robin Cembalest | 16 | Vasari Diary | |
February 1989 | 88 | Artnews | Rivergold | Margaret Moorman | 16 | Vasari Diary | |
February 1989 | 88 | Artnews | The State and the Art | Daniel Waterman | 18 | Vasari Diary | |
February 1989 | 88 | Artnews | Miami Meltdown | Alex Prud'homme | 18 | Vasari Diary | |
February 1989 | 88 | Artnews | Late Picasso: Going Cheap | Godfrey Barker | 25 | Art Market | |
February 1989 | 88 | Artnews | A Small Disaster | Godfrey Barker | 26 | Art Market | |
February 1989 | 88 | Artnews | "The Last Semblance of Normalcy" | Richard W. Walker | 26 | Art Market | |
February 1989 | 88 | Artnews | Boston: Indecent Exposure? | Charles Giuliano | 31 | Nation | |
February 1989 | 88 | Artnews | "Excellent! Excellent! World-Honored Sakyamuni!" | 32 | Nation | ||
February 1989 | 88 | Artnews | Paris: Under the Pyramid | Ginger Danto | 41 | International | |
February 1989 | 88 | Artnews | London: Picking Up the Pieces | Brandon Taylor | 43 | International | |
February 1989 | 88 | Artnews | Zurich: Max Bill's Birthday Blues | Ernest Beck | 45 | International | |
February 1989 | 88 | Artnews | Heino: Half-Truths and Treasures | M. Kirby Tally, Jr. | 53 | Artful Traveler | |
February 1989 | 88 | Artnews | The Halsell Conservatory: Reclaiming Eden | Elaine Edelman | 73 | Design | |
February 1989 | 88 | Artnews | Christen Kobke: Storm Beneath the Calm | Michael Levey | 79 | Looking at Art | |
February 1989 | 88 | Artnews | Hanno Ahrens: Wood Spirits | Dan Rubey | 85 | Studio | |
February 1989 | 88 | Artnews | Lots of "Verve" | Lois E. Nesbitt | 91 | Book Reviews | |
February 1989 | 88 | Artnews | Shape by Desire | Suzanne Ramljak | 91 | Book Reviews | |
February 1989 | 88 | Artnews | Andy, Inc. | William Feaver | 94 | ||
February 1989 | 88 | Artnews | Who's Afraid of James Stirling? | Diana Ketcham | 98 | ||
February 1989 | 88 | Artnews | Face to Face | Steven Henry Madoff | 104 | ||
February 1989 | 88 | Artnews | Cast in Doubt | Sylvia Hochfield | 108 | ||
February 1989 | 88 | Artnews | Rehabilitating the Russian Avant-Garde | John E. Bowlt | 116 | ||
February 1989 | 88 | Artnews | The "Melancholist of Virtuosity" | Michael Hubl | 120 | ||
March 1989 | 88 | Artnews | Spoiled Fruit | Brigid Grauman | 17 | Vasari Diary | |
March 1989 | 88 | Artnews | Curse of the Muse | Barbara A. MacAdam | 17 | ||
March 1989 | 88 | Artnews | Cezanne, Zola, and Nature | 18 | |||
March 1989 | 88 | Artnews | People's Choice | Jonathan Turner | 18 | ||
March 1989 | 88 | Artnews | A Room with a View | Eleanor Heartney | 18 | ||
March 1989 | 88 | Artnews | Sense and Sight | Glenn Zorpette | 20 | ||
March 1989 | 88 | Artnews | Light-riders | 20 | |||
March 1989 | 88 | Artnews | Bullish on Sotheby's | Richard W. Walker | 27 | Art Market | |
March 1989 | 88 | Artnews | Changing Places at Christie's | Godfrey Barker | 29 | ||
March 1989 | 88 | Artnews | A Dazzling Price for Dossi | Richard W. Walker | 29 | ||
March 1989 | 88 | Artnews | New York: A Dialogue with Stone and Space | Allen Wardwell | 37 | Nation | |
March 1989 | 88 | Artnews | New Orleans: Prisoners and Piazzas | Roger Green | 38 | ||
March 1989 | 88 | Artnews | Washington, D. C.: Read the Label | Pamela Kessler | 40 | ||
March 1989 | 88 | Artnews | Sydney: Nostalgia and Self-Congratulation | Jonathan Turner | 47 | International | |
March 1989 | 88 | Artnews | London: Thatcherism: Capital Strains | Patricia Failing | 48 | ||
March 1989 | 88 | Artnews | Cuenca: Abstraction on the Edge | Fietta Jarque | 87 | Artful Traveler | |
March 1989 | 88 | Artnews | Lapo Binazzi: "A Stone of Florence" | Jonathan Turner | 97 | Design | |
March 1989 | 88 | Artnews | The Bramans: The Happy Look | Elisa Turner | 105 | Living with Art | |
March 1989 | 88 | Artnews | Nicholas Serota: Getting the Hang of It | Ernest Beck | 117 | Spotlight | |
March 1989 | 88 | Artnews | Black Artists Today: A Case of Exclusion | Patricia Failing | 124 | ||
March 1989 | 88 | Artnews | Cragg's Way | Andrew Graham-Dixon | 132 | ||
March 1989 | 88 | Artnews | The Making of a Market | Richard W. Walker | 138 | ||
March 1989 | 88 | Artnews | The Anxious Acqusitors | Lee Rosenbaum | 144 | ||
March 1989 | 88 | Artnews | Paula Copper: Quite Contrary | John Howell | 152 | ||
May 1989 | 88 | Artnews | The Master and Moreau | 23 | Vasari Diary | ||
May 1989 | 88 | Artnews | Radical Surgery | Sam Staggs | 23 | Vasari Diary | |
May 1989 | 88 | Artnews | Cloud of Discord | Hunter Drohojowska | 26 | Vasari Diary | |
May 1989 | 88 | Artnews | Dancing the Quantum Dance | Edward Mendelson | 26 | Vasari Diary | |
May 1989 | 88 | Artnews | Greased Offerings | Barbara A. MacAdam | 28 | Vasari Diary | |
May 1989 | 88 | Artnews | Light Motifs | Daniel Waterman | 28 | Vasari Diary | |
May 1989 | 88 | Artnews | Restoration Tragedies | Robin Cembalest | 28 | Vasari Diary | |
May 1989 | 88 | Artnews | Yves Klein's Market: Flying High | Richard W. Walker | 37 | Art Market | |
May 1989 | 88 | Artnews | Launching a $300 Million Art Fraud | Bonnie Barrett Stretch | 37 | Art Market | |
May 1989 | 88 | Artnews | Protesting the Buyer's Premium | Richard W. Walker | 39 | Art Market | |
May 1989 | 88 | Artnews | Boston: Mrs. Gardner's Mistakes | Charles Giuliano | 47 | Nation | |
May 1989 | 88 | Artnews | Washington, D. C.: Getting Your Motor Revved Up | Edward M. Gomez | 48 | Nation | |
May 1989 | 88 | Artnews | Los Angeles: Smoggy Euphoria | Peter Clothier | 50 | Nation | |
May 1989 | 88 | Artnews | Vienna: Complexity, Contradictions | Andrew Decker, Ferdinand Protzman | 63 | International | |
May 1989 | 88 | Artnews | Madrid: Courtship of a Collector | Fietta Jarque | 65 | International | |
May 1989 | 88 | Artnews | Titian: Hubris Before the Gods | M. Kirby Tally, Jr. | 75 | Looking at Art | |
May 1989 | 88 | Artnews | Jiri Mucha: Fathers and Sons | Sam Staggs | 83 | Living with Art | |
May 1989 | 88 | Artnews | Hombroich: Treasure Island | John Dornberg | 93 | Artful Traveler | |
May 1989 | 88 | Artnews | Parc de la Villette: Rough and Reddish | Ginger Danto | 103 | Design | |
May 1989 | 88 | Artnews | "The Bull Is a Bull" | Robin Cembalest | 111 | Book Reviews | |
May 1989 | 88 | Artnews | Type Casting | Chee Pearlman | 111 | Book Reviews | |
May 1989 | 88 | Artnews | Scare-crows, Dolls, and Decoys | Margaret Moorman | 111 | Book Reviews | |
May 1989 | 88 | Artnews | Zooming in on the Modernists | Edward M. Gomez | 112 | Book Reviews | |
May 1989 | 88 | Artnews | The Light Fantastic | Milton Esterow | 112 | Book Reviews | |
May 1989 | 88 | Artnews | Remembrance of Things Past | Daniel Waterman | 112 | Book Reviews | |
May 1989 | 88 | Artnews | April Gornik's Sotrmy Weather | Eleanor Heartney | 120 | ||
May 1989 | 88 | Artnews | Gloom at the Top | Patricia Failing | 126 | ||
May 1989 | 88 | Artnews | The Director's Director | Mary Abbe Martin | 132 | ||
May 1989 | 88 | Artnews | Italian Art In the 20th Century: Chauvinism and Chic | William Feaver | 138 | ||
May 1989 | 88 | Artnews | Who is Marisol? | Paul Gardner | 146 | ||
Summer 1989 | 88 | Artnews | Renoir's Gifts | Viola Hopkins Winner | 25 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Go Fly a Kite | Gennifer Weisenfeld | 25 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Freudian Fragments | Sam Staggs | 25 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Strangers on the Line | Alex Prud'homme | 26 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Illusions of Privacy | Mary Haus | 26 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Upside Down is Right Side Up | Sam Staggs | 28 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Come as You Are | Eleanor Heartney | 28 | Vasari Diary | |
Summer 1989 | 88 | Artnews | Spring Fever | Bonnie Barrett Stretch, Andrew Decker | 37 | Art Market | |
Summer 1989 | 88 | Artnews | British Rail's Runaway Renoir | Godfrey Barker | 39 | Art Market | |
Summer 1989 | 88 | Artnews | Chicago: Gallery Building Gutted | Peggy Wolff | 43 | Nation | |
Summer 1989 | 88 | Artnews | Flag Furor | Sylvia Hochfield | 43 | Nation | |
Summer 1989 | 88 | Artnews | Captiva: The ROCI Road Show | Mary Lynn Kotz | 48 | Nation | |
Summer 1989 | 88 | Artnews | New Orleans: Party on Julia Street | Roger Green | 52 | Nation | |
Summer 1989 | 88 | Artnews | New York: Going, Going, Gone | Robin Cembalest | 50 | Nation | |
Summer 1989 | 88 | Artnews | London: Uproar at the V & A | Godfrey Barker | 59 | International | |
Summer 1989 | 88 | Artnews | Paris: A Secret Cache | Brigid Grauman | 59 | International | |
Summer 1989 | 88 | Artnews | Dordrecht: Dutch Disaster | Kirby Talley, Jr. | 61 | International | |
Summer 1989 | 88 | Artnews | Paris: A Star Reborn | Brigid Grauman | 63 | International | |
Summer 1989 | 88 | Artnews | Otterloo: Country Charms | M. Kirby Tally, Jr. | 77 | Artful Traveler | |
Summer 1989 | 88 | Artnews | Hilma of Klint: Back from the Beyond | Margaret Moorman | 85 | Looking at Art | |
Summer 1989 | 88 | Artnews | Philippe Starck: Future Perfect | Brigid Grauman | 91 | Design | |
Summer 1989 | 88 | Artnews | Gail and Barry Berkus: 澳门六合彩开奖预测 Tilt | Peter Clothier | 95 | Living With Art | |
Summer 1989 | 88 | Artnews | In a Different Light | Jack Flam | 112 | ||
Summer 1989 | 88 | Artnews | Video Art: The Fabulous Chameleon | Charles Hagen | 118 | ||
Summer 1989 | 88 | Artnews | The Great Art Education Debate | Margaret Moorman | 124 | ||
Summer 1989 | 88 | Artnews | Cartier-Bresson's Real Thing | Milton Esterow | 132 | ||
Summer 1989 | 88 | Artnews | Who Will Represent De Kooning? | Andrew Decker | 136 | ||
Summer 1989 | 88 | Artnews | Sign Language | Peter Clothier | 142 | ||
Summer 1989 | 88 | Artnews | Mona Lisa: What Becomes a Legend Most | Ginger Danto | 148 | ||
December 1989 | 88 | Artnews | Put Another Nickel In | David Galloway | 21 | Vasari Diary | |
December 1989 | 88 | Artnews | Yuppie Romanticism | Jonathan Turner | 21 | Vasari Diary | |
December 1989 | 88 | Artnews | A Futurist's Past | Jonathan Turner | 22 | Vasari Diary | |
December 1989 | 88 | Artnews | Show and Tell | Alex Prud'homme | 22 | Vasari Diary | |
December 1989 | 88 | Artnews | Painting Volcanoes | Ginger Danto | 24 | Vasari Diary | |
December 1989 | 88 | Artnews | Leonardo's Lessons | 24 | Vasari Diary | ||
December 1989 | 88 | Artnews | Man Ray: Undervalued, and Still an Enigma | Bonnie Barrett Stretch | 39 | Art Market | |
December 1989 | 88 | Artnews | Blocking "The Bath" | Terry Ingram | 40 | Art Market | |
December 1989 | 88 | Artnews | Heating Up Down Under | Terry Ingram | 40 | Art Market | |
December 1989 | 88 | Artnews | When a Sale Is Not a Sale | Bonnie Barrett Stretch | 40 | Art Market | |
December 1989 | 88 | Artnews | New York: "In a Neutral Zone" | Sylvia Hochfield | 47 | Nation | |
December 1989 | 88 | Artnews | Washington, D. C.: Trustees and Trust | Andrew Decker | 49 | Nation | |
December 1989 | 88 | Artnews | Hamburg: Withered Enthusiasms | David Galloway | 83 | International | |
December 1989 | 88 | Artnews | The Hague: Picassos for Sale? | Jonathan Turner | 84 | International | |
December 1989 | 88 | Artnews | London: A Duke Fit for a King | Godfrey Barker | 87 | International | |
December 1989 | 88 | Artnews | Napa Valley, California: A Rich Harvest | Lisbet Nilson | 99 | Artful Traveler | |
December 1989 | 88 | Artnews | David Park: Ethiopia | Bill Berkson | 105 | Looking at Art | |
December 1989 | 88 | Artnews | Timothy Hawkinson: Concrete Metaphors | Hunter Drohojowska | 109 | Studio | |
December 1989 | 88 | Artnews | The Einsteins: "The Big Hit" | Peter Clothier | 113 | Living With Art | |
December 1989 | 88 | Artnews | The Last Word | Ralph Rugoff | 120 | ||
December 1989 | 88 | Artnews | L.A.: Outward Bound | Peter Clothier | 126 | ||
December 1989 | 88 | Artnews | The Bay Area: The Persistence of Light | Mark Schapiro | 132 | ||
December 1989 | 88 | Artnews | California Architecture: Traditions and Trends | John Chase | 138 | ||
December 1989 | 88 | Artnews | Cubiquitous | Jack Flam | 144 | ||
December 1989 | 88 | Artnews | That Swooning Feeling | Jonathan Turner | 150 | ||
January 1988 | 87 | Artnews | The Good, the Bad, and the Ugly | Richard Huntington | 9 | Vasari Diary | |
January 1988 | 87 | Artnews | Wind-catchers' and Houdini | 9 | Vasari Diary | ||
January 1988 | 87 | Artnews | Looking at Life | John Herzfeld | 9 | Vasari Diary | |
January 1988 | 87 | Artnews | Holy' Alliance | 12 | Vasari Diary | ||
January 1988 | 87 | Artnews | Pan Visits the Met | 12 | Vasari Diary | ||
January 1988 | 87 | Artnews | Setting Up Smokescreens | Sam Staggs | 14 | Vasari Diary | |
January 1988 | 87 | Artnews | Uncle Andrew's Dump' | 14 | Vasari Diary | ||
January 1988 | 87 | Artnews | The Flowering of 'Irises' | Richard W. Walker | 19 | Art Market | |
January 1988 | 87 | Artnews | Relief and Optimism | Richard W. Walker | 19 | Art Market | |
January 1988 | 87 | Artnews | Pricey Poussin | Richard W. Walker | 19 | Art Market | |
January 1988 | 87 | Artnews | Now Joan, Don't Be Stingy' | Milton Esterow | 22 | Art Market | |
January 1988 | 87 | Artnews | San Antonio: Shaking Things Up | Katherine Gregor | 27 | Nation | |
January 1988 | 87 | Artnews | New York: Back from the Brink | Ginger Danto | 28 | Nation | |
January 1988 | 87 | Artnews | A Summer in London | David Lanchner | 28 | Nation | |
January 1988 | 87 | Artnews | Antwerp: Rounding Up Rubens | Brigid Grauman | 35 | International | |
January 1988 | 87 | Artnews | Montreal: Culture in the Shopping Mall | David Bonetti | 36 | International | |
January 1988 | 87 | Artnews | Heavenly Henhouse | Edmund White | 61 | Artful Traveler | |
January 1988 | 87 | Artnews | Gerald Donato: Steamboat Willie as Mr. Man | Jon Meyer | 65 | Studio | |
January 1988 | 87 | Artnews | Alan Shestack: No More Rocky II's | Charles Giuliano | 103 | Spotlight | |
January 1988 | 87 | Artnews | Thomas Gainsborough: Bewitchment in Erring Lace | Michael Levey | 109 | Looking At Art | |
January 1988 | 87 | Artnews | Richard Artschwager's Sleight of Mind | Steven Henry Madoff | 114 | ||
January 1988 | 87 | Artnews | Americans in Paradise | Margaret Moorman | 122 | ||
January 1988 | 87 | Artnews | The Unnatural Landscape | Mary Ellen Haus | 128 | ||
January 1988 | 87 | Artnews | The Agony and the Ecstasy | Holland Cotter | 133 | ||
January 1988 | 87 | Artnews | Cast in Bronze: The Degas Sculpture Dilemma | Patricia Failing | 136 | ||
January 1988 | 87 | Artnews | Eli Broad: A Cool Head About Hot Art | Peter Clothier | 142 | ||
February 1988 | 87 | Artnews | The Subtleties of Seeing | Ellen Berkman | 11 | Vasari Diary | |
February 1988 | 87 | Artnews | Trump's Lament | 11 | Vasari Diary | ||
February 1988 | 87 | Artnews | Botticelli Comes to Harlem | 11 | Vasari Diary | ||
February 1988 | 87 | Artnews | Town and Gown | Sam Staggs | 12 | Vasari Diary | |
February 1988 | 87 | Artnews | Eighteen Holes of Art | 11 | Vasari Diary | ||
February 1988 | 87 | Artnews | Bauhaus Echoes | Edith Newhall | 14 | Vasari Diary | |
February 1988 | 87 | Artnews | With Mrs. Gorbachev at the National Gallery | 14 | Vasari Diary | ||
February 1988 | 87 | Artnews | After the Crash: So Far So Good | Richard W. Walker | 23 | Art Market | |
February 1988 | 87 | Artnews | Photos Hit New Auction Highs | Andrew Decker | 23 | Art Market | |
February 1988 | 87 | Artnews | Laundry Maids Washes Well | Richard W. Walker | 24 | Art Market | |
February 1988 | 87 | Artnews | The IRS Gives In... A Little | Richard W. Walker | 24 | Art Market | |
February 1988 | 87 | Artnews | The Marcos Collection: Gucci, Pucci, and Gauguin | Andrew Decker | 24 | Art Market | |
February 1988 | 87 | Artnews | New York: Five Grains of Rice | Lori B. Miller | 31 | Nation | |
February 1988 | 87 | Artnews | Up for Adoption | John Herzfeld | 31 | Nation | |
February 1988 | 87 | Artnews | He Wore His Heart on His Sleeve | Milton W. Brown | 32 | Nation | |
February 1988 | 87 | Artnews | Washington, D. C.: Room at the Top | Alice Thorson | 34 | Nation | |
February 1988 | 87 | Artnews | Rome: Preserving Dignity | George Armstrong | 41 | International | |
February 1988 | 87 | Artnews | Glasgow: Scottish Fling | Ernest Beck | 42 | International | |
February 1988 | 87 | Artnews | Paris: An Uphill Task | Charlotte Mosley | 42 | International | |
February 1988 | 87 | Artnews | Fried's Scalpel | Jan Heller Levi | 51 | Book Reviews | |
February 1988 | 87 | Artnews | The Mole at the Courtauld | Alfred MacAdam | 51 | Book Reviews | |
February 1988 | 87 | Artnews | Orderly Turbulence | Bonnie Barrett Stretch | 52 | Book Reviews | |
February 1988 | 87 | Artnews | Stopping the Bullet | John Sturman | 52 | Book Reviews | |
February 1988 | 87 | Artnews | Inside the Baghdad Kiosk | Michael Levey | 81 | Artful Traveler | |
February 1988 | 87 | Artnews | Oliver Wasow: 'Is It Real? What Is It?' | Rosetta Brooks | 87 | Studio | |
February 1988 | 87 | Artnews | Nikita Lobanov-Rostovsky: Glasnost for Scheherazade | Terry Trucco | 93 | Spotlight | |
February 1988 | 87 | Artnews | Fragonard's Fancies | Lisa Liebmann | 98 | ||
February 1988 | 87 | Artnews | At Held: Reinventing Abstraction | Nancy Grimes | 104 | ||
February 1988 | 87 | Artnews | Still-Rising Starns | Nancy Stapen | 110 | ||
February 1988 | 87 | Artnews | O'Keeffe's Misfocus | John Yau | 114 | ||
February 1988 | 87 | Artnews | Painted Dreams | Judith Higgins | 120 | ||
February 1988 | 87 | Artnews | To The Villa Born | Marjorie Welish | 126 | ||
March 1988 | 87 | Artnews | Where's the Grease? | John Dornberg | 13 | Vasari Diary | |
March 1988 | 87 | Artnews | Picture This | Amy Virshup | 13 | Vasari Diary | |
March 1988 | 87 | Artnews | A Blast from the Past | Barbara MacAdam | 14 | Vasari Diary | |
March 1988 | 87 | Artnews | Grand Illusion | Eleanor Heartney | 14 | Vasari Diary | |
March 1988 | 87 | Artnews | Yours, Vincent | Jack Davies | 19 | Vasari Diary | |
March 1988 | 87 | Artnews | The Future Lies Below | Kelli Pryor | 19 | Vasari Diary | |
March 1988 | 87 | Artnews | American High | Richard W. Walker | 25 | Art Market | |
March 1988 | 87 | Artnews | Two Friedrichs Aren't Better than One | John Dornberg | 25 | Art Market | |
March 1988 | 87 | Artnews | Lucky Luciani | Andrew Decker | 26 | Art Market | |
March 1988 | 87 | Artnews | Jazz Record | Andrew Decker | 26 | Art Market | |
March 1988 | 87 | Artnews | Washington, D. C.: A Moral Dilemma | Sylvia Hochfield | 31 | Nation | |
March 1988 | 87 | Artnews | The Art of Diplomacy | Alice Thorson | 32 | Nation | |
March 1988 | 87 | Artnews | Chicago: Two Hats | David McCracken | 32 | Nation | |
March 1988 | 87 | Artnews | Warsaw: More Anger than Passion | Jean Heilprin | 39 | Nation | |
March 1988 | 87 | Artnews | Barcelona: A Huge Rotting Tooth | Brigid Grauman | 40 | International | |
March 1988 | 87 | Artnews | Geneva: Runaround | Ernest Beck | 42 | International | |
March 1988 | 87 | Artnews | Constructivists Constructing | Yve-Alain Bois | 93 | International | |
March 1988 | 87 | Artnews | The Laws of Art | Barbara Hoffman | 93 | Book Reviews | |
March 1988 | 87 | Artnews | Collectors, Patrons, and Oddballs | Alfred MacAdam | 94 | Book Reviews | |
March 1988 | 87 | Artnews | Grand Slam | Milton Esterow | 94 | Book Reviews | |
March 1988 | 87 | Artnews | The Church that Heals | Mary Ellen Haus | 99 | Artful Traveler | |
March 1988 | 87 | Artnews | Rebecca Purdum: In a Mysterious Light | Margaret Moorman | 105 | Studio | |
March 1988 | 87 | Artnews | Norman Bryson: Body Images | Peter Clothier | 135 | Spotlight | |
March 1988 | 87 | Artnews | Alfred Stieglitz: Homeward Bound | Beaumont Newhall | 141 | Looking At Art | |
March 1988 | 87 | Artnews | Peter Schuyff's New Math | Valerie Gladstone | 156 | ||
March 1988 | 87 | Artnews | Leonardo Revealed | George Armstrong | 162 | ||
March 1988 | 87 | Artnews | Picture Perfect | Richard B. Woodward | 168 | ||
March 1988 | 87 | Artnews | Shaping The '80s: Europe's Hottest Curators | Brigid Grauman | 172 | ||
March 1988 | 87 | Artnews | Among the Sacred Monsters | John Gruen | 178 | ||
March 1988 | 87 | Artnews | Taxing Situations | Richard W. Walker | 183 | ||
April 1988 | 87 | Artnews | Art for Arf's Sake | Barbara MacAdam | 11 | Vasari Diary | |
April 1988 | 87 | Artnews | Pictures Behind Bars | Jonathan Turner | 11 | Vasari Diary | |
April 1988 | 87 | Artnews | Trash or Treasure | Eleanor Heartney | 11 | Vasari Diary | |
April 1988 | 87 | Artnews | "Unlevined Bread" and Other Delicacies | Jane Salzfass Freiman | 12 | Vasari Diary | |
April 1988 | 87 | Artnews | Flaunting Fakes | John Dorsey | 12 | Vasari Diary | |
April 1988 | 87 | Artnews | Feet First | Starr Collins | 14 | Vasari Diary | |
April 1988 | 87 | Artnews | Feminine Heresies | Ruth Bass | 14 | Vasari Diary | |
April 1988 | 87 | Artnews | Dutch Still Lifes: Horns of Plenty | Richard W. Walker | 21 | Art Market | |
April 1988 | 87 | Artnews | Once a Rembrandt, Not Always a Rembrandt | Richard W. Walker | 21 | Art Market | |
April 1988 | 87 | Artnews | De Weerth Decision: Insufficient Effort | Richard W. Walker | 22 | Art Market | |
April 1988 | 87 | Artnews | Going Public | Andrew Decker | 22 | Art Market | |
April 1988 | 87 | Artnews | San Diego: Photography Unbound | David Lewinson | 29 | Nation | |
April 1988 | 87 | Artnews | New York: MoMA's Man | Ginger Danto | 30 | Nation | |
April 1988 | 87 | Artnews | East Hampton: Dripping with History | Lori B. Miller | 30 | Nation | |
April 1988 | 87 | Artnews | Hartford: Gambler's Nerve | Charles Giuliano | 32 | Nation | |
April 1988 | 87 | Artnews | Munich: Mounting Embarrassment | John Dornberg | 39 | International | |
April 1988 | 87 | Artnews | Hamburg: Amusement Art | Abigail Esman | 42 | International | |
April 1988 | 87 | Artnews | Vienna: A Certain Irony | Ferdinand Protzman | 42 | International | |
April 1988 | 87 | Artnews | Amsterdam: Advantage Stedelijk | M. Kirby Tally, Jr. | 44 | International | |
April 1988 | 87 | Artnews | Steiner's Affirmation | Bonnie Barrett Stretch | 53 | Book Reviews | |
April 1988 | 87 | Artnews | Flagrant Genius | Peter L. Donhauser | 53 | Book Reviews | |
April 1988 | 87 | Artnews | Poetic Alienation | Ruth Bass | 53 | Book Reviews | |
April 1988 | 87 | Artnews | From Jungle Ruins to London Slums | John Sturman | 54 | Book Reviews | |
April 1988 | 87 | Artnews | Battling the Cubists | Lenore Malen | 54 | Book Reviews | |
April 1988 | 87 | Artnews | Geneva:: Soul Search | Ernest Beck | 61 | Artful Traveler | |
April 1988 | 87 | Artnews | Nathan Farb: A World of Stillness and Light | John Yau | 85 | Studio | |
April 1988 | 87 | Artnews | Lydia Winston Malbin: A Futurist Eye | Sylvia Hochfield | 91 | Spotlight | |
April 1988 | 87 | Artnews | Special Section: Signs of the Time | Steven Henry Madoff | 101 | ||
April 1988 | 87 | Artnews | The Great Art Explosion | Amy Virshup | 102 | ||
April 1988 | 87 | Artnews | Self-Portraits in a Changing Landscape | Jamie James | 110 | ||
April 1988 | 87 | Artnews | Inside Europe: The Temperature is Lower | Brigid Grauman | 114 | ||
April 1988 | 87 | Artnews | Renaissance or Deluge? | Mark Stevens, Arthur C. Danto, Roger Kimball, Mary Jane Jacob | 119 | ||
April 1988 | 87 | Artnews | "Sincere Regrets to the County Museum, Hooray for Los Angeles" | Milton Esterow | 124 | ||
April 1988 | 87 | Artnews | Figure Under a Light Buld | Judith Higgins | 126 | ||
May 1988 | 87 | Artnews | Canova Uncovered | Jonathan Turner | 13 | Vasari Diary | |
May 1988 | 87 | Artnews | Of Fact and Feathers: Public Art: Who's Looking Now? | Nancy Grimes | 13 | Vasari Diary | |
May 1988 | 87 | Artnews | The Faces of Time | Ernest Beck | 14 | Vasari Diary | |
May 1988 | 87 | Artnews | Touching Subjects | Eleanor Heartney | 14 | Vasari Diary | |
May 1988 | 87 | Artnews | What's Happening | Marjorie Rosen | 16 | Vasari Diary | |
May 1988 | 87 | Artnews | Bravo, Boldini | Richard W. Walker | 21 | Art Market | |
May 1988 | 87 | Artnews | Taking a Tumble | Richard W. Walker | 21 | Art Market | |
May 1988 | 87 | Artnews | Warhol Wrangle | Andrew Decker | 23 | Art Market | |
May 1988 | 87 | Artnews | Mid-Season Surprises | Richard W. Walker | 23 | Art Market | |
May 1988 | 87 | Artnews | Omaha: Space-Rich and Hungry for Art | Thomas H. Garver | 31 | Nation | |
May 1988 | 87 | Artnews | Dallas: Working from the Inside Out | Janet Kutner | 32 | Nation | |
May 1988 | 87 | Artnews | New York: Taking a Cue from the Capitalists | Sylvia Hochfield | 32 | Nation | |
May 1988 | 87 | Artnews | Andre Acquitted | 39 | Nation | ||
May 1988 | 87 | Artnews | Vienna: A Little Justice in Austria | Andrew Decker | 49 | International | |
May 1988 | 87 | Artnews | Warsaw: A Biblical Collection | Jane Dobija | 50 | International | |
May 1988 | 87 | Artnews | Brussels: CobrA Strikes Again | Brigid Grauman | 50 | International | |
May 1988 | 87 | Artnews | Basel: Change of Art | Ernest Beck | 52 | International | |
May 1988 | 87 | Artnews | American Craft Museum: Design Into Art | Peter Carlsen | 61 | Design | |
May 1988 | 87 | Artnews | Thomas Krens: Gunslinger for the Guggenheim | Craig Bromberg | 73 | Spotlight | |
May 1988 | 87 | Artnews | On the Road | Peter Haldeman | 83 | Ways & Means | |
May 1988 | 87 | Artnews | A New Age for Ancient China | Margaret Moorman | 118 | ||
May 1988 | 87 | Artnews | Two Steps Forward, One Step Back | Joan Lebold Cohen | 123 | ||
May 1988 | 87 | Artnews | Year of the Bull | Richard W. Walker | 126 | ||
May 1988 | 87 | Artnews | Ross Bleckner's Mood Indigo | Lisa Liebmann | 128 | ||
May 1988 | 87 | Artnews | Confessions of an Art Cop | Milton Esterow | 134 | ||
May 1988 | 87 | Artnews | Strokes of Genius | Lawrence Gowing | 138 | ||
May 1988 | 87 | Artnews | The Moral Rights (and Wrongs) of Public Art | Sylvia Hochfield | 143 | ||
May 1988 | 87 | Artnews | Mrs. Thatcher's Manacles | Terry Trucco | 147 | ||
May 1988 | 87 | Artnews | Ordinary People | Ruth bass | 151 | ||
November 1988 | 87 | Artnews | "Brushstrokes in Flight" | Laurence J. James | 17 | Vasari Diary | |
November 1988 | 87 | Artnews | Faithful Fakes | Brigid Grauman | 17 | Vasari Diary | |
November 1988 | 87 | Artnews | Sleeping with Art | Brigid Grauman | 18 | Vasari Diary | |
November 1988 | 87 | Artnews | Year of the CoBrA | Jonathan Turner | 18 | Vasari Diary | |
November 1988 | 87 | Artnews | The Play's the Thing | Margaret Moorman | 20 | Vasari Diary | |
November 1988 | 87 | Artnews | Taking to the Streets | John Herzfeld | 20 | Vasari Diary | |
November 1988 | 87 | Artnews | Mark Rosenthal: Philadelphia Story | Sam Staggs | 29 | Spotlight | |
November 1988 | 87 | Artnews | Chicago: School for Scandal | Sue Taylor | 37 | Nation | |
November 1988 | 87 | Artnews | Cambridge: Blaming the Victim | Charles Giuliano | 38 | Nation | |
November 1988 | 87 | Artnews | San Francisco: Museum-Go-Round | Katherine Gregor | 41 | Nation | |
November 1988 | 87 | Artnews | Philadelphia: Is It a Vase, a Jar, or a Pot? | Sam Staggs | 41 | Nation | |
November 1988 | 87 | Artnews | Rome: Who Found Aphrodite? | George Armstrong | 49 | International | |
November 1988 | 87 | Artnews | Munich: Commemorating "Kristallnacht" | John Dornberg | 50 | International | |
November 1988 | 87 | Artnews | Florence: The Uffizi Faces the Future | Jonathan Turner | 51 | International | |
November 1988 | 87 | Artnews | Avignon: Popes and Pawnbrokers | Barbara A. MacAdam | 63 | Artful Traveler | |
November 1988 | 87 | Artnews | Unknown Han Sculptor: Clothed in Life | James Watt | 73 | Looking at Art | |
November 1988 | 87 | Artnews | National Museum of Modern Art, Paris: A Fine Mess | Jonathan Turner | 83 | Design | |
November 1988 | 87 | Artnews | Stephen Frailey: Breaking Into Pictures | Dan Cameron | 93 | Studio | |
November 1988 | 87 | Artnews | Shooting Himself | Edith Newhall | 105 | Book Reviews | |
November 1988 | 87 | Artnews | Words, Words, Words | Lois E. Nesbitt | 105 | Book Reviews | |
November 1988 | 87 | Artnews | Classical Catalan | Daniel Waterman | 105 | Book Reviews | |
November 1988 | 87 | Artnews | Pen Pals | Jack Davies | 106 | Book Reviews | |
November 1988 | 87 | Artnews | To Stare or Not to Stare | Alfred MacAdam | 106 | Book Reviews | |
November 1988 | 87 | Artnews | Inside the Art Market | Richard W. Walker | 130 | ||
November 1988 | 87 | Artnews | Money Man | Robin Cembalest | 131 | ||
November 1988 | 87 | Artnews | Contemporary Art: Red-Hot Goes Blue Chip | Andrew Decker | 131 | ||
November 1988 | 87 | Artnews | Impressionist and Modern Art: Goint, Going... Gone | Richard W. Walker | 134 | ||
November 1988 | 87 | Artnews | Prints: A Whole New Impression | Andrew Decker | 136 | ||
November 1988 | 87 | Artnews | 19th-and Early-20th-Century American Painting: Catch a Rising Modernist | Bonnie Barrett Stretch | 140 | ||
November 1988 | 87 | Artnews | 19th-Century European Painting: A Craving For Sunlight | Godfrey Barker | 143 | ||
November 1988 | 87 | Artnews | Old Master Painting: Still Lifes and Sleepers | Richard W. Walker | 146 | ||
November 1988 | 87 | Artnews | Photography: Snapped Up: Vintage to Vanguard | Bonnie Barrett Stretch | 149 | ||
November 1988 | 87 | Artnews | Oriental Art: High and Getting Higher | Edward M. Gomez | 151 | ||
November 1988 | 87 | Artnews | Primitive Art: Less is More-More or Less | Valerie Block | 154 | ||
November 1988 | 87 | Artnews | Jasper Johns' Artful Dodging | Jill Johnston | 156 | ||
November 1988 | 87 | Artnews | That Collaborative Itch | Craig Bromberg | 160 | ||
December 1988 | 87 | Artnews | Man vs. Museum | John Dornberg | 15 | Vasari Diary | |
December 1988 | 87 | Artnews | The Man Who Wasn't A Hat | Godfrey Barker | 15 | Vasari Diary | |
December 1988 | 87 | Artnews | Parisian Cover-Up | Michael Brandow | 16 | Vasari Diary | |
December 1988 | 87 | Artnews | The Mayor's Story | 16 | Vasari Diary | ||
December 1988 | 87 | Artnews | Undressed for Success | Alex Prud'homme | 16 | Vasari Diary | |
December 1988 | 87 | Artnews | Canine Concepts | 18 | Vasari Diary | ||
December 1988 | 87 | Artnews | Poisonous Muse | Sam Staggs | 18 | Vasari Diary | |
December 1988 | 87 | Artnews | Unscrambling the "Egg" Suit | Richard W. Walker | 23 | Art Market | |
December 1988 | 87 | Artnews | Rallying Round the Fund | Richard W. Walker | 23 | Art Market | |
December 1988 | 87 | Artnews | We're Not Selling VCRs | Richard W. Walker | 23 | Art Market | |
December 1988 | 87 | Artnews | Phillips Retreats | Godfrey Barker | 24 | Art Market | |
December 1988 | 87 | Artnews | Moonlight and Peasantry: In the Money | Godfrey Barker | 24 | Art Market | |
December 1988 | 87 | Artnews | Washington, D. C.: Thank His Mother | Edward M. Gomez | 29 | Nation | |
December 1988 | 87 | Artnews | An American Yen | Jo Ann Lewis | 31 | Nation | |
December 1988 | 87 | Artnews | Vatican City: Pious Paupers, Fearsome Popes | Jonathan Turner, George Armstrong | 39 | International | |
December 1988 | 87 | Artnews | Aachen: Ludwig Looks East | John Dornberg | 40 | International | |
December 1988 | 87 | Artnews | Vienna: War Memorial Unleashes Tempest | Ferdinand Protzman | 40 | International | |
December 1988 | 87 | Artnews | Clisson: In the Shadow of History | Charles Ruas | 79 | Artful Traveler | |
December 1988 | 87 | Artnews | Linda Nochlin: A Realist's Progress | Marjorie Welish | 85 | Spotlight | |
December 1988 | 87 | Artnews | Brueghel the Elder: Egypt on the Rhine | Robert Harbison | 91 | Looking at Art | |
December 1988 | 87 | Artnews | Ursula con Rydingsvard: Life Under Siege | Avis Berman | 97 | Studio | |
December 1988 | 87 | Artnews | Prince of Darkness, Angel of Light | Susan Weiley | 106 | ||
December 1988 | 87 | Artnews | The Man Who Made Stones Think | Jack Flam | 112 | ||
December 1988 | 87 | Artnews | Facts of Life | Nancy Grimes | 118 | ||
December 1988 | 87 | Artnews | Memorable Lines | The Editors | 123 | ||
December 1988 | 87 | Artnews | Guess Who's Coming to Dinner? | Paul Gardner | 128 | ||
December 1988 | 87 | Artnews | From Dead End to Avant-Garde | Lisbet Nilson | 132 | ||
January 1987 | 86 | Artnews | The Wright People | Sam Staggs | 9 | The 'Vasari' Diary | |
January 1987 | 86 | Artnews | Living a Truth | Robert Hughes | 9 | The 'Vasari' Diary | |
January 1987 | 86 | Artnews | Comrade Artist | Alexander Stille | 10 | The 'Vasari' Diary | |
January 1987 | 86 | Artnews | For an Impatient Sitter, Picasso a la Mode | Milton Esterow | 198 | The 'Vasari' Diary | |
January 1987 | 86 | Artnews | Same Story, Second Verse | Andrew Decker | 198 | The 'Vasari' Diary | |
January 1987 | 86 | Artnews | F-111 Flies High; Single Session Rolls Up $42 Million; Da Vinci Drawing Tops 'Triumphant' Gaines Sale | Richard W. Walker | 15 | The Art Market | |
January 1987 | 86 | Artnews | New England: Good Neighbors | Kate Norment, Charles Giuliano | 51 | The Nation | |
January 1987 | 86 | Artnews | Boston: Norman Toynton | David Bonetti | 52 | The Nation | |
January 1987 | 86 | Artnews | Washington, D. C. FBI Computer Tracks Purloined Picassos | Alice Thorson | 54 | The Nation | |
January 1987 | 86 | Artnews | Miami: Joaquin Torres-Garcia | Elisa Turner | 57 | The Nation | |
January 1987 | 86 | Artnews | Houston; Jesus Bautista Moroles | Mel McCombie | 57 | The Nation | |
January 1987 | 86 | Artnews | Chicago: Susanna Coffey | Sue Taylor | 58 | The Nation | |
January 1987 | 86 | Artnews | Jannis Kounellis | Charlotte Moser | 61 | The Nation | |
January 1987 | 86 | Artnews | La Jolla: Tony Cragg | Leah Goldman | 62 | The Nation | |
January 1987 | 86 | Artnews | Los Angeles: Marc Pally | Merle Schipper | 62 | The Nation | |
January 1987 | 86 | Artnews | London: Beyond the Image | William Feaver | 99 | The World | |
January 1987 | 86 | Artnews | Ghent: A Canary in an Aquarium | Brigid Grauman | 101 | The World | |
January 1987 | 86 | Artnews | Bard Breivik | Steven Henry Madoff | 105 | Studio | |
January 1987 | 86 | Artnews | Pousette-Dart's Windows Into the Unknowing | Judith Higgins | 108 | ||
January 1987 | 86 | Artnews | The Saatchi Factor | Richard W. Walker | 117 | ||
January 1987 | 86 | Artnews | Fragments of a Lost World | Bonnie Barrett Stretch | 122 | ||
January 1987 | 86 | Artnews | Simulationism: The Hot New Cool Art | Eleanor Heartney | 130 | ||
January 1987 | 86 | Artnews | George Sugarman's Maximal, Musical Sculpture | John Gruen | 138 | ||
January 1987 | 86 | Artnews | What Isn't Modern Sculpture? | Albert E. Elsen | 144 | ||
February 1987 | 86 | Artnews | Gold Rush to Hell | Sam Staggs | 9 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | Matchmakers | Ruth Bass | 9 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | Now You See Us | Eleanor Heartney | 10 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | Unmerry Christo | Gerrit Henry | 10 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | In Recognition; $300,000 Art Auction to Benefit AIDS Patients | Charles Giuliano | 13 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | Breaking Out in Hives | Gerrit Henry | 174 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | Making Money | Roger Green | 174 | The 'Vasari' Diary | |
February 1987 | 86 | Artnews | A Wonderful, Haunting Picture'; Stella Stars at Auction | Richard W. Walker | 17 | The Art Market | |
February 1987 | 86 | Artnews | Photo Market Upswing | Andrew Decker | 18 | The Art Market | |
February 1987 | 86 | Artnews | Los Angeles: New Face on the Block | Kate Norment, Charles Giuliano | 23 | The Nation | |
February 1987 | 86 | Artnews | Martha Alf | Merle Schipper | 24 | The Nation | |
February 1987 | 86 | Artnews | La Jolla: Eduardo Chillida | Leah Goldman | 27 | The Nation | |
February 1987 | 86 | Artnews | Palm Springs: Rufino Tamayo | Leah Goldman | 27 | The Nation | |
February 1987 | 86 | Artnews | Seattle: George Chacona | Lyn Smallwood | 28 | The Nation | |
February 1987 | 86 | Artnews | Austin: Armando Morales | Mel McCombie | 29 | The Nation | |
February 1987 | 86 | Artnews | Minneapolis: 'The Interpretive Link' | Hunter Drohojowska | 29 | The Nation | |
February 1987 | 86 | Artnews | Chicago: Chuck Walker | Sue Taylor | 31 | The Nation | |
February 1987 | 86 | Artnews | Alexandria: Readymade Ruins | Alice Thorson | 32 | The Nation | |
February 1987 | 86 | Artnews | Milan: Luminous Visions, Dark Moods | Henry Martin | 35 | The World | |
February 1987 | 86 | Artnews | Vienna: Austria Reviews Claims on Looted Art | Andrew Decker | 37 | The World | |
February 1987 | 86 | Artnews | Henry Moore: 1898-1986 | William S. Lieberman | 37 | The World | |
February 1987 | 86 | Artnews | Edinburgh/London: Clashing Furniture and Whatnot | William Feaver | 38 | The World | |
February 1987 | 86 | Artnews | Helen Miranda Wilson: Places For the Hungry Heart | Margaret Moorman | 71 | Studio | |
February 1987 | 86 | Artnews | Diversionary (SYN) Tactics | Carol Squiers | 76 | ||
February 1987 | 86 | Artnews | The Geometry of Nature and the Nature of Geometry | John Gruen | 86 | ||
February 1987 | 86 | Artnews | Art Circles: Portrait Photographs From ARTnews, 1905-1986 | Anne Hoy | 93 | ||
February 1987 | 86 | Artnews | Auction Signals: How to Bid Like an Insider | Paul Gardner | 101 | ||
February 1987 | 86 | Artnews | A New View of Kokoschka | Ruth Bass | 106 | ||
February 1987 | 86 | Artnews | Thoroughly Modern Met | Sylvia Hochfield | 112 | ||
March 1987 | 86 | Artnews | The Indomitable Human Spirit | Paul Gardner | 13 | The 'Vasari' Diary | |
March 1987 | 86 | Artnews | All About Egon | Mary Ellen Haus | 13 | The 'Vasari' Diary | |
March 1987 | 86 | Artnews | Mixed Marriage | Cathy Peck | 15 | The 'Vasari' Diary | |
March 1987 | 86 | Artnews | Top Ten; Losing Lucien | Gerrit Henry | 16 | The 'Vasari' Diary | |
March 1987 | 86 | Artnews | This Incredible Machine' | Ruth Bass | 182 | The 'Vasari' Diary | |
March 1987 | 86 | Artnews | Beckmann Will Challenged; MOCA-Panza Dispute Settled; A Mantegna for the Met; Dali Fraud Prosecution; Influence or Plagiarism? | Richard W. Walker | 21 | The Art Market | |
March 1987 | 86 | Artnews | A Stella Performance | Eleanor Heartney | 27 | Books | |
March 1987 | 86 | Artnews | The Dean of Modern Art | Bonnie Barrett Stretch | 27 | Books | |
March 1987 | 86 | Artnews | Los Angeles: Coast-to-Coast | Peter Clothier | 31 | The Nation | |
March 1987 | 86 | Artnews | Lee Mullican | Merle Schipper | 32 | The Nation | |
March 1987 | 86 | Artnews | San Diego: Deborah Small | Leah Goldman | 33 | The Nation | |
March 1987 | 86 | Artnews | Kansas City: Richard Hollander, Richard Gillespie | Barbara Westerfield | 33 | The Nation | |
March 1987 | 86 | Artnews | Boston: Cliffton Peacock | David Bonetti | 34 | The Nation | |
March 1987 | 86 | Artnews | Washington, D. C.: Mystery Lady | Irma B. Jaffe | 34 | The Nation | |
March 1987 | 86 | Artnews | Columbia, S. C.: Richard Samuel Roberts | Jon Meyer | 35 | The Nation | |
March 1987 | 86 | Artnews | Atlanta: Ashley Ward | Jon Meyer | 37 | The Nation | |
March 1987 | 86 | Artnews | Florence: True Colors | George Armstrong | 39 | The World | |
March 1987 | 86 | Artnews | London: City of the Future | William Feaver | 44 | The World | |
March 1987 | 86 | Artnews | Simon Edmondson: Between Two Worlds | Judith Higgins | 89 | Studio | |
March 1987 | 86 | Artnews | Minimalism Made Human | Ruth Bass | 94 | ||
March 1987 | 86 | Artnews | Art Vandals: Why do they do it? | John Dornberg | 102 | ||
March 1987 | 86 | Artnews | Russian Painting at the Dawn of Modernism | Alison Hilton | 110 | ||
March 1987 | 86 | Artnews | Controlled Frenzy | John Gruen | 116 | ||
March 1987 | 86 | Artnews | Denis Mahon and His 'Old Friends' | Israel Shenker | 121 | ||
March 1987 | 86 | Artnews | SOHO: Downtown Boomtown | Paul Gardner | 128 | ||
April 1987 | 86 | Artnews | A Man and His Bridge | Katherine Gregor | 11 | The 'Vasari' Diary | |
April 1987 | 86 | Artnews | Late Bloomer | Sam Staggs | 11 | The 'Vasari' Diary | |
April 1987 | 86 | Artnews | Third Grand Jury in Andre Case; Take this Art and... | John Herzfeld | 12 | The 'Vasari' Diary | |
April 1987 | 86 | Artnews | The Idea on the Wing; Color-blind art History | S.S. | 15 | The 'Vasari' Diary | |
April 1987 | 86 | Artnews | And What About Those Red Hills She painted? | John Herzfeld | 198 | The 'Vasari' Diary | |
April 1987 | 86 | Artnews | Christie's and Cristallina Settle; 'Startling' Prices for Old Masters; Klee: For Discerning Buyers Only | Richard W. Walker, Andrew Decker | 21 | The Art Market | |
April 1987 | 86 | Artnews | New York: Serra Goes to Court | Andrew Decker | 29 | The Nation | |
April 1987 | 86 | Artnews | Dallas: Matt Mullican | Janet Kutner | 29 | The Nation | |
April 1987 | 86 | Artnews | St. Louis: Leila Daw | Mary King | 31 | The Nation | |
April 1987 | 86 | Artnews | Chicago: John Buck | Sue Taylor | 31 | The Nation | |
April 1987 | 86 | Artnews | San Francisco: Lane: Raising the Stakes for the SFMMA | Kate Regan | 32 | The Nation | |
April 1987 | 86 | Artnews | Los Angeles: Michael Todd; Charles Hill | Merle Schipper | 34 | The Nation | |
April 1987 | 86 | Artnews | Seattle: Edward Weston | Gay Morris | 37 | The Nation | |
April 1987 | 86 | Artnews | The Art Couple | Avis Berman | 77 | Books | |
April 1987 | 86 | Artnews | Degas's Vaguely Provocative Women | Jan Heller Levi | 78 | Books | |
April 1987 | 86 | Artnews | Florence: Buried Treasure | George Armstrong | 91 | The World | |
April 1987 | 86 | Artnews | Maria Nazor: Mapping the Mindscape | Shellie R. Goldberg | 97 | Studio | |
April 1987 | 86 | Artnews | Dark Poetry | Gerrit Henry | 104 | ||
April 1987 | 86 | Artnews | Changing the Look of Art Education | Milton Esterow | 112 | ||
April 1987 | 86 | Artnews | The British Accent in 20th-century Art | William Feaver | 114 | ||
April 1987 | 86 | Artnews | The Battle Over Georgia O'Keeffe's Multimillion-Dollar Legacy | Andrew Decker | 120 | ||
April 1987 | 86 | Artnews | Painting from the Heart | Susan Gill | 128 | ||
April 1987 | 86 | Artnews | Picasso's Time of Decisive Encounters | Pierre Daix | 136 | ||
April 1987 | 86 | Artnews | The Musee D'Orsay: A New and Different 19th Century | Michael Gibson | 142 | ||
May 1987 | 86 | Artnews | Extraterrestrials in Alphabetland | Gerrit Henry | 17 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | Big Fish, Big Pond | Sam Staggs | 17 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | Freeze of the Trollops and Metaphors; Women Honor Women | Charles Giuliano | 18 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | The Way They Were | John Herzfeld | 18 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | Singles Mingle | Mike Giuliano | 21 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | The Healing Art | Sam Staggs | 21 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | Cultured Chaos | Eleanor Heartney | 188 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | All in the Family | Maryln Schwartz | 188 | The 'Vasari' Diary | |
May 1987 | 86 | Artnews | Flower Power; Getty 'Improprieties' Attract IRS Scrutiny; Five-Figure Estimates, Six-Figure Prices; David's Farewell Leads 19th-Century Sale; American Art Nudges $10 Million Level | Richard W. Walker, Andrew Decker | 31 | The Art Market | |
May 1987 | 86 | Artnews | Austin: Sarah Canright | Mel McCombie | 45 | The Nation | |
May 1987 | 86 | Artnews | Dallas: Elizabeth Murray | Janet Kutner | 45 | The Nation | |
May 1987 | 86 | Artnews | Miami: Ned Smyth | Elisa Turner | 46 | The Nation | |
May 1987 | 86 | Artnews | Palm Beach: Harold Shapinsky | Elisa Turner | 49 | The Nation | |
May 1987 | 86 | Artnews | Washington, D.C.: Leland Bell | Lee Fleming | 49 | The Nation | |
May 1987 | 86 | Artnews | Los Angeles: Astrid Preston; Tony Delap | Merle Schipper | 50 | The Nation | |
May 1987 | 86 | Artnews | San Diego: Gillian Theobald; Diane Gamboa | Leah Goldman | 52 | The Nation | |
May 1987 | 86 | Artnews | Oakland: Robert Arneson | Chiori Santiago | 55 | The Nation | |
May 1987 | 86 | Artnews | Seattle: Barbara Noah | Lyn Smallwood | 57 | The Nation | |
May 1987 | 86 | Artnews | Brussels: Art Underground | Brigid Grauman | 69 | The World | |
May 1987 | 86 | Artnews | Ellen Driscoll: Strange Eloquence | John Sturman | 83 | Studio | |
May 1987 | 86 | Artnews | In a Timeless World | Margaret Moorman | 90 | ||
May 1987 | 86 | Artnews | Will British Rail Sell All? | Terry Trucco | 99 | ||
May 1987 | 86 | Artnews | Klee Time | Steven Henry Madoff | 104 | ||
May 1987 | 86 | Artnews | Chicago's Art Explosion | Lisbet Nilson | 110 | ||
May 1987 | 86 | Artnews | Rewriting Sculpture | Cynthia Nadelman | 120 | ||
May 1987 | 86 | Artnews | Who was Andy Warhol | Arthur C. Danto | 128 | ||
Summer 1987 | 86 | Artnews | Call Him Vincent | John Herzfeld | 15 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Seventh-Inning Sketch | Margaret Moorman | 15 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Not Just Aother Summer Painter | Richard B. Woodward | 18 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Knight Unerring: Castelli Becomes a Chhevalier | Gerrit Henry | 15 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Stranded in Miami Sipping Capuccino | Elisa Turner | 20 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Psyching Out Katz | Gerrit Henry | 23 | The 'Vasari' Diary | |
Summer 1987 | 86 | Artnews | Stale Bread and Greek Wine | 23 | The 'Vasari' Diary | ||
Summer 1987 | 86 | Artnews | Plenty of Money--for Big Spenders Only; Warrant for Lee's Arrest Dropped; Italian Impressionists Go Through the Roof | Richard W. Walker, Godfrey Barker | 29 | The Art Market | |
Summer 1987 | 86 | Artnews | New York: A Model for David?; Art Against AIDS | Judd Tully | 53 | The Nation | |
Summer 1987 | 86 | Artnews | Lloyd Goodrich (1897-1987) | William Innes Homer | 54 | The Nation | |
Summer 1987 | 86 | Artnews | Washington, D. C.: American Women Artists, 1830-1930 | Margaret Moorman | 57 | The Nation | |
Summer 1987 | 86 | Artnews | North Adams: William College Coup | Charles Giuliano | 58 | The Nation | |
Summer 1987 | 86 | Artnews | Boston: Robert Ferrandini | David Bonetti | 60 | The Nation | |
Summer 1987 | 86 | Artnews | Chicago: Vera Klement, Nicholas Africano | Charlotte Moser | 60 | The Nation | |
Summer 1987 | 86 | Artnews | Miami: Gilberto Ruiz | Elisa Turner | 62 | The Nation | |
Summer 1987 | 86 | Artnews | Dallas: Martin Delabano | Janet Kutner | 65 | The Nation | |
Summer 1987 | 86 | Artnews | San Francisco: David Humphrey | Kate Regan | 65 | The Nation | |
Summer 1987 | 86 | Artnews | Los Angeles: Tony Berlant | Merle Schipper | 65 | The Nation | |
Summer 1987 | 86 | Artnews | Laguna Beach: Henrietta Shore | Merle Schipper | 66 | The Nation | |
Summer 1987 | 86 | Artnews | Hamburg: Sinking Feelings | Michael Gibson | 105 | The World | |
Summer 1987 | 86 | Artnews | London: Gallery for a 'Wayward Genius' | William Feaver | 107 | The World | |
Summer 1987 | 86 | Artnews | Kathleen Loe: Spirit, Person, Place | Lawrence Weschler | 127 | Studio | |
Summer 1987 | 86 | Artnews | A Maker of Images--Nothing More and Nothing Less' | John Gruen | 133 | ||
Summer 1987 | 86 | Artnews | How Wide is the Gender Gap? | Eleanor Heartney | 139 | ||
Summer 1987 | 86 | Artnews | Douglas Cramer: Passionate Perfectionist | Peter Clothier | 146 | ||
Summer 1987 | 86 | Artnews | Real and Fake in the 'Zagreb Louvre' | Andrew Decker | 151 | ||
Summer 1987 | 86 | Artnews | Michelangelo Rediscovered | M. Kirby Talley, Jr. | 159 | ||
October 1987 | 86 | Artnews | One Carves the Whole of the Hole | 15 | Vasari Diary | ||
October 1987 | 86 | Artnews | On the Road | Sam Staggs | 15 | Vasari Diary | |
October 1987 | 86 | Artnews | Art Wanes in Clubland | Ginger Danto | 16 | Vasari Diary | |
October 1987 | 86 | Artnews | Trash | 16 | Vasari Diary | ||
October 1987 | 86 | Artnews | Silver Linings | Katherine Gregor | 18 | Vasari Diary | |
October 1987 | 86 | Artnews | Texas Style | 18 | Vasari Diary | ||
October 1987 | 86 | Artnews | Giving Credit Where Credit Is Due | 18 | Vasari Diary | ||
October 1987 | 86 | Artnews | Dropping Out and Turning In | David Lanchner | 18 | Vasari Diary | |
October 1987 | 86 | Artnews | British Rail: On Track | Godfrey Barker | 25 | Art Market | |
October 1987 | 86 | Artnews | Next Time, Ask | Richard W. Walker | 25 | Art Market | |
October 1987 | 86 | Artnews | Chatsworth: Predictable Prices | Richard W. Walker | 26 | Art Market | |
October 1987 | 86 | Artnews | Turkey Sues the Met | Andrew Decker | 26 | Art Market | |
October 1987 | 86 | Artnews | Cropsey Quandary | Andrew Decker | 26 | Art Market | |
October 1987 | 86 | Artnews | $2 Million Dali | Richard W. Walker | 26 | Art Market | |
October 1987 | 86 | Artnews | Cezanne, Self-Styled Exile | Richard B. Woodward | 33 | Book Reviews | |
October 1987 | 86 | Artnews | New Impresions of Picasso | Susan Grace Calassi | 34 | Book Reviews | |
October 1987 | 86 | Artnews | Who's C.V.J | Deborah Solomon | 34 | Book Reviews | |
October 1987 | 86 | Artnews | Seattle: Paradise Lost | Lyn Smallwood | 57 | Nation | |
October 1987 | 86 | Artnews | Santa Fe: A Dignified Settlement | Andrew Decker | 58 | Nation | |
October 1987 | 86 | Artnews | New York: A Loss for Serra | Ginger Danto | 61 | Nation | |
October 1987 | 86 | Artnews | Mother Goose and Henry Moore | John Herzfeld | 61 | Nation | |
October 1987 | 86 | Artnews | San Diego: Erasing the Line | Leah Goldman | 63 | Nation | |
October 1987 | 86 | Artnews | Beijing: Politically Incorrect | David Lanchner | 71 | International | |
October 1987 | 86 | Artnews | Vienna: A Slow Process | Andrew Decker | 71 | International | |
October 1987 | 86 | Artnews | The Hague: Dutch Dam Art Subsidies | Jonathan Turner | 72 | International | |
October 1987 | 86 | Artnews | Soviet Art: New Freedom, New Directions | Sylvia Hochfield | 102 | ||
October 1987 | 86 | Artnews | The Soviet Culture Fund: "Setting this up is an amazing thing" | Milton Esterow | 108 | ||
October 1987 | 86 | Artnews | Sue Coe's Inferno | Susan Gill | 110 | ||
October 1987 | 86 | Artnews | Zurbaran's Theater of Martyrs | Carlos Fuentes | 116 | ||
October 1987 | 86 | Artnews | Out of the shadows: Art in Post-Franco Spain | Barbara Probst Solomon | 120 | ||
October 1987 | 86 | Artnews | Anselm Kiefer: A Call to Memory | Steven Henry Madoff | 125 | ||
November 1987 | 86 | Artnews | Betwixt and Between | 13 | Vasari Diary | ||
November 1987 | 86 | Artnews | Green Men | John Herzfeld | 13 | Vasari Diary | |
November 1987 | 86 | Artnews | Move Over, Montana--This Sky is Even Bigger | 14 | Vasari Diary | ||
November 1987 | 86 | Artnews | The Art of Making Money | David Lanchner | 14 | Vasari Diary | |
November 1987 | 86 | Artnews | Picasso Gets a Hit | James Yood | 16 | Vasari Diary | |
November 1987 | 86 | Artnews | Pointing the Finger | Sam Staggs | 16 | Vasari Diary | |
November 1987 | 86 | Artnews | Special Delivery | John Herzfeld | 18 | Vasari Diary | |
November 1987 | 86 | Artnews | Van Gogh's Irises: How Much? | Richard W. Walker | 25 | Art Market | |
November 1987 | 86 | Artnews | Frankfurt: Where the Money Is | John Dornberg | 25 | Art Market | |
November 1987 | 86 | Artnews | Tamara de Lempicka: A Question of Style | Andrew Decker | 27 | Art Market | |
November 1987 | 86 | Artnews | Altoona, Pa.: Causing a Rau | Sam Staggs | 37 | Nation | |
November 1987 | 86 | Artnews | Seattle: 'A Tremendous Opportunity' | Lyn Smallwood | 37 | Nation | |
November 1987 | 86 | Artnews | Boston: Taking Control of Their Destiny | Valerie F. Brooks | 38 | Nation | |
November 1987 | 86 | Artnews | Lugano: The Baron Thinks Twice | Ernest Beck | 45 | Internation | |
November 1987 | 86 | Artnews | Feldafing: Buchheim vs. Duisburg: Another Round | John Dornberg | 45 | Internation | |
November 1987 | 86 | Artnews | Antwerp: Starting from Scratch | Brigid Grauman | 50 | Internation | |
November 1987 | 86 | Artnews | The Nashers: Just Getting Started | Katherine Gregor | 59 | Spotlight | |
November 1987 | 86 | Artnews | The End of Art? | Barry Schwabsky | 71 | Book Reviews | |
November 1987 | 86 | Artnews | Master of the Neoplastic | Yve-Alain Bois | 71 | Book Reviews | |
November 1987 | 86 | Artnews | Huxtable's Complaint | Peter L. Donhauser | 72 | Book Reviews | |
November 1987 | 86 | Artnews | Post-Mao Art | Ruth Bass | 74 | Book Reviews | |
November 1987 | 86 | Artnews | Tracking Down Choirstalls | Benjamin Ivry | 74 | Book Reviews | |
November 1987 | 86 | Artnews | Artful Schemers | Avis Berman | 74 | Book Reviews | |
November 1987 | 86 | Artnews | The Avant-Grande in the Hills | Deborah Solomon | 76 | Book Reviews | |
November 1987 | 86 | Artnews | A Pablo is a Pablo Is a Pablo | Mark Rudman | 76 | Book Reviews | |
November 1987 | 86 | Artnews | A Stubborn Englishness | Terry Trucco | 103 | Artful Traveler | |
November 1987 | 86 | Artnews | Barbara Ess: The Mind's Eye | Mary Ellen Haus | 119 | Studio | |
November 1987 | 86 | Artnews | The first 85 years | Milton Esterow | 143 | ||
November 1987 | 86 | Artnews | The (art) world acording to ARTnews | The Editors | 144 | ||
November 1987 | 86 | Artnews | What becomes an artist most | Ginger Danto | 149 | ||
November 1987 | 86 | Artnews | 1902 | Russell Lynes | 154 | ||
November 1987 | 86 | Artnews | Turn of the century: America's imperial collectors | Richard W. Walker | 157 | ||
November 1987 | 86 | Artnews | Ezra Stoller: The architectural landscape | Ezra Stoller | 160 | ||
November 1987 | 86 | Artnews | The envelope, please... | Paul Gardner | 167 | ||
November 1987 | 86 | Artnews | Nobody's Fools | Richard B. Woodward | 172 | ||
December 1987 | 86 | Artnews | A Question of Attitude | David Lanchner | 11 | Vasari Diary | |
December 1987 | 86 | Artnews | Star Tours | 11 | Vasari Diary | ||
December 1987 | 86 | Artnews | You Aren't Planning to Show It, Are You?' | 11 | Vasari Diary | ||
December 1987 | 86 | Artnews | Hemingway's Miro: 'Moonlightists' | Sam Staggs | 12 | Vasari Diary | |
December 1987 | 86 | Artnews | Giving to the Federal Reserve | Alice Thorson | 14 | Vasari Diary | |
December 1987 | 86 | Artnews | Their Job Is More Fun | Julia Van Alst | 14 | Vasari Diary | |
December 1987 | 86 | Artnews | Stellar Warhols | Richard W. Walker | 21 | Art Market | |
December 1987 | 86 | Artnews | Reappraising the Situation | Richard W. Walker | 21 | Art Market | |
December 1987 | 86 | Artnews | Whose Chagall Is It, Anyway? | Andrew Decker | 21 | Art Market | |
December 1987 | 86 | Artnews | Washington, D. C.: Cavern Fever | Benjamin Forgey | 27 | Nation | |
December 1987 | 86 | Artnews | Seattle: Politics Outlives Art | Lyn Smallwood | 28 | Nation | |
December 1987 | 86 | Artnews | Norfold: Order out of Hodgepodge | Jon Meyer | 28 | Nation | |
December 1987 | 86 | Artnews | New York: Tangled 'Triangle' | John Herzfeld | 30 | Nation | |
December 1987 | 86 | Artnews | Paris: Balladur's Last Stand | Brigid Grauman | 39 | International | |
December 1987 | 86 | Artnews | Vienna: A $124-Million Band-Aid | Ferdinand Protzman | 39 | International | |
December 1987 | 86 | Artnews | A Matisse We've Never Seen | Matt Phillips | 71 | Book Reviews | |
December 1987 | 86 | Artnews | The Way It Was | John Sturman | 72 | Book Reviews | |
December 1987 | 86 | Artnews | Illuminating Janet Fish | Susan Gill | 72 | Book Reviews | |
December 1987 | 86 | Artnews | Where the Blue Rider Was Born | John Dornberg | 77 | Artful Traveler | |
December 1987 | 86 | Artnews | Sidney Janis: Waiting a Year for the Blue | Jamie James | 85 | Spotlight | |
December 1987 | 86 | Artnews | Matisse's Two Negresses | Janet Hobhouse | 91 | Looking At Art | |
December 1987 | 86 | Artnews | Charles Ray: Edgy, Provocative Presences | Peter Clothier | 97 | Studio | |
December 1987 | 86 | Artnews | Rembrandt: The Unvarnished Truth? | Sylvia Hochfield | 102 | ||
December 1987 | 86 | Artnews | Woman of Steel | Deborah Solomon | 112 | ||
December 1987 | 86 | Artnews | Britain's New 'New Generation' | Judith Higgins | 118 | ||
December 1987 | 86 | Artnews | Gabo's Progeny | Cynthia Nadelman | 123 | ||
December 1987 | 86 | Artnews | Newman's People | Susan Weiley | 128 | ||
January 1986 | 85 | Artnews | A Paragon of Art in the '80s | Alice Thorson | 11 | The 'Vasari' Diary | |
January 1986 | 85 | Artnews | At Home in the Dallas Museum of Art | Paul Gardner | 12 | The 'Vasari' Diary | |
January 1986 | 85 | Artnews | New Foundation to Help Artists | Eleanor Heartney | 156 | The 'Vasari' Diary | |
January 1986 | 85 | Artnews | Fall Sales: Good but Not Euphoric | Valerie F. Brooks | 21 | The Art Market | |
January 1986 | 85 | Artnews | Buyers Like Fresh Pictures | Richard W. Walker | 22 | The Art Market | |
January 1986 | 85 | Artnews | Frieseke: Nudes by the Fish Pond | Valerie F. Brooks | 22 | The Art Market | |
January 1986 | 85 | Artnews | The Artist as Workman | Elisa Turner | 47 | Books | |
January 1986 | 85 | Artnews | A Reluctantly Avante-Garde Russian | Henry Martin | 48 | Books | |
January 1986 | 85 | Artnews | Inside a Top Shop | Ronny Cohen | 48 | Books | |
January 1986 | 85 | Artnews | No More Boring Art | Hunter Drohojowska | 62 | ||
January 1986 | 85 | Artnews | A 'Nonreligious Monastery' for Art Historians | Patricia Failing | 70 | ||
January 1986 | 85 | Artnews | How Public Art Becomes a Political Hot Potato | Milton Esterow | 75 | ||
January 1986 | 85 | Artnews | The Return of Abstraction | Steven Henry Madoff | 80 | ||
January 1986 | 85 | Artnews | Apocalyptic Visions, Arcadian Dreams | Eleanor Heartney | 86 | ||
January 1986 | 85 | Artnews | Can the Art World Live With the Tax Reform Act? | Lee Rosenbaum | 95 | ||
January 1986 | 85 | Artnews | Rodney Alan Greenblat's Candy-Colored Cartooniverse | Paul Gardner | 105 | ||
January 1986 | 85 | Artnews | Los Angeles | Merle Schipper | 109 | The Nation | |
January 1986 | 85 | Artnews | La Jolla | David Lewinson | 110 | The Nation | |
January 1986 | 85 | Artnews | San Francisco | David Winter | 111 | The Nation | |
January 1986 | 85 | Artnews | Seattle | Lyn Smallwood | 113 | The Nation | |
January 1986 | 85 | Artnews | New Orleans | Roger Green | 113 | The Nation | |
January 1986 | 85 | Artnews | Houston | Donna Tennant | 114 | The Nation | |
January 1986 | 85 | Artnews | Chicago | Charlotte Moser | 116 | The Nation | |
January 1986 | 85 | Artnews | London: Allusions, Veiled and Classical | William Feaver | 119 | The World | |
January 1986 | 85 | Artnews | Florence: A New Renaissance | John Welchman | 120 | The World | |
February 1986 | 85 | Artnews | Changing Times at the Fogg | Charles Giuliano | 13 | The 'Vasari' Diary | |
February 1986 | 85 | Artnews | Taking Away the Mystique of the NEA | Elsie B. Washington | 156 | The 'Vasari' Diary | |
February 1986 | 85 | Artnews | $4,070,000 was a 'Very Fair' Price; Records Set by Chatsworth Prints; IRS Loses Calder Tax Case | Richard W. Walker | 19 | The Art Market | |
February 1986 | 85 | Artnews | Nancy Graves' New Age of Bronze | Avis Berman | 56 | ||
February 1986 | 85 | Artnews | Will the Clyfford Still Estate Find a Home? | Andrew Decker | 65 | ||
February 1986 | 85 | Artnews | A Gift for Being Different | Margaret Moorman | 71 | ||
February 1986 | 85 | Artnews | The International Center of Photography Comes of Age | Richard B. Woodward | 80 | ||
February 1986 | 85 | Artnews | Prints From the Alchemist's Laboratory | Don Hawthorne | 89 | ||
February 1986 | 85 | Artnews | Rubens and the Renaissance | James Gardner | 96 | ||
February 1986 | 85 | Artnews | Los Angeles | Hunter Drohojowska, Merle Schipper | 105 | The Nation | |
February 1986 | 85 | Artnews | San Francisco | David Winter | 106 | The Nation | |
February 1986 | 85 | Artnews | Dallas | Janet Kutner | 107 | The Nation | |
February 1986 | 85 | Artnews | Chicago | Charlotte Moser | 108 | The Nation | |
February 1986 | 85 | Artnews | Boston | David Bonetti | 109 | The Nation | |
February 1986 | 85 | Artnews | Washington, D. C. | Leone Lawrence | 110 | The Nation | |
February 1986 | 85 | Artnews | Vienna: Austria Accepts New Claims for Looted Art | Andrew Decker | 113 | The World | |
April 1986 | 85 | Artnews | Fighting for a Collection | Eleanor Heartney | 13 | The 'Vasari' Diary | |
April 1986 | 85 | Artnews | Something There Is that Doesn't Love a Wall; One Man's Museum | Sarah McPhee | 14 | The 'Vasari' Diary | |
April 1986 | 85 | Artnews | Is Possession Nine-Tenth of the Law? | Andrew Decker | 21 | The Art Market | |
April 1986 | 85 | Artnews | Scrambled Egg; 'The Most Important Painting in the State Department' | Richard W. Walker | 21 | The Art Market | |
April 1986 | 85 | Artnews | Café Deutschland | Paul Taylor | 68 | ||
April 1986 | 85 | Artnews | The New German Collectors | Barbara Catoir | 77 | ||
April 1986 | 85 | Artnews | From 'Femmage' to Figuration | Susan Gill | 94 | ||
April 1986 | 85 | Artnews | Faster than a Speeding Bullet | Milton Esterow | 102 | ||
April 1986 | 85 | Artnews | Bland Power | Ruth Bass | 107 | ||
April 1986 | 85 | Artnews | The Fine Art of Bargaining | Paul Gardner | 112 | ||
April 1986 | 85 | Artnews | Reticent Romantic | Bonnie Barrett Stretch | 117 | ||
April 1986 | 85 | Artnews | Everyone's Favorite Museum: The Frick at 50 | Richard B. Woodward | 122 | ||
April 1986 | 85 | Artnews | Los Angeles | Merle Schipper | 139 | The Nation | |
April 1986 | 85 | Artnews | Santa Barbara | Merle Schipper | 139 | The Nation | |
April 1986 | 85 | Artnews | San Francisco | David Winter | 140 | The Nation | |
April 1986 | 85 | Artnews | Houston | Donna Tennant | 141 | The Nation | |
April 1986 | 85 | Artnews | Chicago | Charlotte Moser | 142 | The Nation | |
April 1986 | 85 | Artnews | Philadelphia | Ann Jarmusch | 143 | The Nation | |
April 1986 | 85 | Artnews | Raleigh | Jon Meyer | 144 | The Nation | |
April 1986 | 85 | Artnews | Washington, D. C. | Leone Lawrence | 144 | The Nation | |
April 1986 | 85 | Artnews | Paris: A Second Look at the Second School | Thomas West | 147 | The World | |
April 1986 | 85 | Artnews | London: Homage to Barcelona | William Feaver | 149 | The World | |
April 1986 | 85 | Artnews | Milan: Meccano Madness | Henry Martin | 150 | The World | |
Summer 1986 | 85 | Artnews | Absorbing the Shock of the New | Richard B. Woodward | 15 | The 'Vasari' Diary | |
Summer 1986 | 85 | Artnews | A Museum Goes to Beverly Hills | Hunter Drohojowska | 16 | The 'Vasari' Diary | |
Summer 1986 | 85 | Artnews | Backstage at the Guggenheim | Ruth Bass | 16 | The 'Vasari' Diary | |
Summer 1986 | 85 | Artnews | Show of Shows | Margaret Moorman | 18 | The 'Vasari' Diary | |
Summer 1986 | 85 | Artnews | Uptown Babylon | Andrew Decker | 188 | The 'Vasari' Diary | |
Summer 1986 | 85 | Artnews | Homecoming for a Marquesa; Auction House Can Live with New Rules; Is It a Bouts? Yes, Says the Getty | Richard W. Walker | 41 | The Art Market | |
Summer 1986 | 85 | Artnews | Picasso's Working Autobiography | James R. Mellow | 60 | ||
Summer 1986 | 85 | Artnews | White Magic | Nancy Grimes | 86 | ||
Summer 1986 | 85 | Artnews | The House of Maeght | Marilyn August | 93 | ||
Summer 1986 | 85 | Artnews | Rosenquist Revisited | Eleanor Heartney | 98 | ||
Summer 1986 | 85 | Artnews | King's Kingdom | Harriet Senie | 104 | ||
Summer 1986 | 85 | Artnews | A Museum for Women | Sara Day | 111 | ||
Summer 1986 | 85 | Artnews | Georgia O'Keeffe: 1887-1986 | Hunter Drohojowska | 119 | ||
Summer 1986 | 85 | Artnews | Los Angeles | Merle Schipper | 127 | The Nation | |
Summer 1986 | 85 | Artnews | San Francisco | David Winter | 128 | The Nation | |
Summer 1986 | 85 | Artnews | Salt Lake City | Katherine Nelson | 129 | The Nation | |
Summer 1986 | 85 | Artnews | Dallas | Janet Kutner | 130 | The Nation | |
Summer 1986 | 85 | Artnews | Boston | David Bonetti | 130 | The Nation | |
Summer 1986 | 85 | Artnews | Philadelphia | Ann Jarmusch | 131 | The Nation | |
Summer 1986 | 85 | Artnews | Washington, D. C. | Lee Fleming | 132 | The Nation | |
Summer 1986 | 85 | Artnews | London: Fear of the Dog | William Feaver | 137 | The World | |
September 1986 | 85 | Artnews | Educating the Eye | Elsie B. Washington | 11 | The 'Vasari' Diary | |
September 1986 | 85 | Artnews | Terra-Cotta Town | Margaret Moorman | 12 | The 'Vasari' Diary | |
September 1986 | 85 | Artnews | Mysterious Stranger | Ann Jarmusch | 166 | The 'Vasari' Diary | |
September 1986 | 85 | Artnews | Sargent Leads American Sales; Weak Dollar, Strong Yen | Richard W. Walker | 15 | The Art Market | |
September 1986 | 85 | Artnews | Sekhmet Sets a Record | Jacqueline Damian | 16 | The Art Market | |
September 1986 | 85 | Artnews | Ansel Adams: The Man Behind the Camera | Mary Lynn Kotz | 37 | Book Reviews | |
September 1986 | 85 | Artnews | Talent to Burn | Avis Berman | 38 | Book Reviews | |
September 1986 | 85 | Artnews | Duane Hanson | Ruth Bass | 38 | Book Reviews | |
September 1986 | 85 | Artnews | Atlanta | Jon Meyer | 41 | The Nation | |
September 1986 | 85 | Artnews | Washington, D. C. | Lee Fleming | 42 | The Nation | |
September 1986 | 85 | Artnews | Waltham | David Bonetti | 42 | The Nation | |
September 1986 | 85 | Artnews | Chicago | Charlotte Moser | 45 | The Nation | |
September 1986 | 85 | Artnews | Minneapolis | Nancy Roth | 45 | The Nation | |
September 1986 | 85 | Artnews | Houston | Mel McCombie | 47 | The Nation | |
September 1986 | 85 | Artnews | Los Angeles | Merle Schipper | 47 | The Nation | |
September 1986 | 85 | Artnews | San Francisco | David Winter | 48 | The Nation | |
September 1986 | 85 | Artnews | Seattle | Lyn Smallwood | 53 | The Nation | |
September 1986 | 85 | Artnews | Milan: Master of the Grid | Henry Martin | 55 | The World | |
September 1986 | 85 | Artnews | Rhineland: Beyond Expressionism | Thomas West | 59 | The World | |
September 1986 | 85 | Artnews | Venice: A Laser-Friendly Biennale | William Feaver | 60 | The World | |
September 1986 | 85 | Artnews | Marsha Pels | Cynthia Nadelman | 65 | Studio | |
September 1986 | 85 | Artnews | Eric Fischl's Naked Truths | Nancy Grimes | 70 | ||
September 1986 | 85 | Artnews | A Museum Grows in Brooklyn | Richard B. Woodward | 79 | ||
September 1986 | 85 | Artnews | Gotham's Greatest: New York as a Work of Art | Paul Gardner | 84 | ||
September 1986 | 85 | Artnews | Heroes of Myth and of the Morning After | Judith Higgins | 90 | ||
September 1986 | 85 | Artnews | Who Owns the Elgin Marbles? | John Henry Merryman | 100 | ||
October 1986 | 85 | Artnews | Nature and Culture | Eleanor Heartney | 11 | The 'Vasari' Diary | |
October 1986 | 85 | Artnews | On the Cutting Edge at 50 | Charles Giuliano | 12 | The 'Vasari' Diary | |
October 1986 | 85 | Artnews | Guilt by Association | Sam Staggs | 15 | The 'Vasari' Diary | |
October 1986 | 85 | Artnews | Japan: Buying by the Go | Terry Trucco | 19 | The Art Market | |
October 1986 | 85 | Artnews | Houston | Mel McCombie | 25 | The Nation | |
October 1986 | 85 | Artnews | Evanston | Charlotte Moser | 26 | The Nation | |
October 1986 | 85 | Artnews | Minneapolis | Nancy Roth | 26 | The Nation | |
October 1986 | 85 | Artnews | Boston | David Bonetti | 29 | The Nation | |
October 1986 | 85 | Artnews | Los Angeles | Merle Schipper | 30 | The Nation | |
October 1986 | 85 | Artnews | San Francisco | David Winter | 35 | The Nation | |
October 1986 | 85 | Artnews | London: Painting with a 'Believing Soul' | William Feaver | 61 | The World | |
October 1986 | 85 | Artnews | Dennis Adams | Eleanor Heartney | 71 | Studio | |
October 1986 | 85 | Artnews | The Ghost in the Machine | Maurice Poirier | 78 | ||
October 1986 | 85 | Artnews | Larry Rivers' Canvas Cut-Ups | Ruth Bass | 86 | ||
October 1986 | 85 | Artnews | David Hockney's Photo-Mosaics | Anne Hoy | 91 | ||
October 1986 | 85 | Artnews | Gauguin and the Point-Aven Circle | Caroline Boyle-Turner | 106 | ||
October 1986 | 85 | Artnews | The Futurists and the Cult of Energy | Henry Martin | 110 | ||
October 1986 | 85 | Artnews | The Unknown Romare Bearden | Lowery S. Sims | 116 | ||
November 1986 | 85 | Artnews | Caravaggio: The Movie | Richard B. Woodward | 11 | The 'Vasari' Diary | |
November 1986 | 85 | Artnews | The Unknown Hokusai | Mary Ellen Haus | 12 | The 'Vasari' Diary | |
November 1986 | 85 | Artnews | A Memorial in Decay | Elsie B. Washington | 174 | The 'Vasari' Diary | |
November 1986 | 85 | Artnews | A Well-Known Secret; New Auction Rules: Minor Alterations Only; No Haven in New York | Richard W. Walker | 21 | The Art Market | |
November 1986 | 85 | Artnews | You Can't Paint My Bowl of Fruit' | Andrew Decker | 22 | The Art Market | |
November 1986 | 85 | Artnews | Chicago: Kenneth Noland | Charlotte Moser | 29 | The Nation | |
November 1986 | 85 | Artnews | Minneapolis: Ken Moylan, Scott Seekins; Cliff Garten | Nancy Roth | 29 | The Nation | |
November 1986 | 85 | Artnews | Kansas City: 'Constructed Realities' | Barbara Westerfield | 30 | The Nation | |
November 1986 | 85 | Artnews | Austin: Outdoor Sculpture by Texas Artists | Mel McCombie | 35 | The Nation | |
November 1986 | 85 | Artnews | Houston: Joseph Glasco | Mel McCombie | 38 | The Nation | |
November 1986 | 85 | Artnews | New Orleans: Robert Gordy | Roger Green | 41 | The Nation | |
November 1986 | 85 | Artnews | Los Angeles: Nancy Reese | Merle Schipper | 41 | The Nation | |
November 1986 | 85 | Artnews | San Francisco: Phillip Galgiani | David Winter | 42 | The Nation | |
November 1986 | 85 | Artnews | Seattle: H. Ramsay | Lyn Smallwood | 42 | The Nation | |
November 1986 | 85 | Artnews | London: Unruly Selfs | William Feaver | 49 | The World | |
November 1986 | 85 | Artnews | A Snub to the British Art World? | Godfrey Barker | 50 | The World | |
November 1986 | 85 | Artnews | The Last Great Medieval Artist | Andrew Washton | 55 | Book Reviews | |
November 1986 | 85 | Artnews | Reviewing the Audience | Avis Berman | 56 | Book Reviews | |
November 1986 | 85 | Artnews | John Bowman | Mary Ellen Haus | 71 | Studio | |
November 1986 | 85 | Artnews | Richard Diebenkorn: The Idea is to Get Everything Right | John Gruen | 80 | ||
November 1986 | 85 | Artnews | Los Angeles Gets a New Temple of Art | Patricia Failing | 88 | ||
November 1986 | 85 | Artnews | What Would You Ask Michelangelo? | Paul Gardner | 95 | ||
November 1986 | 85 | Artnews | Sculpture Unbound | Steven Henry Madoff | 103 | ||
November 1986 | 85 | Artnews | Who Were the Macchiaioli? | Norma Broude | 110 | ||
November 1986 | 85 | Artnews | Art That Only Happens To Be Ancient' | John K. McDonald | 116 | ||
January 1985 | 84 | Artnews | More is More | Sarah Williams | 11 | The 'Vasari' Diary | |
January 1985 | 84 | Artnews | Pioneer House, East Hampton Style; Murphy's Secret Garden | Paul Gardner | 13 | The 'Vasari' Diary | |
January 1985 | 84 | Artnews | Let There Be Light? | Ellen Posner | 16 | The 'Vasari' Diary | |
January 1985 | 84 | Artnews | $1.98 Million de Kooning Tops Contemporary Sales | Valerie F. Brooks | 25 | The Art Market | |
January 1985 | 84 | Artnews | Appeal Rejected in Zango-Heller Case | Richard W. Walker | 25 | The Art Market | |
January 1985 | 84 | Artnews | Looking at the Bright Side | John Sturn | 35 | Books | |
January 1985 | 84 | Artnews | What is 'Jewish Art'? | Steven S. Schwarzschild | 35 | Books | |
January 1985 | 84 | Artnews | Sociology, Gossip, Insight, Context | David Carrier | 38 | Books | |
January 1985 | 84 | Artnews | Color-Coded Mysteries | Maurice Poirier | 52 | ||
January 1985 | 84 | Artnews | Van Gogh's Light-Year | Cynthia Nadelman | 62 | ||
January 1985 | 84 | Artnews | A Good Eye | Ann E. Berman | 71 | ||
January 1985 | 84 | Artnews | Jane Freilicher and the Real Thing | Gerrit Henry | 78 | ||
January 1985 | 84 | Artnews | Issues are the issue | Lee Fleming | 84 | ||
January 1985 | 84 | Artnews | The Enigmatic Arthur Dove | Bonnie Barrett Stretch | 90 | ||
January 1985 | 84 | Artnews | Alvar Aalto: The Finnish Line | Jeffrey Simpson | 96 | ||
January 1985 | 84 | Artnews | Lartigue at 90 | Milton Esterow | 104 | ||
January 1985 | 84 | Artnews | Houston | Edward Lucie-Smith | 111 | The Nation | |
January 1985 | 84 | Artnews | Chicago | Charlotte Moser | 113 | The Nation | |
January 1985 | 84 | Artnews | Washington, D. C. | Lee Fleming | 115 | The Nation | |
January 1985 | 84 | Artnews | Boston | Kenneth Baker | 116 | The Nation | |
January 1985 | 84 | Artnews | San Francisco | Charles Shere | 116 | The Nation | |
January 1985 | 84 | Artnews | London: A Quiet, Plain, Provincial Course | William Feaver | 123 | The World | |
February 1985 | 84 | Artnews | Sebastian Adler Goes Downtown | Elise Miller | 9 | The 'Vasari' Diary | |
February 1985 | 84 | Artnews | Rocky Road to Peace and Understanding | Margaret Moorman | 11 | The 'Vasari' Diary | |
February 1985 | 84 | Artnews | War Gods in the Parlor | Emily Benedek | 15 | The 'Vasari' Diary | |
February 1985 | 84 | Artnews | Pinstripe Power for the Arts | Margaret Moorman | 16 | The 'Vasari' Diary | |
February 1985 | 84 | Artnews | Danae Discovered in Wrong Part of Town | Valerie F. Brooks | 19 | The Art Market | |
February 1985 | 84 | Artnews | Rediscovered Chase Tops American Sale; Speciulation Sends 'Guardi' Soaring | Richard W. Walker | 19 | The Art Market | |
February 1985 | 84 | Artnews | Germany | Peter Stepan | 52 | ||
February 1985 | 84 | Artnews | England | William Feaver | 57 | ||
February 1985 | 84 | Artnews | Italy | Henry Martin | 60 | ||
February 1985 | 84 | Artnews | France | Michael Gibson | 63 | ||
February 1985 | 84 | Artnews | The Electronic Palette | Paul Gardner | 66 | ||
February 1985 | 84 | Artnews | Leon Golub's Mean Streets | Gerald Marzorati | 74 | ||
February 1985 | 84 | Artnews | Broken Premises: 'Primitivism' at MOMA | Cynthia Nadelman | 88 | ||
February 1985 | 84 | Artnews | Austria Will Auction 'Heirless' Art | Andrew Decker | 96 | ||
February 1985 | 84 | Artnews | Newport Beach; Costa Mesa | Susan C. Larsen | 111 | The Nation | |
February 1985 | 84 | Artnews | Dallas | Janet Kutner | 113 | The Nation | |
February 1985 | 84 | Artnews | Boston | Kenneth Baker | 114 | The Nation | |
February 1985 | 84 | Artnews | Stuttgart: A Populist Palace of Art | Peter Lemos | 125 | The World | |
February 1985 | 84 | Artnews | London: Old Allegiances, New Directions | William Feaver | 126 | The World | |
February 1985 | 84 | Artnews | Jerusalem: The Mysterious 'Professor Daoud' | Meir Ronnen | 128 | The World | |
May 1985 | 84 | Artnews | Visionary Video | Charles Giuliano | 11 | The 'Vasari' Diary | |
May 1985 | 84 | Artnews | Arc Enemies | Margaret Moorman | 13 | The 'Vasari' Diary | |
May 1985 | 84 | Artnews | The 'Thrill of a Lifetime'; A Horse of a Different Color | Valerie F. Brooks | 19 | The Art Market | |
May 1985 | 84 | Artnews | Matisse's Dialogue with Nature | John Hallmark Neff | 29 | Books | |
May 1985 | 84 | Artnews | How Art Became Modern | Kenneth Baker | 29 | Books | |
May 1985 | 84 | Artnews | Longo: Making Art For Brave Eyes | Paul Gardner | 56 | ||
May 1985 | 84 | Artnews | Animal Spirits | William Feaver | 66 | ||
May 1985 | 84 | Artnews | Saatchi & Saatchi Go Public | Don Hawthorne | 72 | ||
May 1985 | 84 | Artnews | Friend Game | Ann Cremin | 82 | ||
May 1985 | 84 | Artnews | Body Work | Janet Wilson | 90 | ||
May 1985 | 84 | Artnews | Kandinsky: The Last Decade | Ronny Cohen | 98 | ||
May 1985 | 84 | Artnews | Los Angeles | John Welchman | 105 | The Nation | |
May 1985 | 84 | Artnews | San Francisco | David Winter | 107 | The Nation | |
May 1985 | 84 | Artnews | Chicago | Charlotte Moser | 108 | The Nation | |
May 1985 | 84 | Artnews | London: Down to the Sea | William Feaver | 111 | The World | |
May 1985 | 84 | Artnews | Toronto: The Iceberg Show | Karen Wilkin | 112 | The World | |
September 1985 | 84 | Artnews | Our Doubt Is Our Passion' | Milton Esterow | 13 | The 'Vasari' Diary | |
September 1985 | 84 | Artnews | Burghers in the Garden | Gay Morris | 14 | The 'Vasari' Diary | |
September 1985 | 84 | Artnews | Limelight at Last | John Sturman | 15 | The 'Vasari' Diary | |
September 1985 | 84 | Artnews | Tilted Arc: Is Everybody Happy? | Margaret Moorman | 172 | The 'Vasari' Diary | |
September 1985 | 84 | Artnews | Christie's Makes It Perfectly Clear; You Don't See a Bellini Every Day; Contretemps in Calgary | Richard W. Walker | 19 | The Art Market | |
September 1985 | 84 | Artnews | Horse Trade Ends Long-Running Dispute | Valerie F. Brooks | 20 | The Art Market | |
September 1985 | 84 | Artnews | Trauma into Art | Elizabeth Prelinger | 23 | Books | |
September 1985 | 84 | Artnews | Kenny Scharf's Fun-House Big Bang | Gerald Marzorati | 72 | ||
September 1985 | 84 | Artnews | Bright Lights, Big City | Deborah Phillips | 82 | ||
September 1985 | 84 | Artnews | The New Grand Acquisitors | Richard W. Walker | 92 | ||
September 1985 | 84 | Artnews | Who Are The Experts? | Grace Glueck, Cathy Peck | 100 | ||
September 1985 | 84 | Artnews | Magical Mystery Tours | Hunter Drohojowska | 108 | ||
September 1985 | 84 | Artnews | Los Angeles | Hunter Drohojowska | 117 | The Nation | |
September 1985 | 84 | Artnews | Scottsdale | Sheldon Reich | 118 | The Nation | |
September 1985 | 84 | Artnews | Chicago | Charlotte Moser | 119 | The Nation | |
September 1985 | 84 | Artnews | Washington, D. C. | Mary Lynn Kotz | 120 | The Nation | |
September 1985 | 84 | Artnews | Coral Gables | Elisa Turner | 121 | The Nation | |
September 1985 | 84 | Artnews | London: The Greatest Living Painter? | William Feaver | 123 | The World | |
September 1985 | 84 | Artnews | Roskilde: The Zetetics of Zealous Zambians | Henry Martin | 125 | The World | |
December 1985 | 84 | Artnews | The 'Pleasantest Place' in Paris | Helen Abrams, Earl Abrams | 11 | The 'Vasari' Diary | |
December 1985 | 84 | Artnews | Hail, Portlandia! | Suzie Bozz | 12 | The 'Vasari' Diary | |
December 1985 | 84 | Artnews | A Museum as Rich as the History of Rome | Deborah Gimelson | 156 | The 'Vasari' Diary | |
December 1985 | 84 | Artnews | A Taxing Situation | Richard W. Walker | 19 | The Art Market | |
December 1985 | 84 | Artnews | Kensett: 'Pictures for Modest Living Rooms' | Valerie F. Brooks | 19 | The Art Market | |
December 1985 | 84 | Artnews | Should McClain be Reversed?; Whitney-Reed Settlement | Richard W. Walker | 20 | The Art Market | |
December 1985 | 84 | Artnews | Going Beyond the Impressionist Facade | Eleanor Heartney | 27 | Books | |
December 1985 | 84 | Artnews | A Great, Obsecure Scholar | Richard B. Woodward | 28 | Books | |
December 1985 | 84 | Artnews | Celebrating Nature | Ruth Bass | 34 | Books | |
December 1985 | 84 | Artnews | The Elusive Renoir | William Feaver | 44 | ||
December 1985 | 84 | Artnews | The Campaign for Art Hazards Legislation | Mary Lynn Kotz | 49 | ||
December 1985 | 84 | Artnews | Jane Wilson's Weather Eye | Paul Gardner | 56 | ||
December 1985 | 84 | Artnews | Franz Kline: The man and the myths | Harry F. Gaugh | 61 | ||
December 1985 | 84 | Artnews | Christopher Wilmarth: 'The Medium is Light' | Maurice Poirier | 68 | ||
December 1985 | 84 | Artnews | German Art in the Seesaw Century | William Feaver | 76 | ||
December 1985 | 84 | Artnews | The Precarious Life of Drawings | Margaret Holben Ellis | 81 | ||
December 1985 | 84 | Artnews | San Francisco | David Winter | 93 | The Nation | |
December 1985 | 84 | Artnews | Palo Alto | David Winter | 93 | The Nation | |
December 1985 | 84 | Artnews | Los Angeles | Merle Schipper | 94 | The Nation | |
December 1985 | 84 | Artnews | Seattle | Lyn Smallwood | 96 | The Nation | |
December 1985 | 84 | Artnews | Santa Fe | William Peterson | 96 | The Nation | |
December 1985 | 84 | Artnews | Kansas City | Barbara Westerfield | 97 | The Nation | |
December 1985 | 84 | Artnews | Chicago | Charlotte Moser | 97 | The Nation | |
December 1985 | 84 | Artnews | Detroit | Vincent A. Carducci | 98 | The Nation | |
December 1985 | 84 | Artnews | Gloucester | Cynthia Nadelman | 99 | The Nation | |
December 1985 | 84 | Artnews | Washington, D. C. | Jo Ann Lewis | 100 | The Nation | |
December 1985 | 84 | Artnews | Miami | Elisa Turner | 101 | The Nation | |
December 1985 | 84 | Artnews | Paris: Picasso's 'Magic Dwelling' | Michael Gibson | 103 | The World | |
December 1985 | 84 | Artnews | Will Neo-Anachronism Rebuild Montmartre? | Thomas West | 104 | The World | |
December 1985 | 84 | Artnews | Rome: Column Under Glass | George Armstrong | 105 | The World | |
December 1985 | 84 | Artnews | Israel: Typography Was an Act of Faith | Meir Ronnen | 109 | The World | |
January 1984 | 83 | Artnews | The Demand Continues for Old Masters | Janet Wilson | 20 | The Art Market | |
January 1984 | 83 | Artnews | Christo's Blossoms in the Bay | Lisbet Nilson | 54 | ||
January 1984 | 83 | Artnews | The New American Sculpture | Cynthia Nadelman | 63 | ||
January 1984 | 83 | Artnews | The New British Sculpture | William Feaver | 71 | ||
January 1984 | 83 | Artnews | The Rothko Foundation Plans Its Future | Cathy Peck | 77 | ||
January 1984 | 83 | Artnews | Leonardo | 82 | |||
January 1984 | 83 | Artnews | What is American About American Art? | Pamela Allara | 88 | ||
January 1984 | 83 | Artnews | A 'Government of souls' | Michael Gibson | 96 | ||
January 1984 | 83 | Artnews | Looking at Art: Monet's Enchanted Garden | John Rewald | 104 | ||
January 1984 | 83 | Artnews | Philadelphia | Ann Jarmusch | 110 | The Nation | |
January 1984 | 83 | Artnews | Los Angeles | Melinda Wortz | 112 | The Nation | |
January 1984 | 83 | Artnews | Washington, D. C. | Lee Fleming | 113 | The Nation | |
January 1984 | 83 | Artnews | Vancouver: North of Machu Picchu | Patricia Failing | 117 | The World | |
January 1984 | 83 | Artnews | London: It's New Because It's New | William Feaver | 119 | The World | |
January 1984 | 83 | Artnews | Helsinki: "Ars 83 Helsinki" | Steven Henry Madoff | 120 | The World | |
February 1984 | 83 | Artnews | Record-Breaking Rothko; Rediscovered Cole Goes to Texas | Richard W. Walker | 18 | The Art Market | |
February 1984 | 83 | Artnews | Susan Rothenberg: 'Every Brushstroke is a Surprise' | Lisbet Nilson | 46 | ||
February 1984 | 83 | Artnews | A Tale of Money, Intrigue and Old Masters | Andrew Decker | 55 | ||
February 1984 | 83 | Artnews | Lee Krasner's Past Continuous | Ellen G. Landau | 68 | ||
February 1984 | 83 | Artnews | Jacob Lawrence and the Making of Americans | Avis Berman | 78 | ||
February 1984 | 83 | Artnews | The Unknown Gustave Dore | Michael Gibson | 87 | ||
February 1984 | 83 | Artnews | A Designer for the Machine Age | Russell Lynes | 92 | ||
February 1984 | 83 | Artnews | Looking at Art: Jean Fouquet's King David In Prayer | John Plummer | 98 | ||
February 1984 | 83 | Artnews | Los Angeles | Hunter Drohojowska | 102 | The Nation | |
February 1984 | 83 | Artnews | San Francisco | Thomas Albright | 102 | The Nation | |
February 1984 | 83 | Artnews | Dallas | Janet Kutner | 106 | The Nation | |
February 1984 | 83 | Artnews | Milan: A World of Enigma | Henry Martin | 129 | The World | |
February 1984 | 83 | Artnews | London: 'The Genius of Venice' | William Feaver | 130 | The World | |
February 1984 | 83 | Artnews | Toronto: From 'Chromaliving' to Chromatics | Karen Wilkin | 133 | The World | |
March 1984 | 83 | Artnews | Why They Collect, Why They Deal | Ann E. Berman | 15 | The 'Vasari' Diary | |
March 1984 | 83 | Artnews | Artists Call | Elisa Isaacson | 17 | The 'Vasari' Diary | |
March 1984 | 83 | Artnews | Six-Figure Prices for American Paintings; Rosenquist's Market: Pop Art Performs; Simon Settlement | Richard W. Walker, Valerie F. Brooks | 22 | The Art Market | |
March 1984 | 83 | Artnews | Art and the American Left | Michael Kimmelman | 36 | ||
March 1984 | 83 | Artnews | Modern Day Collector of Souls | Ruth Bass | 36 | ||
March 1984 | 83 | Artnews | A paradoxically Simple Sort | Jane Bell | 36 | ||
March 1984 | 83 | Artnews | Nine Realists Painters | John Sturman | 40 | ||
March 1984 | 83 | Artnews | The Right Stuff | Harriet Senie | 50 | ||
March 1984 | 83 | Artnews | The Single State | Barry Walker | 60 | ||
March 1984 | 83 | Artnews | The 'Little Happenings' of Andre Kertesz | Avis Berman | 66 | ||
March 1984 | 83 | Artnews | Lasting Impressions | Susan Grace Galassi | 74 | ||
March 1984 | 83 | Artnews | De Kooning in Retrospect | Harry F. Gaugh | 90 | ||
March 1984 | 83 | Artnews | What is German About the New German Art? | Jane Bell | 96 | ||
March 1984 | 83 | Artnews | Looking at Art: The Woman in the Waves | Edward B. Henning | 104 | ||
March 1984 | 83 | Artnews | San Francisco | David Winter | 134 | The Nation | |
March 1984 | 83 | Artnews | Los Angeles | Hunter Drohojowska | 135 | The Nation | |
March 1984 | 83 | Artnews | San Diego | Elise Miller | 137 | The Nation | |
March 1984 | 83 | Artnews | Phoenix | Sheldon Reich | 140 | The Nation | |
March 1984 | 83 | Artnews | Rome: From Blowups to Squids | Ken Sofer | 149 | The World | |
March 1984 | 83 | Artnews | Sao Paulo: Miles of Paintings, Miles of Sculptures | Marc Berkowitz | 150 | The World | |
April 1984 | 83 | Artnews | Old Masters Do Well at Auction | Richard W. Walker | 20 | The Art Market | |
April 1984 | 83 | Artnews | The Market for Pure Color | Valerie F. Brooks | 22 | The Art Market | |
April 1984 | 83 | Artnews | Contemporary Classics | Jane Bell | 29 | Books | |
April 1984 | 83 | Artnews | It's a Wonderful Life | John Sturman | 30 | Books | |
April 1984 | 83 | Artnews | Domesticity in the Service of Art | Marilyn Miller | 30 | Books | |
April 1984 | 83 | Artnews | Roy De Forest's Dog Poetry | Patricia Failing | 56 | ||
April 1984 | 83 | Artnews | How the J. Paul Getty Trust Will Spend $90 Million a Year | Patricia Failing | 64 | ||
April 1984 | 83 | Artnews | Photochic | Thomas Albright | 73 | ||
April 1984 | 83 | Artnews | Unpublic Sculpture | Phil Patton | 82 | ||
April 1984 | 83 | Artnews | Kandinsky Among the Constructivists | Ronny Cohen | 90 | ||
April 1984 | 83 | Artnews | Balthus | Michael Gibson | 96 | ||
April 1984 | 83 | Artnews | The Frank Lloyd Wright Estate Controversy | Michael Kimmelman | 102 | ||
April 1984 | 83 | Artnews | Looking at Art: A Woman of Character by Agostino Carracci | Adelheid M. Gealt | 106 | ||
April 1984 | 83 | Artnews | Los Angeles | Susan C. Larsen | 130 | The Nation | |
April 1984 | 83 | Artnews | Pasadena: A new suit | Joan Lebold Cohen | 131 | The Nation | |
April 1984 | 83 | Artnews | Washington, D. C. | Elizabeth Hess | 131 | The Nation | |
April 1984 | 83 | Artnews | Newark | Roberta K. Tarbell | 137 | The Nation | |
April 1984 | 83 | Artnews | Billy Suhr: 'Always, in All Things, the Artist' | Milton Esterow | 132 | The Nation | |
April 1984 | 83 | Artnews | Glasgow: Burrell's Eldorado | William Feaver | 143 | The World | |
April 1984 | 83 | Artnews | Munich: True German Art? | Ken Sofer | 144 | The World | |
April 1984 | 83 | Artnews | Madrid: What's New in Nueva York? | Ellen Schwartz | 146 | The World | |
May 1984 | 83 | Artnews | Touched by 'The Hand of God' | Bonnie Barrett Stretch | 11 | The 'Vasari' Diary | |
May 1984 | 83 | Artnews | Tender Offers for Plain Jane; An Equitable Solution | Valerie F. Brooks | 20 | The Art Market | |
May 1984 | 83 | Artnews | Bidders Daunted by Donatello | Richard W. Walker | 22 | The Art Market | |
May 1984 | 83 | Artnews | The Museum of Modern Art Reopens | 51 | |||
May 1984 | 83 | Artnews | An International Survey of Recent Painting and Sculpture' | 79 | |||
May 1984 | 83 | Artnews | The Year of Raphael | Henry Martin | 92 | ||
May 1984 | 83 | Artnews | Self-portrait with Bitter Lemon | Ruth Bass | 101 | ||
May 1984 | 83 | Artnews | Jonathan Borofsky's Dream Machine | Lynn Zelevansky | 108 | ||
May 1984 | 83 | Artnews | The Last Pantheist | Bonnie Barrett Stretch | 118 | ||
May 1984 | 83 | Artnews | Miami | John L. Hochmann | 127 | The Nation | |
May 1984 | 83 | Artnews | Philadelphia | Ann Jarmusch | 128 | The Nation | |
May 1984 | 83 | Artnews | Greenvale | Eleanor Heartney | 131 | The Nation | |
May 1984 | 83 | Artnews | Houston: Robert Morris | Reine Hauser | 134 | The Nation | |
May 1984 | 83 | Artnews | Barcelona: Into the Pool | Harriet Senie | 136 | The World | |
May 1984 | 83 | Artnews | London: Learning to Love Big Brother | William Feaver | 137 | The World | |
Summer 1984 | 83 | Artnews | Doing it 'Real Traditional' in the East Village | Sarah Williams | 8 | The 'Vasari' Diary | |
Summer 1984 | 83 | Artnews | A Chilling Sight' | Morris B. Abram | 13 | Perspective | |
Summer 1984 | 83 | Artnews | The Artful Dodger | Gerald Marzorati | 46 | ||
Summer 1984 | 83 | Artnews | The Rediscovery of Lajos Kassak | Donna Stein | 56 | ||
Summer 1984 | 83 | Artnews | Do One-night Stands Lead to Permanent Relationships? | Richard W. Walker | 63 | ||
Summer 1984 | 83 | Artnews | New Horizons for Collectors | Richard W. Walker | 67 | ||
Summer 1984 | 83 | Artnews | The Call of the Wild | Karen Wilkin | 70 | ||
Summer 1984 | 83 | Artnews | Ansel Adams: The Last Interview | Milton Esterow | 76 | ||
Summer 1984 | 83 | Artnews | Prophet of the New | Bennard B. Perlman | 94 | ||
Summer 1984 | 83 | Artnews | Los Angeles | Barbara Flanagan | 105 | The Nation | |
Summer 1984 | 83 | Artnews | Chicago | Christopher Lyon | 106 | The Nation | |
Summer 1984 | 83 | Artnews | Washington, D. C. | Lee Fleming | 110 | The Nation | |
Summer 1984 | 83 | Artnews | Glen Cove | Eleanor Heartney | 111 | The Nation | |
Summer 1984 | 83 | Artnews | Paris: Battle of the Pyramid | Michael Gibson | 112 | The World | |
Summer 1984 | 83 | Artnews | London: News from Nowhere | William Feaver | 113 | The World | |
Summer 1984 | 83 | Artnews | Sydney: Dance of the Scaffolders | Ann Berriman | 118 | The World | |
September 1984 | 83 | Artnews | Photo Flash | Valerie F. Brooks | 19 | The Art Market | |
September 1984 | 83 | Artnews | The Louvre vs. Sherman Lee | Richard W. Walker | 19 | The Art Market | |
September 1984 | 83 | Artnews | A Woman of Influence | Avis Berman | 27 | Books | |
September 1984 | 83 | Artnews | Ordinary People, Extraordinary Art | Elisa Turner | 27 | Books | |
September 1984 | 83 | Artnews | Elizabeth Murray Shapes Up | Paul Gardner | 46 | ||
September 1984 | 83 | Artnews | Two Cheers for MOMA | Jeffrey Simpson | 56 | ||
September 1984 | 83 | Artnews | Your Show of Shows | Gerald Marzorati | 62 | ||
September 1984 | 83 | Artnews | Taking New York by Forss | Janet Wilson | 66 | ||
September 1984 | 83 | Artnews | The Sun also Rises in Louisiana | Roger Green | 74 | ||
September 1984 | 83 | Artnews | The Contrary Tradition of Abstraction | William R. Hegeman | 79 | ||
September 1984 | 83 | Artnews | Screen Plays | Michael Komanecky | 88 | ||
September 1984 | 83 | Artnews | Crusader for Modernism | Susan Grace Galassi | 92 | ||
September 1984 | 83 | Artnews | The Subversive Art of Ed Kienholz | Lawrence Weschler | 100 | ||
September 1984 | 83 | Artnews | Los Angeles | Hunter Drohojowska | 124 | The Nation | |
September 1984 | 83 | Artnews | San Francisco | David Winter | 126 | The Nation | |
September 1984 | 83 | Artnews | Taos | David Bell | 131 | The Nation | |
September 1984 | 83 | Artnews | Venice: Remembrance of Things Past | William Feaver | 135 | The World | |
September 1984 | 83 | Artnews | London: Back to the Drafting Board | Peter Parker | 137 | The World | |
October 1984 | 83 | Artnews | Getty Fails to Acquire Duccio; Did the British Museum Blunder?; Rocord Price for 'Superb' Sweets | Richard W. Walker, Godfrey Barker | 21 | The Art Market | |
October 1984 | 83 | Artnews | A 'Great, Sad Artist' | Margaret Moorman | 29 | Books | |
October 1984 | 83 | Artnews | Revolutionary Photos | John Sturman | 29 | Books | |
October 1984 | 83 | Artnews | Being Realistic about Realism | Abigail Solomon-Godeau | 32 | Books | |
October 1984 | 83 | Artnews | Alice Neel and the Human Comedy | Judith Higgins | 70 | ||
October 1984 | 83 | Artnews | Jumbo Prints | Ronny Cohen | 80 | ||
October 1984 | 83 | Artnews | A Conversation with Beaumont Newhall | Susan Weiley | 88 | ||
October 1984 | 83 | Artnews | A New Generation of Chicago Artists | Dan Cameron | 110 | ||
October 1984 | 83 | Artnews | Two major exhibitions in France reveal Chagall's continuing artistic power | Pierre Daxi | 118 | The Miracle of Chagall | |
October 1984 | 83 | Artnews | Chagall, 97, still works in his studio almost every day | Milton Esterow | 118 | The Miracle of Chagall | |
October 1984 | 83 | Artnews | Washington, D. C. | Lee Fleming | 160 | The Nation | |
October 1984 | 83 | Artnews | Minnesota | Eleanor Heartney | 161 | The Nation | |
October 1984 | 83 | Artnews | Lausanne: The House that Bugnion Built | Michael Gibson | 165 | The World | |
October 1984 | 83 | Artnews | Basel: Fashion Conscious | Steven Henry Madoff | 168 | The World | |
October 1984 | 83 | Artnews | London: Bashing On Regardless | William Feaver | 170 | The World | |
November 1984 | 83 | Artnews | Galleries for Tomorrow's Art | Sarah Williams | 9 | The 'Vasari' Diary | |
November 1984 | 83 | Artnews | Sanitation Transformation | Margaret Moorman | 10 | The 'Vasari' Diary | |
November 1984 | 83 | Artnews | New York Artists' Authorship Rights Law Contested | Richard W. Walker | 21 | The Art Market | |
November 1984 | 83 | Artnews | Rare David Exported from France | Godfrey Barker | 22 | The Art Market | |
November 1984 | 83 | Artnews | The Art of Becoming Someone Else | John Sturman | 29 | Books | |
November 1984 | 83 | Artnews | A Meditation on Belonging | Avis Berman | 35 | Books | |
November 1984 | 83 | Artnews | Midnight Bull | Elisa Turner | 36 | Books | |
November 1984 | 83 | Artnews | Eternally Young and Innocent | Ruth Bass | 41 | Books | |
November 1984 | 83 | Artnews | Italo Scanga: Confronting the Spirits | Susan C. Larsen | 68 | ||
November 1984 | 83 | Artnews | Special Section: Artists the Critics are Watching | 75 | |||
November 1984 | 83 | Artnews | A Realm of Logical Insanity | Maurice Poirier | 102 | ||
November 1984 | 83 | Artnews | A World of Light and Color | Thomas West | 110 | ||
November 1984 | 83 | Artnews | Rochester | Margaret Moorman | 137 | The Nation | |
November 1984 | 83 | Artnews | Washington, D. C. | Andrew Decker | 143 | The Nation | |
November 1984 | 83 | Artnews | Houston | Reine Hauser | 145 | The Nation | |
November 1984 | 83 | Artnews | Edinburgh: Present at the Creation | William Feaver | 151 | The World | |
November 1984 | 83 | Artnews | Amsterdam: De Wilde Leaves the Stedelijk | Janneke Wesseling | 153 | The World | |
December 1984 | 83 | Artnews | The AFA at 75; Update: Reprieve in Rochester | Margaret Moorman | 13 | The 'Vasari' Diary | |
December 1984 | 83 | Artnews | Alice Neel: 1900-1984 | Judith Higgins | 14 | The 'Vasari' Diary | |
December 1984 | 83 | Artnews | IRS Cracks Down on Appraisal Abuses; Record Price for Fairfield Porter | Richard W. Walker | 21 | The Art Market | |
December 1984 | 83 | Artnews | The Triumph of American Painting | Andrew Washton | 27 | Books | |
December 1984 | 83 | Artnews | A Somber Memoir | Jane Bell | 29 | Books | |
December 1984 | 83 | Artnews | A Legacy of Shame: Nazi Art Loot in Austria | Andrew Decker | 54 | ||
December 1984 | 83 | Artnews | Penn;s Beautiful People | Pepe Karmel | 82 | ||
December 1984 | 83 | Artnews | Jack Beal: A Commitment to Realism | Gerrit Henry | 94 | ||
December 1984 | 83 | Artnews | Art from the other Germany | Edward Lucie-Smith | 102 | ||
December 1984 | 83 | Artnews | Music in the air | Sue Welsh Reed | 108 | ||
December 1984 | 83 | Artnews | Two Days in the Country | David Winter | 114 | ||
December 1984 | 83 | Artnews | When life was a Cabaret | John E. Bowlt | 122 | ||
December 1984 | 83 | Artnews | Los Angeles | Barbara Flanagan | 129 | The Nation | |
December 1984 | 83 | Artnews | Chicago | Christopher Lyon | 131 | The Nation | |
December 1984 | 83 | Artnews | Florence: Pomodoro: An Anti-Retrospective | Henry Martin | 137 | The World | |
December 1984 | 83 | Artnews | Toronto: The Young and the Trendy | Karen Wilkin | 138 | The World | |
March 1983 | 82 | Artnews | Theoretical Thefts, Real Claims; Only if Switzerland Plays | Richard W. Walker | 11 | The Art Market | |
March 1983 | 82 | Artnews | Ellsworth Kelly Keeps His Edge | Vivien Raynor | 52 | ||
March 1983 | 82 | Artnews | Exhibition-ism | Jeffrey Simpson | 60 | ||
March 1983 | 82 | Artnews | The 'Admirable' Fantin-Latour | Michael Gibson | 68 | ||
March 1983 | 82 | Artnews | Old Masters and New Money | Selena Spurgeon | 74 | ||
March 1983 | 82 | Artnews | Kindred Spirits | Ronny Cohen | 84 | ||
March 1983 | 82 | Artnews | Malcolm Morley: Traveling in Styles | Michael R. Klein | 90 | ||
March 1983 | 82 | Artnews | How Universal Is the 'International' | Benjamin Forgey | 98 | ||
March 1983 | 82 | Artnews | Trumbull's Gift | Irma B. Jaffe | 102 | ||
March 1983 | 82 | Artnews | The Buddha of the Future | Allen Wardwell | 106 | ||
March 1983 | 82 | Artnews | Boston | Pamela Allara | 109 | The Nation | |
March 1983 | 82 | Artnews | Philadelphia | Ann Jarmusch | 111 | The Nation | |
March 1983 | 82 | Artnews | London: "Goeing a Precessioning" | William Feaver | 113 | The World | |
April 1983 | 82 | Artnews | Ayatollah's Qom Money; How Surprising Was It? Some van Aelst? | Richard W. Walker, Godfrey Barker | 11 | The Art Market | |
April 1983 | 82 | Artnews | "The Ingres of Existentialism" | Ruth Bass | 21 | Books | |
April 1983 | 82 | Artnews | Valuable Lesson | Joshua Gilder | 21 | Books | |
April 1983 | 82 | Artnews | The Vatican Made Easy | Sylvia Hochfield | 52 | ||
April 1983 | 82 | Artnews | Sandro Chia: The Last Hero | Gerald Marzorati | 58 | ||
April 1983 | 82 | Artnews | Peale'd All Round' | James R. Mellow | 68 | ||
April 1983 | 82 | Artnews | By Possessions Possessed | John Walker | 72 | ||
April 1983 | 82 | Artnews | Reproducing Raphael | Mary L. Myers | 78 | ||
April 1983 | 82 | Artnews | Fairfield Porter's 'Unrepeatable Days' | Rackstraw Downes | 94 | ||
April 1983 | 82 | Artnews | The Dean' Departs | Rand Castile | 102 | ||
April 1983 | 82 | Artnews | Nancy Hanks | Leonard Garment | 106 | ||
April 1983 | 82 | Artnews | Picasso's Nude Combing Her Hair | Edmund Pillsbury | 108 | ||
April 1983 | 82 | Artnews | Washington, D. C. | Lee Fleming | 117 | The Nation | |
April 1983 | 82 | Artnews | Los Angeles | Melinda Wortz, Susan C. Larson | 118 | The Nation | |
April 1983 | 82 | Artnews | San Francisco | Thomas Albright | 123 | The Nation | |
April 1983 | 82 | Artnews | London: Hares Raising Spirits | William Feaver | 133 | The World | |
April 1983 | 82 | Artnews | Zurich: Matisse en Suisse | Meg Perlman | 135 | The World | |
May 1983 | 82 | Artnews | All's Motherwell; Gimme Shelter | Richard W. Walker, Valerie F. Brooks | 9 | The Art Market | |
May 1983 | 82 | Artnews | Art, Love and Revolution | Michael Kimmelman | 27 | Books | |
May 1983 | 82 | Artnews | "Not a Nice Girl" | Avis Berman | 28 | Books | |
May 1983 | 82 | Artnews | Meyer Schapiro: 'A Passion To Know and Make Known' | Helen Epstein | 60 | ||
May 1983 | 82 | Artnews | The Sleight-Of-Hand Man | Gabriel P. Weisberg | 88 | ||
May 1983 | 82 | Artnews | Bluster and Brawn | Charlotte Moser | 100 | ||
May 1983 | 82 | Artnews | As American As Daniel Terra | Charlotte Moser | 104 | ||
May 1983 | 82 | Artnews | Who Took Eakins' Photographs? | William Innes Homer | 112 | ||
May 1983 | 82 | Artnews | Naum Gabo's Constructed Head No. 2 | Steven A. Nash | 120 | ||
May 1983 | 82 | Artnews | Washington, D. C. | Lee Fleming | 127 | The Nation | |
May 1983 | 82 | Artnews | Allentown | Richard J. Boyle | 129 | The Nation | |
May 1983 | 82 | Artnews | Los Angeles and Santa Barbara | Melinda Wortz | 129 | The Nation | |
May 1983 | 82 | Artnews | San Francisco | Thomas Albright | 135 | The Nation | |
May 1983 | 82 | Artnews | Boston | Pamela Allara | 136 | The Nation | |
May 1983 | 82 | Artnews | Philadelphia | Ann Jarmusch | 136 | The Nation | |
May 1983 | 82 | Artnews | London: A Fan's Notes | William Feaver | 139 | The World | |
Summer 1983 | 82 | Artnews | Taxing Museums | Daniel M. Abuhoff, Jonathan A. Small | 11 | Perspective | |
Summer 1983 | 82 | Artnews | Unquiet Graves | Michael Kimmelman | 27 | Books | |
Summer 1983 | 82 | Artnews | Appreciating (and Depreciating) Art | Richard W. Walker | 27 | Books | |
Summer 1983 | 82 | Artnews | Day Labors | Avis Berman | 28 | Books | |
Summer 1983 | 82 | Artnews | Blissful Havoc | Paul Gardner | 68 | ||
Summer 1983 | 82 | Artnews | Biennial Directions | Jane Bell, Lee Fleming | 76 | ||
Summer 1983 | 82 | Artnews | A Passion to Know and Make Known | Helen Epstein | 84 | ||
Summer 1983 | 82 | Artnews | After the 'Circus Syndrome' | Richard W. Walker | 98 | ||
Summer 1983 | 82 | Artnews | Advice to Investors: Look 'Beyond the Familiar' | Richard W. Walker | 101 | ||
Summer 1983 | 82 | Artnews | Man of Iron | Ronny Cohen | 104 | ||
Summer 1983 | 82 | Artnews | Joshua Reynold's Mrs. Abington as Miss Prue | Malcolm Cormack | 112 | ||
Summer 1983 | 82 | Artnews | Washington, D. C.: Manet and Modern Paris | Gabriel P. Weisberg | 117 | The Nation | |
Summer 1983 | 82 | Artnews | Ridgefield: Ben Benn | Burt Chernow | 118 | The Nation | |
Summer 1983 | 82 | Artnews | Los Angeles: Memphis/Milano | Melinda Wortz | 118 | The Nation | |
Summer 1983 | 82 | Artnews | San Diego: Michael Wheelden | Elise Miller | 119 | The Nation | |
Summer 1983 | 82 | Artnews | London: Heros and wits | William Feaver | 121 | The World | |
September 1983 | 82 | Artnews | Who Owns Art? | Roger Scruton | 23 | Perspective | |
September 1983 | 82 | Artnews | "Spectacular" Prices at Old Master Auctions; The Rembrandt of Coney Island | Richard W. Walker, Valerie F. Brooks | 28 | The Art Market | |
September 1983 | 82 | Artnews | Making it Neo | Lisbet Nilson | 61 | ||
September 1983 | 82 | Artnews | New York For Real | James Atlas | 71 | ||
September 1983 | 82 | Artnews | Imitation of Life | Gerald Marzorati | 78 | ||
September 1983 | 82 | Artnews | Art in 'Alphabetland' | David Hershkovits | 88 | ||
September 1983 | 82 | Artnews | Don't Knock Wood | Karal Ann Marling | 94 | ||
September 1983 | 82 | Artnews | Kenneth Clark | Stuart Preston | 101 | ||
September 1983 | 82 | Artnews | A 'Constantly Vigilant Eye' on Giotto | Henry Martin | 104 | ||
September 1983 | 82 | Artnews | Looking at Art: A Secret Kingdom in Chandigarh | Cleve Gray | 112 | ||
September 1983 | 82 | Artnews | Portland: Yankee Modern | Eleanor Charles | 136 | The Nation | |
September 1983 | 82 | Artnews | Cedar Rapids: Midwest Sublime | Joseph S. Czestochowski | 137 | The Nation | |
September 1983 | 82 | Artnews | Los Angeles | Susan C. Larsen, Melinda Wortz | 138 | The Nation | |
September 1983 | 82 | Artnews | Bakersfield | Melinda Wortz | 139 | The Nation | |
September 1983 | 82 | Artnews | Detroit | Rafael Squirru | 143 | The Nation | |
September 1983 | 82 | Artnews | Far Hills | Edward Rubin | 143 | The Nation | |
September 1983 | 82 | Artnews | Paris: Picasso Had Lam for Dinner | Michael Gibson | 144 | The World | |
September 1983 | 82 | Artnews | London: Chariot of Electric Fire | William Feaver | 145 | The World | |
September 1983 | 82 | Artnews | Jerusalem: Life in a Deathtrap | Meir Ronnen | 147 | The World | |
October 1983 | 82 | Artnews | Million-dollar Bouguereau; A Sheeler comes out of the closet; Beckmann: the magic finds a market | Richard W. Walker, Valerie F. Brooks | 20 | The Art Market | |
October 1983 | 82 | Artnews | Harry Callahan's True Colors | Valerie F. Brooks | 64 | ||
October 1983 | 82 | Artnews | Paper Routes | Ronny Cohen | 79 | ||
October 1983 | 82 | Artnews | The Art of Art History | Irving Lavin | 96 | ||
October 1983 | 82 | Artnews | Boston | Pamela Allara | 115 | The Nation | |
October 1983 | 82 | Artnews | San Francisco | Thomas Albright | 116 | The Nation | |
October 1983 | 82 | Artnews | London: By Picasso out of Braque (or the other way around) | William Feaver | 159 | The World | |
December 1983 | 82 | Artnews | High prices for 19th-century rarities; William Glackens: An American Renoir; Simon case settled | Richard W. Walker, Valerie F. Brooks | 18 | The Art Market | |
December 1983 | 82 | Artnews | Enough museums? | Stephen E. Weil | 27 | Perspective | |
December 1983 | 82 | Artnews | The soul of a new museum | Margot Jacqz | 33 | Books | |
December 1983 | 82 | Artnews | The whole world history of art | Meryle Secrest | 33 | Books | |
December 1983 | 82 | Artnews | Caravaggio revealed | Creighton Gilbert | 35 | Books | |
December 1983 | 82 | Artnews | Architecture for the masses | David Shapiro, Lindsay Stamm | 35 | Books | |
December 1983 | 82 | Artnews | What Makes Manet Modern? | William Feaver | 54 | ||
December 1983 | 82 | Artnews | Detroit Recalls Its Museum | Stephen Advokat | 60 | ||
December 1983 | 82 | Artnews | Portrait of Jenney | Paul Gardner | 68 | ||
December 1983 | 82 | Artnews | When Artists Grow Old | Avis Berman | 76 | ||
December 1983 | 82 | Artnews | Robert Morris and the Fire Next Time | Phil Patton | 84 | ||
December 1983 | 82 | Artnews | Morris Graves | Ray Kass | 92 | ||
December 1983 | 82 | Artnews | Appraising the Appraisers (Part II) | Lee Rosenbaum | 99 | ||
December 1983 | 82 | Artnews | Looking at Art: Downstairs Upstairs: The Neglected National Gallery | Michael Levey | 106 | ||
December 1983 | 82 | Artnews | Washington, D. C. | Lee Fleming | 112 | The Nation | |
December 1983 | 82 | Artnews | Santa Fe | Deborah C. Phillips | 114 | The Nation | |
December 1983 | 82 | Artnews | Los Angeles | Melinda Wortz | 117 | The Nation | |
December 1983 | 82 | Artnews | Middletown | Richard Whelan | 118 | The Nation | |
December 1983 | 82 | Artnews | Madrid/Barcelona: The 'Anarchist King' | Ken Sofer | 123 | The World | |
December 1983 | 82 | Artnews | Drevenack: A rock in times of madness | Lili Deresiewicz | 126 | The World | |
December 1983 | 82 | Artnews | Oxford: Agit-art | William Feaver | 128 | The World | |
January 1982 | 81 | Artnews | End run | Lisbet Nilson | 8 | The Art Market | |
January 1982 | 81 | Artnews | The White House Washington portrait: Did Gilbert Stuart tell a lie? | Sylvia Hochfield | 61 | ||
January 1982 | 81 | Artnews | Tom Wesselmann: 'I like to think that my work is about all kinds of pleasure' | Paul Gardner | 67 | ||
January 1982 | 81 | Artnews | Is the mainstream flowing west? | Henry Hopkins | 73 | ||
January 1982 | 81 | Artnews | Los Angeles: Downtown moves up | Susan C. Larsen | 80 | ||
January 1982 | 81 | Artnews | San Francisco: Different and indifferent drummers | Thomas Albright | 86 | ||
January 1982 | 81 | Artnews | A garden away from the glow of nature | Jeffrey Simpson | 96 | ||
January 1982 | 81 | Artnews | A collector's passion for 'artists who dared to fly' | John E. Bowlt | 100 | ||
January 1982 | 81 | Artnews | Spain: The painting is not the only painting | Perico Pastor | 108 | ||
January 1982 | 81 | Artnews | The academy where art isn't academic | Cynthia Nadelman | 112 | ||
January 1982 | 81 | Artnews | The kitaj retrospective: too late or too early? | Franz Schulze | 122 | ||
January 1982 | 81 | Artnews | Polynesian figure of god | Douglas Newton | 126 | ||
January 1982 | 81 | Artnews | Los Angeles: Multiple perspectives | Melinda Wortz | 133 | The Nation | |
January 1982 | 81 | Artnews | San Francisco: Manicuring the news | Steven Winn | 133 | The Nation | |
January 1982 | 81 | Artnews | Santa Fe: From main street to mainstream | Bertram Gabriel | 134 | The Nation | |
January 1982 | 81 | Artnews | Paris: Machines that manufacture history | Michael Gibson | 139 | The World | |
January 1982 | 81 | Artnews | London: What's time to a pig? | William Feaver | 141 | The World | |
February 1982 | 81 | Artnews | A question of quality | Lisbet Nilson | 8 | The Art Market | |
February 1982 | 81 | Artnews | Williem De Kooning: 'I am only halfway through' | Avis Berman | 68 | ||
February 1982 | 81 | Artnews | Eugene Atget: The past recaptured | James R. Mellow | 74 | ||
February 1982 | 81 | Artnews | Poussin's holy family | Lisbet Nilson | 78 | ||
February 1982 | 81 | Artnews | The Canada council's fall from grace | Adele Freedman | 84 | ||
February 1982 | 81 | Artnews | The sites of Halifax | Karen Wilkin | 88 | ||
February 1982 | 81 | Artnews | Toronto: Fans. Flickers and penny arcades | Karen Wilkin | 94 | ||
February 1982 | 81 | Artnews | The glittering prizes of 18th-century | John H. D'Arms | 102 | ||
February 1982 | 81 | Artnews | French accent in New York | Michael Gibson | 107 | ||
February 1982 | 81 | Artnews | Things have changed in New Orleans | Roger Green | 110 | ||
February 1982 | 81 | Artnews | Open season in Miami | Helen L. Kohen | 114 | ||
February 1982 | 81 | Artnews | Contemporary Japanese architecture | Hiroshi Watanabe | 122 | ||
February 1982 | 81 | Artnews | Los Angeles: Loving the simple life | Melinda Wortz | 141 | The Nation | |
February 1982 | 81 | Artnews | Pasadena: A new suit | Lisbet Nilson | 142 | The Nation | |
February 1982 | 81 | Artnews | Washington, D. C.: Tequila and rye bread | Charlotte Moser | 142 | The Nation | |
February 1982 | 81 | Artnews | Cambridge: Dante and the orbiting asteroids | Ken Sofer | 148 | The Nation | |
February 1982 | 81 | Artnews | Kansas City: Unholy blues | Victoria Kirsch Melcher | 149 | The World | |
February 1982 | 81 | Artnews | London: Endless lunch | William Feaver | 151 | The World | |
March 1982 | 81 | Artnews | Robert Motherwell: The mellowing of an angry young man | Phil Patton | 70 | ||
March 1982 | 81 | Artnews | Art, not anthropology: The Michael C. Rockefeller Wing | Barbara Braun | 78 | ||
March 1982 | 81 | Artnews | The domestication of impressionism | Linda S. Ferber | 84 | ||
March 1982 | 81 | Artnews | Bill Brandt: Through a camera darkly | Avis Berman | 92 | ||
March 1982 | 81 | Artnews | Artists In Camera | Ben Lifson | 100 | ||
March 1982 | 81 | Artnews | Photography in America's imperial age | Jeffrey Simpson | 104 | ||
March 1982 | 81 | Artnews | Jackie Ferrar: Sculpture the mind can use | Phil Patton | 108 | ||
March 1982 | 81 | Artnews | Messages in bottles: The grandeur of Giorgio Morandi | Jane Bell | 114 | ||
March 1982 | 81 | Artnews | Restoration by Hunch, Error and Sheer Luck | Dorothy Kraus, Henry Kraus | 118 | ||
March 1982 | 81 | Artnews | Sir Edwin Landseer: Called by the wild | Gabriel P. Weisberg | 122 | ||
March 1982 | 81 | Artnews | Frank Lloyd Wright's Solomon R. Guggenheim | Margit Rowell | 126 | ||
March 1982 | 81 | Artnews | Los Angeles: Sports illustrati | Susan C. Larsen | 133 | The Nation | |
March 1982 | 81 | Artnews | Blowing in the wind | Melinda Wortz | 134 | The Nation | |
March 1982 | 81 | Artnews | Philadelphia: Headless oracle | Ann Jarmusch | 140 | The Nation | |
March 1982 | 81 | Artnews | Pittsburgh: The Carnegie International returns | Donald Miller | 142 | The Nation | |
March 1982 | 81 | Artnews | London: "Wrenaissance" man | William Feaver | 153 | The World | |
March 1982 | 81 | Artnews | Urbino: The burial of a cemetery | Henry Martin | 151 | The World | |
April 1982 | 81 | Artnews | Was Matisse "notified"? | Lisbet Nilson, Valerie F. Brooks | 8 | ||
April 1982 | 81 | Artnews | Ed Ruscha: Dead serious about being nonsensical | Patricia Failing | 74 | ||
April 1982 | 81 | Artnews | New deal art projects: Boondoggle or bargain? | Milton Brown | 82 | ||
April 1982 | 81 | Artnews | The Jabbing Zigzagging lines arcs spirals of cubist prints | Burr Wallen | 88 | ||
April 1982 | 81 | Artnews | Woodcuts are back | Deborah C. Phillips | 92 | ||
April 1982 | 81 | Artnews | Riva castleman: 'You can't separate art history from social history' | Cynthia Nadelman | 97 | ||
April 1982 | 81 | Artnews | New Mexico: The mainstream and local currents | Bertram Gabriel | 120 | ||
April 1982 | 81 | Artnews | Folon: 'Imagination is stronger than we are' | Michael Gibson | 126 | ||
April 1982 | 81 | Artnews | Preventive medicine for art objects | Valerie F. Brooks | 132 | ||
April 1982 | 81 | Artnews | There are two ways to say art in Belgium | Rona Dobson | 138 | ||
April 1982 | 81 | Artnews | Conversations with six Belgian artists | Rona Dobson | 144 | ||
April 1982 | 81 | Artnews | The Mayer Van Den Bergh collection | Cleveland Moffett | 148 | ||
April 1982 | 81 | Artnews | Will the metropolitan decide questions of territorial legitimacy? | Morris Abram | 198 | ||
April 1982 | 81 | Artnews | Cambridge: A Stirling decision for the Fogg | Janet Willson | 173 | The Nation | |
April 1982 | 81 | Artnews | Los Angeles: Jim Morphesis | Melinda Wortz | 174 | The Nation | |
April 1982 | 81 | Artnews | San Francisco: Alvin Light | Thomas Albright | 175 | The Nation | |
April 1982 | 81 | Artnews | Boston: Robert Rauschenberg | Pamela Allara | 176 | The Nation | |
April 1982 | 81 | Artnews | London: Putting on hares | William Feaver | 181 | The World | |
April 1982 | 81 | Artnews | Jerusalem: Schools of thought | Meir Ronnen | 182 | The World | |
May 1982 | 81 | Artnews | A "once-in-a-lifetime" picture | Lisbet Nilson | 9 | ||
May 1982 | 81 | Artnews | Does the public want public sculpture? | Don Hawthorne | 56 | ||
May 1982 | 81 | Artnews | Turning in to Nam June Paik | Paul Gardner | 64 | ||
May 1982 | 81 | Artnews | Art in the Nixon White House | John Ehrlichman | 74 | ||
May 1982 | 81 | Artnews | O Brave New World! | Franz Schulze | 82 | ||
May 1982 | 81 | Artnews | Chicago enjoys its own eclecticism | David Elliott | 90 | ||
May 1982 | 81 | Artnews | Putting the art institute together again | Franz Schulze | 95 | ||
May 1982 | 81 | Artnews | The stable 'Wasn't just another gallery' | Paul Gardner | 108 | ||
May 1982 | 81 | Artnews | Policy Studies: Insuring your collection | Richard W. Walker | 114 | ||
May 1982 | 81 | Artnews | Fortunato Depero's Depero Futurista | Arthur Cohen | 117 | ||
May 1982 | 81 | Artnews | Los Angeles: Keith Sonnier | Melinda Wortz | 135 | The Nation | |
May 1982 | 81 | Artnews | San Francisco: Jack Jefferson | Thomas Albright | 136 | The Nation | |
May 1982 | 81 | Artnews | Washington, D. C.: Black Folk Art in America: 1930-1980 | Charlotte Moser | 138 | The Nation | |
May 1982 | 81 | Artnews | Boston: A Private Vision: Contemporary Art from the Graham Gund Collection | Pamela Allara | 142 | The Nation | |
May 1982 | 81 | Artnews | Houston: Robert Morris | Susie Kalil | 149 | The Nation | |
May 1982 | 81 | Artnews | London: "As nice as a poodle" | William Feaver | 151 | The World | |
May 1982 | 81 | Artnews | Amsterdam: Dealing a private hand | Gary Schwartz | 152 | The World | |
May 1982 | 81 | Artnews | Dusseldorf: Watcher on the Rhine | Helen Lion | 154 | The World | |
Summer 1982 | 81 | Artnews | Leo Castelli: Dealing in myths | Meryle Secret | 66 | ||
Summer 1982 | 81 | Artnews | Can the Fortune Teller be trusted? | Sylvia Hochfield | 73 | ||
Summer 1982 | 81 | Artnews | Will museums survive in tomorrow's world? | Lisbet Nilson | 78 | ||
Summer 1982 | 81 | Artnews | The 1982 ARTNews world art market conference | Lisbet Nilson | 82 | ||
Summer 1982 | 81 | Artnews | Julian Schnabel: 'I always knew it would be like this' | Cathleen McGuigan | 88 | ||
Summer 1982 | 81 | Artnews | Ruisdael's Meditations on the world | David Rosand | 96 | ||
Summer 1982 | 81 | Artnews | Subtle diplomacy solves a custody case | Barbara Braun | 100 | ||
Summer 1982 | 81 | Artnews | Is this the 'Proper Time' for Elie Nadelman? | James R. Mellow | 104 | ||
Summer 1982 | 81 | Artnews | Confessions of the corporate art hunters | Valerie F. Brooks | 108 | ||
Summer 1982 | 81 | Artnews | Los Angeles | Melinda Wortz | 115 | The Nation | |
Summer 1982 | 81 | Artnews | St. Petersburg: Gulf Coast Surreal | Ronald Boyd | 116 | The Nation | |
Summer 1982 | 81 | Artnews | San Diego | Elise Miller | 118 | The Nation | |
Summer 1982 | 81 | Artnews | Philadelphia | Ann Jarmusch | 118 | The Nation | |
Summer 1982 | 81 | Artnews | London: Bonjour Barbican | William Feaver | 121 | The World | |
Summer 1982 | 81 | Artnews | The Ridgefield Gazooker | Michael Gibson | 122 | The World | |
Summer 1982 | 81 | Artnews | Collectors' guide to museums and galleries | Ronny Cohen | 135 | ||
September 1982 | 81 | Artnews | Understanding Understanding | Gerald Marzorati | 27 | Books | |
September 1982 | 81 | Artnews | Who needs art critics? | 27 | |||
September 1982 | 81 | Artnews | Looking at prints | Richard H. Axsom, Colta Ives, Clifford S. Ackley, Stephanie Barron | 55 | ||
September 1982 | 81 | Artnews | Landscapes in limestone | Christine Swenson | 61 | ||
September 1982 | 81 | Artnews | Sam Glankoff: 'Maybe I'm not bad' | Judith Goldman | 66 | ||
September 1982 | 81 | Artnews | A stranger in his time | Jose Lopez-Rey | 70 | ||
September 1982 | 81 | Artnews | The 'Girl with the special eye for art' | Avis Berman | 84 | ||
September 1982 | 81 | Artnews | Extravagant Multiplicity' at Documenta 7' | Franz Schulze | 88 | ||
September 1982 | 81 | Artnews | Soft-Core Chic' At the Nenice Biennale | William Feaver | 94 | ||
September 1982 | 81 | Artnews | The Robert Smithson no one ever noticed | Kim Levin | 96 | ||
September 1982 | 81 | Artnews | Archetypes and anxiety dreams | Elizabeth Frank | 100 | ||
September 1982 | 81 | Artnews | Los Angeles | Melinda Wortz | 111 | The Nation | |
September 1982 | 81 | Artnews | Portland: If Gloria Swanson Were a Building | Patricia Failing | 111 | The Nation | |
September 1982 | 81 | Artnews | San Francisco | Thomas Albright | 114 | The Nation | |
September 1982 | 81 | Artnews | Santa Fe: Indian Paint War | Bertram Gabriel | 119 | The Nation | |
September 1982 | 81 | Artnews | Cleveland | William Olander | 120 | The Nation | |
September 1982 | 81 | Artnews | London: Gaz Mask | William Feaver | 123 | The World | |
November 1982 | 81 | Artnews | The Nude with the Surprising Figure | Richard W. Walker | 7 | The Art Market | |
November 1982 | 81 | Artnews | On the joys of turning 80 | Milton Esterow | 89 | ||
November 1982 | 81 | Artnews | The artists' artists | Grace Glueck | 90 | ||
November 1982 | 81 | Artnews | Will success spoil Bob and Jim, Louise and Larry? | Paul Gardner | 102 | ||
November 1982 | 81 | Artnews | The one and the many: Art and mass reproduction | Robert Rosenblum, Neil Harris, Robert Hughes, George Segal, A. Richard Turner, Peter Gay | 110 | ||
November 1982 | 81 | Artnews | The objects of their affection | Patricia Failing | 122 | ||
November 1982 | 81 | Artnews | Ultramodern Times: A neoclassical comedy of mannerism | Douglas Davis | 132 | ||
November 1982 | 81 | Artnews | La Guerre Est Finie: Picasso and Spain | Jose Lopez-Rey | 142 | ||
November 1982 | 81 | Artnews | Oakland: Sculpture for all Reasons | Patricia Failing | 155 | The Nation | |
November 1982 | 81 | Artnews | Los Angeles | Melinda Wortz | 158 | The Nation | |
November 1982 | 81 | Artnews | London: Spooky Sounds, Crashes and Death Rattles | William Feaver | 161 | The World | |
December 1982 | 81 | Artnews | Royal Tease | Richard W. Walker | 11 | The Art Market | |
December 1982 | 81 | Artnews | Breaches of Trust: Museums, Ethics and the Law | Stephen E. Weil | 48 | ||
December 1982 | 81 | Artnews | Dennis Oppenheim: Art between mind and matter | Ellen Schwartz | 56 | ||
December 1982 | 81 | Artnews | Rebels with a cause: The eight | Bennard B. Perlman | 62 | ||
December 1982 | 81 | Artnews | Armand Hammer Talks about Daumier, Lenin, Renoir and Reagan | 68 | |||
December 1982 | 81 | Artnews | Sun, surf and subversion | James R. Mellow | 78 | ||
December 1982 | 81 | Artnews | Texas Ranges: Houston | Susie Kalil | 82 | ||
December 1982 | 81 | Artnews | Texas Ranges: Dallas | Janet Kutner | 86 | ||
December 1982 | 81 | Artnews | Desert International: Santa Fe | David L. Bell | 90 | ||
December 1982 | 81 | Artnews | Will Barnet: A Part Of --And Apart From--His Times | Terry Trucco | 94 | ||
December 1982 | 81 | Artnews | Peter Ludwig's new passion | Franz Schulze | 100 | ||
December 1982 | 81 | Artnews | Horst W. Janson | Ruth Butler | 103 | ||
December 1982 | 81 | Artnews | Through a glass darkly | Benjamin Forgey | 105 | ||
December 1982 | 81 | Artnews | Florence celebrates the Uffizi | Milton Gendel | 110 | ||
December 1982 | 81 | Artnews | Washington, D. C.: A Hole in the Heart | Lee Rosenbaum | 125 | The Nation | |
December 1982 | 81 | Artnews | Raphael Soyer | Lee Fleming | 126 | The Nation | |
December 1982 | 81 | Artnews | Philadelphia | Ann Jarmusch | 127 | The Nation | |
December 1982 | 81 | Artnews | San Francisco | Thomas Albright | 130 | The Nation | |
December 1982 | 81 | Artnews | Los Angeles | Melinda Wortz | 131 | The Nation | |
December 1982 | 81 | Artnews | Paris: Bread and Wallpaper | Michael Gibson | 135 | The World | |
December 1982 | 81 | Artnews | London: Cultivated Excess | William Feaver | 135 | The World | |
December 1982 | 81 | Artnews | Jerusalem: Now and Then | Meir Ronnen | 136 | The World | |
February 1981 | 80 | Artnews | Kenneth Snelson: Synethesizing art and science | Richard Whelan | 68 | ||
February 1981 | 80 | Artnews | Is design the 'legitmate art' of the 20th-century? | Jeffrey Simpson | 74 | ||
February 1981 | 80 | Artnews | Six contemporary designers | Peter Carlsen | 80 | ||
February 1981 | 80 | Artnews | What is good design? | John Pile | 87 | ||
February 1981 | 80 | Artnews | When artists make furniture, is it furniture or art? | 93 | |||
February 1981 | 80 | Artnews | Edward Hopper: Symbolist in a hardboiled world | Elizabeth Frank | 100 | ||
February 1981 | 80 | Artnews | Ten Canadians-And how a controversy grew | Karen Wilkin | 104 | ||
February 1981 | 80 | Artnews | Too much paper, not enough money | Adele Freedman | 109 | ||
February 1981 | 80 | Artnews | Art vs. Nature in Vancouver | Patricia Failing | 110 | ||
February 1981 | 80 | Artnews | Collector Joseph Tanenbaum: 'Joey is like a hunter' | Adele Freedman | 116 | ||
February 1981 | 80 | Artnews | Why and how they stole the Mona Lisa | Richard F. Shepard | 125 | ||
February 1981 | 80 | Artnews | The continuing search of Grace Hartigan | Joseph D. Ketner II | 128 | ||
February 1981 | 80 | Artnews | The Amon Carter Museum in Fort Worth | Janet Kutner | 130 | ||
February 1981 | 80 | Artnews | A Parthenon sculpture | Brian Cook | 136 | ||
February 1981 | 80 | Artnews | The Cathedral at Autun: Vision of a Romanesque Cezanne | Michael Gibson | 138 | ||
February 1981 | 80 | Artnews | Los Angeles: New slant | Melinda Wortz | 186 | The Nation | |
February 1981 | 80 | Artnews | San Francisco: Dramatic movement | Thomas Albright | 187 | The Nation | |
February 1981 | 80 | Artnews | Chicago: Suspense | David Elliott | 189 | The Nation | |
February 1981 | 80 | Artnews | Boston: Cubic Space | Pamela Allara | 193 | The Nation | |
February 1981 | 80 | Artnews | London: Plein air and piggybacks | William Feaver | 201 | The World | |
February 1981 | 80 | Artnews | Milan: A fresh look | Flaminio Gualdoni | 203 | The World | |
March 1981 | 80 | Artnews | The Italian art scene: Dynamic and highly charged | Henry Martin | 70 | ||
March 1981 | 80 | Artnews | Saving the ruins from ruin | Paul Hofmann | 78 | ||
March 1981 | 80 | Artnews | Italian artists today | Marisa Volpi | 86 | ||
March 1981 | 80 | Artnews | Joseph Cornell: Can innocence be recaptured? | Ellen Schwartz | 96 | ||
March 1981 | 80 | Artnews | Artists and printers: A coincidence of sympathies | Deborah C. Phillips | 100 | ||
March 1981 | 80 | Artnews | The inkless print meets the cameraless photograph | Marilyn F. Symmes, Elizabeth Glassman | 107 | ||
March 1981 | 80 | Artnews | The uncontrolled press: Eastern European prints | Karen F. Beall | 112 | ||
March 1981 | 80 | Artnews | Max Beckmann's theater of disguises and burlesques | William Feaver | 144 | ||
March 1981 | 80 | Artnews | Realisme: The subject matters | Franz Schulze | 149 | ||
March 1981 | 80 | Artnews | Painting the Benjamin Franklin Bridge bright blue | Ann Jarmusch | 154 | ||
March 1981 | 80 | Artnews | Philadelphia has to be discovered' | Janet Wilson | 160 | ||
March 1981 | 80 | Artnews | Tintoretto's St. Mark. By Burton B. Fredericksen | 166 | |||
March 1981 | 80 | Artnews | Washington, D. C.: Elephant heads | Jo Ann Lewis | 189 | The Nation | |
March 1981 | 80 | Artnews | San Francisco: Lament for a Zen cowboy | Thomas Albright | 191 | The Nation | |
March 1981 | 80 | Artnews | Cologne: Yes, we have no 'isms' | John Anthony Thwaites | 201 | The World | |
April 1981 | 80 | Artnews | Can making art be hazardous to your health? | Mary Lynn Kotz, Nick Kotz | 68 | ||
April 1981 | 80 | Artnews | Contemporary painting | Terry Trucco | 79 | ||
April 1981 | 80 | Artnews | Impressionist, Post-Impressionist and Modern painting | Terry Trucco | 82 | ||
April 1981 | 80 | Artnews | Prints and Posters | Jeffrey Hogrefe | 86 | ||
April 1981 | 80 | Artnews | 19th- and early 20th-century American painting | Richard W. Walker | 89 | ||
April 1981 | 80 | Artnews | Old master painting | Terry Trucco | 91 | ||
April 1981 | 80 | Artnews | Oriental art | Terry Trucco | 95 | ||
April 1981 | 80 | Artnews | Photography | Stephen Robert Frankel | 98 | ||
April 1981 | 80 | Artnews | Primitive art | Terry Trucco | 99 | ||
April 1981 | 80 | Artnews | 19th-century European painting | William Kingsland | 102 | ||
April 1981 | 80 | Artnews | Slipping out of a Monet and into a dry martini | Paul Gardner | 108 | ||
April 1981 | 80 | Artnews | At the Whitney and the Guggenheim: No surprise | Ellen Schwartz | 122 | ||
April 1981 | 80 | Artnews | How to get from gutsy to great? | Franz Schulze | 128 | ||
April 1981 | 80 | Artnews | Chicago can love its own | David Elliott | 134 | ||
April 1981 | 80 | Artnews | There's more to Dutch art than cobbled courtyards | David Rosand | 148 | ||
April 1981 | 80 | Artnews | What happens when you cross a photograph with a rock? | A. D. Coleman | 152 | ||
April 1981 | 80 | Artnews | Pavel Filonov's Flight into Egypt | 158 | |||
April 1981 | 80 | Artnews | San Francisco: Passionate coldness | Thomas Albright | 167 | The Nation | |
April 1981 | 80 | Artnews | Los Angeles: Present at the Creation | Melinda Wortz | 173 | The Nation | |
April 1981 | 80 | Artnews | Austin: Suprematist from Blue Lagoon | John E. Bowlt | 179 | The Nation | |
May 1981 | 80 | Artnews | The trouble with prints: Abuses in today's market | Amei Wallach | 60 | ||
May 1981 | 80 | Artnews | Artists the critics are watching | Kay Larson, Ellen Schwartz, Franz Schulze, Charlotte Moser, Menlinda Wortz, Susan C. Larsen, Steven Winn | 74 | ||
May 1981 | 80 | Artnews | Putting the biennials together | Grace Glueck | 95 | ||
May 1981 | 80 | Artnews | Leonardo's nature studies | Colin Clark | 106 | ||
May 1981 | 80 | Artnews | This is a profession, not a decorating business' | Bruce Wolmer | 110 | ||
May 1981 | 80 | Artnews | A 'New Spirit'--Or just a tired ghost? | William Feaver | 114 | ||
May 1981 | 80 | Artnews | British art: Splashes, slow dawns and guiding lights | William Feaver | 119 | ||
May 1981 | 80 | Artnews | Notre Dame's Snite Museum of Art | Franz Schulze | 144 | ||
May 1981 | 80 | Artnews | Did modern painting begin with cloisonism? | Gabriel P. Weisberg | 149 | ||
May 1981 | 80 | Artnews | The new of the best. But the best of the new? | Jo Ann Lewis | 152 | ||
May 1981 | 80 | Artnews | Helen Frankenthaler's Eden | Carl Belz | 156 | ||
May 1981 | 80 | Artnews | San Francisco: From commitment to style | Thomas Albright | 173 | The Nation | |
May 1981 | 80 | Artnews | Dallas-Fort Worth: Nature against culture | Janet Kutner | 173 | The Nation | |
May 1981 | 80 | Artnews | Kansas City: Yes I know | Victoria Melcher | 181 | The Nation | |
June 1981 | 80 | Artnews | The "American Scene" in Europe | Terry Trucco | 8 | The Art Market | |
June 1981 | 80 | Artnews | Abuses in the reproduction of sculpture | Deborah Trustman | 84 | ||
June 1981 | 80 | Artnews | Vito Acconci: 'I want to put the viewer on shaky ground' | Ellen Schwartz | 93 | ||
June 1981 | 80 | Artnews | Skowhegan: Fresh Air Fund for the Talented | Avis Berman | 100 | ||
June 1981 | 80 | Artnews | How a timid curator with a deadpan expression outwitted the Nazis | Michael Gibson | 105 | ||
June 1981 | 80 | Artnews | The Busch-Reisinger Museum | Paul Gardner | 112 | ||
June 1981 | 80 | Artnews | Joshua Taylor, 1917-1981 | S. Dillon Ripley | 119 | ||
June 1981 | 80 | Artnews | The New York State museum investigations: An update | Terry Trucco | 120 | ||
June 1981 | 80 | Artnews | Art historian Albert Elsen: 'Not afraid to take chances' | Patricia Failing | 124 | ||
June 1981 | 80 | Artnews | Contemporary Art Glass: An old medium gets a new look | Penelope Hunter-Stiebel | 130 | ||
June 1981 | 80 | Artnews | George Segal's Blue Girl on Park Bench | Sam Hunter | 136 | ||
June 1981 | 80 | Artnews | Los Angeles: Irrational geometry | Melinda Wortz | 147 | The Nation | |
June 1981 | 80 | Artnews | San Francisco: Dr. Roar Schock's room | Thomas Albright | 148 | The Nation | |
June 1981 | 80 | Artnews | Sam Salz: "You can't explain it--you feel it" | Milton Esterow | 148 | The Nation | |
June 1981 | 80 | Artnews | Poughkeepsie: Replacing papa's pipe | Cynthia Nadelman | 150 | The Nation | |
June 1981 | 80 | Artnews | New Orleans: Beyond survival | Roger Green | 150 | The Nation | |
June 1981 | 80 | Artnews | Miami: Staring and shivering | Helen L. Kohen | 154 | The Nation | |
June 1981 | 80 | Artnews | Scottsdale: Wavy lengths | Barbara H. Perlman | 158 | The Nation | |
June 1981 | 80 | Artnews | St. Louis: Significant glances | Mary King | 160 | The Nation | |
June 1981 | 80 | Artnews | London: Apocalyptic bric-a-brac | William Feaver | 165 | The World | |
June 1981 | 80 | Artnews | Jerusalem: Graven words | Meir Ronnen | 166 | The World | |
September 1981 | 80 | Artnews | The Case of the $10 Million Durers | Leslie Maitland | 78 | ||
September 1981 | 80 | Artnews | A Surge of Enthusiasm for things Japanese' | Mike Mansfield | 85 | ||
September 1981 | 80 | Artnews | Absorbing the shock of the West | Rand Castile | 86 | ||
September 1981 | 80 | Artnews | Video--Where it was practically invented | Barbara J. London | 90 | ||
September 1981 | 80 | Artnews | Eight artists' common search | Jane Bell | 93 | ||
September 1981 | 80 | Artnews | A passion for collecting, a commitment to preservation | Emily J. Sano | 106 | ||
September 1981 | 80 | Artnews | To see Japanese art, go to Tokyo. Or Boston, Baltimore or Seattle | Laurance Roberts | 110 | ||
September 1981 | 80 | Artnews | The treasures of a national treasure | John Rosenfield | 120 | ||
September 1981 | 80 | Artnews | Pissarro: A creative dynamo | Gabriel P. Weisberg | 128 | ||
September 1981 | 80 | Artnews | Vintage Modernism at Westkunst | William Feaver | 132 | ||
September 1981 | 80 | Artnews | The Proof is in the process | Judith Goldman | 148 | ||
September 1981 | 80 | Artnews | Marcantonio Raimondi: A talent that 'astounded all of Rome' | Innis H. Shoemaker | 152 | ||
September 1981 | 80 | Artnews | How Arshile Gorky became himself | Elizabeth Frank | 168 | ||
September 1981 | 80 | Artnews | Monet's water Lilies | James R. Mellow | 172 | ||
September 1981 | 80 | Artnews | Los Angeles: Time, space and the freeway | Melinda Wortz | 178 | The Nation | |
September 1981 | 80 | Artnews | San Francisco: Shrouded shadows | Thomas Albright | 181 | The Nation | |
September 1981 | 80 | Artnews | Boston: Whispers and cries | Pamela Allara | 182 | The Nation | |
September 1981 | 80 | Artnews | Akron: Italianate-palazzo-post-office modern | Helen Cullinan | 184 | The Nation | |
September 1981 | 80 | Artnews | Alfred Frankenstein: A firm, articulate and reasoned voice | Thomas Albright | 184 | The Nation | |
September 1981 | 80 | Artnews | London: The image of a man drizzled on | William Feaver | 186 | The World | |
September 1981 | 80 | Artnews | Rome: Mysterious lucidities | Henry Martin | 187 | The World | |
September 1981 | 80 | Artnews | Beijing: A harder line | Joan Lebold Cohen | 188 | The World | |
October 1981 | 80 | Artnews | Legal protection for print collectors | Lisbet Nilson | 8 | The Art Market | |
October 1981 | 80 | Artnews | The extraordinary treasures of the Vatican museums | Alan Levy | 82 | ||
October 1981 | 80 | Artnews | Art means spirit' | Alan Levy | 82 | ||
October 1981 | 80 | Artnews | A papal penchant for classical art | Alan Levy | 86 | ||
October 1981 | 80 | Artnews | A friend of leonardo, Raphael and Poussin' | Alan Levy | 90 | ||
October 1981 | 80 | Artnews | Reliving the good life in Etruria | Alan Levy | 100 | ||
October 1981 | 80 | Artnews | The real Romance of Ancient Egypt | Alan Levy | 104 | ||
October 1981 | 80 | Artnews | Exploring Man's search for the divine | Alan Levy | 107 | ||
October 1981 | 80 | Artnews | Modernism a step away from Michelangelo | Alan Levy | 110 | ||
October 1981 | 80 | Artnews | Michelangelo restudied | Alan Levy | 114 | ||
October 1981 | 80 | Artnews | Working with mirrors and other tricks | Alan Levy | 122 | ||
October 1981 | 80 | Artnews | The Apollo Belvedere's tormented history | Alan Levy | 124 | ||
October 1981 | 80 | Artnews | We gave this beautiful lady her face back' | Alan Levy | 126 | ||
October 1981 | 80 | Artnews | Visions and images | Barbaralee Diamonstein | 162 | ||
October 1981 | 80 | Artnews | Life? Or theater? | Gary Schwartz | 168 | ||
October 1981 | 80 | Artnews | Rodin Unmasked | Gabriel P. Weisberg | 172 | ||
October 1981 | 80 | Artnews | Seven Washington artists | Charlotte Moser | 177 | ||
October 1981 | 80 | Artnews | Claude's sermon on the mount | Rackstraw Downes | 184 | ||
October 1981 | 80 | Artnews | Los Angeles: A tropical 'sleeper' | Melinda Wortz | 189 | The Nation | |
October 1981 | 80 | Artnews | Houston: A restless watching | Ann Holmes | 189 | The Nation | |
October 1981 | 80 | Artnews | Florence: Plucked from the sea | Paul Hofmann, James Beck | 191 | The World | |
October 1981 | 80 | Artnews | London: a pox on purism | William Feaver | 191 | The World | |
November 1981 | 80 | Artnews | A sudden price crescendo | Lisbet Nilson | 8 | The Art Market | |
November 1981 | 80 | Artnews | The $1,000,000,000 art | Patricia Failing | 80 | ||
November 1981 | 80 | Artnews | New faces in alternative spaces | Deborah C. Phillips | 90 | ||
November 1981 | 80 | Artnews | Why foreigners call it home | William Zimmer, Cynthia Nadelman | 101 | ||
November 1981 | 80 | Artnews | John Marin's 'warring, pushing, pulling' New York | John I. H. Baur | 106 | ||
November 1981 | 80 | Artnews | Paintings that make your retinas dance | I. Michael Danoff | 122 | ||
November 1981 | 80 | Artnews | The broad scope of Boston art | Pamela Allara | 126 | ||
November 1981 | 80 | Artnews | A temple of cultural democracy | Franz Schulze | 132 | ||
November 1981 | 80 | Artnews | 17 artists and 16 projects in Los Angeles | Melinda Wortz | 161 | ||
November 1981 | 80 | Artnews | Alfred H. Barr, Jr. - 'The conscientious, continuous, resolute distinction of quality from mediocrity' | Richard E. Oldenburg, Robert Rosenblum, Dorothy C. Miller and Hellmut Wohl | 166 | ||
November 1981 | 80 | Artnews | Jan Victors' Jacob seeking forgiveness of Esau | Anthony Janson | 168 | ||
November 1981 | 80 | Artnews | Los Angeles: 17 buckets and a sawhorse | Melinda Wortz | 178 | The Nation | |
November 1981 | 80 | Artnews | Chicago: Rube Goldberg meets Spike Jones | David Elliott | 181 | The Nation | |
November 1981 | 80 | Artnews | Houston: Metal energy | Susie Kalil | 182 | The Nation | |
November 1981 | 80 | Artnews | Minneapolis: A room in a neighboring world | William R. Hegeman | 184 | The Nation | |
November 1981 | 80 | Artnews | Paris: A redemption of rags | Michael Gibson | 187 | The World | |
December 1981 | 80 | Artnews | Death and taxes and art | Lisbet Nilson | 8 | The Art Market | |
December 1981 | 80 | Artnews | Scenes from a marriage: Pollock and Krasner | Grace Glueck | 57 | ||
December 1981 | 80 | Artnews | Books: Definitely not suitable for framing | Deborah C. Phillips | 62 | ||
December 1981 | 80 | Artnews | Art and letters | Ronny Cohen | 68 | ||
December 1981 | 80 | Artnews | Artists go on record | Peter Frank | 74 | ||
December 1981 | 80 | Artnews | The illusion of reality | Ruth Bass | 78 | ||
December 1981 | 80 | Artnews | The revolutionary with a chair | Franz Schulze | 82 | ||
December 1981 | 80 | Artnews | Kathe Kollwitz: Her talent was a responsibility | Renate Hinz | 84 | ||
December 1981 | 80 | Artnews | Politics, pride and real estate in Santa Fe | Bertram Gabriel | 92 | ||
December 1981 | 80 | Artnews | Fred Renner can 'smell a Ressell' | Barbara H. Perlman | 98 | ||
December 1981 | 80 | Artnews | Houston Artists would rather right than switch | Susie Kalil | 103 | ||
December 1981 | 80 | Artnews | Dallas/Fort Worth: You can go home again | Janet Kutner | 113 | ||
December 1981 | 80 | Artnews | Phoenix: 'Sun palace' in the land of 'Govt property' | Barbara H. Perlman | 119 | ||
December 1981 | 80 | Artnews | When slave-born Sultans ruled the East | Marilyn Jenkins | 128 | ||
December 1981 | 80 | Artnews | Joseph Hirshhorn--'Art was his soul food, his university' | Abram Lerner | 133 | ||
December 1981 | 80 | Artnews | Albert Renger-Patzsch: Smokestacks | Hans Namuth | 136 | ||
December 1981 | 80 | Artnews | Los Angeles: Punctured by a meatball | Melinda Wortz | 165 | The Nation | |
December 1981 | 80 | Artnews | San Francisco: Ordeal by Camera | Thomas Albright | 165 | The Nation | |
December 1981 | 80 | Artnews | Tucson: The two cultures | Sheldon Reich | 166 | The Nation | |
December 1981 | 80 | Artnews | London: It could happen to you | William Feaver | 168 | The World | |
December 1981 | 80 | Artnews | Milan: Distant impulses | Henry Martin | 169 | The World | |
January 1980 | 79 | Artnews | Narcissus with a pedigree; A harsh perspective | Richard Whelan | 29 | Books | |
January 1980 | 79 | Artnews | Export agency | John E. Bowlt | 29 | Books | |
January 1980 | 79 | Artnews | A bedeviling complexity marked by noisy extremes of taste | Franz Schulze | 36 | ||
January 1980 | 79 | Artnews | The contemporary art museum: 'Irresponsibility has become most widespread' | Thomas Albright | 42 | ||
January 1980 | 79 | Artnews | Humanizing the history of art | Jean Sutherland Boggs | 48 | ||
January 1980 | 79 | Artnews | Miro: 'When I see a tree...I can feel it talking to me' | Michael Gibson | 52 | ||
January 1980 | 79 | Artnews | The state of British art: 'It's a bewilderment' | William Feaver | 62 | ||
January 1980 | 79 | Artnews | Eight from England: Images that make themselves | Marina Vaizey | 70 | ||
January 1980 | 79 | Artnews | The unexpected treasures of England's stately homes | Geraldine Norman | 82 | ||
January 1980 | 79 | Artnews | Venice: Qunique among the world's bohemias | Gordon J. Hazlitt | 94 | ||
January 1980 | 79 | Artnews | Imagine a space, a form, a world: The painting of Ron Davis | Susan C. Larsen | 102 | ||
January 1980 | 79 | Artnews | Is Los Angeles ready for two museums of modern art? | Melinda Wortz | 114 | ||
January 1980 | 79 | Artnews | Caracas: Reveronian Year; Paris: Imaginary Civilizations | Michael Gibson | 121 | The World | |
January 1980 | 79 | Artnews | Nassau County: Settling the FAMLI in suburbia | Gerald Marzorati | 143 | The Nation | |
January 1980 | 79 | Artnews | Philadelphia: Table bites fish | Ann Jarmusch | 144 | The Nation | |
January 1980 | 79 | Artnews | San Francisco: Folded diamonds, painted doors | Thomas Albright | 151 | The Nation | |
February 1980 | 79 | Artnews | Exploring the female idiom | Alfred Frankenstein | 31 | Books | |
February 1980 | 79 | Artnews | Going with the flow | Richard Whelan | 31 | Books | |
February 1980 | 79 | Artnews | Will Florence find a lost Leonardo? | Milton Gendel | 38 | ||
February 1980 | 79 | Artnews | Picasso's Picassos premiere at the Walker Art Center | William R. Hegeman | 42 | ||
February 1980 | 79 | Artnews | The late-blooming vitality of Toronto art | Karen Wilkin | 50 | ||
February 1980 | 79 | Artnews | A panorama of Venice's 'Golden Century' | David Rosand | 60 | ||
February 1980 | 79 | Artnews | A new foundation for MOMA's tower | Lee Rosenbaum | 64 | ||
February 1980 | 79 | Artnews | Frank Stella: 'All dressed up with no place to go' | Richard Whelan | 76 | ||
February 1980 | 79 | Artnews | The discreet charm of Louise Bourgeois | Paul Gardner | 80 | ||
February 1980 | 79 | Artnews | A triumph, not a blockbuster | John H. d'Arms | 88 | ||
February 1980 | 79 | Artnews | The two lives of Anthony Blunt | Patricia Failing | 91 | ||
February 1980 | 79 | Artnews | Toulouse-Lautrec, we love you, but... | Franz Schulze | 93 | ||
February 1980 | 79 | Artnews | The sacred gold of EI Dorado | Barbara Braun | 96 | ||
February 1980 | 79 | Artnews | Wondrous cloths | James W. Reid | 102 | ||
February 1980 | 79 | Artnews | John Frederick Peto's Lamps of Other Days | Alfred Frankenstein | 108 | ||
February 1980 | 79 | Artnews | The Joan Whitney Payson Gallery | Judith Applegate | 110 | ||
February 1980 | 79 | Artnews | Harry N. Abrams, 1905-1979 | H. W. Janson | 115 | ||
February 1980 | 79 | Artnews | Doing well | Terry Trucco | 174 | The Art Market | |
February 1980 | 79 | Artnews | Dallas: The grass-roots approach, Richard F Brown | Janet Kutner | 179 | The Nation | |
February 1980 | 79 | Artnews | San Francisco: Elusive realism | Thomas Albright | 181 | The Nation | |
February 1980 | 79 | Artnews | Los Angeles: Trompe l'audience | Melinda Wortz | 183 | The Nation | |
February 1980 | 79 | Artnews | Chicago: Missionaries for the monumental | Michael Danoff | 187 | The Nation | |
February 1980 | 79 | Artnews | London: Follow my leader | William Feaver | 191 | The World | |
February 1980 | 79 | Artnews | Paris: The Daumier question | Michael Gibson | 191 | The World | |
March 1980 | 79 | Artnews | Can the Prado be saved before its paintings disintegrate? | Gary Schwartz | 44 | ||
March 1980 | 79 | Artnews | Spanish art: Malnourished but making waves | Perico Pastor | 50 | ||
March 1980 | 79 | Artnews | Seven artists in post-Franco Spain | Carla Stellweg | 58 | ||
March 1980 | 79 | Artnews | Chillida's silent music, de Kooning's eloquent ambivalence | Ellen Schwartz | 68 | ||
March 1980 | 79 | Artnews | When the hand touches the canvas, that's the real ball game' | Janet Wilson | 74 | ||
March 1980 | 79 | Artnews | Printmaking: The medium isn't the message anymore | Judith Goldman | 82 | ||
March 1980 | 79 | Artnews | A means of entertainment' | David W. Kiehl | 90 | ||
March 1980 | 79 | Artnews | The romance of Desdemona and Othello | Jay M. Fisher | 100 | ||
March 1980 | 79 | Artnews | Sonia Delaunay, 1885-1979 | Arthur Cohen | 127 | ||
March 1980 | 79 | Artnews | What makes a masterpiece? | Avis Berman | 128 | ||
March 1980 | 79 | Artnews | Expressionist explosion | Terry Trucco | 140 | The Art Market | |
March 1980 | 79 | Artnews | Washington, D. C.: Aunt Evelyn's letters | Jo Ann Lewis | 147 | The Nation | |
March 1980 | 79 | Artnews | Philadelphia: Lapdogs, pearls and dinosaur eggs | Ann Jarmusch | 150 | The Nation | |
March 1980 | 79 | Artnews | Los Angeles: Single room, $3.20 | Melinda Wortz | 158 | The Nation | |
March 1980 | 79 | Artnews | London: Delayed in the departure longe | William Feaver | 165 | The World | |
March 1980 | 79 | Artnews | Paris: View from the goldfish bowl | Michael Gibson | 166 | The World | |
May 1980 | 79 | Artnews | Mrs. Whitney's 'very interesting scheme' | James R. Mellow | 46 | ||
May 1980 | 79 | Artnews | Hopper's surprise, Christo's wrapping, Calder's party | Avis Berman | 54 | ||
May 1980 | 79 | Artnews | Arakawa: 'I am looking for a new definition of perfection' | Paul Gardner | 60 | ||
May 1980 | 79 | Artnews | The museums: Watchful optimism, footnotes of worry | Franz Schulze | 72 | ||
May 1980 | 79 | Artnews | For artists it's a city that works | David Elliott | 78 | ||
May 1980 | 79 | Artnews | Morton Neumann: 'How the hell did I collect it all?' | Richard Christiansen | 90 | ||
May 1980 | 79 | Artnews | Urban grandeur on a humane scale | Franz Schulze | 96 | ||
May 1980 | 79 | Artnews | Edward Albee on Louise Nevelson | 99 | |||
May 1980 | 79 | Artnews | The World Art Market Conference: Optimism prevails | Terry Trucco | 102 | ||
May 1980 | 79 | Artnews | Guernica: From document of outrage to symbol of freedom | Herschel B. Chipp | 108 | ||
May 1980 | 79 | Artnews | Picasso seven years later | Franz Schulze | 114 | ||
May 1980 | 79 | Artnews | Surrealism: In the footsteps of Freud | Edward B. Henning | 122 | ||
May 1980 | 79 | Artnews | Blue skies--finally--for the California Arts Council | Patricia Elsen | 126 | ||
May 1980 | 79 | Artnews | Simone Martini's Annunciation | Creighton E. Gilbert | 130 | ||
May 1980 | 79 | Artnews | Los Angeles: Hieroglyphic umbrellas | Melinda Wortz | 141 | The Nation | |
May 1980 | 79 | Artnews | San Francisco: 2,300-pound rose | Thomas Albright | 141 | The Nation | |
May 1980 | 79 | Artnews | Philadelphia: Geometry and hocus-pocus | Ann Jarmusch | 143 | The Nation | |
May 1980 | 79 | Artnews | New Orleans: Great gator refuses | Roger Green | 152 | The Nation | |
May 1980 | 79 | Artnews | St. Louis: High-mileage motifs | Mary King | 157 | The Nation | |
May 1980 | 79 | Artnews | London: Graham Sutherland | William Feaver | 165 | The World | |
May 1980 | 79 | Artnews | Paris: Talent was his worst fault | Michael Gibson | 165 | The World | |
May 1980 | 79 | Artnews | Cologne/Dusseldorf: Lost generations | John Anthony Thwaites | 168 | The World | |
May 1980 | 79 | Artnews | Jerusalem: Avant-garde in the basement | Meir Ronnen | 172 | The World | |
Summer 1980 | 79 | Artnews | Questionable Constables | Terry Trucco | 43 | The Art Market | |
Summer 1980 | 79 | Artnews | A new freedom--within limits--for today's Chinese art | Joan Lebold Cohen | 60 | ||
Summer 1980 | 79 | Artnews | Three Chinese artists: Realism and beyond | 69 | |||
Summer 1980 | 79 | Artnews | Learning to paint in China | 72 | |||
Summer 1980 | 79 | Artnews | Speaking across mountains of time | Rand Castile | 76 | ||
Summer 1980 | 79 | Artnews | Museums in the service of revolution | Joan Lebold Cohen | 80 | ||
Summer 1980 | 79 | Artnews | The spectacular fall and rise of Hans Hofmann | Gwen Kinkead | 88 | ||
Summer 1980 | 79 | Artnews | I'm some kind of slow-motion cornball' | Barbaralee Diamonstein | 112 | ||
Summer 1980 | 79 | Artnews | Oskar Kokoschka, 1886-1980 | Franz Schulze | 117 | ||
Summer 1980 | 79 | Artnews | Marsden Hartley at the Whitney Museum | Richard Whelan | 118 | ||
Summer 1980 | 79 | Artnews | Hyatt Mayor | Russell Lynes | 121 | ||
Summer 1980 | 79 | Artnews | Revealing man's fate in man's face | Bernard V. Bothmer | 124 | ||
Summer 1980 | 79 | Artnews | Washington, D. C.: A showdown for Hoe-Down | Jo Ann Lewis | 199 | The Nation | |
Summer 1980 | 79 | Artnews | Los Angeles: High hopes at Bunker Hill | Melinda Wortz | 200 | The Nation | |
Summer 1980 | 79 | Artnews | San Francisco: From Bauhaus to bathos | Thomas Albright | 202 | The Nation | |
Summer 1980 | 79 | Artnews | Chicago: Mozartian magpie | David Elliott | 207 | The Nation | |
Summer 1980 | 79 | Artnews | Dallas: Seaworthy sculpture | Janet Kutner | 207 | The Nation | |
Summer 1980 | 79 | Artnews | Madrid: Prado's progress | Jose Lopez-Rey | 213 | The World | |
Summer 1980 | 79 | Artnews | London: Keeing pace with obsolescence | William Feaver | 214 | The World | |
Summer 1980 | 79 | Artnews | Paris: Monet and mongooses | Michael Gibson | 214 | The World | |
Summer 1980 | 79 | Artnews | Jerusalem: Grappling with ambivalent feelings | Meir Ronnen | 216 | The World | |
Summer 1980 | 79 | Artnews | Aldine Abdellatif | Gil Goldfine | 218 | The World | |
September 1980 | 79 | Artnews | The case of the dismenbered masterpieces | Patricia Failing | 68 | ||
September 1980 | 79 | Artnews | The splendid harlequinade of Pablo Picasso | Franz Schulze | 79 | ||
September 1980 | 79 | Artnews | An outdoor site does not public sculpture make | Benjamin Forgey | 84 | ||
September 1980 | 79 | Artnews | John Brademas: 'Touchstone of the arts | Mary Lynn Kotz | 90 | ||
September 1980 | 79 | Artnews | A real downtown renaissance' | Jo Ann Lewis | 98 | ||
September 1980 | 79 | Artnews | Philip Guston: A retrospective becomes a memorial | Thomas Albright | 114 | ||
September 1980 | 79 | Artnews | Ebb and flood tide in Venice | Milton Gendel | 118 | ||
September 1980 | 79 | Artnews | Fizzles, Savage Breeze and a Message from Degas | Stephen Forsling | 124 | ||
September 1980 | 79 | Artnews | Bathsheba's basin, Neptune's chariot, a flexible fire hose | Clifford S. Ackley | 132 | ||
September 1980 | 79 | Artnews | Helping artists heaar each other | Steven Winn | 138 | ||
September 1980 | 79 | Artnews | Here's a bit of tin, Kenneth. Why not make a mobile?' | Richard Whelan | 148 | ||
September 1980 | 79 | Artnews | Clyfford Still, 1904-1980 | Thomas Albright | 159 | ||
September 1980 | 79 | Artnews | Aunt Claribel's Blue Nude wasn't easy to like | Edward T. Cone | 162 | ||
September 1980 | 79 | Artnews | Los Angeles: Wolf calls and frog songs | Melinda Wortz | 213 | The Nation | |
September 1980 | 79 | Artnews | Washington, D. C.: Post-Impressionism | Franz Schulze | 214 | The Nation | |
September 1980 | 79 | Artnews | San Francisco: Spidery eccentricity | Thomas Albright | 216 | The Nation | |
September 1980 | 79 | Artnews | Boston: Veiled images | Pamela Allara | 218 | The Nation | |
September 1980 | 79 | Artnews | Miami beach: Pruned and sanitized | Griffin Smith | 221 | The Nation | |
September 1980 | 79 | Artnews | London: Dogged by déjà vu | William Feaver | 227 | The World | |
September 1980 | 79 | Artnews | Charleston: Bucolic Bloomsbury | Mary Blume | 229 | The World | |
September 1980 | 79 | Artnews | Paris: Fractured dreams | Michael Gibson | 230 | The World | |
September 1980 | 79 | Artnews | Cologne: Signposts to infinity | John Anthony Thwaites | 233 | The World | |
October 1980 | 79 | Artnews | Pricing Picassos | Terry Trucco | 51 | The Art Market | |
October 1980 | 79 | Artnews | Redefining the whole relationship between art and society' | Grace Glueck | 58 | ||
October 1980 | 79 | Artnews | For the first time women are leading, not following' | Kay Larson | 64 | ||
October 1980 | 79 | Artnews | Could a female Chardin make a living today? | Avis Berman | 73 | ||
October 1980 | 79 | Artnews | Are women better photographers than men?' | Richard Whelan | 80 | ||
October 1980 | 79 | Artnews | The end of a multimillion-dollar art fraud | Malcolm N. Carter | 100 | ||
October 1980 | 79 | Artnews | New perspectives on the 'Great Experiment' | John E. Bowlt | 106 | ||
October 1980 | 79 | Artnews | Is big business a bonanza for the arts? | Leonard Sloane | 111 | ||
October 1980 | 79 | Artnews | Statuomanie--a mania for sculpture | Aimee Brown Price | 130 | ||
October 1980 | 79 | Artnews | Is the Norton Simon Museum mismanaged? Or, are the former trustees misguided? | Patricia Failing | 136 | ||
October 1980 | 79 | Artnews | Edward Hopper's process of self-analysis | Gail Levin | 144 | ||
October 1980 | 79 | Artnews | The rare, subtle talent of Romaine Brooks | Adelyn D. Breeskin | 156 | ||
October 1980 | 79 | Artnews | The Great Parade: Leger's final masterpiece | Thomas M. Messer | 160 | ||
October 1980 | 79 | Artnews | Philadelphia: Relentless serenity | Ann Jarmusch | 177 | The Nation | |
October 1980 | 79 | Artnews | San Francisco: Calculated shadows | Thomas Albright | 184 | The Nation | |
October 1980 | 79 | Artnews | Kansas City: Dizzy directionals | Victoria Kirsch Melcher | 190 | The Nation | |
October 1980 | 79 | Artnews | Salt Lake City: Simple dignity | George Dibble | 194 | The Nation | |
October 1980 | 79 | Artnews | London: Abstraction in five stages | William Feaver | 201 | The World | |
November 1980 | 79 | Artnews | Is that an Arp or a hard-boiled egg? | Gilbert Millstein | 8 | ||
November 1980 | 79 | Artnews | Gee, what's happened to Andy Warhol? | Paul Gardner | 72 | ||
November 1980 | 79 | Artnews | Punk rocks the art world | Michael Shore | 78 | ||
November 1980 | 79 | Artnews | William S. Lieberman's 'game of bravado and silence' | Avis Berman | 86 | ||
November 1980 | 79 | Artnews | Still funky but oh so chic SoHo | William Zimmer | 90 | ||
November 1980 | 79 | Artnews | A visit to the Metropolitan Museum's American Wing | Cynthia Nadelman | 94 | ||
November 1980 | 79 | Artnews | The Fist of Boccioni meets Miss FlicFlic ChiapChiap | Anne d'Harnoncourt | 110 | ||
November 1980 | 79 | Artnews | The Boston art party | Pamela Allara | 118 | ||
November 1980 | 79 | Artnews | Hartford's Wadsworth Atheneum | Edward J. Sozanski | 124 | ||
November 1980 | 79 | Artnews | What makes a woman beautiful? | 128 | |||
November 1980 | 79 | Artnews | The unearthly Being behind everything' | Paul Vogt | 138 | ||
November 1980 | 79 | Artnews | Schiele: 'Do I have talent?' Klimt: 'Much too much!' | Richard Whelan | 144 | ||
November 1980 | 79 | Artnews | Rodin through his own eyes | Richard Whelan | 150 | ||
November 1980 | 79 | Artnews | Los Angeles: Pink horses | Melinda Wortz | 163 | The Nation | |
November 1980 | 79 | Artnews | San Francisco: 20 artists | Thomas Albright | 165 | The Nation | |
November 1980 | 79 | Artnews | Chicago: Genial graffiti | David Elliott | 174 | The Nation | |
November 1980 | 79 | Artnews | Houston: In a volcano | Charlotte Moser | 181 | The Nation | |
November 1980 | 79 | Artnews | London: Plaster dollops | William Feaver | 189 | The World | |
November 1980 | 79 | Artnews | Toronto: Cows with wings | Karen Wilkin | 189 | The World | |
December 1980 | 79 | Artnews | Romare Bearden | Avis Berman | 60 | ||
December 1980 | 79 | Artnews | Ripe for revival: Forgotten American artists | Linda S. Ferber | 68 | ||
December 1980 | 79 | Artnews | Where are the lost American masterpieces? | Roxana Barry | 74 | ||
December 1980 | 79 | Artnews | Transcendental admirers: Turner's American friends | James R. Mellow | 80 | ||
December 1980 | 79 | Artnews | The Terra Museum of American Art | Franz Schulze | 84 | ||
December 1980 | 79 | Artnews | Brighter days for art in South Florida | Helen L. Kohen | 96 | ||
December 1980 | 79 | Artnews | New Orleans: Not afraid of the kindness of strangers | Roger Green | 100 | ||
December 1980 | 79 | Artnews | Dragomans, sheiks and moon-faced beauties | Janet Quinn Tassel | 106 | ||
December 1980 | 79 | Artnews | Playing cowboys and artists in Houston | Charlotte Moser | 124 | ||
December 1980 | 79 | Artnews | New Mexico: Smoke rings and Shinto shrines | William Peterson | 136 | ||
December 1980 | 79 | Artnews | Arizona: 'Varied, energetic and exciting' | Barbara H. Perlman | 146 | ||
December 1980 | 79 | Artnews | Dallas: Psychedelic spaceships, minimal metalworks | Janet Kutner | 155 | ||
December 1980 | 79 | Artnews | Veneziano's St. Lucy Altarpiece | James Beck | 168 | ||
December 1980 | 79 | Artnews | Washington, D. C.: "Works on paper" | Jo Ann Lewis | 171 | The Nation | |
December 1980 | 79 | Artnews | Los Angeles: Clouds dripping paint | Melinda Wortz | 171 | The Nation | |
December 1980 | 79 | Artnews | San Francisco: Colliding galaxies | Thomas Albright | 176 | The Nation | |
December 1980 | 79 | Artnews | London: Love's flavor lost | William Feaver | 181 | The World | |
January 1979 | 78 | Artnews | Arcimboldo, Animals in Art, Audubon, John Crome the Elder and David Levine | Alfred Frankenstein | 28 | Books | |
January 1979 | 78 | Artnews | Marc Chagall | Mahonri Sharp Young | 30 | Books | |
January 1979 | 78 | Artnews | Russian Realism | Margaret Betz | 31 | Books | |
January 1979 | 78 | Artnews | Rothko's journey into the unknown | Donald Goddard | 36 | ||
January 1979 | 78 | Artnews | Willem de Kooning remembers Mark Rothko | Joseph Liss | 41 | ||
January 1979 | 78 | Artnews | The obsessions of Edvard Munch | Benjamin Forgey | 45 | ||
January 1979 | 78 | Artnews | How Norway fosters the long genius | William R. Hegeman | 46 | ||
January 1979 | 78 | Artnews | Beaubourg: A magnificent toy tries to define itself | Carolyn Friday Paul | 48 | ||
January 1979 | 78 | Artnews | William Randolph Hearst's enchanted hill | Patricia Failing | 53 | ||
January 1979 | 78 | Artnews | Guess who's coming to Judy Chicago's dinner | Thomas Albright | 60 | ||
January 1979 | 78 | Artnews | Robert Graham: Ignoring the lessons of modern art | Barbara Isenberg | 66 | ||
January 1979 | 78 | Artnews | Crawling, like Alice, down the rabbit hole | Melinda Wortz | 71 | ||
January 1979 | 78 | Artnews | The birth of Abstract Expressionism | Ellen Schwartz | 75 | ||
January 1979 | 78 | Artnews | George Segal's old friend | William R. Hegeman | 80 | ||
January 1979 | 78 | Artnews | Pleasures and peccadilloes of an imperfect show | Piri Halasz | 88 | ||
January 1979 | 78 | Artnews | Boston: Boosting the home team | Pamela Allara | 93 | The Nation | |
January 1979 | 78 | Artnews | Los Angeles: Where conceptual meets perceptual | Susan Larsen | 94 | The Nation | |
January 1979 | 78 | Artnews | San Francisco: Pat Brown in glowing color | Thomas Albright | 103 | The Nation | |
January 1979 | 78 | Artnews | Houston: Hispanic visions | Charlotte Moser | 110 | The Nation | |
January 1979 | 78 | Artnews | Phoenix: Noble savage and matters of vengeance | Barbara Perlman | 115 | The Nation | |
January 1979 | 78 | Artnews | Edinburgh: Paradise garden, rural nooks | William Feaver | 123 | The World | |
January 1979 | 78 | Artnews | Paris: Unforgettable portraits | Michael Gibson | 127 | The World | |
February 1979 | 78 | Artnews | Mackintosh's visionary watercolors | Richard Whelan | 32 | Books | |
February 1979 | 78 | Artnews | Ivan Albright, a modern moralist | Alfred Frankenstein | 32 | Books | |
February 1979 | 78 | Artnews | Chartreuse light in a phone booth | Pamela Allara | 39 | Photography | |
February 1979 | 78 | Artnews | Chicago: Bigger and livelier but... | Franz Schulze | 40 | ||
February 1979 | 78 | Artnews | Collecting in Chicago: 'Love affairs with art' | Judith Goldman | 46 | ||
February 1979 | 78 | Artnews | Power politics and lost integrity | Franz Schulze | 53 | ||
February 1979 | 78 | Artnews | Art replicas: A question of ethics | Albert Elsen, John Merryman | 61 | ||
February 1979 | 78 | Artnews | A dollar, a dream and a passion for art | Terry Trucco | 62 | ||
February 1979 | 78 | Artnews | Rufino Tamayo: 'There are spirits in my country' | John Gruen | 64 | ||
February 1979 | 78 | Artnews | Has culture outgrown its sources of support? | Helen Duffy | 78 | ||
February 1979 | 78 | Artnews | Rugged individualists with no urge to roam | Karen Wilkin | 84 | ||
February 1979 | 78 | Artnews | Rebel painter with a dash of Edgar Allan Poe | Joan Murray | 92 | ||
February 1979 | 78 | Artnews | Where the politics of art meets the art of politics | Mary Lynn Kotz | 96 | ||
February 1979 | 78 | Artnews | Newark: The Gorky murals - a bit of detective work | Ellen Schwartz | 136 | The Nation | |
February 1979 | 78 | Artnews | New York: The MOMA tower - a new lease | Lee Rosenbaum | 137 | The Nation | |
February 1979 | 78 | Artnews | Los Angeles: 'Have you met Dick Nixon?' | Susan C. Larsen | 140 | The Nation | |
February 1979 | 78 | Artnews | San Francisco: Mood without melodrama | Thomas Albright | 144 | The Nation | |
February 1979 | 78 | Artnews | Miami: The Cubans of Miami | Ellen Edwards | 147 | The Nation | |
February 1979 | 78 | Artnews | Amsterdam: Perpetual twilight world | Jules B. Farber | 152 | The World | |
February 1979 | 78 | Artnews | Paris: An indestructible affection for life | Michael Gibson | 156 | The World | |
February 1979 | 78 | Artnews | London: A radical overhaul | William Feaver | 164 | The World | |
March 1979 | 78 | Artnews | Facts and fun of print collecting | Richard Whelan | 29 | Books | |
March 1979 | 78 | Artnews | American realism, Vollard's recollections, Monet's year at Giverny and Louis Michel Eilshemius | Alfred Frankenstein | 29 | Books | |
March 1979 | 78 | Artnews | The remarkable Betty Parsons | Grace Lichtenstein | 52 | ||
March 1979 | 78 | Artnews | Jackie Winsor: Eloquence of a 'Yankee pioneer' | John Gruen | 57 | ||
March 1979 | 78 | Artnews | John Cage strikes a now note | Jane Bell | 61 | ||
March 1979 | 78 | Artnews | Palatable prints | Phyllis D. Massar | 65 | ||
March 1979 | 78 | Artnews | Daumier: An acute sense of the human dramas of his time | Susan C. Larsen | 70 | ||
March 1979 | 78 | Artnews | The empathetic interpretations of Oskar Kokoschka | Benjamin Forgey | 76 | ||
March 1979 | 78 | Artnews | Look! It's Vogels!' | Paul Gardner | 84 | ||
March 1979 | 78 | Artnews | The new prominence of Israeli art | Susan C. Larsen | 92 | ||
March 1979 | 78 | Artnews | From the folks who brought you Ruckus Manhattan | Janet Wilson | 102 | ||
March 1979 | 78 | Artnews | Nelson Rockefeller, 1908-1979 | Patricia Failing | 109 | ||
March 1979 | 78 | Artnews | Thomas Nast's triumphant return to Germany | Alan Levy | 118 | ||
March 1979 | 78 | Artnews | Philadelphia: Intermittent touching | Ann Jarmusch | 129 | The Nation | |
March 1979 | 78 | Artnews | New York: Quick fix, refit and systems convert | Terry Trucco | 131 | The Nation | |
March 1979 | 78 | Artnews | Dallas: Graf-feet-I, glitter and crab claws | Janit Kutner | 132 | The Nation | |
March 1979 | 78 | Artnews | Los Angeles: Cupid meets Mr. Peanut | Melinda Wortz | 142 | The Nation | |
March 1979 | 78 | Artnews | Kansas City: A heart of passionate color | Victoria Kirsch Melcher | 154 | The Nation | |
March 1979 | 78 | Artnews | Paris: Beyond the therapeutic | Michael Gibson | 161 | The World | |
March 1979 | 78 | Artnews | Some truth, not the whole truth | John E. Bowlt | 161 | The World | |
March 1979 | 78 | Artnews | Artemis: Discreet superpower; 'That's a Piero. Congratulations!' | Lee Rosenbaum | 168 | The Art Market | |
April 1979 | 78 | Artnews | Incomparable lucidity and passion' | Sam Hunter | 31 | Books | |
April 1979 | 78 | Artnews | Daguerre to Brownie | Richard Whelan | 31 | Books | |
April 1979 | 78 | Artnews | The eye of his people | A.D. Coleman | 36 | Books | |
April 1979 | 78 | Artnews | The Degas bronzes Degas never knew | Patricia Failing | 38 | ||
April 1979 | 78 | Artnews | Plain and fancy out on the Prairie | Franz Schulze | 42 | ||
April 1979 | 78 | Artnews | Jack Levine: Proud to be a social realist | Gerrit Henry | 46 | ||
April 1979 | 78 | Artnews | The Lipchitz imbroglio | Malcolm N. Carter | 50 | ||
April 1979 | 78 | Artnews | Nadar, the Second Empire's 'King of Photographers' | Anita Ventura Mozley | 58 | ||
April 1979 | 78 | Artnews | Post-modern photography: It doesn't look 'modern' at all | Gene Thornton | 64 | ||
April 1979 | 78 | Artnews | Cornell Capa's 'lightouse of photography' | Richard Whelan | 70 | ||
April 1979 | 78 | Artnews | The Philadelphia Museum's enviable acquisition | Janet Wilson | 77 | ||
April 1979 | 78 | Artnews | Discerning trends at the Whitney | Richard Whelan | 84 | ||
April 1979 | 78 | Artnews | Setting standards' at the Corcoran | Jo Ann Lewis | 85 | ||
April 1979 | 78 | Artnews | Simon Rodia's incredible towers | Bill Billiter | 92 | ||
April 1979 | 78 | Artnews | Where will Gabriel's garden go? | Patricia Elsen | 96 | ||
April 1979 | 78 | Artnews | San Francisco: Star streaks | Thomas Albright | 101 | The Nation | |
April 1979 | 78 | Artnews | Los Angeles: Vigor and variety | Melinda Wortz | 103 | The Nation | |
April 1979 | 78 | Artnews | Washington, D.C.: Stealing the show | Jo Ann Lewis | 118 | The Nation | |
April 1979 | 78 | Artnews | Seattle: Wowing passersby | Steven Winn | 112 | The Nation | |
April 1979 | 78 | Artnews | London: Apartheid for fashionmongers | William Feaver | 125 | The World | |
April 1979 | 78 | Artnews | Amsterdam: The Inspectorship of Movable Monuments | Gary Schwartz | 126 | The World | |
April 1979 | 78 | Artnews | Paris: Existential Magritte | Michael Gibson | 134 | The World | |
Spetember 1979 | 78 | Artnews | Light-induced intoxication | Richard Whelan | 29 | Books | |
Spetember 1979 | 78 | Artnews | Cutting through myths | Albert Elsen | 29 | Books | |
Spetember 1979 | 78 | Artnews | Uptown-downtown, insider-outsider world of Washington art | Benjamin Forgey | 50 | ||
Spetember 1979 | 78 | Artnews | J. Carter Brown's patrician chutzpah | Sandra McElwaine | 55 | ||
Spetember 1979 | 78 | Artnews | The National Endowment for the Arts grows up | Malcolm N. Carter | 59 | ||
Spetember 1979 | 78 | Artnews | Richard Anuszkiewicz: A beautiful discourse with space | John Gruen | 68 | ||
Spetember 1979 | 78 | Artnews | The lively market in prints | Cynthia Saltzman | 76 | ||
Spetember 1979 | 78 | Artnews | A printer for the jet age | William R. Hegeman | 86 | ||
Spetember 1979 | 78 | Artnews | Some of the finest examples of American printmaking | Gail Levin | 90 | ||
Spetember 1979 | 78 | Artnews | Neo-Dada, dream imagery, sex, irony and urban alienation | Joanna Shaw-Eagle | 96 | ||
Spetember 1979 | 78 | Artnews | A magic of execution that can drive you to despair' | Gabriel P. Weisberg | 100 | ||
Spetember 1979 | 78 | Artnews | The Lipchitz Tree of Life controversy, continued | Malcolm N. Carter | 105 | ||
Spetember 1979 | 78 | Artnews | Urban sculpture: Cultural token or ornaments to life? | Harriet Senie | 108 | ||
Spetember 1979 | 78 | Artnews | San Francisco: Sleepers and spectacles | Thomas Albright | 117 | The Nation | |
Spetember 1979 | 78 | Artnews | Boston: Quintessentially Bostonian | Pamela Allara | 123 | The Nation | |
Spetember 1979 | 78 | Artnews | La Jolla: Trompe l'oeil virtuosity | Melinda Wortz | 132 | The Nation | |
Spetember 1979 | 78 | Artnews | Scottsdale: Hiding from infinity | Barbara Perlman | 139 | The Nation | |
Spetember 1979 | 78 | Artnews | Brooklyn, Connecticut: How to keep 'em down on the farm | Cynthia Nadelman | 146 | The Nation | |
Spetember 1979 | 78 | Artnews | Seattle: Executive Order No. 9066 | William W. Lew | 148 | The Nation | |
Spetember 1979 | 78 | Artnews | London: With a fizzle and a pop | William Feaver | 155 | The World | |
Spetember 1979 | 78 | Artnews | Venice: Photography from Zola to Appolo 12 | Milton Gendel | 156 | The World | |
Spetember 1979 | 78 | Artnews | Paris: 'Paris-Moscou' - Nuances of information | Michael Gibson | 164 | The World | |
Spetember 1979 | 78 | Artnews | Vancouver: Canadian Fauve | Karen Wilkins | 170 | The World | |
October 1979 | 78 | Artnews | Lofty passions, snappy puns | Richard Whelan | 53 | Books | |
October 1979 | 78 | Artnews | The museum of Modern Art at 50 | Barbaralee Diamonstein | 61 | ||
October 1979 | 78 | Artnews | The making of a museum | Terry Trucco | 62 | ||
October 1979 | 78 | Artnews | Yesterday's world of tomorrow | Neil Harris | 68 | ||
October 1979 | 78 | Artnews | From evangelical tent show to modern museum | Milton Gendel | 74 | ||
October 1979 | 78 | Artnews | A matter of quality, a sense of history | Jean Sutherland Boggs | 82 | ||
October 1979 | 78 | Artnews | Prints: Set loose from the baggage of convention | Joshua Taylor Dore Ashton | 88 | ||
October 1979 | 78 | Artnews | Drawings: 'An obbligato to the paintings and sculpture' | Dore Ashton | 92 | ||
October 1979 | 78 | Artnews | Architecture is an art and MOMA is its prophet' | Peter blake | 96 | ||
October 1979 | 78 | Artnews | Phorography: 'No other institution comes close' | A.D. Coleman | 102 | ||
October 1979 | 78 | Artnews | MOMA and the movie | Andrew Sarris | 108 | ||
October 1979 | 78 | Artnews | When MOMA met the avant-garden | Irving Sanders | 114 | ||
October 1979 | 78 | Artnews | I Remember MOMA | Monroe Wheeler | 126 | ||
October 1979 | 78 | Artnews | Alfred H. Barr, Jr.: He set the pace and shaped the style | Beaumont Newhall | 134 | ||
October 1979 | 78 | Artnews | Rene d'Harnoncourt: 'Things we can't conceive of yet' | Elizabeth Shaw | 138 | ||
October 1979 | 78 | Artnews | Who makes MOMA run? | Patricia Failing, Terry Trucco, Janet Wilson | 141 | ||
October 1979 | 78 | Artnews | How contemporary is Modern? | John Hallmark Neff | 172 | ||
October 1979 | 78 | Artnews | Townhouse to tower | Paul Goldberger | 180 | ||
October 1979 | 78 | Artnews | Paradigms, watersheds and frosting on the cake | Grace Glueck | 186 | ||
November 1979 | 78 | Artnews | Where is New York | Peter Frank | 58 | ||
November 1979 | 78 | Artnews | What's that forest doing in Greenwich Village? | Cynthia Nadelman | 66 | ||
November 1979 | 78 | Artnews | 57th Street: 'The richest art strip in the world' | Paul Gardner | 72 | ||
November 1979 | 78 | Artnews | The theft of SoHo | Ann Standaert Bowden | 82 | ||
November 1979 | 78 | Artnews | Baron Thyssen's old masters: 'A collection of extraordinary visual intensity' | Alan Levy | 88 | ||
November 1979 | 78 | Artnews | Boston: Shedding its inferiority complex | Pamela Allara | 98 | ||
November 1979 | 78 | Artnews | At the Museum of Fine Arts: Rebirth and renewal | Kay Larson | 110 | ||
November 1979 | 78 | Artnews | Cartier-Bresson: 'Photography is a physical pleasure' | Richard Whelan | 120 | ||
November 1979 | 78 | Artnews | The courtship, marriage and exploits of Punchinello | Adelheid M. Gealt | 134 | ||
November 1979 | 78 | Artnews | William Bailey: Mystery and mastery | John Gruen | 140 | ||
November 1979 | 78 | Artnews | San Francisco: No ocean, no waves | Thomas Albright | 149 | The Nation | |
November 1979 | 78 | Artnews | Washington, D.C.: Voices of silence | Meir Ronnen | 152 | The Nation | |
November 1979 | 78 | Artnews | Austin: Between mainstream and funk | Janet Kutner | 153 | The Nation | |
November 1979 | 78 | Artnews | Houston: Beyond the frame | John E. Bowlt | 160 | The Nation | |
November 1979 | 78 | Artnews | Kansas City: Sunspots and night ladders | Victoria Kirsch Melcher | 166 | The Nation | |
November 1979 | 78 | Artnews | London: Golddiggers of Red Square 1923 | William Feaver | 177 | The World | |
December 1979 | 78 | Artnews | Midwife and soothsayer | Richard Whelan | 34 | Books | |
December 1979 | 78 | Artnews | Brooklyn's il Magnifico | Richard F. Shepard | 34 | Books | |
December 1979 | 78 | Artnews | Raphael Soyer at 80: 'Not painting would be like not breathing' | Avis Berman | 38 | ||
December 1979 | 78 | Artnews | If one hasn't visited Count Panza's Villa, one doesn't really know what collecting is all about' | Milton Gendel | 44 | ||
December 1979 | 78 | Artnews | Will Robert Abrams raise the ethical consciousness of museums? | Lee Rosenbaum | 50 | ||
December 1979 | 78 | Artnews | The 'healing vision': Sculpture between the wars | Ellen Schwartz | 60 | ||
December 1979 | 78 | Artnews | New Orleans: Forgetting to care about art | Roger Green | 70 | ||
December 1979 | 78 | Artnews | South Florida: No longer a last resort for art | Ellen Edwards | 78 | ||
December 1979 | 78 | Artnews | The 'moral right' comes to California | Stephen E. Weil | 88 | ||
December 1979 | 78 | Artnews | Texas museums: Gambling for big change | Charlotte Moser | 96 | ||
December 1979 | 78 | Artnews | The rip-roaring, record-breaking western art market | Richard Blodgett | 102 | ||
December 1979 | 78 | Artnews | The timeless sculpture of a plain and happy man | Barbara Perlman | 112 | ||
December 1979 | 78 | Artnews | The peculiar history of Forest Fire: Where there's smoke | John Bowlt | 118 | ||
December 1979 | 78 | Artnews | Washington, D.C.: Not a monument yet | Jo Ann Lewis | 127 | The Nation | |
December 1979 | 78 | Artnews | Los Angeles: Anthropomorphic soup can | Melinda Wortz | 129 | The Nation | |
December 1979 | 78 | Artnews | Seattle: Earth-shaping events | Steven Winn | 136 | The Nation | |
December 1979 | 78 | Artnews | San Francisco: Old masters by the carload | Thomas Albright | 140 | The Nation | |
December 1979 | 78 | Artnews | The power and passion of Oceanic art | Joanna Shaw-Eagle | 144 | The Nation | |
December 1979 | 78 | Artnews | London: Rolling heads, beaten bosoms | William Feaver | 149 | The World | |
February 1978 | 77 | Artnews | Have the French been 'shockingly negligent of their greatest artistic glory'? | Mary Blume | 36 | ||
February 1978 | 77 | Artnews | Tehran's ancient new museum | Souren Melikian | 42 | ||
February 1978 | 77 | Artnews | Teeming with life: 'Treasures of Early Irish Art' | Harry Bober | 46 | ||
February 1978 | 77 | Artnews | Will the Acropolis someday be a copy? | Malcolm N. Carter | 50 | ||
February 1978 | 77 | Artnews | Two from Nevelson | Ellen Schwartz | 54 | ||
February 1978 | 77 | Artnews | Shakeup at Sao Paulo | Marc Berkowitz | 56 | ||
February 1978 | 77 | Artnews | The State Department versus the dealers | Phillip M. Kadis | 58 | ||
February 1978 | 77 | Artnews | Another opinion | Clemency Coggins | 59 | ||
February 1978 | 77 | Artnews | Do California artists have more fun? | Gordon J. Hazlitt | 64 | ||
February 1978 | 77 | Artnews | The Norton Simon Museum is really impressive | Patricia Failing | 73 | ||
February 1978 | 77 | Artnews | Emerson Woelffer: A born painter | Robert Motherwell | 80 | ||
February 1978 | 77 | Artnews | Scrambling around' among ordinary problems | Thomas Albright | 82 | ||
February 1978 | 77 | Artnews | San Francisco: Bay Area Figurative | Thomas Albright | 102 | The Nation | |
February 1978 | 77 | Artnews | Los Angeles: Random matches, and states of confusion | Susan C. Larsen | 103 | The Nation | |
February 1978 | 77 | Artnews | Inner city of the mind | Melinda Wortz | 106 | The Nation | |
February 1978 | 77 | Artnews | New York: Calder's 'ballet without dancers' | Ruth Wolfe | 108 | The Nation | |
February 1978 | 77 | Artnews | Pittsburgh: 'Sculpturescape' | Maureen Meister | 110 | The Nation | |
February 1978 | 77 | Artnews | Chicago: Moonstruck constructs | Franz Schulze | 113 | The Nation | |
February 1978 | 77 | Artnews | Atlanta: Back to school | Sherry Baker | 114 | The Nation | |
February 1978 | 77 | Artnews | St. Louis: Respect for the past | Mary King | 119 | The Nation | |
February 1978 | 77 | Artnews | London: Leonardo's curiosity | William Feaver | 122 | The World | |
February 1978 | 77 | Artnews | Paris: 'Bonjour, M. Courbet' | Michael Gibson | 123 | The World | |
February 1978 | 77 | Artnews | Dusseldorf: Millimeters are the question | John Anthony Thwaites | 124 | The World | |
Summer 1978 | 77 | Artnews | The Mansoor collection: An insoluble controversy? | Sylvia Hochfield | 50 | ||
Summer 1978 | 77 | Artnews | An exhilarating triumph in Washington | Benjamin Forgey | 58 | ||
Summer 1978 | 77 | Artnews | I.M. Pei: 'The modern movement is now wide open' | Barbaralee Diamonstein | 63 | ||
Summer 1978 | 77 | Artnews | Henry Moore: 'An artist must remain a mystery to himself' | Franz Schulze | 68 | ||
Summer 1978 | 77 | Artnews | Richard Linder (1901-1978) | John Gruen | 74 | ||
Summer 1978 | 77 | Artnews | Gothic passion in Chicago | Franz Schulze | 78 | ||
Summer 1978 | 77 | Artnews | Picasso's estate: Untangling the 'inheritance of the century' | Carolyn Paul | 80 | ||
Summer 1978 | 77 | Artnews | The new man at the Met | Lee Rosenbaum | 89 | ||
Summer 1978 | 77 | Artnews | San Francisco: The force of universals | Thomas Albright | 174 | The Nation | |
Summer 1978 | 77 | Artnews | Los Angeles: From 'Metamagic' to Mother Earth | Melinda Wortz | 175 | The Nation | |
Summer 1978 | 77 | Artnews | Miami: Lichtenstein's mermaid | Ellen Edwards | 176 | The Nation | |
Summer 1978 | 77 | Artnews | Jackson: 'Blooming' in Mississippi | Terry Trucco | 179 | The Nation | |
Summer 1978 | 77 | Artnews | Paris: Is that a seal? | Michael Gibson | 183 | The World | |
Summer 1978 | 77 | Artnews | London: Prophetic seer and burlesque rake | William Feaver | 183 | The World | |
Summer 1978 | 77 | Artnews | Toronto: Gallery Row grows | Robert Fulford | 186 | The World | |
Summer 1978 | 77 | Artnews | Savage reflections from paradise' | Janet Hobhouse | 191 | Books | |
October 1978 | 77 | Artnews | Murky; The Photo League Rediscovered | Gene Thornton | 26 | Photography | |
October 1978 | 77 | Artnews | A gift for friendship | Alfred Frankenstein | 36 | Books | |
October 1978 | 77 | Artnews | The FDR Memorial: A monument to the art of accommodation | Malcolm N. Carter | 50 | ||
October 1978 | 77 | Artnews | The Great National Gallery Cleaning Controversy | Sylvia Hochfield | 58 | ||
October 1978 | 77 | Artnews | What is admired in Cologne may not be accepted in Munich | Dieter Honisch | 62 | ||
October 1978 | 77 | Artnews | Eight artists, two generations, singular preoccupations | John Anthony Thwaites | 70 | ||
October 1978 | 77 | Artnews | The West German art market | Christian Herchenroder | 78 | ||
October 1978 | 77 | Artnews | German artists: A low profile in the U.S. | Viola Herms Drath | 83 | ||
October 1978 | 77 | Artnews | Art is no luxury - art has its social uses' | Thomas Deecke | 88 | ||
October 1978 | 77 | Artnews | Peter Voulkos: Raw talent and Rabelaisian energy | Thomas Albright | 118 | ||
October 1978 | 77 | Artnews | Five centuries of Dresden splendors | Benjamin Forgey | 126 | ||
October 1978 | 77 | Artnews | The keen, loving eye of Charles Eames | Paul Goldberger | 135 | ||
October 1978 | 77 | Artnews | Los Angeles: Esthetics of emptiness | Melinda Wortz | 139 | The Nation | |
October 1978 | 77 | Artnews | Washington, D.C.: The strength and grace of Howard Mehring | Benjamin Forgey | 140 | The Nation | |
October 1978 | 77 | Artnews | Boston: Eros without emotion | Pamela Allara | 146 | The Nation | |
October 1978 | 77 | Artnews | Phoenix: Spirit of Manzu | Hugh T. Broadley | 152 | The Nation | |
October 1978 | 77 | Artnews | Scottsdale: How to paint Arizona | Barbara Perlman | 154 | The Nation | |
October 1978 | 77 | Artnews | Tamanrasset: The world's largest art gallery | Francis B. Randall | 169 | The World | |
December 1978 | 77 | Artnews | Isamu Noguchi and Julio Gonzalez | Ellen Schwartz | 27 | Books | |
December 1978 | 77 | Artnews | Hendrick Goltzius | George Szabo | 30 | Books | |
December 1978 | 77 | Artnews | Egyptomania in New York | Sylvia Hochfield | 44 | ||
December 1978 | 77 | Artnews | The grand party that was the Second Empire | Kirk Varnedoe | 50 | ||
December 1978 | 77 | Artnews | Catherine Murphy: The rise of a cult figure | John Gruen | 54 | ||
December 1978 | 77 | Artnews | Celebrating the American West with Harry Jackson | Janet Wilson | 58 | ||
December 1978 | 77 | Artnews | What really happened at Custer's Last Stand? | Don Russell | 63 | ||
December 1978 | 77 | Artnews | The abstract tipis of Little Bluff and Spotted Thunder | Jo Ann Lewis | 72 | ||
December 1978 | 77 | Artnews | Photography's shootout at the O.K. Corral | Gene Thornton | 76 | ||
December 1978 | 77 | Artnews | The 'Park Avenue Cubist' who went downtown | Susan C. Larsen | 80 | ||
December 1978 | 77 | Artnews | Gentle visions in an age of discontent | John E. Bowlt | 85 | ||
December 1978 | 77 | Artnews | The politics and perils of the loan show | Patricia Mainardi | 92 | ||
December 1978 | 77 | Artnews | Adolphe Monticelli: 'Some people thought him mad' | Aaron Sheon | 100 | ||
December 1978 | 77 | Artnews | Houston: The Rothko Chapel - A gentle glow | Ann Holmes | 109 | The Nation | |
December 1978 | 77 | Artnews | Controlling the chaos | Charlotte Moser | 112 | The Nation | |
December 1978 | 77 | Artnews | Los Angeles: Intimate mathematics | Susan C. Larsen | 113 | The Nation | |
December 1978 | 77 | Artnews | Detroit: Man and machine | Marsha Miro | 117 | The Nation | |
December 1978 | 77 | Artnews | Philadelphia: Apples for Adam and Eve | Ann Jarmusch | 122 | The Nation | |
December 1978 | 77 | Artnews | Winston-Salem: SECCA a binding force | Donald Sanders | 127 | The Nation | |
December 1978 | 77 | Artnews | Paris: A powerful temperament | Michael Gibson | 131 | The World | |
December 1978 | 77 | Artnews | London: An academic's progress | William Feaver | 133 | The World | |
January 1977 | 76 | Artnews | An Artist for all decades | Benjamin Forgey | 34 | ||
January 1977 | 76 | Artnews | The hoving years | Malcolm N. Carter | 37 | ||
January 1977 | 76 | Artnews | Video Art: A medium discovering itself | Jonathan Price | 41 | ||
January 1977 | 76 | Artnews | A refrain for Alexander Calder (1898-1976) | Franz Schulze | 48 | ||
January 1977 | 76 | Artnews | The practical dreams of Man Ray (1890-1976) | A. D. Coleman | 52 | ||
January 1977 | 76 | Artnews | Wonderful things...' | Sylvia Hochfield | 54 | ||
January 1977 | 76 | Artnews | The privilege and passion of directing museums | John Gruen | 58 | ||
January 1977 | 76 | Artnews | California art since the 'modern dawn' | Thomas Albright | 68 | ||
January 1977 | 76 | Artnews | Five Footnotes to Modern Art History' | Melinda Wortz | 73 | ||
January 1977 | 76 | Artnews | Problem solving in solitude | Gordon J. Hazlitt | 76 | ||
January 1977 | 76 | Artnews | Bruce Conner is not 'Bruce Conner' | Jerome Tarshis | 80 | ||
January 1977 | 76 | Artnews | Los Angeles: Exposure to process | Melinda Wortz | 88 | The Nation | |
January 1977 | 76 | Artnews | Nearing Obliteration | Gordon J. Hazlitt | 89 | The Nation | |
January 1977 | 76 | Artnews | San Francisco: Slouching morality and inky galaxies | Thomas Albright | 90 | The Nation | |
January 1977 | 76 | Artnews | Philadelphia: Two out of Eight | Ann Jarmusch | 92 | The Nation | |
January 1977 | 76 | Artnews | Boston: Alluring glass, whimsical trash | Jane Holtz Kay | 96 | The Nation | |
January 1977 | 76 | Artnews | Washington, D.C.: Upward reappraisal | Piri Halasz | 100 | The Nation | |
January 1977 | 76 | Artnews | London: Restaging Pompeii | William Feaver | 102 | The World | |
February 1977 | 76 | Artnews | Mind bending' with George Segal | Albert Elsen | 34 | ||
February 1977 | 76 | Artnews | 'Capitalist decadent?' | Amy Newman | 36 | ||
February 1977 | 76 | Artnews | Buffet's refrigerator and the integrity of the work of art | John Henry Merryman | 38 | ||
February 1977 | 76 | Artnews | Robert Rauschenberg: An audience of one | John Gruen | 44 | ||
February 1977 | 76 | Artnews | Where are the women museum directors? | Terry Trucco | 52 | ||
February 1977 | 76 | Artnews | Jackson Pollock's drawings under alaysis | Betsy Carter | 58 | ||
February 1977 | 76 | Artnews | Some unresolved questions | Janet Hobhouse | 58 | ||
February 1977 | 76 | Artnews | The restless experiments of Hans Hofmann | Benjamin Forgey | 62 | ||
February 1977 | 76 | Artnews | An 'autobiography of visual poems' | Barbara Zucker | 68 | ||
February 1977 | 76 | Artnews | Houston's new cultural decision makers | charlotte Moser | 74 | ||
February 1977 | 76 | Artnews | Texas' small museums discovering each other | Janet Kutner | 77 | ||
February 1977 | 76 | Artnews | Washington, D.C.: Jacob Kainen: Vision and technique | Benjamin Forgey | 86 | The Nation | |
February 1977 | 76 | Artnews | San Francisco: Wayne Thiebaud: Outdistancing Pop | Thomas Albright | 86 | The Nation | |
February 1977 | 76 | Artnews | Los Angeles: Kitsch materials, elegant compositions | Melinda Wortz | 90 | The Nation | |
February 1977 | 76 | Artnews | Houston: Monster miniatures and treasure boxes | Charlotte Moser | 92 | The Nation | |
February 1977 | 76 | Artnews | Haarlem: 'Soap bubble' of the Enlightenment | Gary Schwartz | 95 | The World | |
February 1977 | 76 | Artnews | Jerusalem: Superannuated sculpture | Meir Ronen | 96 | The World | |
April 1977 | 76 | Artnews | A modern Medici for public art | Jo Ann Lewis | 36 | ||
April 1977 | 76 | Artnews | Jack Beal's history of American labor | Benjamin Forgey | 38 | ||
April 1977 | 76 | Artnews | A private joke between myself and myself' | Janet Hobhouse | 41 | ||
April 1977 | 76 | Artnews | Surrealism's automatic painting lesson | Jeffrey Wechsler | 44 | ||
April 1977 | 76 | Artnews | MOMA's tower in the sky | Gerald Marzorati | 54 | ||
April 1977 | 76 | Artnews | The relentlessly personal vision of Lucian Freud | John Gruen | 60 | ||
April 1977 | 76 | Artnews | A consistently discriminating connoisseurship' | Franz Schulze | 64 | ||
April 1977 | 76 | Artnews | Canada - A new national vision | Benjamin Forgey | 70 | ||
April 1977 | 76 | Artnews | Canada's restive nationalism | Robert Fulford | 76 | ||
April 1977 | 76 | Artnews | Banking art in Ottawa | Roy Bongartz | 80 | ||
April 1977 | 76 | Artnews | San Francisco: Painterly allegories and ceramic parables | Thomas Albright | 88 | The Nation | |
April 1977 | 76 | Artnews | Philadelphia: Suspended in shadow | Ann Jarmusch | 89 | The Nation | |
April 1977 | 76 | Artnews | Chicago: Aristocratic naïve | Alan G. Artner | 92 | The Nation | |
April 1977 | 76 | Artnews | Houston: Squaring off | Charlotte Moser | 94 | The Nation | |
April 1977 | 76 | Artnews | Paris: The battle of the blot | Michael Gibson | 101 | The World | |
April 1977 | 76 | Artnews | London: Atrophy through isolation | William Feaver | 102 | The World | |
April 1977 | 76 | Artnews | The Whitney Biennial | Benjamin Forgey | 120 | ||
Summer 1977 | 76 | Artnews | Lords, ladies and common folk at Yale | Alfred Frankenstein | 40 | ||
Summer 1977 | 76 | Artnews | Chagall at 90 | Aline Mosby | 44 | ||
Summer 1977 | 76 | Artnews | Everything I've done in the last five years doesn't exist' | Thomas Albright | 49 | ||
Summer 1977 | 76 | Artnews | Floating' a line in space | Ellen Schwartz | 52 | ||
Summer 1977 | 76 | Artnews | The house that Joan Mondale decorated | Sarah Booth Conroy | 56 | ||
Summer 1977 | 76 | Artnews | Sending 'the best of America' abroad | Fred Ferretti | 62 | ||
Summer 1977 | 76 | Artnews | Russian and Soviet painting' | Charles S. Mayer | 68 | ||
Summer 1977 | 76 | Artnews | Horace Pippin's 'personal spiritual journey' | Benjamin Forgey | 74 | ||
Summer 1977 | 76 | Artnews | Antiques | Marvin D. Schwartz | 144 | ||
Summer 1977 | 76 | Artnews | Giovanni Urbani and restoration Italian-style | Milton Gendel | 146 | ||
Summer 1977 | 76 | Artnews | A commitment to the past | Garbriel Weisberg | 150 | ||
Summer 1977 | 76 | Artnews | Independence in the face of conformity | Stephen Polcari | 153 | ||
Summer 1977 | 76 | Artnews | Chicago: Fair Game | Alan G. Artner | 158 | The Nation | |
Summer 1977 | 76 | Artnews | Los Angeles: Female Prometheus, David and Bathsheba | Melinda Wortz | 159 | The Nation | |
Summer 1977 | 76 | Artnews | New Orleans: 'Five from Louisiana' | Luba Glade | 163 | The Nation | |
Summer 1977 | 76 | Artnews | Washington, D.C.: Plumbbobs and waiting rooms | Benjamin Forgey | 168 | The Nation | |
Summer 1977 | 76 | Artnews | Philadelphia: Slapping wrists | Ann Jarmusch | 170 | The Nation | |
Summer 1977 | 76 | Artnews | Miami: The Lipchitz legacy | Ellen Schwartz | 167 | The Nation | |
Summer 1977 | 76 | Artnews | Brussels: Ruben years - Carnival in Flanders | Rona Dobson | 176 | The World | |
Summer 1977 | 76 | Artnews | London: The British Jubilee | William Feaver | 179 | The World | |
September 1977 | 76 | Artnews | Jim Dine and the life of objects | John Gruen | 38 | ||
September 1977 | 76 | Artnews | Pushing future directions in modern design | Barbaralee Diamonstein | 43 | ||
September 1977 | 76 | Artnews | Documenta 6 | John Anthony Thwaites | 46 | ||
September 1977 | 76 | Artnews | The master printer of Bedford, N.Y. | Judith Goldman | 50 | ||
September 1977 | 76 | Artnews | Picasso's 'cries of children...cries of stones' | Patricia Failing | 55 | ||
September 1977 | 76 | Artnews | The Stamp of Whistler' | Gabriel P. Weisberg | 66 | ||
September 1977 | 76 | Artnews | Ambroise Vollard - Impresario' | Gerald Needham | 78 | ||
September 1977 | 76 | Artnews | Traces of the Brush': The poetry of the painted word | Joanna Shaw-Eagle | 84 | ||
September 1977 | 76 | Artnews | MOMA's survival plan: More harm than good? | Terry Trucco | 90 | ||
September 1977 | 76 | Artnews | Paris' contemporary art fair | Michael Gibson | 92 | ||
September 1977 | 76 | Artnews | Paris: Tale of two cities | John Gruen | 109 | The World | |
September 1977 | 76 | Artnews | Soochow: The Venice of China | Francis B. Randall | 112 | The World | |
September 1977 | 76 | Artnews | Washington, D.C.: Masterpieces of No | Joanna Shaw-Eagle | 116 | The Nation | |
September 1977 | 76 | Artnews | New York: Versailles in Indiana limestone | Gerrit Henry | 117 | ||
September 1977 | 76 | Artnews | Los Angeles: Modish saw cuts | Gordon J. Hazlitt | 117 | ||
September 1977 | 76 | Artnews | San Francisco: Meditations on 11 purring cats | Thomas Albright | 120 | ||
September 1977 | 76 | Artnews | Charleston: A neglected sculptor at Spoleto, U.S.A. | John Gruen | 122 | ||
September 1977 | 76 | Artnews | Lincoln: Being not doing | Sheldon Reich | 132 | ||
September 1977 | 76 | Artnews | Portland: The Maryhill investigation | Patricia Failing | 128 | The Nation | |
September 1977 | 76 | Artnews | The presentation of mystery' | Albert Elsen | 136 | Books | |
October 1977 | 76 | Artnews | Rooms with a point of view | Kay Larson | 32 | ||
October 1977 | 76 | Artnews | Trends of the Twenties' | William S. Lieberman | 39 | ||
October 1977 | 76 | Artnews | Who should manage museums? | Phillip M. Kadis | 46 | ||
October 1977 | 76 | Artnews | The arts bills: Pluses and minuses | Albert Elsen | 52 | ||
October 1977 | 76 | Artnews | The shopping boom at your local museum | Terry Trucco | 56 | ||
October 1977 | 76 | Artnews | The quiet voice of Naum Gabo (1890-1977) | Albert Elsen | 62 | ||
October 1977 | 76 | Artnews | American art 1910-1940: A neglected vision | Benjamin Forgey | 66 | ||
October 1977 | 76 | Artnews | Palladio's splendid creations | Franz Schulze | 70 | ||
October 1977 | 76 | Artnews | The impact of the Rothko case | Malcolm N. Carter | 78 | ||
October 1977 | 76 | Artnews | Portland's starving grande dame | Patricia Failing | 85 | ||
October 1977 | 76 | Artnews | Los Angeles: Distrusting reality at LAICA | Gordon J. Hazlitt | 91 | The Nation | |
October 1977 | 76 | Artnews | Houston: Scarpitta's esthetic transport | Charlotte Moser | 92 | The Nation | |
October 1977 | 76 | Artnews | Bill Mauldin: 'The best' gets better | Herbert Mitgang | 92 | The Nation | |
October 1977 | 76 | Artnews | San Francisco: Laying the Pollock case to rest | Alfred Frankenstein | 94 | The Nation | |
October 1977 | 76 | Artnews | Dallas: Eccentric hard edge imagery | Janet Kutner | 96 | The Nation | |
October 1977 | 76 | Artnews | Philadelphia: Markowski's hypnotic geometry | Frederick Hartt | 100 | The Nation | |
October 1977 | 76 | Artnews | Paris: 'Darling when you read this I shall be alive' - Dotrement's logograms | Michael Gibson | 104 | The World | |
October 1977 | 76 | Artnews | Copenhagen: Chinese paintings and alternative architecture at the Louisiana Museum | John Gruen | 105 | The World | |
October 1977 | 76 | Artnews | London: The Hayward Annual | William Feaver | 106 | The World | |
October 1977 | 76 | Artnews | Moscow: Glazunov - A reliable Soviet citizen | John E. Bowlt | 109 | The World | |
October 1977 | 76 | Artnews | The best kind of season' | Jerry E. Patterson | 113 | The Art Market | |
October 1977 | 76 | Artnews | Reviews of Clarence H. White, Deborah Turbeville and Irving Penn | Nina ffrench-frazier | 116 | Photography | |
October 1977 | 76 | Artnews | Dean Brown | Gerrit Henry | 119 | Photography | |
October 1977 | 76 | Artnews | Gombrich's big ideas | Creighton Gilbert | 120 | Books | |
October 1977 | 76 | Artnews | Keating's hard dealings | Jerry E. Patterson | 120 | Books | |
November 1977 | 76 | Artnews | The 20th-century artists most admired by other artists | Grace Glueck | 78 | ||
November 1977 | 76 | Artnews | Far-from-last judgments or who's overrated now? | John Gruen | 106 | ||
November 1977 | 76 | Artnews | Classics and collectibles | Charles F. Montgomery | 126 | ||
November 1977 | 76 | Artnews | Gaudier-Brzeska: A great unknown | Ellen Schwartz | 178 | ||
November 1977 | 76 | Artnews | Raphael Soyer: 'A realist without a slogan' | Joanna Shaw-Eagle | 187 | ||
November 1977 | 76 | Artnews | Philadelphia: Realism, past and present | Ann Jarmusch | 194 | The Nation | |
November 1977 | 76 | Artnews | Buffalo: Edwin Dickinson and the season at Artpark | Nancy Tobin Willig | 195 | The Nation | |
November 1977 | 76 | Artnews | Los Angeles: The Zen-science of light | Melinda Wortz | 200 | The Nation | |
November 1977 | 76 | Artnews | San Francisco: Mel Ramos - Pop's master of cheesecake | Thomas Albright | 208 | The Nation | |
November 1977 | 76 | Artnews | Dublin: Politics at Rosc '77 | Kenworth Moffett | 215 | The World | |
November 1977 | 76 | Artnews | London: Ian Hamilton Finlay's submarines in the evergreens | William Feaver | 220 | The World | |
November 1977 | 76 | Artnews | Weegee's brilliant flash of light | Nina ffrench-frazier | 230 | Photography | |
November 1977 | 76 | Artnews | Larry Williams' psychological suites | Peter Frank | 232 | Photography | |
October 1976 | 75 | Artnews | The battle in the Medici Chapel basement | Gary Schwartz | 28 | ||
October 1976 | 75 | Artnews | The view from Europe | William Feaver, Gary Schwartz, John Anthony Thwaites | 33 | ||
October 1976 | 75 | Artnews | The 'fugitive passions' of R.B. Kitaj | Jerome Tarshis | 40 | ||
October 1976 | 75 | Artnews | Heir to an alternative Renaissance | Gary Schwartz | 44 | ||
October 1976 | 75 | Artnews | The Watercolorgate Affair | Sylvia Hochfield | 49 | ||
October 1976 | 75 | Artnews | Leftward the Biennale toward restoration | Milton Gendel | 55 | ||
October 1976 | 75 | Artnews | Peter Ludwig: An obligation to inform | Phyllis Tuchman | 60 | ||
October 1976 | 75 | Artnews | The self and others in modern portraits | Kirk Varnedoe | 64 | ||
October 1976 | 75 | Artnews | Reviving the Early Bronze Age | Pat Getz-Preziosi | 72 | ||
October 1976 | 75 | Artnews | Degas' Interieur in an unaccustomed perspective | Sidney Geist | 80 | ||
October 1976 | 75 | Artnews | Preaching 'duty to trees' and other doctrines | Alan Levy | 84 | ||
October 1976 | 75 | Artnews | Antiques | Marvin D. Schwartz | 89 | ||
October 1976 | 75 | Artnews | Los Angeles: Field Flowers, Plexiglass horizons | Melinda Wortz | 94 | The Nation | |
October 1976 | 75 | Artnews | Houston: Southern Apocalypse | Charlotte Moser | 95 | The Nation | |
October 1976 | 75 | Artnews | Chicago: Fragments of a light year | Franz Schulze | 98 | The Nation | |
October 1976 | 75 | Artnews | Buffalo: Type styles and photographic manipulations | Nancy Tobin Willig | 106 | The Nation | |
December 1976 | 75 | Artnews | The 'Straw Man' in the Rothko Case | John H. Merryman | 32 | ||
December 1976 | 75 | Artnews | The Rothko Chapel six years later | Ann Holmes | 35 | ||
December 1976 | 75 | Artnews | Calder's 'Universe' | Janet Hobhouse | 38 | ||
December 1976 | 75 | Artnews | Andrew Wyeth: Monotone in a minor key | Kay Larson | 42 | ||
December 1976 | 75 | Artnews | The World Art Market Conference | Malcolm N. Carter | 46 | ||
December 1976 | 75 | Artnews | The last great unbanked area' | Myron Kandel | 48 | ||
December 1976 | 75 | Artnews | Legislating royalties for artists | Sylvia Hochfield | 52 | ||
December 1976 | 75 | Artnews | The Monumental Grandeur of the Mississippi Valley' | Lisa Lyons | 60 | ||
December 1976 | 75 | Artnews | Riding high with cowboys, Indians and bucking broncos | Richard Blodgett | 63 | ||
December 1976 | 75 | Artnews | Charles Bird King's 'Indian Gallery' | Herman J. Viola | 67 | ||
December 1976 | 75 | Artnews | Women artists of the American frontier | Phil Kovinick, Gloria Ricci Lothrop | 72 | ||
December 1976 | 75 | Artnews | Houston: Surrealism and voyeurism | Charlotte Moser | 78 | The Nation | |
December 1976 | 75 | Artnews | Dallas: Current events in red, yellow, and blue | Janet Kutner | 79 | The Nation | |
December 1976 | 75 | Artnews | Los Angeles: Black art and mannerist geometry | Melinda Wortz | 80 | The Nation | |
December 1976 | 75 | Artnews | Baltimore: People sculpture | Jo Ann Lewis | 83 | The Nation | |
December 1976 | 75 | Artnews | Boston: The next four years at the BMFA | Jane Holtz Kay | 86 | The Nation | |
December 1976 | 75 | Artnews | Princeton: Nordfeldt's graphics | Elisabeth Stevens | 90 | The Nation | |
December 1976 | 75 | Artnews | Is the 'Natural Paradise' a natural? | Amy Newman | 92 | ||
December 1976 | 75 | Artnews | The 'Pope' comes to New York | Judith Weinraub | 95 | ||
December 1976 | 75 | Artnews | Museum Services: The first act | Phillip M. Kadis | 98 | ||
December 1976 | 75 | Artnews | London: 'Sacred Circles', Dutch interiors | William Feaver | 100 | The World | |
December 1976 | 75 | Artnews | Paris: Russian museum in exile | John E. Bowlt | 102 | The World | |
December 1976 | 75 | Artnews | Amsterdam: The secret life of Dutch genre | Gary Schwartz | 105 | The World | |
164 | May/June 1992 | Flash Art | Anxieties of Influence | Dan Cameron | 75 | ||
164 | May/June 1992 | Flash Art | Larry Clark | Mike Kelley | 82 | ||
164 | May/June 1992 | Flash Art | Jean-Luc Vilmouth | Francoise-Claire Prodhon | 87 | ||
164 | May/June 1992 | Flash Art | Landscape Posts/Post-Landscape | Isabel Carlos | 90 | ||
164 | May/June 1992 | Flash Art | Cabrita Reis, Croft, Sanches | Alexandre Melo | 93 | ||
164 | May/June 1992 | Flash Art | Being Positive is the Secret of the 90s | Eric Troncy | 96 | ||
164 | May/June 1992 | Flash Art | U.S. Pain | Francesco Bonami | 100 | ||
164 | May/June 1992 | Flash Art | Sean Scully | Adrian Dannatt | 103 | ||
164 | May/June 1992 | Flash Art | Michael Joaquin Grey | Marc Selwyn | 106 | ||
164 | May/June 1992 | Flash Art | Jose Maldonado | Jose Luis Brea | 107 | ||
164 | May/June 1992 | Flash Art | Raymond Pettibon | Ralph Rugoff | 108 | ||
164 | May/June 1992 | Flash Art | Richard Deacon | Andrew Renton | 109 | ||
164 | May/June 1992 | Flash Art | Sean Landers | Benjamin Weil | 110 | ||
164 | May/June 1992 | Flash Art | Elise Tak | Ijsbrand Van Veelen | 111 | ||
164 | May/June 1992 | Flash Art | Artist's Project | Michelangelo Pistoletto | 112 | ||
165 | Summer 1992 | Flash Art | Wim Delvoye | Adrian Dannatt | 80 | ||
165 | Summer 1992 | Flash Art | R.I.P. (Rest In Pieces) | Robert Nickas | 84 | ||
165 | Summer 1992 | Flash Art | London Calling | Eric Troncy | 86 | ||
165 | Summer 1992 | Flash Art | Press Kitsch | Henry Bond & Liam Gillick | 90 | ||
165 | Summer 1992 | Flash Art | Fareed Armaly | Helmut Draxler | 92 | ||
165 | Summer 1992 | Flash Art | New Swiss Art | Daniel Kurjakovic | 94 | ||
165 | Summer 1992 | Flash Art | Charles Ray | Francesco Bonami | 98 | ||
165 | Summer 1992 | Flash Art | James Rosenquist | Francesco Bonami | 102 | ||
165 | Summer 1992 | Flash Art | John Currin | Brian D'Amato | 105 | ||
165 | Summer 1992 | Flash Art | Walter Obholzer | Markus Bruderlin | 106 | ||
165 | Summer 1992 | Flash Art | Cindy Sherman | Brian D'Amato | 107 | ||
165 | Summer 1992 | Flash Art | Corrado Levi | Grazia Toderi | 108 | ||
165 | Summer 1992 | Flash Art | Peter Halley | Robert Fleck | 109 | ||
167 | November/December 1992 | Flash Art | Fluxus, Flux On | Jeff Rian | 53 | ||
167 | November/December 1992 | Flash Art | La Monte Young | 54 | |||
167 | November/December 1992 | Flash Art | George Brecht | Giancarlo Politi | 58 | ||
167 | November/December 1992 | Flash Art | The Work of Art in the Age of Ecological Recycling | Nicolas Bourriaud | 60 | ||
167 | November/December 1992 | Flash Art | Mladen Stilinovic | Kresimir Purgar | 64 | ||
167 | November/December 1992 | Flash Art | Post Human | Giancarlo Politi, Helena Kontova | 66 | ||
167 | November/December 1992 | Flash Art | Rudolf Stingel | Francesco Bonami | 70 | ||
167 | November/December 1992 | Flash Art | Family Plot | Francesco Bonami | 72 | ||
167 | November/December 1992 | Flash Art | Promethean Condition | Bia Papadopoulou | 74 | ||
167 | November/December 1992 | Flash Art | Salvo | Giancarlo Politi | 79 | ||
167 | November/December 1992 | Flash Art | Charles Ray, Kiki Smith, Sue Williams | Benjamin Weil | 82 | ||
167 | November/December 1992 | Flash Art | Peter Fend | Christoph Marx, Gregor Schwering | 84 | ||
167 | November/December 1992 | Flash Art | Hans Haacke | William Schefferine | 85 | ||
167 | November/December 1992 | Flash Art | Desordres | Eric Troncy | 86 | ||
167 | November/December 1992 | Flash Art | Young British Artists | Francesco Bonami | 87 | ||
167 | November/December 1992 | Flash Art | Paul De Reus | Ijsbrand Van Veelen | 92 | ||
167 | November/December 1992 | Flash Art | Elke Krystufek | Francesco Bonami | 93 | ||
167 | November/December 1992 | Flash Art | Daniel Oates | Marc Selwyn | 94 | ||
167 | November/December 1992 | Flash Art | Marc Goethals | Ronald Van De Sompel | 95 | ||
167 | November/December 1992 | Flash Art | Sam Reveles | Jerry Saltz | 96 | ||
156 | January/February 1991 | Flash Art | New French Aesthetics | Robert Fleck | 85 | ||
156 | January/February 1991 | Flash Art | Martin Kippenberger | Jutta Koether | 88 | ||
156 | January/February 1991 | Flash Art | Bruce Conner | Marc Selwyn | 94 | ||
156 | January/February 1991 | Flash Art | Barry X Ball | Robert Nickas | 98 | ||
156 | January/February 1991 | Flash Art | Pierre Klossowski | Robert Fleck | 100 | ||
156 | January/February 1991 | Flash Art | Liz Larner | Catherine Liu | 103 | ||
156 | January/February 1991 | Flash Art | Peter Nagy | Paul Taylor | 106 | ||
156 | January/February 1991 | Flash Art | James Turrell | James Lewis | 110 | ||
156 | January/February 1991 | Flash Art | Yoko Ono | Adrian Dannatt | 114 | ||
156 | January/February 1991 | Flash Art | Stefano Arienti | Giacinto Di Pietrantonio | 118 | ||
156 | January/February 1991 | Flash Art | Vertigo | Adrian Dannatt | 121 | ||
156 | January/February 1991 | Flash Art | Georg Baselitz | Klaus Ottmann | 122 | ||
156 | January/February 1991 | Flash Art | Nayland Blake | Meyer Raphael Rubinstein | 123 | ||
156 | January/February 1991 | Flash Art | Francesco Clemente | G. Roger Denson | 124 | ||
156 | January/February 1991 | Flash Art | John Armleder | Jose Lebrero Stals | 125 | ||
156 | January/February 1991 | Flash Art | Something is Happenning In Italy | Giacinto Di Pietrantonio | 126 | ||
156 | January/February 1991 | Flash Art | Guillaume Bijl | Christophe Schenker | 128 | ||
157 | March/April 1991 | Flash Art | Dietmar Kamper | Thomas Wulffen | 85 | ||
157 | March/April 1991 | Flash Art | Jim Dine | Adrian Dannatt | 88 | ||
157 | March/April 1991 | Flash Art | Christopher Wool | Kees Van Der Ploeg | 94 | ||
157 | March/April 1991 | Flash Art | The Last Laugh? | Jose Lebrero Stals | 97 | ||
157 | March/April 1991 | Flash Art | Andreas Schon | Kay Heymer | 102 | ||
157 | March/April 1991 | Flash Art | Swedish Art | John Peter Nilsson | 105 | ||
157 | March/April 1991 | Flash Art | Intimacy, Austernity and Irony | Halldor Bjorn Runolfsson | 108 | ||
157 | March/April 1991 | Flash Art | Virtues and Vices of the North | Kimmo Sarje | 112 | ||
157 | March/April 1991 | Flash Art | Danish Art | Peter S. Meyer | 116 | ||
157 | March/April 1991 | Flash Art | Norway | Asmund Thorkildsen | 120 | ||
157 | March/April 1991 | Flash Art | Donald Baechler | Victoria Pedersen | 131 | ||
157 | March/April 1991 | Flash Art | Eric Fischl | G. Roger Denson | 132 | ||
157 | March/April 1991 | Flash Art | Fluxus Closing In | G. Roger Denson | 133 | ||
157 | March/April 1991 | Flash Art | Julian Opie | Andrew Renton | 134 | ||
157 | March/April 1991 | Flash Art | Jim Shaw | Joanne Heyler | 135 | ||
157 | March/April 1991 | Flash Art | McDermott and Mc Gough | Brian D'Amato | 136 | ||
158 | May/June 1991 | Flash Art | Third Wave | Sylvere Lotringer | 89 | ||
158 | May/June 1991 | Flash Art | Gutai | Barbara Bertozzi | 94 | ||
158 | May/June 1991 | Flash Art | Matt Mullican | Joshua Decter | 102 | ||
158 | May/June 1991 | Flash Art | Someone Everywhere | Carolyn Christov-Bakargiev | 106 | ||
158 | May/June 1991 | Flash Art | Old-Fashioned Passion | Viktor Misiano | 110 | ||
158 | May/June 1991 | Flash Art | Hirsch Perlman | Kathryn Hixson | 114 | ||
158 | May/June 1991 | Flash Art | Gian Marco Montesano | Helena Kontova | 117 | ||
158 | May/June 1991 | Flash Art | Robert Barry | Andrew Renton | 122 | ||
158 | May/June 1991 | Flash Art | Bruce Nauman | Christophe Schenker | 126 | ||
158 | May/June 1991 | Flash Art | Wim Delvoye | Rhonda Lieberman | 127 | ||
158 | May/June 1991 | Flash Art | Feux Pales | Adrian Dannatt | 128 | ||
158 | May/June 1991 | Flash Art | The Salvage Garden | Jose Luis Brea | 129 | ||
158 | May/June 1991 | Flash Art | Olivier Mosset | Robert Fleck | 130 | ||
158 | May/June 1991 | Flash Art | Enrico Baj | Gilda Williams | 131 | ||
158 | May/June 1991 | Flash Art | Roman Opalka | Jos Van Der Bergh | 132 | ||
158 | May/June 1991 | Flash Art | Vito Acconci | Joshua Decter | 133 | ||
158 | May/June 1991 | Flash Art | Una Scena Emergente | Adrian Dannatt | 134 | ||
158 | May/June 1991 | Flash Art | Louise Bourgeois | Key Heymer | 135 | ||
158 | May/June 1991 | Flash Art | Post-Art | Achille Bonito Oliva | 136 | ||
159 | Summer 1991 | Flash Art | Art Organizations and Complexity | Fulvio Carmagnola & Marco Senaldi | 85 | ||
159 | Summer 1991 | Flash Art | Robert Ryman | Dan Cameron | 90 | ||
159 | Summer 1991 | Flash Art | Andre Breton | Robert Fleck | 94 | ||
159 | Summer 1991 | Flash Art | Jaques Charlier | Nicolas Bourriaud | 98 | ||
159 | Summer 1991 | Flash Art | Interview with Annette Messager | Gianni Romano | 102 | ||
159 | Summer 1991 | Flash Art | Annette Messager | Eric Troncy | 103 | ||
159 | Summer 1991 | Flash Art | Alex Katz | Jerry Saltz | 106 | ||
159 | Summer 1991 | Flash Art | Zipping and Zapping | Gabriele Perretta | 111 | ||
159 | Summer 1991 | Flash Art | Gaylen Gerber | Kathryn Hixson | 116 | ||
159 | Summer 1991 | Flash Art | Desire and Illusion | Kresimir Purgar | 118 | ||
159 | Summer 1991 | Flash Art | Ross Bleckner | Valerie Smith | 120 | ||
159 | Summer 1991 | Flash Art | Gerhard Richter | Andrew Renton | 121 | ||
159 | Summer 1991 | Flash Art | Narcisse Tordoir | Luk Lambrecht | 122 | ||
159 | Summer 1991 | Flash Art | Manzoni, Pascali, Spalletti | Nicolas Bourriaud | 123 | ||
159 | Summer 1991 | Flash Art | Anselm Kiefer | Thomas Wulffen | 124 | ||
159 | Summer 1991 | Flash Art | David Salle | Adrian Dannatt | 125 | ||
159 | Summer 1991 | Flash Art | Maurizio Mochetti | Roberto Pinto | 126 | ||
159 | Summer 1991 | Flash Art | Ilona Staller | Jeff Koons | 127 | ||
159 | Summer 1991 | Flash Art | The Game Continues | Achille Bonito Oliva | 128 | ||
154 | October 1990 | Flash Art | Daniel Spoerri | Giancarlo Politi | 117 | ||
154 | October 1990 | Flash Art | Heidegger, Beuys and the Consequences | Klaus Ottmann | 123 | ||
154 | October 1990 | Flash Art | Neo-Baroque: A Wind Without a North | Jose Luis Brea | 125 | ||
154 | October 1990 | Flash Art | Flight into Egypt: The Islamic Reveries of Philip Taaffe | G. Roger Denson | 129 | ||
154 | October 1990 | Flash Art | Sam Samore | Robert Nickas | 134 | ||
154 | October 1990 | Flash Art | Venice Biennale End Era | Andrew Renton | 136 | ||
154 | October 1990 | Flash Art | That Skinking Feeling | Robert Nickas | 138 | ||
154 | October 1990 | Flash Art | Flegmatic Venice | Adrian Dannatt | 149 | ||
154 | October 1990 | Flash Art | A German Problem? | Thomas Wulffen | 140 | ||
154 | October 1990 | Flash Art | Mike Kelley | Paul Taylor | 141 | ||
154 | October 1990 | Flash Art | Cathy De Monchaaux | Andrew Renton | 144 | ||
154 | October 1990 | Flash Art | Artist's Project | Cathy De Monchaux | 146 | ||
154 | October 1990 | Flash Art | James Turrell | David Bussel | 147 | ||
154 | October 1990 | Flash Art | The Koln Show | Jose Lebrero Stals | 148 | ||
154 | October 1990 | Flash Art | Cheri Samba | Jan Avgikos | 150 | ||
154 | October 1990 | Flash Art | Julian Schnabel | Brain D'Amato | 151 | ||
154 | October 1990 | Flash Art | Adrian Schiess | Christoph Schenker | 153 | ||
155 | November/December 1990 | Flash Art | Incidents of Robert Smithson | Dan Cameron | 103 | ||
155 | November/December 1990 | Flash Art | Kathe Burkhart | Helena Kontova | 108 | ||
155 | November/December 1990 | Flash Art | The Works | Kathe Burkhart | 110 | ||
155 | November/December 1990 | Flash Art | Fragmented Space | Kresimir Purgar | 112 | ||
155 | November/December 1990 | Flash Art | Brice Marden | Robert Mahoney | 116 | ||
155 | November/December 1990 | Flash Art | Larry Johnson | David Rimanelli | 121 | ||
155 | November/December 1990 | Flash Art | True Stories | 125 | |||
155 | November/December 1990 | Flash Art | The Signature Game | Nicolas Bourriaud | 126 | ||
155 | November/December 1990 | Flash Art | Artist's Project: Administration of the Adriatic | Peter Fend | 130 | ||
155 | November/December 1990 | Flash Art | Artist's Project: Renovating Nature | Mark Dion | 132 | ||
155 | November/December 1990 | Flash Art | Artist's Project: The Transparency Effect | Patric Corillon | 134 | ||
155 | November/December 1990 | Flash Art | Oklahoma Srl | Helena Kontova | 135 | ||
155 | November/December 1990 | Flash Art | Field Work | Isabelle Graw | 136 | ||
155 | November/December 1990 | Flash Art | Andrea Fraser | Joshua Decter | 138 | ||
155 | November/December 1990 | Flash Art | Artist's Project: Premiata Ditta | 139 | |||
155 | November/December 1990 | Flash Art | De-Coding the Museum | Joshua Decter | 140 | ||
155 | November/December 1990 | Flash Art | Ingold Airlines | Ijsbrand Van Veelen | 143 | ||
155 | November/December 1990 | Flash Art | Malcolm Morley | Andrew Renton | 145 | ||
155 | November/December 1990 | Flash Art | Lynda Benglis | G. Roger Denson | 146 | ||
155 | November/December 1990 | Flash Art | Sandro Chia | Robert Fleck | 147 | ||
155 | November/December 1990 | Flash Art | Matt Mullican | Giacinto Di Pietrantonio | 148 | ||
155 | November/December 1990 | Flash Art | Guillermo Kuitca/Julio Galan | Martijn Van Nieuwenhuyzen | 149 | ||
155 | November/December 1990 | Flash Art | Rosemarie Trockel/A. R. Penck | Isabelle Graw | 150 | ||
155 | November/December 1990 | Flash Art | Andrej Roiter | Martijn Van Nieuwenhuyzen | 151 | ||
155 | November/December 1990 | Flash Art | Charles Ray | Nora Halpern Brougher | 152 | ||
144 | January/February 1989 | Flash Art | Interview with Peter Burger | Isabelle Graw | 63 | ||
144 | January/February 1989 | Flash Art | Gunther Forg | Christoph Schenker | 66 | ||
144 | January/February 1989 | Flash Art | Gunther Forg Interview | Stephan Schmidt-Wulffen | 71 | ||
144 | January/February 1989 | Flash Art | Eccentric Abstraction and Postminimalism | Robert C. Morgan | 73 | ||
144 | January/February 1989 | Flash Art | David Hockney | Anders Stephanson | 82 | ||
144 | January/February 1989 | Flash Art | Guillaume Bijl | Wim Van Mulders | 84 | ||
144 | January/February 1989 | Flash Art | Interview with Bijl | Gregorio Verzotti | 87 | ||
144 | January/February 1989 | Flash Art | Chris Burden | Marc Selwyn | 90 | ||
144 | January/February 1989 | Flash Art | Pino Pascali | Giorgio Verzotti | 95 | ||
144 | January/February 1989 | Flash Art | Robert Mapplethorpe | Lawrence Chua | 100 | ||
144 | January/February 1989 | Flash Art | An Eye on the East: A Conversaion | Andrei Monastyrsky, Joseph Bakashtein | 104 | ||
146 | May/June 1989 | Flash Art | Arthur Danto | James Lewis | 79 | ||
146 | May/June 1989 | Flash Art | L'Oeuvre Au Noir | Bart Cassiman | 83 | ||
146 | May/June 1989 | Flash Art | Panamarenko | Bart De Baere, Jan Hoet | 90 | ||
146 | May/June 1989 | Flash Art | Gerhard Richter | Gregorio Magnani | 94 | ||
146 | May/June 1989 | Flash Art | Ronald Jones | Jeanne Siegel | 99 | ||
146 | May/June 1989 | Flash Art | The Umbilicus of Limbo | Catherine Liu | 102 | ||
146 | May/June 1989 | Flash Art | Wallace & Donohue | Jack Bankowsky, Robert Nickas | 106 | ||
146 | May/June 1989 | Flash Art | Gerard Garouste | Muriel Lebert | 108 | ||
146 | May/June 1989 | Flash Art | Irwin | Nicolas Bourriaud | 110 | ||
147 | Summer 1989 | Flash Art | The Invisible Insurrection | Giorgio Maragiliano | 97 | ||
147 | Summer 1989 | Flash Art | The Feminine De-Mystique | Laura Cottingham | 91 | ||
147 | Summer 1989 | Flash Art | Alberto Burri | Shuan Caley | 96 | ||
147 | Summer 1989 | Flash Art | Walking into History | Conor Joyce | 114 | ||
147 | Summer 1989 | Flash Art | Dennis Hopper | Marc Selwyn | 118 | ||
147 | Summer 1989 | Flash Art | Meyer Vaisman | Jack Bankowsky | 122 | ||
147 | Summer 1989 | Flash Art | Vito Acconci | Sylvere Lotringer | 124 | ||
147 | Summer 1989 | Flash Art | Dennis Adams | Jerome Sans | 129 | ||
147 | Summer 1989 | Flash Art | Eye on the East: The Inspection of Inspectors | Victor Tupitsyn | 133 | ||
148 | October 1989 | Flash Art | Roy Lichtenstein | Paul Taylor | 87 | ||
148 | October 1989 | Flash Art | Repetition, Disguises, Documents | Manfred Hermes | 97 | ||
148 | October 1989 | Flash Art | Jan Vercruysse | Carolyn Christov-Bakargiev | 104 | ||
148 | October 1989 | Flash Art | Flash Art Project | Dmitri Prigov | 110 | ||
148 | October 1989 | Flash Art | Jean Frederic Schnyder | Christoph Schenker | 111 | ||
148 | October 1989 | Flash Art | Flash Art Project | Rainer Fetting | 114 | ||
148 | October 1989 | Flash Art | An Eye on the East: Six Months in Moscow | Margarita, Victor Tupitsyn | 115 | ||
148 | October 1989 | Flash Art | Flash Art Project | Guillaume Bijl | 118 | ||
148 | October 1989 | Flash Art | Magiciens De La Terre | Nicolas Bourriaud | 119 | ||
148 | October 1989 | Flash Art | AnSelm Kiefer | Andrew Renton | 122 | ||
148 | October 1989 | Flash Art | Reinhard Mucha | Carolyn Christov-Bakargiev | 123 | ||
148 | October 1989 | Flash Art | Peter Fischli and David Weiss | Vivian Bobka | 124 | ||
148 | October 1989 | Flash Art | Jon Kessler | Nicolas Bourriaud | 125 | ||
148 | October 1989 | Flash Art | David Bowes | Victoria Pedersen | 126 | ||
148 | October 1989 | Flash Art | Komar & Melamid | Joshua Decter | 126 | ||
148 | October 1989 | Flash Art | Louise Lawler | Joshua Decter | 1127 | ||
148 | October 1989 | Flash Art | Alighiero E Boetti | Shuan Caley | 128 | ||
148 | October 1989 | Flash Art | Cady Noland | Daniela Salvioni | 129 | ||
148 | October 1989 | Flash Art | Louise Bourgeois | Klaus Ottmann | 130 | ||
148 | October 1989 | Flash Art | Philip Taaffe | Pat McCoy | 130 | ||
148 | October 1989 | Flash Art | Gerhard Merz | Vivian Bobka | 130 | ||
148 | October 1989 | Flash Art | Andrew Masullo | Susan Hapgood | 131 | ||
148 | October 1989 | David Deutsch | G. Roger Denson | 131 | |||
148 | October 1989 | Flash Art | Mary Kelly | David Rimanelli | 131 | ||
148 | October 1989 | Flash Art | Tim Rollins + K.O.S. | Terry R. Myers | 132 | ||
148 | October 1989 | Flash Art | Leo Copers | Terry R. Myers | 132 | ||
148 | October 1989 | Flash Art | Chris Burden | Pat McCoy | 132 | ||
148 | October 1989 | Flash Art | Gerhard Hoehme | Klaus Ottmann | 133 | ||
148 | October 1989 | Flash Art | Attila Richard Lukacs | Lawrence Chua | 133 | ||
148 | October 1989 | Flash Art | Bill Jones | G. Roger Denson | 134 | ||
148 | October 1989 | Flash Art | Charles Ray | Terry R. Myers | 134 | ||
148 | October 1989 | Flash Art | Kiki Smith | Joshua Decter | 134 | ||
148 | October 1989 | Flash Art | L.A. Pop in the Sixties | Lawrence Gipe | 135 | ||
148 | October 1989 | Flash Art | Tim Ebner | Marc Selwyn | 135 | ||
148 | October 1989 | Flash Art | Thomas Schutte | Rudolf Schmitz | 135 | ||
148 | October 1989 | Flash Art | Heralmpi G. Oroschakoff | Rainer Metzger | 136 | ||
148 | October 1989 | Flash Art | Candida Hofer | Janis Hendrickson | 136 | ||
148 | October 1989 | Flash Art | Peter Bommels | Jutta Kother | 136 | ||
148 | October 1989 | Flash Art | Eurobummel | Isabelle Graw | 137 | ||
148 | October 1989 | Flash Art | Bell and Langlands | Reinhard Hauff | 137 | ||
148 | October 1989 | Flash Art | David Hockney | Rudolf Schmitz | 138 | ||
148 | October 1989 | Flash Art | Richard Wentworth | Andrew Renton | 138 | ||
148 | October 1989 | Flash Art | Gary Hume | Adrian Dannatt | 138 | ||
148 | October 1989 | Flash Art | Promises, Promises | Andrew Renton | 139 | ||
148 | October 1989 | Flash Art | Interim Jeune I | Adrian Dannatt | 139 | ||
148 | October 1989 | Flash Art | Marie Bourget | Francoise-Claire Prodhon | 140 | ||
148 | October 1989 | Flash Art | Robert Combas | Oliver Zahm | 140 | ||
148 | October 1989 | Flash Art | Wolfgang Staehle | Oliver Zahm | 141 | ||
148 | October 1989 | Flash Art | Station House Opera | Adrian Dannatt | 141 | ||
148 | October 1989 | Flash Art | Fortuyn/O'Brien | Carolyn Christov-Bakargiev | 141 | ||
148 | October 1989 | Flash Art | Mattiacci/Mochetti/Nannucci | Judith Blackell | 142 | ||
148 | October 1989 | Flash Art | Keith Sonnier | Shuan Caley | 142 | ||
148 | October 1989 | Flash Art | Mosca Terza Roma | Shuan Caley | 143 | ||
148 | October 1989 | Flash Art | Peter Struycken | Martijn van Nieuwenhuyzen | 143 | ||
148 | October 1989 | Flash Art | Rob Birza | Martijn van Nieuwenhuyzen | 143 | ||
148 | October 1989 | Flash Art | Juan Munoz | Luk Lambrecht | 143 | ||
148 | October 1989 | Flash Art | Pedro Calapez | Alexandre Melo | 144 | ||
148 | October 1989 | Flash Art | The Silent Baroque | Helmut Draxler | 144 | ||
149 | November/December 1989 | Flash Art | Aldo Rossi | Giacinto Di Pietrantonio | 93 | ||
149 | November/December 1989 | Flash Art | Reworking History | Isabelle Graw | 99 | ||
149 | November/December 1989 | Flash Art | The Trailer Effect | Nicolas Bourriaud | 112 | ||
149 | November/December 1989 | Flash Art | Recent Work by Laurie Simmons | Dan Cameron | 116 | ||
149 | November/December 1989 | Flash Art | Victor Burgin | Gregorio Magnani | 119 | ||
149 | November/December 1989 | Flash Art | Ross Bleckner | Lawrence Chua | 122 | ||
149 | November/December 1989 | Flash Art | Three Painters | Marc Selwyn | 126 | ||
149 | November/December 1989 | Flash Art | Wim Delvoye | Jos Van Den Bergh | 128 | ||
149 | November/December 1989 | Flash Art | Wittgenstein: The Game of the Unsayable | Isabelle Graw | 130 | ||
149 | November/December 1989 | Flash Art | Stephen Conroy | Andrew Renton | 131 | ||
149 | November/December 1989 | Flash Art | Panamarenko | Arielle Pelenc | 132 | ||
149 | November/December 1989 | Flash Art | Sherrie Levine | Katharine Harrison | 133 | ||
149 | November/December 1989 | Flash Art | A Forest of Signs | Shuan Caley | 134 | ||
149 | November/December 1989 | Flash Art | Mobiles D'Emprunt | Nicolas Bourriaud | 135 | ||
149 | November/December 1989 | Flash Art | Strange Attractors: Signs of Chaos | Terry Myers | 137 | ||
149 | November/December 1989 | Flash Art | Marcel Broodthaers | Katharine Harrison | 138 | ||
149 | November/December 1989 | Flash Art | Richard Serra | Pat McCoy | 138 | ||
149 | November/December 1989 | Flash Art | Ulrich Ruckiem | Vivian Bobka | 138 | ||
149 | November/December 1989 | Flash Art | Matt Mullican | Joshua Decter | 139 | ||
149 | November/December 1989 | Flash Art | Barbara Bloom | Joshua Decter | 140 | ||
149 | November/December 1989 | Flash Art | Jeff Wall | Joshua Decter | 140 | ||
149 | November/December 1989 | Flash Art | Inge Mahn | Klaus Ottmann | 141 | ||
149 | November/December 1989 | Flash Art | Hannah Wilke | Terry R. Myers | 141 | ||
149 | November/December 1989 | Flash Art | Erotophobia | Katherine | 142 | ||
149 | November/December 1989 | Flash Art | Lorna Simpson | Klaus Ottmann | 142 | ||
149 | November/December 1989 | Flash Art | Christopher Wilmarth | Daniel Wiener | 142 | ||
149 | November/December 1989 | Flash Art | Robert Moskowitz | Robert Mahoney | 142 | ||
149 | November/December 1989 | Flash Art | Jamey Bair | Nora Halpern Brougher | 144 | ||
149 | November/December 1989 | Flash Art | Stephen Prina | Nora Halpern Brougher | 144 | ||
149 | November/December 1989 | Flash Art | Sophie Calle | Fred Fehlau | 144 | ||
149 | November/December 1989 | Flash Art | Pathetique | Frank Weaver | 145 | ||
149 | November/December 1989 | Flash Art | Bernd Junger | Rudolf Schmitz | 146 | ||
149 | November/December 1989 | Flash Art | Carl Andre, Sigmar Polke | Rainer Metzger | 146 | ||
149 | November/December 1989 | Flash Art | Nicolaus Schafhausen | Kristin Ruge | 146 | ||
149 | November/December 1989 | Flash Art | Christopher Wool | Jutta Koether | 147 | ||
149 | November/December 1989 | Flash Art | Tony Carter | Andrew Renton | 148 | ||
149 | November/December 1989 | Flash Art | Art in Ruins | Andrew Renton | 148 | ||
149 | November/December 1989 | Flash Art | Marien Schouten | Martijn Van Nieuwenhuyzen | 148 | ||
149 | November/December 1989 | Flash Art | Ettore Spalletti | Carolyn Christov-Bakargiev | 149 | ||
149 | November/December 1989 | Flash Art | From Utrecht with Love | Ijsbrand Van Veelen | 150 | ||
149 | November/December 1989 | Flash Art | Holger Trulzsch | Francoise-Claire Prodhon | 150 | ||
149 | November/December 1989 | Flash Art | Erik Dietman | Olliver Zahm | 151 | ||
149 | November/December 1989 | Flash Art | Rodney Graham | Luk Lambrecht | 151 | ||
149 | November/December 1989 | Flash Art | Marc Goethals | Jos Van Den Bergh | 152 | ||
149 | November/December 1989 | Flash Art | Periodi Di Marmo | Carolyn Christov-Bakargiev | 152 | ||
140 | May/June 1988 | Flash Art | Neo-Europe (East) | Achille Bonito Oliva | 61 | ||
140 | May/June 1988 | Flash Art | Sigmar Polke | Paul Groot | 66 | ||
140 | May/June 1988 | Flash Art | Polke on Polke | 68 | |||
140 | May/June 1988 | Flash Art | About Julian Schnabel | Lisa Liebmann | 71 | ||
140 | May/June 1988 | Flash Art | Vito Acconci | Robert C. Morgan | 74 | ||
140 | May/June 1988 | Flash Art | Entries: Gary Stephan | Robert Pincus-Witten | 76 | ||
140 | May/June 1988 | Flash Art | Jennifer Bolande | Jack Bankowsky, Robert Nickas | 78 | ||
140 | May/June 1988 | Flash Art | Something Nowhere | Carolyn Christov-Bakargiev | 80 | ||
140 | May/June 1988 | Flash Art | The Art of the Deal | Klaus Ottmann | 86 | ||
140 | May/June 1988 | Flash Art | Soul Catcher | Bill Jones | 88 | ||
140 | May/June 1988 | Flash Art | Ken Lum | Jerome Sans | 92 | ||
140 | May/June 1988 | Flash Art | William Copley | Alan Jones | 94 | ||
140 | May/June 1988 | Flash Art | The Galleries Talk: Feature Gallery | Daniela Salvioni | 97 | ||
141 | Summer 1988 | Flash Art | A Report from the Field | Jutta Koether | 87 | ||
141 | Summer 1988 | Flash Art | Art and Advertising | Mary Anne Staniszewski | 90 | ||
141 | Summer 1988 | Flash Art | Salvo: Egoistic Painting | Angela Vettese | 96 | ||
141 | Summer 1988 | Flash Art | Sunday on Earth | Barry Schwabsky | 98 | ||
141 | Summer 1988 | Flash Art | Special Supplement: Los Angeles | 101 | |||
141 | Summer 1988 | Flash Art | Turning the Urn | Duncan Smith | 119 | ||
141 | Summer 1988 | Flash Art | Entries: Ruth Kligman | Robert Pincus-Witten | 122 | ||
141 | Summer 1988 | Flash Art | An Eye on the East | Margarita Tupitsyn | 125 | ||
133 | April 1987 | Flash Art | Julian Opie and Simon Linke | Lynn Cooke | 37 | ||
133 | April 1987 | Flash Art | Andy Warhol | Paul Taylor | 40 | ||
133 | April 1987 | Flash Art | Immoral Morality | Alessandro Mendini | 45 | ||
133 | April 1987 | Flash Art | Under the Influence | Jutta Koether | 46 | ||
133 | April 1987 | Flash Art | Interview with Cornel West | Anders Stephanson | 51 | ||
133 | April 1987 | Flash Art | A Spectacle of Capability Belcher, Taaffe, Vaisman | Jack Bankowsky | 56 | ||
133 | April 1987 | Flash Art | Carlo Maria Mariani | Carolyn Christov-Bakargiev | 60 | ||
133 | April 1987 | Flash Art | Arakawa | Donald Kuspit, Madeline Gins | 64 | ||
133 | April 1987 | Flash Art | Shopping with Haim Steinbach | Robert Nickas | 70 | ||
133 | April 1987 | Flash Art | History and the Notion of the Record | Loredana Parmesani | 73 | ||
133 | April 1987 | Flash Art | Joel Otterson | Daniela Salvioni | 76 | ||
133 | April 1987 | Flash Art | Conversation with Art Dealers | Metro Pictures | 78 | ||
133 | April 1987 | Flash Art | Spotlight | 80 | |||
133 | April 1987 | Flash Art | Japon Des Avant-Gardes | Fumio Nanjo, Kentaro Ichihara | 88 | ||
134 | May 1987 | Flash Art | Donald Judd | Paul Taylor | 35 | ||
134 | May 1987 | Flash Art | Rosemarie Trockel | Klaus Ottmann | 38 | ||
134 | May 1987 | Flash Art | Interview with Rosemarie Trockel | Jutta Koether | 40 | ||
134 | May 1987 | Flash Art | On Peter Nagy's Cancer Paintings | Martin Guttmann | 43 | ||
134 | May 1987 | Flash Art | Meanwhile, In the Real World | Nena Dimitrijevic | 44 | ||
134 | May 1987 | Flash Art | Karel Appel | Helena Kontova, Giancarlo Politi | 50 | ||
134 | May 1987 | Flash Art | Interview with Peter Sloterdijk | Stephan Schmidt-Wulffen | 54 | ||
134 | May 1987 | Flash Art | Riding the Tiger | Christoph Schenker | 56 | ||
134 | May 1987 | Flash Art | Special Supplement Art and Its Double | Dan Cameron | 57 | ||
134 | May 1987 | Flash Art | Mimmo Paladino | Angela Vettese | 98 | ||
134 | May 1987 | Flash Art | Milani, Innerst, Tansey | David Joselit | 100 | ||
135 | Summer 1987 | Flash Art | Sherrie Levine | Paul Taylor | 55 | ||
135 | Summer 1987 | Flash Art | The Spectacle of Chaos | Klaus Ottmann | 60 | ||
135 | Summer 1987 | Flash Art | John Baldessari | Marc Selwyn | 62 | ||
135 | Summer 1987 | Flash Art | Special Supplement: Enzo Cucchi | 65 | |||
135 | Summer 1987 | Flash Art | No Problems No Solutions | Achille Bonito Oliva | 81 | ||
135 | Summer 1987 | Flash Art | Cracks in the Street | Felix Guattari | 82 | ||
135 | Summer 1987 | Flash Art | The Whitney Biennial | Dan Cameron, Daniela Salvioni | 86 | ||
135 | Summer 1987 | Flash Art | Reinhard Mucha | Christoph Schenker | 89 | ||
136 | October 1987 | Flash Art | Barbara Kruger | Anders Stephanson | 55 | ||
136 | October 1987 | Flash Art | Unanswered Questions | Achille Bonito Oliva | 60 | ||
136 | October 1987 | Flash Art | Special Supplement: Documenta 8 Kassel | 61 | |||
136 | October 1987 | Flash Art | Ettore Sottsass | Giacinto Di Pietrantonio | 75 | ||
136 | October 1987 | Flash Art | Hans-Georg Gadamer | Klaus Davi | 78 | ||
136 | October 1987 | Flash Art | From Rome | Giorgio Verzotti | 81 | ||
136 | October 1987 | Flash Art | A Reverberation in the Realm of the Sacred? | Haralampi G. Oroschakoff, Wilfried W. Dickhoff | 86 | ||
136 | October 1987 | Flash Art | Donald Baechler | Paul Taylor | 90 | ||
136 | October 1987 | Flash Art | The Magicians of the World | Jerome Sans | 92 | ||
101 | January/February 1981 | Flash Art | Warhol: Backwards and Forwards | Charles F. Stuckey | 10 | ||
101 | January/February 1981 | Flash Art | Violent Painting | Ernst Busche | 27 | ||
101 | January/February 1981 | Flash Art | Andre Masson | Carmine Benincasa | 32 | ||
101 | January/February 1981 | Flash Art | Realism between Revolution and Reaction | Jean Clair | 35 | ||
101 | January/February 1981 | Flash Art | The Art Sanctuary | Jeffrey Deitch | 48 | ||
101 | January/February 1981 | Flash Art | Flash Art New York | Valentine Tatransky, Kim Levin, Lynn Zelevansky, Jesse Murry, Douglas Blau, Judd Tully, Attanasio Di Felice | 49 | ||
101 | January/February 1981 | Flash Art | Books | John Robinson, Henry Martin, Helena Kontova | 56 | ||
101 | January/February 1981 | Flash Art | Flash Art Australia | Bernice Murphy, Jennifer Phipps | 58 | ||
101 | January/February 1981 | Flash Art | Flash Art France | Bernard Blistene, Xavier Girard, Catherine Strasser, Michel Nuridsany | 61 | ||
101 | January/February 1981 | Flash Art | Flash Art Israel | 68 | |||
101 | January/February 1981 | Flash Art | Tel-Hai '80 | Amnon Barzel | 68 | ||
103 | Summer 1981 | Flash Art | Andre Masson | Carmine Benincasa | 8 | ||
103 | Summer 1981 | Flash Art | The Chicago art scene | Judd Tully | 23 | ||
103 | Summer 1981 | Flash Art | Kim Mac Connell | Richard Armstrong | 28 | ||
103 | Summer 1981 | Flash Art | Mimmo Paladino | Tommaso Trini | 29 | ||
103 | Summer 1981 | Flash Art | Robert Longo | Carter Ratcliff | 30 | ||
103 | Summer 1981 | Flash Art | Julian Schnabel | Nina Sudell | 32 | ||
103 | Summer 1981 | Flash Art | David Salle | Carter Ratcliff, Sherrie Levine | 33 | ||
103 | Summer 1981 | Flash Art | Troy Brauntuch | Dupuy Warrick Reed | 35 | ||
103 | Summer 1981 | Flash Art | Nicola De Maria | Mirella Bandini | 36 | ||
103 | Summer 1981 | Flash Art | Enzo Cucchi | Jean-Christophe Ammann | 37 | ||
103 | Summer 1981 | Flash Art | Robert Kushner:"Things I think about my work" | Robert Kushner | 40 | ||
103 | Summer 1981 | Flash Art | Judy Pfaff | Richard Armstrong | 41 | ||
103 | Summer 1981 | Flash Art | Emergent artists at Guggenheim 1981 Whitney Biennial | Thomas Lawson | 42 | ||
103 | Summer 1981 | Flash Art | Photography at the Whitney Biennial | Lynn Zelevansky | 43 | ||
104 | October/November 1981 | Flash Art | Miro | Carmine Benincasa | 28 | ||
104 | October/November 1981 | Flash Art | The International Trans-Avantgarde | Achille Bonito Oliva | 36 | ||
104 | October/November 1981 | Flash Art | John Walker | Dore Ashton | 44 | ||
104 | October/November 1981 | Flash Art | Who has the Power | Jeffrey Deitch | 46 | ||
104 | October/November 1981 | Flash Art | Bryan Hunt | Dupuy Warrick Reed | 49 | ||
104 | October/November 1981 | Flash Art | Westkunst in Cologne | Jean-Christophe Ammann | 49 | ||
104 | October/November 1981 | Flash Art | Italian Identity | Giancarlo Politi | 51 | ||
104 | October/November 1981 | Flash Art | Rene Daniels | Paul Groot | 61 | ||
104 | October/November 1981 | Flash Art | The Rise of Europe | James Collins | 63 | ||
98-99 | Summer 1980 | Flash Art | An Interview with Harald Szeemann | G. Politi, H. Kontova | 5 | ||
98-99 | Summer 1980 | Flash Art | An Interview with Anchille Bonito Oliva | G. Politi, H. Kontova | 8 | ||
98-99 | Summer 1980 | Flash Art | Art and responsibility | Michael Compton | 10 | ||
98-99 | Summer 1980 | Flash Art | The development of physical action into a intensity of the picture | Martin Kunz | 12 | ||
98-99 | Summer 1980 | Flash Art | Flash Art New York | Thomas Lawson, Valentine Tatransky, Douglas Blau, Lynn Zelevansky | 21 | ||
98-99 | Summer 1980 | Flash Art | Auctions | Anne Horton, Dale W. Stulz | 26 | ||
98-99 | Summer 1980 | Flash Art | Rodney Ripps | Helene Verin | 28 | ||
98-99 | Summer 1980 | Flash Art | Going to live down there | Bernard Blistene | 30 | ||
98-99 | Summer 1980 | Flash Art | Naïve Nouveau and its malcontents | Carrie Rickey | 36 | ||
98-99 | Summer 1980 | Flash Art | Flash Art Germany | Annelie Pohlen, Barbara Hammann, Ernst Busche, Kristian Sotriffer | 43 | ||
98-99 | Summer 1980 | Flash Art | Flash Art Australia | 46 | |||
98-99 | Summer 1980 | Flash Art | Flash Art Performance | Carlo Bertocci, Helena Kontova | 47 | ||
98-99 | Summer 1980 | Flash Art | Art and artist's in Lacan's work | Philippe Sollers | 48 | ||
98-99 | Summer 1980 | Flash Art | Flash Art France | Bernard Blistene, Xavier Girard, Jacques Lepage | 56 | ||
100 | November 1980 | Flash Art | Robert Motherwell | Dore Ashton | 4 | ||
100 | November 1980 | Flash Art | The Paris Biennial | Jean-Marc Poinsot | 9 | ||
100 | November 1980 | Flash Art | Commercial Art | Jeffrey Deitch | 26 | Art and Money | |
100 | November 1980 | Flash Art | Verbal Art Speaks Up | Ted Castle | 27 | ||
100 | November 1980 | Flash Art | Art: Tragedy and Comedy | Achille Bonito Oliva | 31 | ||
100 | November 1980 | Flash Art | Michelangelo Pistoletto | Marjorie Welish | 34 | ||
100 | November 1980 | Flash Art | From New Theater to Performance | Enzo Bargiacchi | 39 | Flash Art Performance | |
100 | November 1980 | Flash Art | Flash Art New York | 43 | |||
100 | November 1980 | Flash Art | Flash Art France | 48 | |||
100 | November 1980 | Flash Art | Flash Art Australia | 50 | |||
100 | November 1980 | Flash Art | Flash Art Italy | 51 | |||
100 | November 1980 | Flash Art | Flash Art Britain | 52 | |||
100 | November 1980 | Flash Art | Contemporary Art Since 1939. Interview with the curator | Annelie Pohlen | 59 | Flash Art Germany | |
100 | November 1980 | Flash Art | From Informal to Post-Figurative Art | Jorge Glusberg | 61 | ||
February/March 1985 | 8 | Fuse | Loud and Clear | Joyce Mason | 3-4 | ||
February/March 1985 | 8 | Fuse | International Terrorism | Dionne Brand, Filomena Carvalho, Krisantha Sri Bhaggiyadatta | 8-12 | ||
February/March 1985 | 8 | Fuse | Two U.S. Festivals | Susan Sturman | 13-15 | ||
February/March 1985 | 8 | Fuse | Our Time is Now | Didi Herman | 16-18 | ||
February/March 1985 | 8 | Fuse | A Capella Activism | Barbara Lounder | 19-23 | ||
February/March 1985 | 8 | Fuse | Speaking In And Of Each Other | Janice Williamson | 24-29 | ||
February/March 1985 | 8 | Fuse | The Colour Positive Film Festival | Heather Allin | 30-39 | ||
February/March 1985 | 8 | Fuse | Impossible Relationships | Berenice Reynaud | 40-44 | ||
February/March 1985 | 8 | Fuse | Packaging A Movement | Bruce Barber | 45 | ||
Spring 1985 | 8 | Fuse | The Battle Ground | Joyce Mason | 3 | ||
Spring 1985 | 8 | Fuse | Trying Our History | Jeff House | 9-12 | ||
Spring 1985 | 8 | Fuse | Cultural Demorcracy | Gary Kibbins | 13-19 | ||
Spring 1985 | 8 | Fuse | MLT! MLT! Cry Their Satraps | Dionne Brand, Kirsantha Sri Bhaggiyadatta | 20-24 | ||
Spring 1985 | 8 | Fuse | Brit Bright Bill | Shirley Cameron, Roland Miller | 25-28 | ||
Spring 1985 | 8 | Fuse | Supportive, Exploitative, Appropriative? | Chuck Samuels | 29-34 | ||
Spring 1985 | 8 | Fuse | Sing A Song of Six Pence | Tony Mc Aulay | 35-36 | ||
Spring 1985 | 8 | Fuse | Agit-Crit | Bruce Barber | 37-40 | ||
Spring 1985 | 8 | Fuse | Voiced Silence | Rachel Vigier | 41-42 | ||
Spring 1985 | 8 | Fuse | Making the House Our Own | Marlene Philip | 43-46 | ||
Spring 1985 | 8 | Fuse | Context for Strength | Elizabeth Schroeder | 47 | ||
Summer 1985 | 9 | Fuse | The Unsung Trend: Dumpies | Joyce Mason | 3-6 | ||
Summer 1985 | 9 | Fuse | The Best Kept Secret | Marlene Philip | 9-11 | ||
Summer 1985 | 9 | Fuse | The Imaginary Iceberg | Bruce Barber | 12-16 | ||
Summer 1985 | 9 | Fuse | Conditions of Producing | Cy-Thea Sand | 17-18 | ||
Summer 1985 | 9 | Fuse | Talking Union | Sara Diamond | 19-25 | ||
Summer 1985 | 9 | Fuse | Six Days of Resistance | Kerri Kwinter | 26-34 | ||
Summer 1985 | 9 | Fuse | New York Independent Cinema | Berenice Reynaud | 35-42 | ||
Summer 1985 | 9 | Fuse | Three Canadian Narratives | Joyce Mason | 43-46 | ||
Summer 1985 | 9 | Fuse | Collision in The Capital | Geoff Pevere | 47-50 | ||
Summer 1985 | 9 | Fuse | Passage to Nowhere | Marlene Philip | 51-53 | ||
Summer 1985 | 9 | Fuse | Propagating Terror and Control | Roger Mctair | 54 | ||
Fall 1985 | 9 | Fuse | Freeing the Captive Audience | Kate Lushington | 5 | ||
Fall 1985 | 9 | Fuse | Union Activism Punjabi Theatre in B.C. | David Jackson | 10-14 | ||
Fall 1985 | 9 | Fuse | Crowsfeet Dance Collective | Rachel Vigier | 15-18 | ||
Fall 1985 | 9 | Fuse | Mean & Marvellous Foremothers | Connie Smith | 19-22 | ||
Fall 1985 | 9 | Fuse | One Woman, Two Women, Without Women | Himani Bannerji | 23-28 | ||
Fall 1985 | 9 | Fuse | Confessions of a Theatre Critic | Robert Wallace | 29-31 | ||
Fall 1985 | 9 | Fuse | Transforming Women's Theatre | Susan Feldman | 32-35 | ||
Fall 1985 | 9 | Fuse | Decentred Fictions | Berenice Reynaud | 36-41 | ||
Fall 1985 | 9 | Fuse | Defining World Feminism | Linda Carty, Dionne Brand | 42-44 | ||
Fall 1985 | 9 | Fuse | Roads to Fascism | Roger Mctair | 45-46 | ||
End of 1985 | 9 | Fuse | The Compleat Clichettes | Clive Robertson | 9-15 | ||
End of 1985 | 9 | Fuse | Private Ownership/ Public Access | Gary Kibbins | 16-21 | ||
End of 1985 | 9 | Fuse | The Sit-Down Comedian | Clive Robertson | 22-23 | ||
End of 1985 | 9 | Fuse | Mohawk Radio | Don Alexander | 24-26 | ||
End of 1985 | 9 | Fuse | Advocacy Journalism/ Native Style | Don Alexander | 27-28 | ||
End of 1985 | 9 | Fuse | Class Struggle - Club Med Style | Lisa Steele | 29-31 | ||
End of 1985 | 9 | Fuse | Living and Learning | David Jackson | 32-35 | ||
End of 1985 | 9 | Fuse | Debriefing Bruce Cockburn | Allen Booth | 36-38 | ||
End of 1985 | 9 | Fuse | And We Note... | Jeff House | 39-41 | ||
End of 1985 | 9 | Fuse | Naipaul's Legacies | Marlene Philip | 42-45 | ||
End of 1985 | 9 | Fuse | Reading & Rights | Ito Peng | 46 | ||
February 1984 | 7 | Fuse | Cultural Solidarity | Dionne Brand, Joyce Mason | 187-188 | ||
February 1984 | 7 | Fuse | Forum on Funding | Pat Wilson | 189-192 | ||
February 1984 | 7 | Fuse | Rock Video Notes | Lisa Steele | 193-197 | ||
February 1984 | 7 | Fuse | Shaking the Foundations | Pauline Fowler | 198-204 | ||
February 1984 | 7 | Fuse | Designing Dissent | Brenda Millar | 205-208 | ||
February 1984 | 7 | Fuse | Class & Womens Writing | Sara Diamond | 209-213 | ||
February 1984 | 7 | Fuse | Adapt or Die | Keyan Tomaselli | 214-218 | ||
February 1984 | 7 | Fuse | The Pelican Paradox | Kate Lushington | 219-223 | ||
February 1984 | 7 | Fuse | The Repertoire of Rose English | Martha Fleming | 224-225 | ||
February 1984 | 7 | Fuse | Interview with Rose English | Gillian Chase | 226-228 | ||
February 1984 | 7 | Fuse | Sticks & Stones | Geoff Hancock | 229-232 | ||
February 1984 | 7 | Fuse | Womb at the Top | Peggy Thompson, Peter Eliot Weiss | 233-234 | ||
February 1984 | 7 | Fuse | Stories, Lighting & Symbols | Bernice Reynaud | 235 | ||
Spring 1984 | 7 | Fuse | Not an Editorial | Joyce Mason | 243 | ||
Spring 1984 | 7 | Fuse | Rock Video Notes | Lisa Steele | 249-254 | ||
Spring 1984 | 7 | Fuse | Alix Dobkin Interview | Lynne Fernie | 255-258 | ||
Spring 1984 | 7 | Fuse | Popular Theatre in Kenya | Ross Kidd | 259-265 | ||
Spring 1984 | 7 | Fuse | The Birth of BC Solidarity | Sara Diamond | 266-268 | ||
Spring 1984 | 7 | Fuse | The Solidarity Sellout | Susan Croll | 269-271 | ||
Spring 1984 | 7 | Fuse | Cultural Workers in Solidarity | Chris Creighton-Kelly | 272-273 | ||
Spring 1984 | 7 | Fuse | The Price of Political Poker | Sara Diamond | 274 | ||
Spring 1984 | 7 | Fuse | Life After Kelowna? | Sara Diamond | 275 | ||
Spring 1984 | 7 | Fuse | "It's All Yours?" | Steve Harris | 276-280 | ||
Spring 1984 | 7 | Fuse | Freelancers in the Arts | Joanne Kates, Jane Springer | 281-288 | ||
Spring 1984 | 7 | Fuse | A Well-Aimed Rock | Ingrid Koenig | 289-291 | ||
Spring 1984 | 7 | Fuse | Archives, Editors and Activists | Philip Monk | 292 | ||
Summer 1984 | 8 | Fuse | Pornography as Metaphor | Joyce Mason | 3 | ||
Summer 1984 | 8 | Fuse | B.C. Solidarity Update | Sara Diamond | 4-8 | ||
Summer 1984 | 8 | Fuse | Distortions & Liberal Intentions | Marlene Philip | 9-10 | ||
Summer 1984 | 8 | Fuse | Popular Theatre in Kenya | Ross Kidd | 11-16 | ||
Summer 1984 | 8 | Fuse | Nostalgia for the Future | Himani Bannerji | 17-28 | ||
Summer 1984 | 8 | Fuse | Anatomy of a Moral Panic | Varda Burstyn | 29-38 | ||
Summer 1984 | 8 | Fuse | The Porn Debate | Gary Kinsman | 39-44 | ||
Summer 1984 | 8 | Fuse | Alter-Eros: Was it Good for you? | Kerri Kwinter, Joyce Mason | 45-46 | ||
Summer 1984 | 8 | Fuse | Women, Culture & Inaudibility | Marusia Bociurkiw | 47-54 | ||
Summer 1984 | 8 | Fuse | Racism, Sexism & Rock 'n Roll | Allix Dobkin | 55-58 | ||
Summer 1984 | 8 | Fuse | Breaking New Ground | David McIlwraith | 59-60 | ||
Summer 1984 | 8 | Fuse | New York Theatre in Spring | Valerie Ellis | 61-63 | ||
Summer 1984 | 8 | Fuse | Pheminism and Fysics | Susan G. Cole | 64-65 | ||
Summer 1984 | 8 | Fuse | Through the Holes | Pat Wilson | 66-67 | ||
Summer 1984 | 8 | Fuse | Discourse of the Mother | Sheena Gourlay | 68 | ||
Fall 1984 | 8 | Fuse | Letter from Quebec | Martha Fleming | 3 | ||
Fall 1984 | 8 | Fuse | Mythologies & Militarism | Lisa Steele | 9-11 | ||
Fall 1984 | 8 | Fuse | Debunk Debert | Cathy Busby | 12-13 | ||
Fall 1984 | 8 | Fuse | Metamorphosis of Michael Jackson | Marlene Philip | 14-16 | ||
Fall 1984 | 8 | Fuse | Learning to Say Less | Howard Davidson | 17-20 | ||
Fall 1984 | 8 | Fuse | Getting Out of Class | Anne Mandlsohn | 21-24 | ||
Fall 1984 | 8 | Fuse | Technophiles, Technophobes & Technocrats | Bruce Barber | 25-29 | ||
Fall 1984 | 8 | Fuse | Still Sane | Sara Diamond | 30-35 | ||
Fall 1984 | 8 | Fuse | Motherhood Within & Beyond the Law | Bernice Reynaud | 36-40 | ||
Fall 1984 | 8 | Fuse | An Electronic Valentine | Sheena Gourlay | 41-43 | ||
Fall 1984 | 8 | Fuse | Silenced & Implicated | Greta Hofmann Nemiroff | 44-46 | ||
Fall 1984 | 8 | Fuse | Index by Subject | Didi Herman | 47 | ||
End of 1984 | 8 | Fuse | NewsSpeak (Doublethink) | Joyce Mason | 3 | ||
End of 1984 | 8 | Fuse | B.C. Solidarity Update | Sara Diamond | 9-14 | ||
End of 1984 | 8 | Fuse | A Tale of Two Cities | Gary Conway | 15-18 | ||
End of 1984 | 8 | Fuse | Underdevelopment & Progressive Press In South Africa | Don Pinnock, Keyan Thomaselli | 19-24 | ||
End of 1984 | 8 | Fuse | Unearthing Labour's Cultural History In B.C. | Sara Diamond | 25-30 | ||
End of 1984 | 8 | Fuse | Australian Art & Working Life | Barbara Walsh | 31-34 | ||
End of 1984 | 8 | Fuse | New World Voices | Marlene Philip | 35-38 | ||
End of 1984 | 8 | Fuse | End of Marriage of Heaven And Hell | Himani Bannerji | 39-42 | ||
End of 1984 | 8 | Fuse | A Call For Change | Ingrid Koenig | 43-45 | ||
End of 1984 | 8 | Fuse | The Slack Cord of Hope | Marlene Philip | 46 | ||
February 1983 | 6 | Fuse | Editorial | Lisa Steele | 226 | ||
February 1983 | 6 | Fuse | Freedom, Sex & Power | Lisa Steele | 232 | ||
February 1983 | 6 | Fuse | On Censorship | Jill Abson | 255-259 | ||
February 1983 | 6 | Fuse | Scapegoating | Jeff House | 260-261 | ||
February 1983 | 6 | Fuse | Listening To African Voices | Norman Otis Richmond | 262-263 | ||
February 1983 | 6 | Fuse | Reclaiming Culture | Ross Kidd | 264-275 | ||
February 1983 | 6 | Fuse | Afro-Blue | Norman Otis Richmond | 276-278 | ||
February 1983 | 6 | Fuse | Media Frames | George Smith | 279-283 | ||
February 1983 | 6 | Fuse | Image And Language | Geoff Miles | 284-287 | ||
February 1983 | 6 | Fuse | The Politics of Identity | Jeffrey Escoffier | 288 | ||
February 1983 | 6 | Fuse | Politics and The Refugee | Brent Knazan | 289-291 | ||
February 1983 | 6 | Fuse | Tensions In The Title | Craig Bromberg | 292-294 | ||
February 1983 | 6 | Fuse | Chantal Akerman | Joyce Mason | 295-298 | ||
February 1983 | 6 | Fuse | International Exhibitions | Bruce Ferguson | 299 | ||
April 1983 | 6 | Fuse | Afro Blue | Norman Otis Richmond | 312-314 | ||
April 1983 | 6 | Fuse | Neville Garrick Talks | Norman Otis Richmond | 315-321 | ||
April 1983 | 6 | Fuse | International Exhibitions Part 2 | Bruce Ferguson | 322-326 | ||
April 1983 | 6 | Fuse | The Applebert Collapse: Introduction | Jody Berland, Rosemary Donnegan | 327-329 | ||
April 1983 | 6 | Fuse | Culture Accounting Practises | George Smith | 330-333 | ||
April 1983 | 6 | Fuse | The Applebert Game | Nanci Rossov | 334-335 | ||
April 1983 | 6 | Fuse | Broadcasting | Sandra Gathercole | 336-337 | ||
April 1983 | 6 | Fuse | Cultural Industries | Ioan Davis | 338 | ||
April 1983 | 6 | Fuse | On Labour | D'Arcy Martin | 339 | ||
April 1983 | 6 | Fuse | Visual Art | Rosemary Donnegan | 340-341 | ||
April 1983 | 6 | Fuse | On Film | Susan Ditta | 342-344 | ||
April 1983 | 6 | Fuse | Less Than Halfback | Ian Mclachlan | 345 | ||
April 1983 | 6 | Fuse | Social Priorities | Andy Wernick | 346 | ||
April 1983 | 6 | Fuse | Performing Arts/ Theatre | Eleanor Barrington, Steven Bush | 347 | ||
April 1983 | 6 | Fuse | Communications Supplement: Introduction | Alexander Wilson | 349-350 | ||
April 1983 | 6 | Fuse | Intelligence Or Real Stupidity | Michael Banger | 351 | ||
April 1983 | 6 | Fuse | Videotext In Canada | Timothy Owen | 354-355 | ||
April 1983 | 6 | Fuse | The 25¢ Apocalypse | John Scott | 360 | ||
April 1983 | 6 | Fuse | The New World Information Order | Sheila Smith-Hobson | 362 | ||
April 1983 | 6 | Fuse | Self-Serve Radio | Alexander Wilson | 366 | ||
April 1983 | 6 | Fuse | Sexual Stereotyping In The Media | Marion Hayden Pirie | 370 | ||
April 1983 | 6 | Fuse | Will Gutenberg Do? | Hank Hadeed | 371-373 | ||
April 1983 | 6 | Fuse | Rejecting Pessimism | Peter Fitting | 374-375 | ||
April 1983 | 6 | Fuse | The Vraisemblable Of Television | Geoff Miles | 376-377 | ||
April 1983 | 6 | Fuse | Paper Tiger Television | Alexander Wilson | 378-379 | ||
April 1983 | 6 | Fuse | Making Connections and Changing Perceptions | Kate Lushington | 380-383 | ||
April 1983 | 6 | Fuse | Canadian Cultural Heroes | Richard Peachey | 384 | ||
Fall 1983 | 7 | Fuse | Editorial | Joyce Mason | 74 | ||
Fall 1983 | 7 | Fuse | Snakes and Ladders | Lisa Steele | 80-82 | ||
Fall 1983 | 7 | Fuse | And We Note... | Jeff House | 83 | ||
Fall 1983 | 7 | Fuse | Art and Censorship | Varda Burstyn | 84 | ||
Fall 1983 | 7 | Fuse | Building Culture With A Women's Perspective | Banuta Rubess | 91-98 | ||
Fall 1983 | 7 | Fuse | Finds and Frustrations | Joyce Mason | 99-102 | ||
Fall 1983 | 7 | Fuse | New Films New Directors | Berenice Renaud | 103-107 | ||
Fall 1983 | 7 | Fuse | Subversive Forms | Marc Glassman | 108-111 | ||
Fall 1983 | 7 | Fuse | Jane/Finch Occupation | Dionne Brand | 112-113 | ||
Fall 1983 | 7 | Fuse | "It Ain't Nothin' But A Movie"? | Clive Robertson | 114-116 | ||
Fall 1983 | 7 | Fuse | The World According To Dworkin | Susan G. Cole | 117-119 | ||
Fall 1983 | 7 | Fuse | The Last Ten Years | Janet Patterson | 120-124 | ||
November/December 1983 | 7 | Fuse | Editorial | Joyce Mason | 131 | ||
November/December 1983 | 7 | Fuse | Sex Role Sterotyping | Lisa Steele | 136-140 | ||
November/December 1983 | 7 | Fuse | V/tape Service: Comprehensive Model | Clive Robertson | 141-142 | ||
November/December 1983 | 7 | Fuse | Magazine Rackets: Canadian Content | Martin Cash | 143-145 | ||
November/December 1983 | 7 | Fuse | Electronic Democracy: Pirate TV | Joseph Dubovey | 146-147 | ||
November/December 1983 | 7 | Fuse | Pop! Goes the Culture | Isobel Harry | 148-156 | ||
November/December 1983 | 7 | Fuse | The Yellow Kid | Midi Onodera | 157-159 | ||
November/December 1983 | 7 | Fuse | The Black, the Red and the Nitty Gritty | Norman Otis Richmond | 160-164 | ||
November/December 1983 | 7 | Fuse | Will That be Cash or Consciousness? | Sara Diamond | 165-170 | ||
November/December 1983 | 7 | Fuse | Ms. Horatio Alger | Marion Hayden Pirie | 171-173 | ||
November/December 1983 | 7 | Fuse | Too Hot to Handle | Joyce Mason | 174-176 | ||
November/December 1983 | 7 | Fuse | The Roots of Rage | Clifton Joseph | 177-178 | ||
November/December 1983 | 7 | Fuse | Quick Radicle of Green | Edward Braithwaite | 179 | ||
March 1982 | 5 | Fuse | Editorial | Clive Robertson | 290 | ||
March 1982 | 5 | Fuse | Writers and Human Rights | Patrick McGrath | 293-294 | ||
March 1982 | 5 | Fuse | Route 1 & 9 | Tony Whitfield | 295-302 | ||
March 1982 | 5 | Fuse | Public Art | Micki McGee | 303-305 | ||
March 1982 | 5 | Fuse | Australian Aboriginal Art | Kenneth Coutts-Smith | 306-310 | ||
March 1982 | 5 | Fuse | Art In The Workplace | Jody Berland | 311-316 | ||
March 1982 | 5 | Fuse | Canadian Farmworkers | Karl Beveridge, Carol Conde | 317-325 | ||
March 1982 | 5 | Fuse | Music In Cameroun | Hank Bull | 326-329 | ||
March 1982 | 5 | Fuse | The Political Thought Of Archie Shepp | Norman Richmond | 330-337 | ||
March 1982 | 5 | Fuse | The Means Of Mixed Production | Clive Robertson | 338-346 | ||
March 1982 | 5 | Fuse | Musics and Function | Clive Robertson | 347-349 | ||
March 1982 | 5 | Fuse | A Time To Rise | Frank Luce | 350-351 | ||
March 1982 | 5 | Fuse | Off The Wall | Clive Robertson | 352-353 | ||
March 1982 | 5 | Fuse | Solidarity | Bob Reid | 354-355 | ||
March 1982 | 5 | Fuse | Booking Off | Clive Robertson | 356-357 | ||
March 1982 | 5 | Fuse | Changeless Channels | Lisa Steele | 358 | ||
May/June 1982 | 6 | Fuse | Upfront | Clive Robertson | 3 | ||
May/June 1982 | 6 | Fuse | Upfront | Lisa Steele | 4 | ||
May/June 1982 | 6 | Fuse | South of The Border | Don Adams, Arlene Goldbard | 11-16 | ||
May/June 1982 | 6 | Fuse | The Invisible Image | Leila Heath | 17-18 | ||
May/June 1982 | 6 | Fuse | Varda Burstyn On Sexuality and Pornography | Lisa Steele | 19-20 | ||
May/June 1982 | 6 | Fuse | No To Censorship | Varda Burstyn | 21-24 | ||
May/June 1982 | 6 | Fuse | Agit-Prop & Workers' Theatre In The 30's | Clive Robertson | 25-34 | ||
May/June 1982 | 6 | Fuse | Agit-Props & Street Theatre For The 80's | Clive Robertson | 35-48 | ||
May/June 1982 | 6 | Fuse | Canada: The Hostile Refuge? | Karl Beveridge, Carol Conde | 62-68 | ||
May/June 1982 | 6 | Fuse | Sifted Evidence | Renee Baert | 69 | ||
May/June 1982 | 6 | Fuse | Dependency Road | Avi Soudack | 70-71 | ||
May/June 1982 | 6 | Fuse | Jane Cortez | Norman Otis Richmond | 72-73 | ||
May/June 1982 | 6 | Fuse | Domestic Bliss | Karl Beveridge | 74-75 | ||
May/June 1982 | 6 | Fuse | Breaking The Silence | Norbert Ruebsaat | 76 | ||
September 1982 | 6 | Fuse | Editorial | Clive Robertson | 82-85 | ||
September 1982 | 6 | Fuse | After The Party's Over | Lisa Steele | 86-92 | ||
September 1982 | 6 | Fuse | The Changing Picture | Carole Conde | 96-99 | ||
September 1982 | 6 | Fuse | Battle Of Cable St., 1936 | Carole Conde | 100-103 | ||
September 1982 | 6 | Fuse | Fast Forward | Jody Berland | 104-109 | ||
September 1982 | 6 | Fuse | Fifth Column | Clive Robertson | 110-112 | ||
September 1982 | 6 | Fuse | Women In Canadian Theatre | Rina Fraticelli | 112-124 | ||
September 1982 | 6 | Fuse | Channel Four | Patricia Gruben | 125-128 | ||
September 1982 | 6 | Fuse | The Regalado Case | Jeff House | 129-131 | ||
September 1982 | 6 | Fuse | Blueprints For Survival | Sara Diamond | 132-137 | ||
September 1982 | 6 | Fuse | Experimental and Radical Film? | Varda Burstyn | 138-142 | ||
September 1982 | 6 | Fuse | The Nerves Exposed | Valerie Harris | 143-145 | ||
September 1982 | 6 | Fuse | The Celluloid Closet | Martha Fleming | 146-148 | ||
September 1982 | 6 | Fuse | The Bus Show | Sara Diamond | 149-150 | ||
September 1982 | 6 | Fuse | Two Films | Alexander Wilson | 151 | ||
December 1982 | 6 | Fuse | Editorial | Clive Robertson | 154 | ||
December 1982 | 6 | Fuse | Speaking of Money | Arlene Goldbard, Don Adams | 164-173 | ||
December 1982 | 6 | Fuse | Rastafari | Valerie Harris | 174-189 | ||
December 1982 | 6 | Fuse | Oppositional Filmmaking In S. Africa | Keyan Tomaselli | 190-194 | ||
December 1982 | 6 | Fuse | Crossing The Apartheid Line | Norman Richmond | 195-199 | ||
December 1982 | 6 | Fuse | Taking Big Dog For A City Walk | Leila Sujir | 200-203 | ||
December 1982 | 6 | Fuse | A Testimony From Nicaragua | Ross Kidd | 204-211 | ||
December 1982 | 6 | Fuse | Musical Pictures | Jody Berland | 212-217 | ||
December 1982 | 6 | Fuse | The Films Of Lothar Lambert | Robin Hardy | 218-221 | ||
December 1982 | 6 | Fuse | "Stoned Out Of My Gourd" | Bruce Boone | 222 | ||
March/April 1981 | 5 | Fuse | Diasporic Music | Norman Otis Richmond | 56 | ||
March/April 1981 | 5 | Fuse | Dowson Vs. RCMP | Jeff House | 57 | ||
March/April 1981 | 5 | Fuse | Naming Names | Daniel Tsang | 58-61 | ||
March/April 1981 | 5 | Fuse | Telling Stories | George Smith | 62 | ||
March/April 1981 | 5 | Fuse | Telling Secrets | John Greyson | 64-66 | ||
March/April 1981 | 5 | Fuse | Television In Nicaragua | Richard Fung | 67-68 | ||
March/April 1981 | 5 | Fuse | Twilite's Last Gleaming | Robert Reid | 69-73 | ||
March/April 1981 | 5 | Fuse | Oppositional Television (Canada) | Lisa Steele | 74-83 | ||
March/April 1981 | 5 | Fuse | Cultural Alarms (U.S.A.) | Tony Whitfield | 84-86 | ||
March/April 1981 | 5 | Fuse | A Wive's Tale | Gillian Robinson | 94-96 | ||
March/April 1981 | 5 | Fuse | Transvideo | Tom Sherman | 97-98 | ||
March/April 1981 | 5 | Fuse | Walking up In N.Y. | Jerry Kearns, Lucy Lippard | 99-101 | ||
March/April 1981 | 5 | Fuse | Maritime Labour Struggles | Kenneth Coutts-Smith | 102-109 | ||
March/April 1981 | 5 | Fuse | Aesthetics Of Careerism | Laura Kipnis | 110 | ||
May/June 1981 | 5 | Fuse | Gayap Rhythm Drummers Interview | Clive Robertson, John Greyson | 124-127 | ||
May/June 1981 | 5 | Fuse | Betty Carter | Norman Otis Richmond | 128 | ||
May/June 1981 | 5 | Fuse | Trial By Television | Clive Robertson | 129-131 | ||
May/June 1981 | 5 | Fuse | A History Of Metro Police | Allan Sparrow | 132-135 | ||
May/June 1981 | 5 | Fuse | Malicious Prosecutions | Mitchell Chernovsky | 136-137 | ||
May/June 1981 | 5 | Fuse | Immigration Raids | John Greyson | 138-141 | ||
May/June 1981 | 5 | Fuse | Offence/Defence | Law Union of Ontario | 142-147 | ||
May/June 1981 | 5 | Fuse | Mama Quilla II Interview | Clive Robertson, John Greyson | 148-152 | ||
May/June 1981 | 5 | Fuse | Feminist Research Interview | Lisa Steele | 153-161 | ||
May/June 1981 | 5 | Fuse | Moving Mountains | Gillian Robinson | 162 | ||
May/June 1981 | 5 | Fuse | Revealed Secrets | Isobel Harry | 163 | ||
May/June 1981 | 5 | Fuse | The Search | Meg Eginton | 164-165 | ||
May/June 1981 | 5 | Fuse | Location Shots | Valerie Harris | 166-168 | ||
May/June 1981 | 5 | Fuse | Women Artists' Books | John Greyson | 169-173 | ||
May/June 1981 | 5 | Fuse | Treaty 9 Rights | Norman Zlotkin | 174 | ||
May/June 1981 | 5 | Fuse | Services Or Commodities | Cultural Workers' Alliance | 175-176 | ||
May/June 1981 | 5 | Fuse | Love and Money | Clive Robertson | 177 | ||
May/June 1981 | 5 | Fuse | His China Syndrome | Anthony Chan | 178-179 | ||
May/June 1981 | 5 | Fuse | On The Bias | Paul Weinberg | 180-181 | ||
May/June 1981 | 5 | Fuse | Music Begins At Home | Norbert Ruebsaat | 182-183 | ||
August/September 1981 | 5 | Fuse | Editorial | Lisa Steele | 191 | ||
August/September 1981 | 5 | Fuse | The Federal Cultural Policy Review Committee: Part One Business and Culture | Clive Robertson | 196 | ||
August/September 1981 | 5 | Fuse | Applebaum Interview | Clive Robertson | 197-201 | ||
August/September 1981 | 5 | Fuse | Affirmative Action | Lisa Steele | 202-204 | ||
August/September 1981 | 5 | Fuse | The Corridart "Fiasco" | Jean Tourangeau | 205-206 | ||
August/September 1981 | 5 | Fuse | Feminist Film and Video | Nancy Johnson | 207-210 | ||
August/September 1981 | 5 | Fuse | Fighting The Right Interview | Lisa Steele | 211-214 | ||
August/September 1981 | 5 | Fuse | Crow Dog | Kenneth Coutts-Smith | 215-219 | ||
August/September 1981 | 5 | Fuse | The Aboriginal Nations | Heather Ross | 220-222 | ||
August/September 1981 | 5 | Fuse | Post-Franco Spain | Jeff House | 223-224 | ||
August/September 1981 | 5 | Fuse | The Mozambique Caper | Jamie Swift, Art Moses | 225-227 | ||
August/September 1981 | 5 | Fuse | Wealth and Poverty | David Mole | 228 | ||
August/September 1981 | 5 | Fuse | Public Phones | Gillian Robinson | 229-231 | ||
August/September 1981 | 5 | Fuse | Gay Left Politics | George Smith | 232-234 | ||
August/September 1981 | 5 | Fuse | Easing Out Sexism | Alison Beale | 235 | ||
March 1980 | 4 | Fuse | Media Scare Tactics | Cheuk Kwan | 133 | ||
March 1980 | 4 | Fuse | Survey of Writers | Tom Sherman | 134 | ||
March 1980 | 4 | Fuse | English at the Workplace | Nancy Serro | 135-137 | ||
March 1980 | 4 | Fuse | L'école de la résistance | Edith Pariseau | 138-139 | ||
March 1980 | 4 | Fuse | West-East | Andrzej Ostrowski, Karl Beveridge | 140-144 | ||
March 1980 | 4 | Fuse | Test Tube | Robert Handforth | 145-149 | ||
March 1980 | 4 | Fuse | The Invisible Economy | David Mole | 150-151 | ||
March 1980 | 4 | Fuse | The Fashioned Face | Kerri Kwinter | 152-153 | ||
March 1980 | 4 | Fuse | Making The News Fit | Martha Fleming, Tim Guest | 157-158 | ||
March 1980 | 4 | Fuse | A Chip Off The Old Block? | John Greyson | 159 | ||
March 1980 | 4 | Fuse | Is There Light At The End Of The Funnel? | Martha Fleming | 160-162 | ||
March 1980 | 4 | Fuse | The 澳门六合彩开奖预测 Front, A travelling ten-year retrospective of Art and Correspondence and documentation | Clive Robertson | 163 | ||
March 1980 | 4 | Fuse | Tamara Krikorian, Two installations examining how 'reality' and representation are not necessarily the same | Stuart Marshall | 164-168 | ||
March 1980 | 4 | Fuse | David Buchan's "Modern Fashions", a look at the partial seduction of advertising language/image | Clive Robertson | 169 | ||
March 1980 | 4 | Fuse | Three new books by artists reveal aspects of (auto) biography | Tony Whitfield | 170-174 | ||
March 1980 | 4 | Fuse | Local Television: Piped Dreams? Is community TV for real? | Lisa Steele | 175-177 | ||
March 1980 | 4 | Fuse | The Plastic People, Prague - part of the Czech underground | Ian Cochrane | 178 | ||
November 1980 | 4 | Fuse | Nicaragua Rebuilds | Geoff Barnard | 313 | ||
November 1980 | 4 | Fuse | Festival of Women Artists | Nell Tenhaaf | 315 | ||
November 1980 | 4 | Fuse | The Story Behind Organized Art | Clive Robertson | 318-325 | ||
November 1980 | 4 | Fuse | Northern Lights: An Interview | Richard Fung | 326-239 | ||
November 1980 | 4 | Fuse | The Monetarist Counter-Revolution, Canada's Crippled Dollar, Canada's Political Economy and "Our Lagging Economy" | Tom Walkom | 330-331 | ||
November 1980 | 4 | Fuse | Men in the Shadows and Deference to Authority | Jeff House | 332-333 | ||
November 1980 | 4 | Fuse | The Transsexual Empire | Nancy Johnson | 334 | ||
November 1980 | 4 | Fuse | Self Portrait: Canadian and Quebec Cinema | Ara Rose Parker | 335 | ||
November 1980 | 4 | Fuse | The Washington Connection & Third World Fascism | John Duncan | 336-337 | ||
November 1980 | 4 | Fuse | The Imaginary Canadian | Robert Reid | 338 | ||
November 1980 | 4 | Fuse | Labirinto | Martha Fleming | 339 | ||
November 1980 | 4 | Fuse | The Unmentionable Vice, Coming Out In the Seventies and Homosexuality and Liberation | George Smith | 340-341 | ||
November 1980 | 4 | Fuse | Voices of Discord, Dangerous Foreigners, The Organizer, Indians at Work, We Stood Together, and Soon To Be Born | Karl Beveridge | 342-343 | ||
November 1980 | 4 | Fuse | Community Media and Access | John Greyson | 344 | ||
November 1980 | 4 | Fuse | Beyond the Fragments | Tim Guest, Gary Kinsman | 345 | ||
November 1980 | 4 | Fuse | Sociology of Rock | Jody Berland | 346-347 | ||
November 1980 | 4 | Fuse | Gay Graphics Arts | Tony Whitfield | 348-349 | ||
November 1980 | 4 | Fuse | The Times Square Show | Tony Whitfield | 350 | ||
100 | January 1966 | 23 | Canadian Art | The Image Duplicators - Lichtenstein, Rauschenberg and Warhol | Ellen H. Johnson | 12 | |
100 | January 1966 | 23 | Canadian Art | The Power of the Moment - A Lesson from Swift | Arnold Rockman | 20 | |
100 | January 1966 | 23 | Canadian Art | The Springs of Art - A Psychoanalysts's Approach | Gilbert J. Rose, M. D. | 26 | |
100 | January 1966 | 23 | Canadian Art | Jim Dine - Magic and Reality | Brydon Smith | 30 | |
100 | January 1966 | 23 | Canadian Art | Art and the Communications Network | Lawrence Alloway | 35 | |
100 | January 1966 | 23 | Canadian Art | Destruction: A Factor in Contemporary Art | Evan H. Turner | 38 | |
100 | January 1966 | 23 | Canadian Art | The Growing Influence of Piet Mondrian | Robert Welsh | 44 | |
100 | January 1966 | 23 | Canadian Art | Pop and Non-Pop: An Essay in Distinction | Robert Rosenblum | 50 | |
100 | January 1966 | 23 | Canadian Art | Canadian Art in the Sixties | David P. Silcox | 55 | |
100 | January 1966 | 23 | Canadian Art | Ten Artists in Search of Canadian Art | 62 | ||
100 | January 1966 | 23 | Canadian Art | Art in Motion | Brydon Smith | 66 | |
100 | January 1966 | 23 | Canadian Art | Letter from Saskatchewan | John Cage | 70 | |
100 | January 1966 | 23 | Canadian Art | Master Works in Canada: No. 6 | W. G. Constable | 74 | |
100 | January 1966 | 23 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 75 | |
100 | January 1966 | 23 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 76 | |
101 | April 1966 | 23 | Canadian Art | Education of the Senses | Donald F. Theall | 8 | |
101 | April 1966 | 23 | Canadian Art | Visual Arts in a University Setting | Arnold Rockman | 11 | |
101 | April 1966 | 23 | Canadian Art | Public Taste and the Mass Media | Sidney Lamb | 14 | |
101 | April 1966 | 23 | Canadian Art | The National Gallery and Education | T. A. Heinrich | 16 | |
101 | April 1966 | 23 | Canadian Art | Art in the Therapeutic Classroom | Dennis Young | 20 | |
101 | April 1966 | 23 | Canadian Art | The State of Responsive Awareness | Andrew Hudson | 23 | |
101 | April 1966 | 23 | Canadian Art | The Role of the Art Critic | 25 | ||
101 | April 1966 | 23 | Canadian Art | The Ronald Chapel in Toronto Harbour | David Ralston, Hugo McPherson | 28 | |
101 | April 1966 | 23 | Canadian Art | Artists from the Keewatin | George Swinton | 32 | |
101 | April 1966 | 23 | Canadian Art | Jack Humphrey | Louis Rombout | 35 | |
101 | April 1966 | 23 | Canadian Art | Japanese Art Treasures | Miyeko Murase | 38 | |
101 | April 1966 | 23 | Canadian Art | Master Works in Canada: No. 7 | Seymour Slive | 42 | |
101 | April 1966 | 23 | Canadian Art | Art Scene in Canada - Toronto | David Ralston | 45 | |
101 | April 1966 | 23 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 47 | |
102 | July 1966 | 23 | Canadian Art | Bad day at Long Beach (Calif.) | Barbara Rose | 6 | |
102 | July 1966 | 23 | Canadian Art | Something very real | Robert Snyder | 10 | |
102 | July 1966 | 23 | Canadian Art | Art and Architecture - A Confused Situation? | Paul Arthur | 12 | |
102 | July 1966 | 23 | Canadian Art | Liking Things for What They Are | Jill Johnston | 15 | |
102 | July 1966 | 23 | Canadian Art | Behind closed doors: A view of Seminar 66 | Robert Fulford | 18 | |
102 | July 1966 | 23 | Canadian Art | The life of death in London, Ontario | Rae Davis | 20 | |
102 | July 1966 | 23 | Canadian Art | Mexico as our artists find it | May Ebbitt Cutler | 26 | |
102 | July 1966 | 23 | Canadian Art | The changing Maritime Scene | Barry Lord | 30 | |
102 | July 1966 | 23 | Canadian Art | The critic and the artist | Andrew Hudson | 34 | |
102 | July 1966 | 23 | Canadian Art | Gordon Smith | Tony Emery | 36 | |
102 | July 1966 | 23 | Canadian Art | Enriching the spiritual life | Peter Larisey | 38 | |
102 | July 1966 | 23 | Canadian Art | Master Works in Canada: No. 8 | Jean Boggs | 42 | |
102 | July 1966 | 23 | Canadian Art | Art Scene in Canada - Quebec | Lyse Nantais | 45 | |
102 | July 1966 | 23 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 47 | |
102 | July 1966 | 23 | Canadian Art | Art Scene in Canada - Winnipeg | 49 | ||
103 | October 1966 | 23 | Canadian Art | Mannerist paintings in Canada | John Steegman | 10 | |
103 | October 1966 | 23 | Canadian Art | The search for a universal plastic expression | Brydon Smith | 14 | |
103 | October 1966 | 23 | Canadian Art | The frozen motion of Jekabs Zvilna | Arnold Rockman | 18 | |
103 | October 1966 | 23 | Canadian Art | Ronald Bloore and contemporary art criticism | Barry Lord | 22 | |
103 | October 1966 | 23 | Canadian Art | Man and his world | Sir Herbert Read | 25 | |
103 | October 1966 | 23 | Canadian Art | The role of the inscription in painting | James Reaney | 41 | |
103 | October 1966 | 23 | Canadian Art | Some notes on the visual art of Norman Yates | Jim Salt | 46 | |
103 | October 1966 | 23 | Canadian Art | Art Scene in Canada - Charlottetown | Barry Lord | 48 | |
103 | October 1966 | 23 | Canadian Art | Master Works in Canada: No. 9 | Walter Vitzthum | 50 | |
95 | January/February 1965 | 22 | Canadian Art | Toronto's New Art Scene | Hugo McPherson | 8 | |
95 | January/February 1965 | 22 | Canadian Art | Duncan Macpherson: Galathumpian Political Cartoonist | Joy Carroll | 24 | |
95 | January/February 1965 | 22 | Canadian Art | Eskimo Pencil Drawings: A Neglected Art | Terrence Ryan | 30 | |
95 | January/February 1965 | 22 | Canadian Art | Jacques de Tonnancour | M. Ebbitt Cutler | 36 | |
95 | January/February 1965 | 22 | Canadian Art | The Nude in Art | Tony Emery | 39 | |
95 | January/February 1965 | 22 | Canadian Art | Design: The Brief Glory of Canadian Glass | Gerald Stevens | 48 | Design |
95 | January/February 1965 | 22 | Canadian Art | Design: Prosperity through Industrial Design | David Crane | 50 | Design |
95 | January/February 1965 | 22 | Canadian Art | Design: Four Designers in Three Dimensions | Anne Marshall | 51 | Design |
95 | January/February 1965 | 22 | Canadian Art | The Art Magazines | Paul Russell | 54 | |
95 | January/February 1965 | 22 | Canadian Art | Master Works in Canada: No. 1 | Charles F. Comfort | 56 | |
95 | January/February 1965 | 22 | Canadian Art | Letter from London | Charles S. Spencer | 57 | |
95 | January/February 1965 | 22 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 65 | |
95 | January/February 1965 | 22 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 67 | |
95 | January/February 1965 | 22 | Canadian Art | Art Scene in Canada - Winnipeg | 68 | ||
96 | March/April 1965 | 22 | Canadian Art | An Aesthetic for Art in Architecture | Jack Shadbolt | 9 | |
96 | March/April 1965 | 22 | Canadian Art | Church Art and Church Architecture - Wanted: Advice | Peter Larisey, S. J. | 12 | |
96 | March/April 1965 | 22 | Canadian Art | Montreal's Sculpture Symposium - an Experiment in Collaboration | Michael Ballantyne | 14 | |
96 | March/April 1965 | 22 | Canadian Art | Architects, Artists and Engineers - Can They Work Together for Space - Age Cities? | Joy Carroll | 17 | |
96 | March/April 1965 | 22 | Canadian Art | J. M. Barnsley - Painter of the Sea | Robert Ayre | 22 | |
96 | March/April 1965 | 22 | Canadian Art | Representational Art Has Wealthy Friend | Lisa Balfour | 28 | |
96 | March/April 1965 | 22 | Canadian Art | The Painting as Object | Andrew Hudson | 30 | |
96 | March/April 1965 | 22 | Canadian Art | George Swinton | Christopher Dafoe | 40 | |
96 | March/April 1965 | 22 | Canadian Art | A New Deal for the Vancouver Art Gallery | Michael Ballantyne | 42 | |
96 | March/April 1965 | 22 | Canadian Art | Design: The Artist in the Market-place | Arnold Rockman | 44 | Design |
96 | March/April 1965 | 22 | Canadian Art | Design: Whose Book? | Frank Newfeld | 46 | Design |
96 | March/April 1965 | 22 | Canadian Art | Design: Architecture - The Great Handwriting of Mankind | Allen Bernholtz | 48 | Design |
96 | March/April 1965 | 22 | Canadian Art | The Art Magazines | Paul Russell | 50 | |
96 | March/April 1965 | 22 | Canadian Art | Master Works in Canada: No. 2 | Michael Jaffe | 52 | |
96 | March/April 1965 | 22 | Canadian Art | Letter from the West Coast | Tony Emery | 53 | |
96 | March/April 1965 | 22 | Canadian Art | Letter from Toronto | Arnold Rockman | 54 | |
96 | March/April 1965 | 22 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 61 | |
96 | March/April 1965 | 22 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 63 | |
97 | May/June 1965 | 22 | Canadian Art | The Unique Genius of Norman McLaren | May Ebbitt Cutler | 8 | |
97 | May/June 1965 | 22 | Canadian Art | Art Education through the Camera's Eye | Joan Fox | 18 | |
97 | May/June 1965 | 22 | Canadian Art | Sorel Etrog: Sculpting Is an Exploration | W. J. Withrow | 20 | |
97 | May/June 1965 | 22 | Canadian Art | Rolph Scarlett - Twentieth-Century Painter | Roger Jellinek | 23 | |
97 | May/June 1965 | 22 | Canadian Art | The Eighteenth-Century Urban View in Canada | J. Barry Lord | 26 | |
97 | May/June 1965 | 22 | Canadian Art | Joy, Excitement Keynote Calder's Work | Barbara Rose | 30 | |
97 | May/June 1965 | 22 | Canadian Art | English Victorian Artists Deserve Recognition | Allen Staley | 34 | |
97 | May/June 1965 | 22 | Canadian Art | Carl Schaefer | Joy Carroll | 38 | |
97 | May/June 1965 | 22 | Canadian Art | Design: Stage Designer Theatre's Step-child | Herbert Whittaker | 41 | |
97 | May/June 1965 | 22 | Canadian Art | Government Spending Creates a New Art Market | Arnold Rockman | 48 | |
97 | May/June 1965 | 22 | Canadian Art | Master Works in Canada: No. 3 | Marcel Rothlisberger | 50 | |
97 | May/June 1965 | 22 | Canadian Art | Letter from Montreal | Hazen Sise | 51 | |
97 | May/June 1965 | 22 | Canadian Art | The Art Magazines | Paul Russell | 55 | |
97 | May/June 1965 | 22 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 58 | |
97 | May/June 1965 | 22 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 60 | |
97 | May/June 1965 | 22 | Canadian Art | Art Scene in Canada | 63 | ||
97 | May/June 1965 | 22 | Canadian Art | Art Makes News | 65 | ||
97 | May/June 1965 | 22 | Canadian Art | Canadian Art Today: No. 1 | Arnold Rockman | 68 | |
98 | September/October 1965 | 22 | Canadian Art | Print-making East + West | J. Barry Lord | 8 | |
98 | September/October 1965 | 22 | Canadian Art | Print-making in Ontario | Harry Malcolmson | 13 | |
98 | September/October 1965 | 22 | Canadian Art | Print-making in Quebec | Marjorie Harris | 16 | |
98 | September/October 1965 | 22 | Canadian Art | New Directions in International Print-making | Riva Castleman | 24 | |
98 | September/October 1965 | 22 | Canadian Art | Yves Gaucher | May Ebbitt Cutler | 26 | |
98 | September/October 1965 | 22 | Canadian Art | A Glossary for the Print-maker | Marjorie Harris | 29 | |
98 | September/October 1965 | 22 | Canadian Art | Reflections on the Erotic in Art | Arnold Rockman | 30 | |
98 | September/October 1965 | 22 | Canadian Art | Search for an Undiscovered Alphabet | James Reaney | 38 | |
98 | September/October 1965 | 22 | Canadian Art | Culture Planning, Canadian Style | Hugo McPherson | 42 | |
98 | September/October 1965 | 22 | Canadian Art | Design: The Jeweller as a Sculptor - Jack Pocock, Anita Aarons, Walter Schluep | Linda Munk, May Ebbitt Cutler | 44 | Design |
98 | September/October 1965 | 22 | Canadian Art | Master Works in Canada: No. 4 | Wolfgang Stechow | 52 | |
98 | September/October 1965 | 22 | Canadian Art | Letter from New York | Barbara Rose | 53 | |
98 | September/October 1965 | 22 | Canadian Art | Films on Art | Dorothy Macpherson | 55 | |
98 | September/October 1965 | 22 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 57 | |
98 | September/October 1965 | 22 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 58 | |
98 | September/October 1965 | 22 | Canadian Art | Art Scene in Canada - Edmonton | 59 | ||
99 | November/December 1965 | 22 | Canadian Art | Banners with that Festive Look | Alex Mogelon | 8 | |
99 | November/December 1965 | 22 | Canadian Art | The U.S. - Influenced London Art Scene | Thomas N. Maytham | 11 | |
99 | November/December 1965 | 22 | Canadian Art | Crisis in Canada's Art Schools | May Ebbitt Cutler | 14 | |
99 | November/December 1965 | 22 | Canadian Art | The Education of 12 Practising Artists | 27 | ||
99 | November/December 1965 | 22 | Canadian Art | Sixth Biennial a Sober Anthology | Arnold Rockman | 30 | |
99 | November/December 1965 | 22 | Canadian Art | Art Today Viewed by a Kinetic Dog | Richard Gorman | 33 | |
99 | November/December 1965 | 22 | Canadian Art | Molly Lamb Bobak | Stuart Allan Smith | 36 | |
99 | November/December 1965 | 22 | Canadian Art | In Search of Our Native Landscape | Nancy E. Robertson | 38 | |
99 | November/December 1965 | 22 | Canadian Art | Master Works in Canada: No. 5 | John Hayes | 42 | |
99 | November/December 1965 | 22 | Canadian Art | Art Scene in Canada - Montreal | Robert Ayre | 43 | |
99 | November/December 1965 | 22 | Canadian Art | Art Scene in Canada - Toronto | Arnold Rockman | 43 | |
84 | March/April 1963 | 20 | Canadian Art | Clement Greeberg's View of Art on the Prairies | 90 | ||
84 | March/April 1963 | 20 | Canadian Art | A Current General Problem ... and a Specific Issue | Evan H. Turner | 108 | |
84 | March/April 1963 | 20 | Canadian Art | Riopelle, Two Brief Essays | Phillip Pocock, J. Russell Harper | 112 | |
84 | March/April 1963 | 20 | Canadian Art | Robert Murray | Jonathan Holstein | 114 | |
84 | March/April 1963 | 20 | Canadian Art | The Armory Show - New York 1013 | Edward H. Dwight | 118 | |
84 | March/April 1963 | 20 | Canadian Art | Mediaeval Architecture in Yugoslavia | Nada Komenovich | 120 | |
84 | March/April 1963 | 20 | Canadian Art | November in Montreal | Lawrence Sabbath | 123 | |
84 | March/April 1963 | 20 | Canadian Art | Film | Joan Fox | 126 | |
84 | March/April 1963 | 20 | Canadian Art | Theatre | Robert Russel | 128 | |
84 | March/April 1963 | 20 | Canadian Art | TV | Sidney Lamb | 130 | |
84 | March/April 1963 | 20 | Canadian Art | Letter from New York | Dore Ashton | 132 | Correspondents |
84 | March/April 1963 | 20 | Canadian Art | Letter from London | John M. Robson | 133 | Correspondents |
84 | March/April 1963 | 20 | Canadian Art | Letters to the Editor | 136 | ||
84 | March/April 1963 | 20 | Canadian Art | A Review of Love Where the Nights are Long and The Iliad of Homer | Evan H. Turner | 136 | |
84 | March/April 1963 | 20 | Canadian Art | From the Collections | Evan H. Turner | 139 | Art |
84 | March/April 1963 | 20 | Canadian Art | Edit Ivan, 1920-1962 | Andrew Hudson | 140 | Deaths |
84 | March/April 1963 | 20 | Canadian Art | George Douglas Pepper, 1903-1962 | Lawren P. Harris | 140 | Deaths |
85 | May/June 1963 | 20 | Canadian Art | Dutch Painting and the Cobra Group | Robert Welsh | 158 | |
85 | May/June 1963 | 20 | Canadian Art | Toward an Appreciation and Understanding of "Primitive Art" | Evan H. Turner | 163 | |
85 | May/June 1963 | 20 | Canadian Art | Mashel Teitelbaum: the Artist in Opposition | Hugo McPherson | 168 | |
85 | May/June 1963 | 20 | Canadian Art | 3 New American Painters | Clement Greenberg, Gerald E. Finley | 172 | |
85 | May/June 1963 | 20 | Canadian Art | The Curious World of Waltraud Markgraf | Arnold Rockman | 176 | |
85 | May/June 1963 | 20 | Canadian Art | Richard Turner | Leo Rampen | 180 | |
85 | May/June 1963 | 20 | Canadian Art | Film | Joan Fox | 182 | |
85 | May/June 1963 | 20 | Canadian Art | Theatre | Robert Russel | 184 | |
85 | May/June 1963 | 20 | Canadian Art | Radio | Sidney Lamb | 187 | |
85 | May/June 1963 | 20 | Canadian Art | Letter from New York | Dore Ashton | 188 | Correspondents |
85 | May/June 1963 | 20 | Canadian Art | Letter from London | John M. Robson | 190 | Correspondents |
85 | May/June 1963 | 20 | Canadian Art | A Review of Portraits by Degas | Agnes Mongan | 191 | |
85 | May/June 1963 | 20 | Canadian Art | Book Reviews | 192 | ||
85 | May/June 1963 | 20 | Canadian Art | Books Received | 194 | ||
85 | May/June 1963 | 20 | Canadian Art | Opening Speech of the 1962 Exhibition of the Canadian Group of Painters at The Art Gallery of Toronto | Frank H. Underhill | 194 | |
86 | July/August 1963 | 20 | Canadian Art | Gerald Trottier: The Carleton University Mosaic Mural | J.W. Borcoman | 214 | |
86 | July/August 1963 | 20 | Canadian Art | The Hart House Collection of Canadian Art | Ian Montagnes | 218 | |
86 | July/August 1963 | 20 | Canadian Art | The Sir George Williams Collection | 221 | ||
86 | July/August 1963 | 20 | Canadian Art | Elza Mayhew | Tony Emery | 222 | |
86 | July/August 1963 | 20 | Canadian Art | Problems Confronting the Eskimo Artist | Evan H. Turner | 226 | |
86 | July/August 1963 | 20 | Canadian Art | Stan White on Designing for the Theatre | 232 | ||
86 | July/August 1963 | 20 | Canadian Art | Architecture as a Purely Pictorial Thing | Eric Arthur | 238 | |
86 | July/August 1963 | 20 | Canadian Art | Film | J.R. Colombo | 242 | |
86 | July/August 1963 | 20 | Canadian Art | Letter from New York | Dore Ashton | 244 | Correspondents |
86 | July/August 1963 | 20 | Canadian Art | Letter from London | John M. Robson | 245 | Correspondents |
86 | July/August 1963 | 20 | Canadian Art | Letters to the Editor | 246 | ||
86 | July/August 1963 | 20 | Canadian Art | Book Reviews | 247 | ||
86 | July/August 1963 | 20 | Canadian Art | One More Place to Park Automobiles | Robert Fulford | 252 | Art |
87 | September/October 1963 | 20 | Canadian Art | In Search of a Meaningful Canadian Symbolism | 272 | ||
87 | September/October 1963 | 20 | Canadian Art | Guide at the Crossroads | Sandra Gwyn | 276 | |
87 | September/October 1963 | 20 | Canadian Art | The Mythology of Jack Nicholas | Hugo McPherson | 282 | |
87 | September/October 1963 | 20 | Canadian Art | The Art Museum of Finch College | J. Barry Lord | 286 | |
87 | September/October 1963 | 20 | Canadian Art | Reflections on Seeing Typography 62 | Gilles Henault | 288 | |
87 | September/October 1963 | 20 | Canadian Art | Robert Hedrick | Harry A. Malcolmson | 292 | |
87 | September/October 1963 | 20 | Canadian Art | Tapestry Design | Stuart Morgan | 296 | |
87 | September/October 1963 | 20 | Canadian Art | Theatre | Chris Bryant | 302 | |
87 | September/October 1963 | 20 | Canadian Art | Letter from London | John M. Robson | 304 | |
87 | September/October 1963 | 20 | Canadian Art | Letters to the Editor | 306 | ||
87 | September/October 1963 | 20 | Canadian Art | Book Reviews | 306 | ||
77 | January/February 1962 | 19 | Canadian Art | Art Education | Howard Conant | 14-18 | |
77 | January/February 1962 | 19 | Canadian Art | Editorial | Blanche van Ginkel | 19 | Automobile |
77 | January/February 1962 | 19 | Canadian Art | The Automobile as Object | Serge Chermayeff | 20 | Design of the Automobile |
77 | January/February 1962 | 19 | Canadian Art | Cars as Collage | Ralph Caplan | 24-27 | Design of the Automobile |
77 | January/February 1962 | 19 | Canadian Art | The Mark of the Automobile | 28-35 | Design by the Automobile | |
77 | January/February 1962 | 19 | Canadian Art | Vision in Motion | Bernard Myers | 36-43 | Design by the Automobile |
77 | January/February 1962 | 19 | Canadian Art | The City | H.P.D. van Ginkel | 44-49 | Design With the Automobile |
77 | January/February 1962 | 19 | Canadian Art | The Animal World | Louis I. Kahn | 50-51 | Design With the Automobile |
77 | January/February 1962 | 19 | Canadian Art | The Landscape | Blanche van Ginkel | 52-57 | Design With the Automobile |
77 | January/February 1962 | 19 | Canadian Art | The Metropolitan Region | Hans Blumefeld | 58-61 | Design With the Automobile |
77 | January/February 1962 | 19 | Canadian Art | Architecture | William Goulding | 62-67 | Design For the Automobile |
77 | January/February 1962 | 19 | Canadian Art | Structures | 68-73 | Design For the Automobile | |
77 | January/February 1962 | 19 | Canadian Art | Furniture & Furnishings | Stig Harvor | 74-80 | Design for the Automobile |
77 | January/February 1962 | 19 | Canadian Art | Letter from Victoria | Tony Emery | 81 | |
77 | January/February 1962 | 19 | Canadian Art | Planning | Sandra Gwyn | 82-84 | |
77 | January/February 1962 | 19 | Canadian Art | Film | Joan Fox | 85-86 | |
77 | January/February 1962 | 19 | Canadian Art | Letter from London | Peter Carver | 87-88 | |
77 | January/February 1962 | 19 | Canadian Art | The Performing Arts | John Hirsch | 89 | |
77 | January/February 1962 | 19 | Canadian Art | Design | Sandra Gwyn | 90 | |
77 | January/February 1962 | 19 | Canadian Art | Television | Sidney Lamb | 91 | |
80 | July/August 1962 | 19 | Canadian Art | Lynn Chadwick | David P. Silcox, Peter Croydon | 264-267 | |
80 | July/August 1962 | 19 | Canadian Art | An Editorial | Alan Jarvis | 268-271 | |
80 | July/August 1962 | 19 | Canadian Art | Painter-Sculptors | Elizabeth Kilbourn | 272-275 | Sculpture In Canada |
80 | July/August 1962 | 19 | Canadian Art | Welders | Evan H. Turner | 276-283 | Sculpture In Canada |
80 | July/August 1962 | 19 | Canadian Art | Carvers | David P. Silcox | 284-289 | Sculpture In Canada |
80 | July/August 1962 | 19 | Canadian Art | Modellers | Lawrence Sabbath | 290-297 | Sculpture In Canada |
80 | July/August 1962 | 19 | Canadian Art | TV and Radio | Sidney Lamb, Chester Duncan | 298-300 | |
80 | July/August 1962 | 19 | Canadian Art | Film | Joan Fox | 303-305 | |
80 | July/August 1962 | 19 | Canadian Art | Music | Ian Davidson, Ken Winters, Murray Schafer, Serge Garant, Chester Duncan | 306-309 | |
80 | July/August 1962 | 19 | Canadian Art | Theatre | Michael Langham, Robert Russel | 310-313 | |
80 | July/August 1962 | 19 | Canadian Art | Ballet | Strowan Robertson | 314 | |
80 | July/August 1962 | 19 | Canadian Art | Art | Joyce Zemans, Evan H. Turner | 315 | |
82 | November/December 1962 | 19 | Canadian Art | Three Centuries of Canadian Painting: New France | J. Russell Harper | 405-409 | |
82 | November/December 1962 | 19 | Canadian Art | Three Centuries of Canadian Painting: From the Seven Years' War to Confederation | J. Russell Harper | 410-419 | |
82 | November/December 1962 | 19 | Canadian Art | Three Centuries of Canadian Painting: From Confederation through the Wars | J. Russell Harper | 420-435 | |
82 | November/December 1962 | 19 | Canadian Art | Three Centuries of Canadian Painting: The Comtemporary Scene | J. Russell Harper | 436 | |
82 | November/December 1962 | 19 | Canadian Art | Film | Joan Fox | 454-455 | |
82 | November/December 1962 | 19 | Canadian Art | Theatre | Wendy Michener, Robert Russel, A.P.H. Scott, Robert Russel | 456-460 | |
82 | November/December 1962 | 19 | Canadian Art | TV | Sidney Lamb | 461 | |
82 | November/December 1962 | 19 | Canadian Art | Correspondents | Hugo McPherson, Jane Bennett | 462 | |
82 | November/December 1962 | 19 | Canadian Art | Books | 466 | ||
82 | November/December 1962 | 19 | Canadian Art | From the Collections | Evan H. Turner | 472 | |
82 | November/December 1962 | 19 | Canadian Art | A Garland for Ted | Ronald Bloore, Duncan F. Cameron, Sir T. Cox, Marnie Laidlaw, Pearl McCarthy, Toni Onley, Joseph Allen Patterson, Mayor Nathan Phillips, Philip Torno, Harold Town, Evan H. Turner, Alice J. Turnham, Nora E. Vaughan, W.J. Withrow, Sam Zacks | 473 | |
63 | Winter 1959 | 16 | Canadian Art | A Montreal Connoisseur and Benefactor | Paul Dumas | 10-19 | |
63 | Winter 1959 | 16 | Canadian Art | Academies of Art in Transition | Charles Comfort | 20-23 | |
63 | Winter 1959 | 16 | Canadian Art | Mistra | 24-28 | ||
63 | Winter 1959 | 16 | Canadian Art | The Canada Foundation | Walter Herbert | 29 | |
63 | Winter 1959 | 16 | Canadian Art | Conflicts in Canadian Art | Clare Bice | 30-35 | |
63 | Winter 1959 | 16 | Canadian Art | ACID | Henry Finkel | 36-39 | |
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: Hart House, University of Toronto | 40 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The Norman Mackenzie Art Gallery, Regina | 40 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: Winnipeg Art Gallery | 41 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: Edmonton Art Gallery | 41 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The New Brunswick Museum, Saint John | 41 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: Art Gallery of Hamilton | 42 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The Museum of the Province of Quebec | 43 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The Montreal Museum of Fine Arts | 44 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The Art Gallery of Toronto | 46 | ||
63 | Winter 1959 | 16 | Canadian Art | Recent Acquisitions by Canadian Gallaries and Museums: The National Gallery of Canada | 49 | ||
63 | Winter 1959 | 16 | Canadian Art | Town's Mural for the Saunders - St. Lawrence Generating Station | Pearl McCarthy | 52-53 | |
63 | Winter 1959 | 16 | Canadian Art | Jean Chauvin, F.R.S.C., 1895-1958 | 54 | ||
63 | Winter 1959 | 16 | Canadian Art | Coast to Coast in Art | 55 | ||
63 | Winter 1959 | 16 | Canadian Art | The Autumn Season: 1958 Toronto | Hugo McPherson | 56-57 | |
63 | Winter 1959 | 16 | Canadian Art | The Autumn Season: 1958 Montreal | Robert Ayre | 58-65 | |
63 | Winter 1959 | 16 | Canadian Art | To Serve the Living Cause | John Steegman | 66-67 | |
65 | Summer 1959 | 16 | Canadian Art | Stone-age Art in the Canadian Shield | Selwyn Dewdney | 164-167 | |
65 | Summer 1959 | 16 | Canadian Art | The Art of Kazuo Nakamura | Andrew Bell | 168-173 | |
65 | Summer 1959 | 16 | Canadian Art | Louis De Niverville | Robert Fulford | 174-181 | |
65 | Summer 1959 | 16 | Canadian Art | Salzburg Presents the First Biennial of Christian Art | 182-183 | ||
65 | Summer 1959 | 16 | Canadian Art | Peering Through the Varnish | Nathan Stolow | 184-191 | |
65 | Summer 1959 | 16 | Canadian Art | The Reactionaries | Joseph Plaskett | 192-197 | |
65 | Summer 1959 | 16 | Canadian Art | Canadian Graphic Art Abroad | Donald W. Buchanan | 198-199 | |
65 | Summer 1959 | 16 | Canadian Art | Aba Bayefsky in India | Humphrey Milnes | 200-202 | |
65 | Summer 1959 | 16 | Canadian Art | Coast to Coast in Art | 203 | ||
65 | Summer 1959 | 16 | Canadian Art | The Spring Season: 1959 Toronto | Robert Fulford | 204 | |
65 | Summer 1959 | 16 | Canadian Art | The Spring Season: 1959 Montreal | Robert Ayre | 205 |